Capa Cm 130 Falta Lombada28

Total Page:16

File Type:pdf, Size:1020Kb

Capa Cm 130 Falta Lombada28 CABRAL MONCADA LEILÕES CABRAL MONCADA ANTIGUIDADES E OBRAS DE ARTE PINTURA, LIVROS, PRATAS E JÓIAS 26 e 27 de Setembro de 2011 Ã Setembro 2011 CABRAL MONCADA LEILÕES 130 a abrir CAROS AMIGOS, É com particular satisfação que lhes apresentamos o catálogo ANTIGUIDADES E OBRAS DE ARTE, do nosso Leilão 130, com que abrimos a segunda metade da PINTURA, LIVROS, PRATAS E JÓIAS temporada de leilões deste ano de 2011. 26 e 27 de Setembro de 2011 Um leilão especial, com diversas peças excepcionais, cuja qualidade e interesse, nacional e internacional, se pretendeu reflectir na capa Sociedade Comercial de Leilões “O Pregão” S.A. escolhida – um cofre Lusíada, amplamente referenciado, revestido CABRAL a placas de madrepérola com aplicações em prata dourada, Guzarate, MONCADA Rua Miguel Lupi, 12 D • 1200-725 Lisboa • Portugal vertente de influência Mogol, séc. XVI/XVII (Lote 504). LEILÕES Tel: [+351] 213 954 781 • Fax: [+351] 213 955 115 [email protected] • www.cml.pt Verdadeiramente notável, não apenas pelas suas imponentes dimensões, PESSOA COLECTIVA 503 556 858 • MATRICULADA NA CONSERVATÓRIA DO é a “Nossa Senhora da Conceição de manto comprido assente REGISTO COMERCIAL SOB O MESMO NÚMERO • CAPITAL SOCIAL DE 51.000 EUROS sobre Orbe com Querubins”, escultura em marfim com dourados e policromia, hispano-filipina, séc. XVII (Lote 478). Visite-nos em www.cml.pt Notável é também o cofre Lusíada em tartaruga com aplicações em prata relevada e gravada “Salamandra, coelhos, cobras, Administradores Executivos animais diversos, animais fantásticos e motivos vegetais” vertente Dr. Miguel de Barros Serra Cabral de Moncada Dr. Pedro Maria de Saldanha e Sousa Mello e Alvim indo-portuguesa, séc. XVI/XVII (Lote 508). Assessoria Dr. Filipe Costa Na impossibilidade de destacar todas as peças que mereceriam destaque neste texto introdutório – mas não dispensam a leitura do catálogo e Catálogo/Colaboração Técnica uma visita à exposição – refiram-se ainda, entre muitas outras: Marta Nunes Luísa Perry Vidal Mariana Soares Mendes Tradução Miguel Botelho de Sousa O par de globos “Terrestre” Livros e manuscritos Pedro de Azevedo e “Celeste”, ingleses, Perito de pintura portuguesa do primeiro quartel do séc. XIX, Gabriel Laranjeira Lopes da autoria de JOHN CARY Peritos de pratas e jóias - 1754-1835 e WILLIAM CARY Henrique Correia Braga - 1760-1825 (Lote 317). Sofia de Ruival Ferreira Perito de relógios Cte. Luís Couto Soares Os dois espelhos rococó em madeira entalhada e dourada com Perito de arte oriental vazados, Europa, séc. XVIII (Lote 464 e 465). Artur Ângelo Fotografia O par de mesas de encostar formando mesa de centro, D. José Vasco Cunha Monteiro (1750-1777), em pau santo com entalhamentos, portuguesas, Consultor de informática e programação Manuel Albuquerque séc. XVIII (Lote 54). Produção O galheteiro D. João V em prata portuguesa, com marca de ourives de Manuel Roque Ferrão (1720-1770) (Lote 158). SCRIBE PRODUÇÕES CULTURAIS, LDA. A pintura sobre seda, muito provavelmente destinada a um leque que Pré-impressão e impressão não chegou a ser montado, da autoria do Rei D. Carlos de Bragança, AGIR ainda Príncipe, com a moldura original (Lote 256). Realização e manutenção do website ACL - Serviços de