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A Passion for Porcelain: a Symposium in Honour of Meredith Chilton September 21 - 22, 2018
A Passion for Porcelain: A Symposium in Honour of Meredith Chilton September 21 - 22, 2018 Friday September 21 9 - 9:45 am Registration and light breakfast 9:45 - 10 am Welcome Remarks James Appleyard, Chair of the Board of Trustees, Gardiner Museum 10 - 10:45 am Flights of Imagination: Claudius Innocentius du Paquier and the Tastes of his Patrons Dr. Claudia Lehner-Jobst, Independent Art Historian and Curator, Vienna This year we celebrate the 300th anniversary of the founding of Claudius Innocentius Du Paquier's private porcelain manufactory. Based on newly discovered objects, this lecture explores the connections of early Vienna porcelain with the tastes of its noble patrons at a time when the city was absorbing a Baroque international style and developing its distinctive character in a uniquely playful manner. Dr. Claudia Lehner-Jobst will explore the artistic and social vibrancy of the imperial city around 1718 through the eyes of the modellers and painters of Du Paquier, who created works for the elite—confident members of the cultural avant-garde—as well as fulfilling imperial orders of diplomatic gifts which charmed the tastes of their recipients. 10:45 - 11:30 am Porcelaine à la mode: The Eighteenth-Century Collections of the Baden Princesses Sebastian Kuhn, Bonhams, London The ruling family of Baden in southwestern Germany boasted three notable porcelain collectors in the eighteenth century: the Margravines Sibylla Augusta of Baden-Baden (1675-1733), Magdalena Wilhelmine of Baden-Durlach (1677-1742), and Karoline Luise of Baden-Durlach (1723-83). Whereas the first two collections were displayed in a Northern European Baroque manner, Karoline Luise—who inherited the collections of her forebears—perceived porcelain through the lens of the Enlightenment and had a more scientific approach to collecting. -
Chinese Ceramics in the Late Tang Dynasty
44 Chinese Ceramics in the Late Tang Dynasty Regina Krahl The first half of the Tang dynasty (618–907) was a most prosperous period for the Chinese empire. The capital Chang’an (modern Xi’an) in Shaanxi province was a magnet for international traders, who brought goods from all over Asia; the court and the country’s aristocracy were enjoying a life of luxury. The streets of Chang’an were crowded with foreigners from distant places—Central Asian, Near Eastern, and African—and with camel caravans laden with exotic produce. Courtiers played polo on thoroughbred horses, went on hunts with falconers and elegant hounds, and congregated over wine while being entertained by foreign orchestras and dancers, both male and female. Court ladies in robes of silk brocade, with jewelry and fancy shoes, spent their time playing board games on dainty tables and talking to pet parrots, their faces made up and their hair dressed into elaborate coiffures. This is the picture of Tang court life portrayed in colorful tomb pottery, created at great expense for lavish burials. By the seventh century the manufacture of sophisticated pottery replicas of men, beasts, and utensils had become a huge industry and the most important use of ceramic material in China (apart from tilework). Such earthenware pottery, relatively easy and cheap to produce since the necessary raw materials were widely available and firing temperatures relatively low (around 1,000 degrees C), was unfit for everyday use; its cold- painted pigments were unstable and its lead-bearing glazes poisonous. Yet it was perfect for creating a dazzling display at funeral ceremonies (fig. -
Chinese Funerary Ceramics
