DOCSLIB.ORG

Contemporary German Art

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Contemporary German Art ARS LIBRI ELECTRONIC LIST 120: CONTEMPORARY GERMAN ART Ars Libri Ltd. | 500 Harrison Ave. | Boston, MA 02118 [email protected] | www.arslibri.com | tel 617.357.5212 | fax 617.338.5763 Electronic List 120: Contemporary German Art 1 ANTES, HORST. Parken verboten: Sechsundsiebzig Offsetgravüren. Mit einem Vorwort von Albrecht Fabri. (2)pp., 78 plates printed on double-leaves. 4to. Brown paper wraps., designed by Joseph Fassbender. One of 150 hand-numbered copies, signed by the artist in the colophon, from the edition of 185 in all. Neatly taped at spine. Köln (Galerie der Spiegel), 1962. $850.00 ARS LIBRI 2 ELECTRONIC LIST 120: CONTEMPORARY GERMAN ART 2 ANTES, HORST. Stierstädter Gartenbuch. Mit Gedichten von Dieter Hoffmann. 16 Bilder und 13 Pflanzendrucke. (Passgänge. Literarisch-graphische Reihe. Band III.) (34)pp. 29 color prints (13 single tone, integrated with text). Printed on double-fold sheets. Lrg. 8vo. Wraps. Edition limited to 300 hand-numbered copies, signed in the colophon by Antes and Hoffmann. “Die Bilder dieses Buches wurden von Horst Antes im Sommer 1964 auf der Maschine der Eremitenpresse gemalt.” Stierstadt im Taunus (Verlag Eremiten-Presse), 1964. $600.00 3 BECKING, HORST. Briefe. Texts by Eugen Thiemann and Dieter Dué. (64)pp., 48 color plates. 67 illus. Oblong 4to. Cloth. D.j. One of 450 copies signed and numbered by the artist, from the limited edition of 500. Presentation copy, inscribed by the artist to Hans Joachim Beyer, 1979, with a drawing in pencil and colored pencil. [Hagen] (The Artist), n.d. $125.00 4 Hölderlin, Friedrich & BECKING, HORST. Friedrich Hölderlin: Patmos Handschriften. Horst Becking: Lithographien. (14)pp., 10 original lithographs. Tissue guards (some with printed text). Printed on double-fold leaves. Sm. 4to. Wraps. D.j. One of 35 copies signed and numbered by the artist, from the limited edition of 70 in all. Much of the text is in facsimile from the Hölderlin manuscript original. Presentation copy from the artist to Hans Joachim Beyer, with an autograph card from him loosely inserted, and with a signed full-page drawing in colored pencil on the first leaf. N.p. (The Artist), n.d. $175.00 5 BECKING, HORST. Sommertage. Eine Reise ohne sich fortzubewegen. (4)pp., 24 color plates. Signatures loose, as issued. Folio. Boards. D.j. Vorzugsausgabe: copy 42 of an unstated edition, signed and numbered by the artist on the last leaf, with a large-format signed original color etching, correspondingly numbered, loosely inserted. Presentation copy, boldly inscribed by the artist to Hans Joachim Beyer, with an exuberant full-page colored drawing on the title-page in gouache and crayon, dated 1985, and further decorations in colored 4 June, 2019 ARS LIBRI 3 ELECTRONIC LIST 120: CONTEMPORARY GERMAN ART crayon and pencil in the inscription on the verso. This copy also with an inscribed folded exhibition poster under back cover. Hagen (The Artist), 1985. $300.00 6 BECKING, HORST. Tagebuch Firenze. (112)pp. Prof. illus. in color. 4to. Cloth. D.j. Presentation copy, boldly inscribed by the artist to Hans Joachim Beyer on the title-page, with a full-page original drawing in oil paint, pencil and colored pencil on the facing sheet. Dortmund (Edition Galerie Untermann), n.d. $250.00 7 BECKING, HORST. Träume. Texts by the artist and Dieter Dué. 6ff., 21 color plates. Oblong folio. Cloth. D.j. One of 400 hand-numbered copies, from the limited edition of 500. Presentation copy from the artist to Hans Joachim Beyer, boldly inscribed on the title-page, 1980, with a double-page drawing in colored crayon and pencil extending across the facing leaf. Hagen (Edition “Galerie Oben”), n.d. $200.00 8 BECKING, HORST. [Untitled Christmas Greeting.] (22)pp. 5 full-page plates. 