Informática, Lda. Esperando ter o gosto de o receber neste verdadeiro museu temporário, Tiragem com os melhores cumprimentos, 2500 exemplares Data Pedro Maria de Alvim Miguel Cabral de Moncada Lisboa, Setembro de 2011 Depósito Legal 333206/11 O primeiro valor indicado em euros corresponde à reserva contratada com o proprietário cabral moncada leilões Q 2 Leilão 130 ANTIGUIDADES E OBRAS DE ARTE PINTURA, LIVROS, PRATAS E JÓIAS 26 e 27 de Setembro de 2011 • 21h30 1 Sessão • Lotes 1 a 270 • 26 de Setembro • Pág. 9 2 Sessão • Lotes 271 ao 568 • 27 de Setembro • Pág. 195 A realizar na Cabral Moncada Leilões Exposição 21 de Setembro • Quarta-feira das 10h00 às 20h00 22 de Setembro • Quinta-feira das 10h00 às 20h00 23 de Setembro • Sexta-feira das 10h00 às 24h00 24 de Setembro • Sábado das 10h00 às 24h00 25 de Setembro • Domingo das 15h00 às 20h00 CABRAL MONCADA LEILÕES lote 483 b) cabral moncada leilões Q 3 MESAS DE JOGO ROCOCÓ E NEOCLÁSSICAS EM PORTUGAL (1750-1820) SCRIBE de Mariana Soares Mendes PRODUÇÕES CULTURAIS, LDA. CARACTERÍSTICAS TÉCNICAS Formato 160 x 220 mm Nº páginas 160 Papel Couché Acabamento Capa cartonada PVP € 17 Portes (Continente) € 3 Livros disponíveis em: www.scribe.pt e www.cml.pt Escreva! Edite o seu próprio livro: nós apoiamos • Catálogos de Arte • Álbuns e Fac-Similes • Teses de Mestrado e Doutoramento • Livros de Família • Casas de Família MOBILIÁRIO PORTUGUÊS DO SÉCULO XVIII • Livros de Empresa NO MERCADO LEILOEIRO LISBOETA (1996-2008) de Marta Marinho Nunes Para obter mais informações consulte: www.scribe.pt ou contacte-nos directamente [email protected] Tel: 21 395 47 82 CARACTERÍSTICAS TÉCNICAS Rua Miguel Lupi, 12 D Formato 160 x 220 mm Nº páginas 160 1200-725 Lisboa Papel Couché Acabamento Capa cartonada (dias úteis das PVP € 17 10h00 às 18h00) Portes (Continente) € 3 Livros disponíveis em: www.scribe.pt e www.cml.pt MONARQUIA? EM BUSCA DE UM CAMINHO PARA PORTUGAL de António de Sampayo e Mello CARACTERÍSTICAS TÉCNICAS Autor António de Sampayo e Mello Formato 170 x 240 mm Nº páginas 196 Papel Couché 115 grs. Acabamento Capa cartonada PVP € 19,45 Portes (Continente) € 3,50 € 7,50 (Europa) € 15,00 (fora da Europa) NOVIDADE! Livros disponíveis em: www.scribe.pt e www.cml.pt O objectivo deste livro é o de suscitar no grande público, isto é, nos cidadãos em geral, uma reflexão e uma discussão desempoeiradas em torno da chefia de Estado, dos seus modelos, experiências e utilidade, contribuindo para tal com um conjunto de informações julgadas convenientes para a abordagem do tema. Da leitura do texto, que se pretende profícua, ressaltará que não se é nem se pode ser republicano ou monárquico como se é conservador, liberal ou socialista. ANUÁRIO DE VENDAS LEILÕES DE ARTE EM PORTUGAL 2010 CARACTERÍSTICAS TÉCNICAS Formato 135 x 240 mm Nº páginas 144 Papel Couché 115 grs. Acabamento Capa cartonada PVP € 19,95 Portes (Continente) € 3,50 NOVIDADE! Livros disponíveis em: www.scribe.pt e www.cml.pt Indispensável instrumento de trabalho para coleccionadores, investidores, antiquários, galeristas e leiloeiros e, simultaneamente, um guia útil para o amador, o “Anuário de Vendas em Leilão” sistematiza e disponibiliza anualmente de forma prática, e clara, os resultados do que de mais importante se passa em Portugal neste sector da economia e da arte. Vão indicados os valores de base