Harn Museum of Art Educator Resources Chinese Funerary Ceramics Large Painted Jar (hu) China Han Dynasty (206 BCE-220 CE) Earthenware with pigment 15 3/16 x 11 1/8 in. Harn Museum Collection, 1996.23, Museum purchase, gift of Dr. and Mrs. David A. Cofrin Ceramics have been an integral part of Chinese culture throughout its history. How they were fashioned, decorated and used reflected functional needs, cultural practices and spiritual beliefs. High quality ceramic vessels were created as early as the Neolithic period. By the time of the Han dynasty (206 B.C.E. - 220 C.E.), ceramics took many forms, from various types of vessels to figurative work. Surface decoration could take the form of relief, incision, painting, or glazing. Vessels were wheel- thrown, indicating high technical achievement. Many ceramic forms, it seems evident, were modeled on costlier metal prototypes. While ceramics undoubtedly served utilitarian functions, they were also used as funerary objects. During the Han dynasty, the Chinese often buried their dead with objects they would need in the afterlife. This ceramic jar was made for that purpose. Its painted design is intended to resemble lacquer, an extremely valuable material that was considered a sign of high status. Because it was prohibitively expensive for most families to bury the dead with actual lacquer vessels, ceramic replicas were used instead as a way of conserving financial resources for the living. The form and decoration of this jar are perfectly balanced. The painted decoration is intricate and expertly applied. The major theme, seen in the central band, is that of a dragon and a phoenix. -
The Riches of China
Longwood Center for the Visual Arts Presents: Have Art, Will Travel: The Riches of China Longwood Center for the Visual Arts© 2015 1 Acknowledgments _________________________________ The Longwood Center for the Visual Art would like to thank everyone who helped to develop the Have Art, Will Travel: The Riches of China program. Contributors include K. Johnson Bowles, Director of the Longwood Center for the Visual Arts; Beth Cheuk, Public Relations and Event Coordinator for the LCVA; Emily Gresham, Curator of Education for the LCVA; Kate Halladay; Sally Hamlin; Denise Penick; Robin Sedgwick, Registrar for the LCVA; Erin West, 2007-2008 Bishop-Wells intern; and the LCVA Advisory Board’s Program Committee. The development and printing of this manual was made possible by contributions from Target, Kyanite Mining Corporation, and the Virginia Commission for the Arts. Longwood Center for the Visual Arts 129 North Main Street Farmville, VA 23901 434.395.2206 www.longwood.edu/lcva Longwood Center for the Visual Arts© 2015 2 Program Description And Terms of Use _________________________________ Bring the wonders of China alive in your classroom with hands-on art activities! The LCVA’s Have Art, Will Travel program is free to use and is all-inclusive. The LCVA Curator of Education or docent visits classrooms to introduce art objects from the Center’s permanent collections. The LCVA’s representative also brings a Resource Trunk designed to enhance the study of Chinese culture, targeting Virginia’s Standards of Learning. The Resource Trunk provides a wealth of information about the important cultural, historical, and technological contributions the Chinese people have made in world history and the country’s continuing impact on the world. -
Anton Schulz, Porcelain Decorator at Du Paquier's Vienna Factory
Anton Schulz, porcelain decorator at Du Paquier's Vienna factory Autor(en): Hayward, John Objekttyp: Article Zeitschrift: Mitteilungsblatt / Freunde der Schweizer Keramik = Bulletin de la Société des Amis de la Céramique Suisse Band (Jahr): - (1954) Heft 29 PDF erstellt am: 24.09.2021 Persistenter Link: http://doi.org/10.5169/seals-394906 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Report on 1953/54 Sales of European Ceramics at Sotheby's, London by T. H. Clarke, London (Fig. 1-3) It was not an exciting Season on the whole because, although section the highest price was £ 350, paid for a Faenza Dish, prices remain high, there was a dwindling supply of important probably by the «Green Man» painter. -