4to. Wraps., stapled as issued. Inscribed “Weihnachten 1966” and signed and numbered from an edition of 30, this copy includes a signed full-page drawing in colored pencil, pencil and watercolor on the first leaf. Presentation copy, inscribed by the artist to Hans Joachim Beyer, 1979. N.p. (The Artist), 1966. $150.00 9 BECKING, HORST. “Vom glücklichen Zufall des Sonnenuntergangs.” (2)pp., 1 folding color plate (16- panel double-sided leporello). Loosely inserted, as issued: untitled original color etching on heavy wove stock, signed and dated 1984, and numbered from an edition of 100 copies. Oblong lrg. 8vo. Boards. This copy decorated in oil paint by the artist on the title leaf. Brüssel (Edition Abras), [1984]. $100.00 10 BECKING, HORST. 10 Zeichnungen. (14)pp. 11 full-page illus. (including cover). Printed on double-fold leaves. Oblong lrg. 8vo. Dec. wraps. An artist’s book, printed without colophon. Presentation copy, inscribed by the artist to Hans Joachim Beyer, 1979, with a colored drawing. N.p. (The Artist), n.d. $125.00 11 Düsseldorf. Galerie Schmela. JOSEPH BEUYS. Zeichnungen von 1949-1969. 3ff., 57 full-page plates. 4to. Blank blue wraps., with linen backstrip (lightly sunned, as usual). Edition limited to 500 copies, signed and numbered by Beuys in pen on the title-page. The title, with justification, and two pages of register, are all reproduced from the artist’s handwritten text. Düsseldorf, 1969. $450.00 4 June, 2019 ARS LIBRI 4 ELECTRONIC LIST 120: CONTEMPORARY GERMAN ART 12 BLUME, ANNA & BLUME, BERNHARD. Prinzip Grausamkeit: Eine Polaroidserie. 60, (4)pp. 58 with tipped-in digital color photographic plates. Oblong lrg. 4to. Boards. One of 120 copies, signed and numbered by Anna and Bernhard Blume, from the limited edition of 140. Köln (Verlag der Buchhandlung Walther König), 2002. $500.00 13 BLUME, BERNHARD-JOH. Heilig heilig heilig. 42ff., including title, frontis. (partly in gold, signed and dated in pencil), and 40 plates, all xerographically printed. All contents loose, as issued. 4to. Portfolio (cloth). Edition of 40 copies, signed, numbered and dated by the artist on the title-page. Issued without colophon. Very slight abrasion on frontis. Köln (Edition Hundertmark), 1985. $400.00 4 June, 2019 ARS LIBRI 5 ELECTRONIC LIST 120: CONTEMPORARY GERMAN ART 14 BLUME, BERNHARD JOHANNES. Das höhere Selbst: 7 transzendentale Fotos und ein Text. (4)pp. (=single sheet, folding), 7 photographic plates tipped onto heavy card mounts. Cellophane envelope of glitter laid in. Contents loose, as issued. Lrg. 8vo. Publisher’s lidded cardboard box. One of 30 numbered copies signed by the photographer in the colophon, from the limited edition of 60 in all. Initialled in pen by the artist on the lid of the box. Köln (Wolfgang Hake Verlag), 1973. $2,500.00 15 BLUME, BERNHARD JOHANNES. Ich sehe die Gegenstände immer vor mir. (124)pp. Prof. illus. Wraps. Vorzugsausgabe: one of 100 copies with a signed original drawing in green ink by the artist in the colophon, inscribed “Original Handzeichnung mit dem Munde gemahlt,” from the limited edition of 300 numbered copies. Köln (Wolfgang Hake Verlag), 1973. $300.00 4 June, 2019 ARS LIBRI 6 ELECTRONIC LIST 120: CONTEMPORARY GERMAN ART 16 BLUME, BERNHARD. JOH. Ich & Du. 40 Xerographien. 42ff., including xerographic title/colophon, frontis. (original crayon drawing, signed, dated and titled in pencil by the artist), and 40 xerographic plates. All contents loose, as issued. 4to. Portfolio (cloth). Edition limited to 60 numbered copies, signed in the colophon by the artist. Köln (Wolfgang Hake-Verlag), 1986. $650.00 4 June, 2019 ARS LIBRI 7 ELECTRONIC LIST 120: CONTEMPORARY GERMAN ART 17 BLUME, BERNH. JOH. Mahlzeit. 6 Polaroidxerographien und 6 Schwarz-Weiss-Xerographien aus der Serie “Kant zuliebe” 1981. 13ff., including title leaf with vignette on verso (signed in pencil), 6 Polaroid-xerographs (through-numbered in pencil), and 6 xerographic plates (each signed and dated in pencil). Contents loose, as issued. 