e, quando existem, os valores de estimativa de venda em leilão; como habitualmente, a selecção dos bens, assim como as respectivas descrições e a indicação dos resultados de venda em leilão, são da inteira responsabili- dade das leiloeiras em causa. SCRIBE PRODUÇÕES CULTURAIS, LDA. Escreva! Edite o seu próprio livro: nós apoiamos • Catálogos de Arte • Álbuns e Fac-Similes • Teses de Mestrado e Doutoramento • Livros de Família • Casas de Família • Livros de Empresa JOSÉ MALHOA Tradição e Modernidade de Nuno Saldanha Para obter mais CARACTERÍSTICAS TÉCNICAS informações consulte: Formato 235 x 290 mm PRÉMIO Nº páginas 408 www.scribe.pt Papel Couché JOSÉ DE FIGUEIREDO Acabamento Capa em cartolina ou contacte-nos PVP € 39 directamente PVP Especial € 32 2011 [email protected] Portes (Continente) € 7 Tel: 21 395 47 82 Esta obra visa o estudo de uma das personagens nacional, como sobretudo internacional, no sen- Rua Miguel Lupi, 12 D mais carismáticas e incontornáveis no panorama tido de compreender a eventual especificidade da da História da Arte Portuguesa oitocentista. Uma sua obra, e personalidade. 1200-725 Lisboa das mais idolatradas, mas também das mais con- Pretendeu-se realizar uma análise detalhada e sis- (dias úteis das troversas, nomeadamente no epíteto dado, do temática da sua vida e obra, não apenas descons- “mais português dos pintores portugueses”. truindo esse “mito da portugalidade”, como tam- 10h00 às 18h00) Apesar da popularidade da sua figura, e da exten- bém, perceber os moldes em que se desenvolveu a sa fortuna crítica que a ele lhe tem sido dedica- sua produção pictórica, através das ideias, dos da, Malhoa carecia ainda de um estudo sistemá- modelos, influências e resultados, numa obra pro- tico global, e de contextualização, quer a nível fusamente ilustrada com cerca de 300 fotografias. SCRIBE Rua Miguel Lupi 12 D 1200-725 Lisboa • Portugal PRODUÇÕES CULTURAIS, LDA. www.scribe.pt JOSÉ MALHOA 1855-1933 OBRA COMPLETA / Catalogue Raisonné No âmbito da realização do catálogo exaustivo e sistemático da obra de José Malhoa actualmente em curso, a Comissão Científica constituída para o efeito, a fim de assegurar a inclusão na obra em causa do maior número possível de trabalhos do referido Autor, vem por este meio solicitar aos Exmos. Proprietários de obras da autoria de José Malhoa que entrem em contacto com a possível brevidade com: Rita Azevedo [email protected] / telemóvel nº (+351) 918119513 JOSÉ MALHOA OBRA COMPLETA / Catalogue Raisonné Breve apresentação do projecto A forma como a obra “José Malhoa – Tradição e Modernidade”, da autoria Uma base de reconhecida solidez, de primeira importância para a exigência de Nuno Saldanha, muito recentemente editada pela SCRIBE, Produções da tarefa em causa, que será da responsabilidade de uma Comissão Culturais Lda., foi recebida pelos diversos públicos a que se destina, tem um Científica composta por personalidades e entidades de indiscutível prestígio alcance que vai para além do mero sucesso editorial e financeiro de um em todas as áreas envolvidas. projecto que é, e que se quer, essencialmente cultural. Para além do próprio Prof. Nuno Saldanha, e ainda na área da História de Arte, Com efeito, o acolhimento que lhe foi reservado permite-nos, e nesse sen- refira-se desde logo os nomes do Prof. José-Augusto França e da Prof.