THE PAVILION SALE - Chinese Ceramics and Works of Art O N 4 October 2016
PRESS RELEASE | HONG KONG | 22 S e p t e m b e r 2016 THE PAVILION SALE - Chinese Ceramics and Works of Art O n 4 October 2016 Hong Kong - On 4 October, 2016, Christie’s Hong Kong will host The Pavilion Sale, a continuation of this successful series, first introduced in October 2014. The specially curated sale of 198 lots include highlights offered from several private collections such as The Dexinshuwu Collection and the collection of a German family, which features remarkable pieces of Tang sancai wares, Song ceramics, bronze censers, furniture and other works of art. Additionally the sale offers jade carvings from the Han to Ming dynasty, porcelain from the Ming and Qing dynasties, as well as other works. Ruben Lien, Vice President, Senior Specialist, commented, “With estimates ranging from HKD 15,000 to HKD 600,000, the sale offers an affordable and assessable platform for collectors looking to explore Chinese works of art. These beautiful and diverse pieces offer both new and established collectors an opportunity to enrich their collections and to enhance a cultured lifestyle”. Highlights of Tang sancai Wares and Song Ceramics from the Dexinshuwu Collection A LARGE SANCAI - GLAZED JAR A SANCAI -GLAZED HAND A SANCAI-GLAZED TANG DYNASTY (618-907) WARMER APPLIQUE-DECORATED 19 cm. high TANG DYNASTY (618-907) TRIPOD JAR HK$150,000-260,000 13 cm. high TANG DYNASTY (618-907) US$20,000-34,000 HK$150,000-200,000 13.3 cm. high US$20,000-26,000 HK$100,000-150,000 A SANCAI-GLAZED US$13,000-19,000 BOTTLE VASE TANG DYNASTY (618-907) 23 cm. -
Lot Description LOW Estimate HIGH Estimate 2000 Pair of French
LOW HIGH Lot Description Estimate Estimate Pair of French Samson covered urns, 19th century, each having a gilt knop surmounting 2000 the floral covered body on a white ground, underside with Samson mark, and Made In France, 14"h x 7.5"w $ 800 ‐ 1,200 Continental porcelain sculpture depicting a courting couple, depicted seated on a rock 2001 form, the lady with a wreath in her hands and a basket of flowers at her side, the gent bearing a rose, underside with underglaze blue crown mark, 8.5"h x 7.5"w $ 300 ‐ 500 (lot of 2) Continental porcelain two light boudoir lamps, each centered with a young 2002 couple bearing fruit, flanked with porcelain floral sprays continuing to the gilt two arms, the whole rising on a footed base, 12"h x 12"w $ 300 ‐ 500 2003 Royal Vienna porcelain partial gilt scenic charger, having a central scenic reserve depicting a well executed scene with King David, verso with underglaze beehive mark, 14"w $ 1,500 ‐ 2,500 Continental hand painted miniature porcelain plaque, depicting Queen Louise in the 2004 classic pose, plaque 3.5"h, overall 7.5"h x 7"w $ 300 ‐ 500 Continental Santos figure with polychrome decorated body, 18th Century, with remnants 2005 of early painted surface, rising on a wood frame terminating on the rectangular base, 19"h $ 800 ‐ 1,200 2006 Mid Century malachite bowl, having a brass rim, unsigned 2"h x 10"w $ 400 ‐ 600 2007 (lot of 2) Paolo Soleri bronze bells, largest 22"l $ 400 ‐ 600 2008 (lot of 2) Paolo Soleri bells, largest 25"l $ 500 ‐ 700 Twain, Mark: Celebrated Jumping Frog of Calaveras County, New York, Webb 1868, 2009 original green cloth, beveled edges, stamped in gilt, brown coated endpapers, lacking inserted advertisements, binding rubbed, otherwise fine condition $ 6,000 ‐ 9,000 2010 Jaeger Le Coultre Atmos clock in brass with glass paneled case, 9''h x 8''w x 6''d $ 300 ‐ 500 Needlework sampler, executed by Hannah Nutt, 1827, having a foliate decorated border surrounding the central panel decorated with a dog, a bird and flowers, the text reads 2011 "Our Saviours Golden Rule. -