4to. Orig. envelope, stamped “BLUME Serie.” N.p. (The Artist), 1981. $850.00 4 June, 2019 ARS LIBRI 8 ELECTRONIC LIST 120: CONTEMPORARY GERMAN ART 18 BLUME, BERNHARD JOHANNES. Natürlich: Ein Gespräch mit Joseph Beuys. [Beuys/Blume “natürlich.” 9 kurzgefasste Szenen aus einem 2-Stunden-Dialog.] Multiple. 9 heavy cardboard panels with offset photographs and text, together with large three-dimensional crucifix constructed of green paper, signed, numbered and dated 1985/89 in pencil by the artist; and with large folding color poster; all in the publisher’s cardboard box, the outer lid mounted with title panel in green, and the inner box mounted with the colophon. Contents loose, as issued. Box dimensions: 490 x 230 x 60 mm. (ca. 19 3/8 x 9 1/8 x 2 1/4 inches). Oblong folio. One of 60 hand-numbered copies from the edition of 70. “Das Gespräch zwischen B.J. Blume u. Jos. Beuys fand am 1. Mai 1985 in der Galerie Paul in Ilverich bei Düsseldorf anlässlich einer gemeinsamen Ausstellung statt.” Box slightly creased; a fine example. Köln (Balloni Verlag/ Verlag der Buchhandlung Walther König), 1989. $1,500.00 4 June, 2019 ARS LIBRI 9 ELECTRONIC LIST 120: CONTEMPORARY GERMAN ART 19 BLUME, BERNHARD-JOH. Rund & Eckig. 42ff., including xerographic title/colophon, frontis. (original crayon drawing, signed, dated and titled in pencil by the artist), and 40 xerographic plates. All contents loose, as issued. 4to. Portfolio (cloth). Edition limited to 60 numbered copies, signed in the colophon by the artist. Köln (Wolfg. Hake Verlag), 1986. $650.00 20 BLUME, BERNHARD JOHANNES. Die vierte Dimension. 40ff. Prof. illus. Wraps. Edition of 300 copies. Inscribed by the artist in green ink beneath the title, “von 1973 reaktualisert in Delmenhorst 1991/ BJ. Blume.” Düsseldorf (M. Kuttner), 1974. $150.00 4 June, 2019 ARS LIBRI 10 ELECTRONIC LIST 120: CONTEMPORARY GERMAN ART 21 BLUME, BERNHARD JOHANNES. Zeichnungen aus der Immobilien-Serie 1983. [35 Xerographien aus der Immobilienserie 1983.] 37ff., including 35 xerographic plates, printed on recto only. Contents loose, as issued. 4to. Portfolio (masonite boards with supralibros title, 1/4 cloth, secured with elastic cord, as issued).
Load more

Recommended publications
  • New Books on Art & Culture
    S11_cover_OUT.qxp:cat_s05_cover1 12/2/10 3:13 PM Page 1 Presorted | Bound Printed DISTRIBUTEDARTPUBLISHERS,INC Matter U.S. Postage PAID Madison, WI Permit No. 2223 DISTRIBUTEDARTPUBLISHERS . SPRING 2011 NEW BOOKS ON SPRING 2011 BOOKS ON ART AND CULTURE ART & CULTURE ISBN 978-1-935202-48-6 $3.50 DISTRIBUTED ART PUBLISHERS, INC. 155 SIXTH AVENUE 2ND FLOOR NEW YORK NY 10013 WWW.ARTBOOK.COM GENERAL INTEREST GeneralInterest 4 SPRING HIGHLIGHTS ArtHistory 64 Art 76 BookDesign 88 Photography 90 Writings&GroupExhibitions 102 Architecture&Design 110 Journals 118 MORE NEW BOOKS ON ART & CULTURE Special&LimitedEditions 124 Art 125 GroupExhibitions 147 Photography 157 Catalogue Editor Thomas Evans Architecture&Design 169 Art Direction Stacy Wakefield Forte Image Production Nicole Lee BacklistHighlights 175 Data Production Index 179 Alexa Forosty Copy Writing Sara Marcus Cameron Shaw Eleanor Strehl Printing Royle Printing Front cover image: Mark Morrisroe,“Fascination (Jonathan),” c. 1983. C-print, negative sandwich, 40.6 x 50.8 cm. F.C. Gundlach Foundation. © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. From Mark Morrisroe, published by JRP|Ringier. See Page 6. Back cover image: Rodney Graham,“Weathervane (West),” 2007. From Rodney Graham: British Weathervanes, published by Christine Burgin/Donald Young. See page 87. Takashi Murakami,“Flower Matango” (2001–2006), in the Galerie des Glaces at Versailles. See Murakami Versailles, published by Editions Xavier Barral, p. 16. GENERAL INTEREST 4 | D.A.P. | T:800.338.2665 F:800.478.3128 GENERAL INTEREST Drawn from the collection of the Library of Congress, this beautifully produced book is a celebration of the history of the photographic album, from the turn of last century to the present day.