Recommended publications
  • Good King Charles Study Guide New.Pub
    In Good King Charles’s Golden Days By Bernard Shaw ONNECTIONS Shaw Festival CStudy Guide The Shaw Story 2 The Players 3 The Story 4 The Playwright 5 Who’s Who 6-7 Director’s Notes 8 Designer’s Notes 9-10 Production History 11 World of the Play 12-16 Did You Know? 17 Say What? 18 Sources 19 Activities 20-32 THE SHAW STORY MANDATE The Shaw Festival is the only theatre in the world which exclusively focuses on plays by Bernard Shaw and his contemporaries, including plays written during, or about the period of Shaw’s lifetime (1856 – 1950). The Shaw Festival’s mandate also includes: • Uncovered Gems – digging up undiscovered theatrical treasures, or plays which were considered major works when they were written but which have since been unjustly neglected • American Classics – we continue to celebrate the best of American theatre • Musicals – musical treats either from, or set during the period of our mandate • Canadian Work – to allow us to hear and promote our own stories, and our own WHAT MAKES points of view about the mandate period. SHAW SPECIAL MEET THE COMPANY — OUR ENSEMBLE • Our Actors: All Shaw performers contribute to the sense of ensemble, much like the players in an orchestra. Often, smaller parts are played by actors who are leading performers in their own right, but in our “orchestra,” they support the central action helping to create a density of experiences that are both subtle and informative. • Our Designers: Every production that graces the Shaw Festival stages is built “from scratch,” from an original design.
    [Show full text]
  • A Passion for Porcelain: a Symposium in Honour of Meredith Chilton September 21 - 22, 2018
    A Passion for Porcelain: A Symposium in Honour of Meredith Chilton September 21 - 22, 2018 Friday September 21 9 - 9:45 am Registration and light breakfast 9:45 - 10 am Welcome Remarks James Appleyard, Chair of the Board of Trustees, Gardiner Museum 10 - 10:45 am Flights of Imagination: Claudius Innocentius du Paquier and the Tastes of his Patrons Dr. Claudia Lehner-Jobst, Independent Art Historian and Curator, Vienna This year we celebrate the 300th anniversary of the founding of Claudius Innocentius Du Paquier's private porcelain manufactory. Based on newly discovered objects, this lecture explores the connections of early Vienna porcelain with the tastes of its noble patrons at a time when the city was absorbing a Baroque international style and developing its distinctive character in a uniquely playful manner. Dr. Claudia Lehner-Jobst will explore the artistic and social vibrancy of the imperial city around 1718 through the eyes of the modellers and painters of Du Paquier, who created works for the elite—confident members of the cultural avant-garde—as well as fulfilling imperial orders of diplomatic gifts which charmed the tastes of their recipients. 10:45 - 11:30 am Porcelaine à la mode: The Eighteenth-Century Collections of the Baden Princesses Sebastian Kuhn, Bonhams, London The ruling family of Baden in southwestern Germany boasted three notable porcelain collectors in the eighteenth century: the Margravines Sibylla Augusta of Baden-Baden (1675-1733), Magdalena Wilhelmine of Baden-Durlach (1677-1742), and Karoline Luise of Baden-Durlach (1723-83). Whereas the first two collections were displayed in a Northern European Baroque manner, Karoline Luise—who inherited the collections of her forebears—perceived porcelain through the lens of the Enlightenment and had a more scientific approach to collecting.