Immortality of the Spirit: Chinese Funerary Art from the Han and Tang Dynasties Exhibition Catalogue
Fairfield University DigitalCommons@Fairfield Immortality of the Spirit: Chinese Funerary Art Immortality of the Spirit - Ephemera from the Han and Tang Dynasties 4-2012 Immortality of the Spirit: Chinese Funerary Art from the Han and Tang Dynasties Exhibition Catalogue Jill J. Deupi Fairfield University, [email protected] Ive Covaci Fairfield University Leopold Swergold Follow this and additional works at: https://digitalcommons.fairfield.edu/immortality_ephemera Recommended Citation Deupi, Jill J.; Covaci, Ive; and Swergold, Leopold, "Immortality of the Spirit: Chinese Funerary Art from the Han and Tang Dynasties Exhibition Catalogue" (2012). Immortality of the Spirit - Ephemera. 1. https://digitalcommons.fairfield.edu/immortality_ephemera/1 This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Immortality of the Spirit: Chinese Funerary Art from the Han and Tang Dynasties 1 ust over a year ago, Jane and Leopold Swergold surprised -
Catalogue 201 To
Lots 201 - 210 Lot #201: PAIR OF CHINESE FAMILLE NOIR PORCELAIN BALUSTER-FORM VASES 24 1/2 in., 11 in. diam. Provenance: Property from the Late David Enright IV of Albany, New York. Estimate: $ 250.00 - $ 500.00 Lot #202: CHINESE SANCAI-GLAZED POTTERY FIGURAL BOTTLE 18 1/4 in. Estimate: $ 200.00 - $ 400.00 Lot #203: CHINESE CARVED HARDSTONE CENSER ON STAND Censer 5 3/4 x 6 in. Estimate: $ 600.00 - $ 800.00 Lot #204: CHINESE BLUE AND WHITE BOWL 2 in., 10 in. diam. Provenance: Ex Collection of Robertson and Mary Paige Alford, Norfolk, CT. Estimate: $ 400.00 - $ 800.00 Lot #205: TWO CHINESE AGATE SNUFF BOTTLES Taller 3 1/4 in. Estimate: $ 200.00 - $ 400.00 Lot #206: THREE CHINESE HARDSTONE SNUFF BOTTLES Estimate: $ 300.00 - $ 500.00 Lot #207: CHINESE CINNABAR LACQUER SNUFF BOTTLE, AN AGATE SNUFF BOTTLE AND A CELADON AND BROWN JADE SNUFF BOTTLE Tallest 3 in. Estimate: $ 300.00 - $ 400.00 Lot #208: CHINESE LIGHT CELADON JADE PENDANT AND A RUSSET AND LIGHT CELADON JADE PENDANT Taller 3 x 1 5/8 in. Provenance: Ex Collection of Robertson and Mary Paige Alford, Norfolk, CT. Estimate: $ 200.00 - $ 400.00 Lot #209: TWO CHINESE AGATE SNUFF BOTTLES Taller 2 5/8 in. Estimate: $ 100.00 - $ 200.00 Lot #210: TWO CHINESE SPINACH JADE SNUFF BOTTLES Taller 2 5/8 in. Estimate: $ 200.00 - $ 300.00 Back Back to Index Next Lots 211 - 220 Lot #211: ASSORTED CHINESE BLUE AND WHITE PORCELAIN JARDINIÈRES Largest 9 1/4 in., 12 in. diam. Estimate: $ 100.00 - $ 200.00 Lot #212: CHINESE HARDWOOD LOW TABLE WITH THREE DRAWERS 41 1/4 x 18 1/4 x 13 in. -
The City of Blue and White : Chinese Porcelain and the Early Modern World Pdf, Epub, Ebook
THE CITY OF BLUE AND WHITE : CHINESE PORCELAIN AND THE EARLY MODERN WORLD PDF, EPUB, EBOOK Anne Gerritsen | 354 pages | 07 May 2020 | CAMBRIDGE UNIVERSITY PRESS | 9781108499958 | English | Cambridge, United Kingdom The City of Blue and White : Chinese Porcelain and the Early Modern World PDF Book Handmade and hand decorated Swedish Mid-Century Modern tubular ceramics vase depicting the head of a black and white gazelle in wild growing flowers in blue, rose, green and yellow c Japanese porcelain and French gilded bronze mount. See image 5. Michael Andersen. Jean Linard Original and elegant abstract ceramic flower pot. In the form of a green apple. Jumbo Contemporary Ceramic Marshmallow Planter. The characters are positioned either in a straight line, a square, or in two lines either horizontal or vertical. W 20 in. The majority of the existing Great Wall is from the Ming era. Can be used as a planter or log bin. Mainly produced for export from the Chinese port of Canton. No ratings or reviews