    [Show full text]
  • The History of Photography: the Research Library of the Mack Lee
    THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography.
    [Show full text]
  • Catalogue: the first Kübler from the Stiftung Für Konkrete Kunst in Reutlingen
    WIENAND 1 1 INHALT / CONTENTS VORWORT / FOREWORD ULRIKE GROOS 10–15 STEFAN KLEIN EIN MANN GEHT AN EINEM BAUKRAN VORBEI / A MAN WALKS BY A CONSTRUCTION CRANE 16–31 EVA-MARINA FROITZHEIM ÜBER DEN ZUFALL IN DER KUNST UND METHODEN, IHN SICHTBAR ZU MACHEN / ON CHANCE IN ART AND METHODS OF MAKING THIS VISIBLE 32–41 DIETMAR GUDERIAN KUNST AUF DEM WEG ZUM ZUFALL / ART IN SEARCH OF CHANCE 42–55 BETTINA THIERS ZUFALL UND LITERATUR – ODER: „SCHÖN … WIE DIE ZUFÄLLIGE BEGEGNUNG EINES REGENSCHRIMS UND EINER NÄHMASCHINE AUF EINEM SEZIERTISCH“ / CHANCE AND LITERATURE – OR: ‘AS BEAUTIFUL AS THE CHANCE MEETING ON A DISSECTING TABLE OF A SEWING MACHINE AND AN UMBRELLA!’ 56–63 ANNA-MARIA DRAGO JEKAL ZWISCHEN GEPLANT UND UNVORHERSEHBAR: JOHN CAGE UND DER ZUFALL IN DER MUSIK / BETWEEN THE PLANNED AND THE UNPREDICTABLE: JOHN CAGE AND CHANCE IN MUSIC BILDTEIL I / ILLUSTRATIONS I KONTINGENZ / CONTINGENCY 122–127 EVA-MARINA FROITZHEIM ZUFALL ALS PHILOSOPHISCHE KATEGORIE / CHANCE AS A PHILOSOPHICAL CATEGORY 128–141 FLORIAN MUNDHENKE KONSTRUIERTE UND ZERSTÖRTE WIRKLICHKEIT BEI TOM TYKWER UND MICHAEL HANEKE: ÜBER DIE ROLLE DES ZUFALLS IM SPIELFILM / CONSTRUCTED AND DESTROYED REALITY IN THE WORKS OF TOM TYWKER AND MICHAEL HANEKE: ON THE ROLE OF CHANCE IN FILM BILDTEIL II / ILLUSTRATIONS II 156–165 WERKLISTE / LIST OF WORKS Kaum ein anderes Phänomen ist in unserem Leben so Knapp 50 Jahre später entdeckten Künstler in Frankreich, aus unterschiedlichen Perspektiven zu schildern. Im VORWORT omnipräsent und gleichzeitig so schwer zu fassen wie der Deutschland und Osteuropa den Zufall für sich. Statt Sinne einer grenzüberschreitenden Betrachtung des Zufall. Das Phänomen Zufall steht für das Unerklärliche, zu malen und Motive zu gestalten, experimentierten sie Phänomens Zufall findet sich deshalb im Katalog ein Essay Unwahrscheinliche und Nichtvorhersagbare, das überra- geradezu systematisch mit dem Zufall und gelangten des Medienwissenschaftlers Florian Mundhenke zum schend eintritt und widersprüchliche Gefühle hervorruft: dadurch zu neuen Bildinhalten.