    [Show full text]
  • Deixis and the Renaissance Art of Self Construction1
    1 Deixis and the renaissance art of self construction Sylvia ADAMSON University of Sheffield ABSTRACT This paper is offered as a contribution to our understanding of both the history of literary style and the psychology of reading. I begin with a comparison with art history, where the development of the technique of linear perspective provides a stylistic boundary-marker between medieval and renaissance styles. Identifying the ‘printed voice effect’ as an analogous demarcator in literary history, I explore the technical means by which the effect was created, in a set of case-studies representing the emergent genres of essay and dramatic lyric. My analytical model is adapted from Gombrich’s account of ‘guided projection,’ which explains pictorial illusion as the cooperative creation of the artist (who provides the visual cues) and the spectator (who interprets them). I argue that the literary equivalent to the geometric cues of perspective is to be found in the linguistic system of deixis and claim that renaissance texts show an innovative and experimental awareness of the deictic resources of the English language. KEYWORDS: deixis, renaissance, historicism, self in literature, language and style 1. The printed voice In the history of art forms, some stylistic innovations seem to demand the title revolutionary, if only because their effects are so striking as to be felt by the non-professional observer. In the western 1 I am grateful to the organisers of 15 SEDERI for inviting me to give the plenary on which this paper is based and to the conference participants for their helpful responses to my presentation.
    [Show full text]
  • Planche Non Parquetée) 1 1000/1200 Signée Et Datée En Bas À Droite 50 X 40 Cm Porte Une Signature En Bas À Gauche R
    Arts d’Orient et Orientalisme Millon 24 Mai 2017 – [email protected] - +33 1 47 27 76 71 Ecole Anglaise du début du XXème siècle Portrait de musicienne orientale Huile sur panneau (planche non parquetée) 1 1000/1200 signée et datée en bas à droite 50 x 40 cm Porte une signature en bas à gauche R. Wilson G SALMERON (Actif à la fin du XIXème siècle et au début du XXème siècle ) Portrait de femme orientale 2 Huile sur toile d'origine 1000/1200 71 x 57,5 cm Signé, dédicacé et annoté en bas à droite Al Sr Dr Léon Nouveau G Salmeron Murcia 5/96 Ecole FRANCAISE du XIXème siècle dans le goût de Louis DEVEDEUX 3 Enfants orientaux jouant 800/1200 Huile sur toile 62,5 x 81 cm Attribué à Amédée ROSIER (1831 - 1898) Vue d'Istanbul 4 Huile sur panneau une planche non parqueté 1500/2000 46 x 71 Trace de signature en bas à gauche A. R….. Arts d’Orient et Orientalisme Millon 24 Mai 2017 – [email protected] - +33 1 47 27 76 71 Gabriel CARELLI At Meydani, Istanbul Deux aquarelles sur papier, formant pendant 24 x 34,5 cm chaque à la vue Signées en bas à gauche et en bas à droite Gabriel Carelli et G Carelli Nos deux aquarelles montrent les vues assez rares du pavillon construit à la demande du Sultan Abdulaziz pour la seule et unique exposition universelle ottomane en 1863 ( Sergi- i-Umuni-i-Osmani). Cette exposition contemporaine de celle de Paris et de Londres était dédiée à la promotion de l’industrie et du commerce de l’Empire Ottoman.
    [Show full text]
  • THE ANGLO-PORTUGUESE SOCIETY 70 Years of History (1938
    Who we are The Anglo-Portuguese Society is a registered charity in England, 313589 governed by an Executive Committee, appointed by its members. Our Objectives: The objectives of the Society are: The education of the people of the United Kingdom about THE ANGLO-PORTUGUESE SOCIETY Portugal, its people and its culture; The relief from suffering of the people of Portugal and of the United Kingdom. 