yet No ratings or reviews yet. About this product. Previous methods of printing were enhanced and paper, ink and woodblock carving techniques reached an unprecedented standard. Public transportation ends at the north end of Sanbao road, the only major path leading to the village. Market-goers arrive at the market as early as 4 am. The relationship between Chinese and Western ceramics expanded in the late 19th and early 20th centuries, when widespread concerns regarding urbanization, industrialization, and the impact of mass production spurred interest in early Chinese ceramics, particularly the earthy brown- and black-glazed wares of the Song dynasty Search Creators. -
Ceramics and Glass
SECOND DAY’S SALE WEDNESDAY 11th JULY 2018 ORIENTAL & EUROPEAN CERAMICS & GLASS Commencing at 10.00am Oriental and European Ceramics and Glass will be on view on: Friday 6th July 9.00am to 5.15pm Saturday 7th July 9.00am to 1.00pm Sunday 8th July 2.00pm to 4.00pm Monday 9th July 9.00am to 5.15pm Tuesday 10th July 9.00am to 5.15pm Limited viewing on sale day Measurements are approximate guidelines only unless stated to the contrary Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 401 402 403 A sealed squat cylinder wine bottle A Bohemian Lithyalin polished glass A pair of late 19th century engraved the dark olive/ brown body with vase probably by Friedrich Egermann, and applied glass claret jugs and pronounced kick up and short tapering of twelve sided baluster form in stoppers probably Stevens and neck with an applied triangular string polished and marbled green and Williams, each with threaded cranberry rim, the body applied just below the amber colours, circa 1830-40, 24 cm. bands to the foot, neck and stopper, shoulders with a circular seal for ‘W. *£300 - 500 finely engraved and intaglio cut, Blight 1811’, 23 cm high, small rim chip. one with setters and game birds in *£180 - 220 a wooded landscape, the other with This bottle appears to be previously greyhounds chasing a hare, 30 cm. unrecorded and probably relates to *£200 - 300 William Blight of Venn Farm, Newton St Petrock, North Devon 404 A Liège ‘a traforato’ openwork glass basket of circular flaring form on raised foot with ribbed convex base, late 18th century, 12 cm high. -
List of Ceramic Wares
List of Ceramic Wares OLOUR-GLAZED POTTERY 10 Plate with a Foliated Broad 21 Tubular Jar CWARES AND PAINTED Everted Rim decorated with design of fl ow- POTTERY WARES and decorated with design of a ers and waves on a geometric pond scene in underglaze blue brocade ground in underglaze 1 blue Painted Pottery Pot with 11 Ewer Looped-handles decorated with design of fl ow- 22 Octagonal Candle-stand and decorated with design of ers in underglaze blue decorated with design of fl oral spirals scrolls in underglaze blue 12 2 Plate with a Foliated Broad Painted Pottery Vase Everted Rim 23 Kendi Ewer decorated with painted design and decorated with design of decorated with design of peo- of the dragon and phoenix in lingzhi funguses, rocks, and ny scrolls in underglaze blue relief bamboos in underglaze blue 24 Flower Jar NDERGLAZE 13 Meiping Vase decorated with design of lotus UPOLYCHROME WARES decorated with design of scrolls in underglaze blue FIRED IN HIGH TEMPERATURE peach trees in underglaze blue 25 Wudang Zun Vase 14 decorated with design of Ara- 3 Ewer with a Handle Celestial Sphere-shaped Vase decorated with design of bic scripts and fl oral scrolls in and decorated with design of underglaze blue birds and fl owers in underglaze a dragon amidst clouds in underglaze blue brownish-green in celadon 26 Large Incense Burner with glaze, Changsha ware 15 Pear-shaped Vase Three Legs and decorated with design of 4 Pillow in the Shape of Ruyi decorated with design of ba- nana trees, rocks, and bam- cliffs and cresting waves in Cloud boos in underglaze