    [Show full text]
  • Newsletter BERICHTE Lumen Christie’S 5 Neue Köpfe an Der HFBK 8 Karl H
    HFBK AUSGABE 46 April 08 newsletter BERICHTE Lumen Christie’s 5 Neue Köpfe an der HFBK 8 Karl H. Ditze Diplompreis 2008 12 Unitage an der HFBK 14 Hohe Bewerberzahlen an der HFBK 14 Bilanzpromenade 15 »Speicher« Hörspiel des Monats 16 Lumi- nale 17 »Reine Vernunft« Anna und Bernhard Blume 18 »Zeitweise« Olav Christopher Jenssen 19 »Nennt mich nicht Polke« 20 Den Letzten beißen die Hunde 20 Hamish Fulton »Hamburg Walks« 21 Sehnsucht Landschaft 21 Künstlerförderung des Cusanuswerks 22 Nominierung für Wendla Nölle 23 Atelierstipendium für Cordula Ditz und Paul Sochacki 23 Förderungen der Karl H. Ditze Stiftung 24 TERMINE Eröffnungen 25 Ausstellungen 26 Veranstaltungen 27 Impressum 27 Erratum 27 Ausschreibungen 28 BEILAGE Hans-Joachim Lenger: Unsichtbarkeit. Zur An-Ästhetik des Krieges Ingo Offermanns, Werner Büttner, HFBK-Studierende »Lumen Christie’s« 2008, Plakat Werner Büttner Yu ko Kakehi »Abfall-Kalender« 2008, Installation, diverse Fundstücke 2 Max Frisinger »Altar« 2008, Rauminstallation, diverse Materialien und Fundstücke 3 Jonas Brandt »Die entblätterte Jungfrau« 2008, Skulptur aus Lindenholz und Dachlatte, 253 x 11 cm Daniela Milosevic, ohne Titel (»Schielender Hund«) 2008, Objekt Liliah Tschernjakova Schütz »Erster Turmraum« 2008, Raum- aus Keramik installation aus Aluminium 4 Lumen Christie’s K reuzwege 2008: Studierende der HFBK stellen in St. Katharinen aus In Zeiten wo zwei der namhaftesten deutschen Künstler, Zettelkasten das Schlagwort vom Turmbau zu Babel auf, die Neo Rauch und Gerhard Richter, für und in Kirchen tätig Geschichte vom Wunsch des Menschen nach gottgleicher werden, nimmt ein Ausstellungsprojekt wie »Lumen Schöpfungskraft und Meisterschaft, nach dem allmächtigen Christie’s« kaum mehr wunder, sollte man meinen. Doch Blick von oben herab, der über Tod und Leben bestimmt.
    [Show full text]
  • Overview Exhibitions Worldwide 2021 (PDF)
    1 – i f 02 a 2 T R E A D V I E W L D L I L N R G O W E X S H N I B O I I T ifa TRAVELLING EXHIBITIONS WORLDWIDE 2021 AN ATLAS OF COMMONING: PLACES OF COLLECTIVE PRODUCTIONS 4 NEW ARE YOU FOR REAL 8 ARNO FISCHER. PHOTOGRAPHY 12 BARBARA KLEMM. LIGHT AND DARK: PHOTOGRAPHS FROM GERMANY 16 THE WHOLE WORLD A BAUHAUS 20 NEW EVROVIZION. CROSSING STORIES AND SPACES 24 FABRIK. ON THE CIRCULATION OF DATA, GOODS, AND PEOPLE 28 FUTURE PERFECT: CONTEMPORARY ART FROM GERMANY 32 HELGA PARIS. PHOTOGRAPHY 36 ARTSPACE GERMANY 40 LINIE LINE LINEA: CONTEMPORARY DRAWING 44 MARCEL ODENBACH: TRANQUIL MOTIONS 48 NEW OLDS: DESIGN BETWEEN THE POLES OF TRADITION AND INNOVATION 52 OTTO DIX. “SOCIAL CRITICISM” 1920-1924; “WAR“, ETCHINGS 1924 56 PAULA MODERSOHN-BECKER AND THE WORPSWEDERS: DRAWINGS AND PRINTS 1895-1906 60 PURE GOLD – UPCYCLED! UPGRADED! 64 ROSEMARIE TROCKEL. SELECTED DRAWINGS, OBJECTS, AND VIDEO WORKS 68 SIBYLLE BERGEMANN. PHOTOGRAPHS 72 SIGMAR POLKE. MUSIC FROM AN UNKNOWN SOURCE 76 THE EVENT OF A THREAD. GLOBAL NARRATIVES IN TEXTILES 80 TRAVELLING THE WORLD: ART FROM GERMANY 84 WITH/AGAINST THE FLOW. CONTEMPORARY PHOTOGRAPHIC INTERVENTIONS #1 VIKTORIA BINSCHTOK #2 MICHAEL SCHÄFER 88 WITH/AGAINST THE FLOW. CONTEMPORARY PHOTOGRAPHIC INTERVENTIONS #3 SEBASTIAN STUMPF #4 TAIYO ONORATO 92 WOLFGANG TILLMANS: FRAGILE 96 LEAP IN TIME. ERICH SALOMON. BARBARA KLEMM 100 NEW ARTISTS IN DIGITAL CONVERSATION 104 COLOPHON 111 Installation view Planbude Hamburg, Esso Häuser Requiem, Kunstraum Bethanien/Kreuzberg, Berlin, 2018, photo: Simone Gilges, © ifa CURATORIAL TEAM Anh-Linh Ngo Mirko Gatti Christian Hiller Max Kaldenhoff i f a T R A Christine Rüb – V Elke aus dem Moore 1 E Stefan Gruber 2 L 0 RESEARCH PARTNERS L 2 I School of Architecture, N Carnegie Mellon University E Pittsburgh, and TU Berlin, G D Institute for Architecture, I Prof.