70 Years of History (1938 – 2008) By Carol Mason (Rankin) 2018 Reprint The Anglo-Portuguese Society 7-8 Great James Street London WC1N 3DF Tel: 0203 371 8767 Email: [email protected] Website: www.apsociety.co.uk THE ANGLO-PORTUGUESE SOCIETY – 70 years of history b) exhibitions, demonstrations and illustrations of the intellectual, artistic and economic life of Portugal; by Carol Mason (Rankin) c) lectures, conferences and functions. The first lecture took place on 26th January 1939 when the renowned historian In 1938 a group of business men in London with interests in Portugal planned and Portuguese scholar Professor Edgar Prestage addressed members. The a dinner in honour of the newly arrived Portuguese Ambassador , Dr. Armindo following month a Portuguese Fortnight took place in London with the active Monteiro. participation of the Society and in May that year a Library was started in the The affair held at The Dorchester Hotel on May 19th grew into a splendid Casa de Portugal. The outbreak of World War II obviously meant activities occasion, attended by over three hundred people with the Rt. Hon. Sir Francis were curtailed, but a luncheon was held at the Vintners Hall in July 1940 in Lindley presidingi.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early M
    UNIVERSITY OF CALIFORNIA Los Angeles Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Sara Victoria Torres 2014 © Copyright by Sara Victoria Torres 2014 ABSTRACT OF THE DISSERTATION Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia by Sara Victoria Torres Doctor of Philosophy in English University of California, Los Angeles, 2014 Professor Christine Chism, Co-chair Professor Lowell Gallagher, Co-chair My dissertation, “Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia,” traces the legacy of dynastic internationalism in the fifteenth, sixteenth, and early-seventeenth centuries. I argue that the situated tactics of courtly literature use genealogical and geographical paradigms to redefine national sovereignty. Before the defeat of the Spanish Armada in 1588, before the divorce trials of Henry VIII and Catherine of Aragon in the 1530s, a rich and complex network of dynastic, economic, and political alliances existed between medieval England and the Iberian kingdoms. The marriages of John of Gaunt’s two daughters to the Castilian and Portuguese kings created a legacy of Anglo-Iberian cultural exchange ii that is evident in the literature and manuscript culture of both England and Iberia. Because England, Castile, and Portugal all saw the rise of new dynastic lines at the end of the fourteenth century, the subsequent literature produced at their courts is preoccupied with issues of genealogy, just rule, and political consent. Dynastic foundation narratives compensate for the uncertainties of succession by evoking the longue durée of national histories—of Trojan diaspora narratives, of Roman rule, of apostolic foundation—and situating them within universalizing historical modes.
    [Show full text]
  • Catherine of Braganza and Catholic Books in Late Seventeenth-Century London
    chapter 11 Royal Patronage of Illicit Print: Catherine of Braganza and Catholic Books in Late Seventeenth-Century London Chelsea Reutcke In 1662, the English Parliament passed An Act for preventing the frequent Abuses in printing.1 Among its many provisions, the act prohibited the print- ing or importation of any texts opposed to the Church of England, including books with Catholic content. Proscribed works were confiscated and either destroyed or ‘damasked’ (i.e., over-printed) for waste paper, while the printers and booksellers faced fines, confiscation of equipment and imprisonment.2 That same year, Catherine of Braganza, newly arrived in London, appointed Theodore Sadler as her bookseller-in-ordinary, instructing him to procure for her a list of Catholic devotional books.3 He submitted receipts to the excheq- uer for seven Roman breviaries, two psalters of Beata Maria hymns, a Roman missal, fifty ‘bookes for a night hearing of mass’ and an Iberian rubric.4 Even more books arrived from France.5 These orders served to set up Catherine’s Catholic chapel, which had been promised to her in her marriage contract to Charles II.6 Together with books ordered by Henrietta Maria, the Queen Mother, a significant number of Catholic books entered into these sanctioned Catholic spaces of London.7 1 ‘Charles II, 1662: An Act for preventing the frequent Abuses in printing seditious treasonable and unlicensed Bookes and Pamphlets and for regulating of Printing and Printing Presses’, in John Raithby (ed.), Statutes of the Realm (11 vols., s.l.: Great Britain Record Commission, 1819), V. 428–435. Hereafter 14 Car.
    [Show full text]
  • With Portuguese Statues in the United States of America: João Rodrigues Cabrilho, Peter Francisco, and Catarina De Bragança
    ‘playing in the Dark’ with portuguese Statues in the united States of America: João Rodrigues Cabrilho, peter Francisco, and Catarina de Bragança reinAldo FrAncisco silvA* keywords: Portuguese American statues in the United States of America, Juan Rodriguez Cabrillo, Peter Francisco, Catherine of Braganza. palavras-chave: Estátuas luso-americanas nos Estados Unidos da América, João Rodrigues Cabrilho, Peter Francisco, Catarina de Bragança. As I have shown in chapter two, “Scientific Racism and the Origins of Anti-Portuguese Stereotypes” of Representations of the Portuguese in American Literature, representations of the Portuguese in American fiction are clearly predicated on prevailing theories of race in America at those times. As Eric J. Sundquist has claimed in To Wake the Nations: Race in the Making of American Literature, this former slaveholding country is one where “race remains very much at the center of […] experience.” (Sundquist, 1993: 17). It was simply impossible for the Portuguese not to be viewed through the lens of racial theories. Race and racism, Toni Morrison reminds us in Playing in the Dark: Whiteness and the Literary Imagination, are issues that literary critics have resisted addressing, as “silence and evasion have historically ruled literary discourse. Evasion has fostered another, substitute language in which the issues are encoded” (cf. Morrison, 1993: 9-10).1 Like Morrison, I also wish to “identify those moments when American literature was complicit in the fabrication of racism” (ibid.: 16). To achieve this goal one must, she rightly maintains, “avert the critical gaze from the racial object to the racial subject; from the described and imagined to the describers * Departamento de Línguas e Culturas da Universidade de Aveiro.
    [Show full text]
  • The Royal Body Royal Holloway, University of London 2-‐4 April
    The Royal Body Royal Holloway, University of London 2-4 April 2012 PROGRAMME Monday 2nd April 8.45-9.15: Registration and coffee 9.30-9.35: Introductions 9.35-10.45: Session 1 Plenary Lecture Philip Mansel [Chair: Maria Hayward, University of Southampton] Dressed to Rule: Dress and Monarchy from Louis XIV to Elizabeth II 10.45-11.10: Coffee 11.10-12.10: Session 2 Panel 2A: The physical body of queens: 17th and 18th century France and Sardinia [Chair: John MCCormaCk] Pascale Mormiche, l’Université de Cergy Pontoise PrinCesses and PreGnant Queens at the Court of Versailles in the seventeenth and eiGhteenth Centuries Federica Contu, University of Studies of Cagliari ReasoninG about the politiCal and the spiritual funCtion of the body. The case of Marie Clotilde of FranCe Queen of Sardinia. Panel 2B: The Effigial Body [Chair to be Confirmed] Lynsey McCulloch, Anglia Ruskin University The effiGial body: readinG a reliC of early modern monarchy Kosana Jovanovic, University of Rijeka, Croatia The Portable EffiGies Role in the Queens Funeral Ceremonies and Their ConneCtion with the KinG’s Two Bodies Theory. Panel 2C: Representing the Body: The case of Queen Victoria and King George V and VI [Chair to be Confirmed] Tracy Jane Anderson, University of Sussex ReGina Imperatrix: The royal and imperial bodies of Queen ViCtoria Ina Zweiniger-Bargielowska, University of Illinois (Chicago) Royal Death and LivinG Memorials: The Commemoration of George V and George VI Panel 2D: Memory and Commemoration: The Case of Henry VII [Chair to be Confimed] Christine Merie Fox, Royal Holloway, University of London Henry VII preparation for his memorial at Westminster Abbey Mark R.
    [Show full text]
  • Anton Schulz, Porcelain Decorator at Du Paquier's Vienna Factory
    Anton Schulz, porcelain decorator at Du Paquier's Vienna factory Autor(en): Hayward, John Objekttyp: Article Zeitschrift: Mitteilungsblatt / Freunde der Schweizer Keramik = Bulletin de la Société des Amis de la Céramique Suisse Band (Jahr): - (1954) Heft 29 PDF erstellt am: 24.09.2021 Persistenter Link: http://doi.org/10.5169/seals-394906 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Report on 1953/54 Sales of European Ceramics at Sotheby's, London by T. H. Clarke, London (Fig. 1-3) It was not an exciting Season on the whole because, although section the highest price was £ 350, paid for a Faenza Dish, prices remain high, there was a dwindling supply of important probably by the «Green Man» painter.