    [Show full text]
  • Download/Sektionsbeitraege/01- 1 Schuermann.Pdf> (Accessed 26 August 2016), 1–16
    Disruption in the Arts Culture & Conflict Edited by Isabel Capeloa Gil and Catherine Nesci Editorial Board Arjun Appadurai ⋅ Claudia Benthien ⋅ Elisabeth Bronfen ⋅ Joyce Goggin Lawrence Grossberg ⋅ Andreas Huyssen ⋅ Ansgar Nünning ⋅ Naomi Segal Márcio Seligmann-Silva ⋅ António Sousa Ribeiro ⋅ Roberto Vecchi Samuel Weber ⋅ Liliane Weissberg ⋅ Christoph Wulf Volume 11 Disruption in the Arts Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions Edited by Lars Koch, Tobias Nanz, and Johannes Pause ISBN 978-3-11-056586-7 e-ISBN (PDF) 978-3-11-058008-2 e-ISBN (EPUB) 978-3-11-057975-8 ISSN 2194-7104 Library of Congress Control Number: 2018952778 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Walter de Gruyter GmbH, Berlin/Boston Cover image: pixabay.com Printing and binding: CPI books GmbH, Leck www.degruyter.com TableofContents Lars Koch, Tobias Nanz, and Johannes Pause Disruption in the Arts: Prologue IX I Conceptual Approaches Lars Koch and Tobias Nanz Aesthetic Experiments On the Event-LikeCharacter and the Function of Disruptions in the Arts 3 Moritz Mutter Scandalous Expectations Second Order Scandals in Modern Society 27 Mario Grizelj Ekstasis andParadoxa The Miracle as Disruption 37 Lars Koch, Tobias Nanz, and Johannes Pause Imagined Scenarios of Disruption AConcept 63 II Media Tanja Prokić Disruptive Storytelling
    [Show full text]
  • Patrick Painter, Inc
    PATRICK PAINTER, INC PAUL MCC ARTHY Born August 11, 1945 1973 M.F.A., University of Southern California 1969 B.F.A., San Francisco Art Institute Lives and works in Los Angeles, CA SOLO EXHIBITIONS 2004 Brain Box Dream Box, Van Abbemuseum, Eindhoven, The Netherlands 2003 Patrick Painter Inc., Santa Monica, CA 2002 Luhring Augustine, New York, NY Paul McCarthy, Frans Halls Museum, Haarlen, The Netherlands 2001 Pirate Drawings, Galerie Hauser & Wirth, Zurich Paul McCarthy, Villa Arson, Nice Paul McCarthy, New Museum, New York,NY Santa’s Chocolate Shop, Luhring Augustine, New York, NY The Box, The Atrium, New York, NY The Garden, Deitch Projects, New York, NY 2000 Paul McCarthy, MOCA at the Geffen ConTemporary, Los Angeles, CA Heidi File, Patrick Painter, Inc., Santa Monica, CA Eleni Korneou Gallery, Athens, Greece Paul McCarthy and Mike Kelley, Power Plant Contemporary Art Gallery, Toronto, Canada Tokyo Santa, Santa’s Trees, Blum and Poe, Santa Monica, CA 1999 Proposition, Collaboration with Jason Rhodes, David Zwirner Gallery, New York, NY Dimensions of the Mind: The Denial and the Desire in the Spectacle Sammlung Hauser und Wirth in Der Lokremise, St. Gallen, Switzerland Dead H and early performance photographs, Studio Guenzani 1998 Painter, Video and Drawings, Galerie Krinzinger Photographs--Performance Photographs and Video, 1969 – 1983, Luhring Augustine, New York, NY; and Patrick Painter, Inc, Santa Monica, CA 1997 Santa Chocolate Shop, Galerie Hauser & Wirth, Zurich, Switzerland PATRICK PAINTER, INC 1996 Paul McCarthy, Tomio Koyama
    [Show full text]
  • Travelling the World 11.10 – 8.12.2019
    Изкуство от Германия Произведения от колекцията на ifa от 1949 г. до днес TRAVELLING THE WORLD Art from Germany Artworks from the ifa Collection 1949 to the Present 11.10 – 8.12.2019 Герхард Алтенбург Роден г. в Рьодихен-Шнепфентал Починал г. в Майсен След войната Алтенбург започва да взема уроци по рисуване и от ­ г. следва в Универ- ситета Баухаус – Ваймар. Но след критики за „аморалност на неговите мотиви“ още през г. му се налага да напусне университета. През г. е първата му самостоятелна изложба в Берлин, през г. взема участие в documenta II и през г. – в documenta . Тъй като Алтенбург последователно се противопоставя на културната политика на ГДР, художественото му творчество бива ограничено, но това не пречи на признаването му – както в Източна, така и в Западна Германия. Рисунките и печатните графики на Алтенбург възникват от диалога с класическия модер- низъм и с изкуството на неговите съвременници, с литературата, философията, психо- логията, историята и естествените науки, както и с тюрингската природа, сред която живее, а също и от едно странно безвремие във възприемането на реалността. Работите му разкриват поетично-игриви, загадъчни и сюрреалистични светове на образи и мисли. Рисунката „Г-н старши правителствен съветник Байнес“ от 1949 г. показва мъжа, който се опитва да пречи на артистичното развитие на Алтенбург. Той го рисува като чудовищно насекомо, с пронизващи очи, хитлеров мустак и остър, кълвящ нос, с израстващи от раме- нете му нокти. Gerhard Altenbourg Born in Rödichen-Schnepfental Died in Meißen After the end of the war, Altenbourg took drawing classes and then, beginning in ­, studied at Bauhaus University in Weimar.
    [Show full text]
  • Hebben En Houden (2) Pour L’Art, En Op Het Estheticisme En Het Esca- En Aan Collectief Eigendom
    België – Belgique 210 P.B. BRUSSEL X maart – april 2021 3 / 2964 jaargang 35 P706236 2 Clara Leverd & Véronique Patteeuw 10 Koen Sels 15 Bart Verschaffel Verzamelde metamorfoses Midlifecrisis. Vaast Colson Loci Amoeni. De esthetiek van plaatsen www.dewitteraaf.be Madelon Vriesendorp 12 Karina Scarlet de Vries & Timo Demollin 19 Daniël Rovers redactie & administratie: DWR/TWR vzw 6 Nora Veerman Bitte Nicht Berühren / Please Do Not De draak van de geschiedenis Postbus 1428 – 1000 Brussel 1 t.: 32(0)2 223.14.50 – email [email protected] Voorgeliefde kleren Touch. Charlotte Posenenske vijfendertigste jaargang – ISSN 0774-8523 verschijnt tweemaandelijks – 12.000 ex. afgiftekantoor Brussel X & 23 – 48 toegelaten gesloten verpakking Brussel X 3/187 Het atelier van Madelon Vriesendorp Foto Clara Leverd en Véronique Patteeuw, Londen, 2019 Het verhaal is een satirische kritiek op l’art gegeven aan gedeelde activiteiten en ideeën, Hebben en houden (2) pour l’art, en op het estheticisme en het esca- en aan collectief eigendom. pisme van de kunstenaar die verzaakt aan de Clara Leverd en Véronique Patteeuw politiek en aan de maatschappij – wie zich monsteren de verzamelingen van Madelon te veel met mooie dingen bezighoudt, zwelgt Vriesendorp, die niet alleen de bron zijn van Gehecht raken aan dingen is moeilijk te en verdrinkt in een asociale wereldvreemd- nieuwe objecten, maar vaak zelf de metamor- vermijden, maar net als verknocht zijn aan heid waar anderen uiteindelijk de dupe van fose als onderwerp hebben. Nora Veerman mensen kan het verstrekkende gevolgen worden. En toch is het hoofdpersonage uit schrijft over de liefde voor kleren, en over hoe hebben.
    [Show full text]
  • Stefan Wolpe Society Newsletter 2007 Greeting
    1 STEFAN WOLPE SOCIETY NEWSLETTER 2007 Stefan Wolpe Newsletter/2007 © 2007 Stefan Wolpe Society, Inc. 1075 Stasia St., Teaneck NJ, 07666 editor Austin Clarkson associate editors Noyes Bartholomew Martin Brody Matthew Greenbaum Cheryl Seltzer production Daniel Foley Stefan Wolpe Society, Inc. Directors honorary president Katharina Wolpe president GREETING Martin Brody We hope you enjoy this newsletter, which arrives after a lapse of vice-presidents many years. The article on the Cantata Yigdal is by Stefan Wolpe’s Austin Clarkson cousin Gerald, who was attending the Jewish Theological Seminary at Matthew Greenbaum the time. Stephen M. Fry tells the story of the bronze bust of Wolpe that found a home in the music library of the University of California secretary at Los Angeles. And the events attending the birth of Wolpe’s one and Cheryl Seltzer only Symphony are recounted by one of the editors of the new edition. Bruce Pomahac of the Rodgers and Hammerstein Organization treasurer was most generous in supplying information for the appreciation of Noyes Bartholomew Trude Rittmann, who made an extraordinary contribution to the Broadway stage over three decades. And Dave Lewis instructs us on Hannah Arie-Gaifman how to access the Wolpe listings that he prepared for the All Music James Kendrick Guide website. The remaining departments bring news from the Robert Martin archives, conferences, books, editions, and recordings. The Chronicle Robert Morris of 2001-2007 and the Bibliography are comprehensive, but surely not Zaidee Parkinson complete, and we would be grateful for additions and corrections. We Paul Sadowski also welcome news items from performers, scholars, and enthusiasts Fred Sherry for inclusion in the next newsletter.