    [Show full text]
  • Lot Description LOW Estimate HIGH Estimate 2000 Pair of French
    LOW HIGH Lot Description Estimate Estimate Pair of French Samson covered urns, 19th century, each having a gilt knop surmounting 2000 the floral covered body on a white ground, underside with Samson mark, and Made In France, 14"h x 7.5"w $ 800 ‐ 1,200 Continental porcelain sculpture depicting a courting couple, depicted seated on a rock 2001 form, the lady with a wreath in her hands and a basket of flowers at her side, the gent bearing a rose, underside with underglaze blue crown mark, 8.5"h x 7.5"w $ 300 ‐ 500 (lot of 2) Continental porcelain two light boudoir lamps, each centered with a young 2002 couple bearing fruit, flanked with porcelain floral sprays continuing to the gilt two arms, the whole rising on a footed base, 12"h x 12"w $ 300 ‐ 500 2003 Royal Vienna porcelain partial gilt scenic charger, having a central scenic reserve depicting a well executed scene with King David, verso with underglaze beehive mark, 14"w $ 1,500 ‐ 2,500 Continental hand painted miniature porcelain plaque, depicting Queen Louise in the 2004 classic pose, plaque 3.5"h, overall 7.5"h x 7"w $ 300 ‐ 500 Continental Santos figure with polychrome decorated body, 18th Century, with remnants 2005 of early painted surface, rising on a wood frame terminating on the rectangular base, 19"h $ 800 ‐ 1,200 2006 Mid Century malachite bowl, having a brass rim, unsigned 2"h x 10"w $ 400 ‐ 600 2007 (lot of 2) Paolo Soleri bronze bells, largest 22"l $ 400 ‐ 600 2008 (lot of 2) Paolo Soleri bells, largest 25"l $ 500 ‐ 700 Twain, Mark: Celebrated Jumping Frog of Calaveras County, New York, Webb 1868, 2009 original green cloth, beveled edges, stamped in gilt, brown coated endpapers, lacking inserted advertisements, binding rubbed, otherwise fine condition $ 6,000 ‐ 9,000 2010 Jaeger Le Coultre Atmos clock in brass with glass paneled case, 9''h x 8''w x 6''d $ 300 ‐ 500 Needlework sampler, executed by Hannah Nutt, 1827, having a foliate decorated border surrounding the central panel decorated with a dog, a bird and flowers, the text reads 2011 "Our Saviours Golden Rule.
    [Show full text]
  • Nigel Wood and Chris Doherty
    Nigel Wood and Chris Doherty A Technological Examination of Some Chinese Ceramics Nigel Wood and Chris Doherty A Technological Examination of Some Chinese Ceramics our sherds from the Belitung wreck were the ninth-century wreck, although not all these 1 Mason and Tite 1994; Mason Fexamined for this study. Much of the ship’s Changsha wares may have been destined for the and Tite 1997. cargo came from China, probably from the great Middle East.2,3 2 Fleming et al. 1992; Ho trading city of Yangzhou in Jiangsu province, Chuimei and Bronson 1987. where ceramics were collected for export from 3 Allan 1991, 6–9; cf. also in this volume p. 356, 469. both north and south China, via the Grand Ca- Analytical techniques nal and the Yangzi River. The cargo appears to have been destined for the Middle East, either All four sherds were examined using a Cameca through direct sailing or through transhipment. SU30 scanning electron microscope (SEM) fit- The wreck dates from a time when imported ted with both Energy Dispersive and Wavelength Chinese wares transformed the course of Mid- Dispersive X-ray analysers (EDA and WDA). dle Eastern ceramic history. White porcelains Slips and bodies were examined using quantita- from north China in particular were imitated tive EDA, using a de-focussed beam, whilst WDA by Mesopotamian potters using pale calcareous was employed for point-analysis of the glazes. earthenware bodies, and glazes opacified by tin Typical operating conditions were 13Kv and oxide. Green- and white-glazed Chinese stone- 10na, with 200 seconds count time for EDA, 10 wares from both north and south China were seconds for WDA.
    [Show full text]