    [Show full text]
  • Anna Und Bernhard Blume. Reine Vernunft
    Anna und Bernhard Blume. Reine Vernunft Herausgegeben von Eugen Blume Texte von Eugen Blume, Bazon Brock und Dorothea Strauss 22 x 27 cm, 100 Seiten, 90 Duotone- Abbildungen. Broschur Deutsch isbn: 978-3-86560-445-3 Die rund fünfzig seit 2002 neu entstandenen Arbeiten in diesem Buch @ 28,– / chf 49,– wurden in dieser Vollständigkeit noch nicht publiziert. Insbesondere sind 2008 es die beiden vielteiligen, digital fotografierten Großbild-SerienAbstrakte Kunst (2002–2004) und de-konstruktiv (2005–2007). Kunst / Art Anna und Bernhard Blume haben bereits 1997 ihre Arbeitsweise von „analog“ auf „digital“ umgestellt: für das Künstlerpaar eine künstlerisch unproblematische Konsequenz aus ihrer frühen Einsicht in die grundsätz- Anna Blume liche Manipulierbarkeit der Fotografie und damit ihrer subjektiven Anteile Geb. 1937 in Bork (Westfalen). an unserem Wirklichkeitsbild überhaupt. Als Pioniere der inszenierten Fotografie zählen die Künstler zu den international renommierten Vertre- Bernhard Blume tern eines Genres, an dessen ästhetischer Grenzerweiterung sie bis heute Geb. 1937 in Dortmund geboren. Beide nachhaltig arbeiten. Einige unverwechselbare Konstanten kennzeichnen leben und arbeiten seit 1967 in Köln und aber auch ihre neuesten Bildsequenzen: Durchgehend großformatige Hamburg. Schwarzweißfotografien, die ihre Herkunft aus der abstrakten Malerei nicht verleugnen, sondern sogar ausdrücklich thematisieren. Und natür- lich ihr ganz eigener selbstironischer Humor, der sie als Protagonisten Hamburger Bahnhof, Museum für ihrer verrückten Bildergeschichten unverwechselbar macht. Gegenwart, Berlin, 04.04.– 10.10.2008 Die kurz gefasste Dokumentation älterer Arbeiten dient dem Verweis auf eine sich darin ankündigende Intention, die in den neuen Arbeiten Weiterhin lieferbar / Still available: zum eigentlichen Thema wird. Dieses Buch schließt mit einer kompletten, bebilderten Bibliografie. Anna und Bernhard Johannes Blume.
    [Show full text]
  • Bernhard and Anna Blume : the Museum of Modern Art, New York, May 13-June 20, 1989
    Projects 16 : Bernhard and Anna Blume : The Museum of Modern Art, New York, May 13-June 20, 1989 Author Blume, Bernhard Johannes Date 1989 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/2128 The Museum of Modern Art's exhibition history—from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art The Museum of Modern Art New York May 13-June 20,1989 This side and reverse: Five untitled photographs from the series Mahlzeit. 1986-89. Gelatin-silver prints, each 67 x 42 (170 x 108 cm). Courtesy Galerie Magers, Bonn A / C k I bernhard and anna blume: These photographs may be understood often repeat violent actions in order to capture the desired trautes heim paradoxically as both a submissionto and rebellion against image on film. This theatricality should be understood Since1980, the Cologne-basedartists prosaic and spiritual rituals. In Mahlzeit, for example, the within the context of European conceptual and perfor Anna and Bernhard Blume have collaborated on photo daily meal becomes a symbolic event of mandatory partici mance art of the past two decades. The couple's artistic graphic theater pieces,or "photo-actions," producing series pation. As if in a seance,the couple conjures parapsycho- outlook was informed by their relationship with Joseph of staged photographs that purport to document paranor logical phenomena through intense concentration. In the Beuys,with whom Bernhard Blume participated in Fluxus mal occurrencesin the lives of a 1950spetit bourgeois first image, they obediently attend a gleaming pot, as if events in Dusseldorf in the early 1960s.It was Beuys'ssham- couple.
    [Show full text]