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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
Variational Text Linguistics: Revisiting Register in English
Christoph Schubert and Christina Sanchez-Stockhammer (Eds.) Variational Text Linguistics Topics in English Linguistics Editors Elizabeth Closs Traugott Bernd Kortmann Volume 90 Variational Text Linguistics Revisiting Register in English Edited by Christoph Schubert Christina Sanchez-Stockhammer ISBN 978-3-11-044310-3 e-ISBN (PDF) 978-3-11-044355-4 e-ISBN (EPUB) 978-3-11-043533-7 ISSN 1434-3452 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2016 Walter de Gruyter GmbH, Berlin/Boston Cover image: Brian Stablyk/Photographer’s Choice RF/Getty Images Typesetting: fidus Publikations-Service GmbH, Nördlingen Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Acknowledgements The foundations for this edited collection of articles were laid at the interna- tional conference Register revisited: New perspectives on functional text variety in English, which took place at the University of Vechta, Germany, from June 27 to 29, 2013. The aim of the present volume is to conserve the research papers and many inspiring discussions which were stimulated then and to make them available to a larger audience. It was only possible to achieve this aim thanks to the help of many people joining us in the effort. First and foremost, we would like to thank all contributors for their continued cooperation in this project. -
Funkin-For-Jamaica (Wax Poetics)
“Invaluable” —Jazz Times Coltrane year, fusing rap and rock together on Run-DMC’s “Rock Box” “Tom Browne, he’s just an ordinary guy.” What he’s saying (with the aid of Don Blackman/Lenny White sideman Eddie is, “This isn’t even his music; what’s he doing here?” It was on Martinez on the track’s blazing guitar lead.) He wasn’t the kind of derogatory, and that feeling permeated through a lot Coltrane only one of the Kats to move behind the scenes as hip-hop of the Kats. exploded around them: Denzil Miller arranged Kurtis Blow’s Wright: [’Nard] sold 200,000 copies without any promotion. The “Christmas Rappin’ ”; Don Blackman played the piano lead But [GRP] told me it wasn’t marketable, because they needed John Coltrane on the Fat Boys’ classic “Jail House Rap”; Bernard Wright a bin for it in the record store. You can’t have a record with worked on Doug E. Fresh and the Get Fresh Crew’s Oh, My traditional jazz and funk and R&B on the same album, they Interviews God! album. were saying. But that’s what Jamaica, Queens, was. As hip-hop exploded, the next generation of would-be Miller: Right after Tom and Bernard did their albums, I Edited by Kats laid down their instruments and picked up mics. Mean- talked to Dr. George Butler, who was the head of jazz at Chris DeVito while, the arrival of crack and the presence of violent kingpins Columbia, and said, “I’m thinking about doing my own al- like Lorenzo “Fat Cat” Nichols tainted the area’s safe, middle- bum. -
Americane a Torino, Meteore Con Grinta E Signore Del Jazz
Stampato su carta riciclata I I I Ultima Riga T Firma esto base esto si fannoaT Le Eccel Ombrelli Manu Chao da DonGallo e ad Alessandria Musica esociale Cascina Rangone la suamagicacripta Santa Giustinae di L’abbazia Sezzadio Questo mese: Anno II - n° 9 Novembre 2006 vere fuoriserie lenti mese Piemonte orino di Mondo I Cucina Americane aTorino, e Donne Signore delJazz meteore con grinta € [email protected] Nico responsabile direttore Ivaldi Michelangelo CartaEditore 1,50 d a e l e l l d ’ È i m i n 1 c i i o e n z l s i a e o mesePiemonte In questo numero 3 Di ombrellifici artigiani ne son ri- masti talmente pochi che non te- miamo di far torto a nessuno se parliamo di un'azienda in particola- re, anche perché l'Ombrellificio To- rinese è l'unico a vantare il marchio ParliamoHo conosciuto Laura Assom lo Una rassegna che ha mietuto con- italiani, “preferiti”di... per girare fiction di Eccellenza Artigiana. E in ogni scorso fine giugno a Laigueglia. Era sensi sempre maggiori di pubblico e e film che prevedono una particola- caso nessuno, in Europa e forse al sulla spiaggia, accaldata e gocciolan- di critica, unica nel panorama mu- re ambientazione (Mariangela Di mondo, fa quel che fanno loro come te, che insegnava il fitness e intanto sicale italiano. Come da tradizione, Stefano sul “Monumentale”, p. 18) lo fanno loro. l'amico contrabbassista Rosario Bo- sono tre i nomi in cartellone: la ca- Anche se, con naccorso mi diceva: “Non lo diresti, rismatica Betty Joplin, Linda Sulli- Quelli che il cane l'hanno fatto ad- piemontesissi- ma quella signora ha vinto il Festi- van e le Holy Ghost Fire Gospel Si- destrare e allora niente guinzaglio e mo understa- valbar.” Come, ballando? domando. -
Vasco, Il Rock Formato Stadio Festival a Roma
CULTURA E SPETTACOLI 1 «COLTI A Milano striscioni, cori e slogan calcistici per il cantante modenese La «soap» Bartók, Patrassi chiude eglialtrL evince Vasco, il rock formato stadio Festival a Roma •H Come ogni anno l'arrivo Striscioni, cori da stadio, slogan degni delle più suo ingresso sul palco Nes tenuta del pubblico eccellen ERASMO VALINTI dell'estate porta con se una agguerrite tifoserìe calcistiche che inneggiano a sun altoparlante legge la for te, come conferma la scaletta, flessione dell'ascolto televisi Vasco e sfottono Jovanotti. Al concerto come alla mazione, ma è come se lo fa che mischia sapientemente i •I ROMA Si è svolto e con te e talvolta non senza ironia, vo. La Rai comunque conti cesse, tanto che gli «ole» a pie pezzi più rock alle ballate in cluso in quattro puntate, pres a incentrare il brano su trovate. : nua ad ottenere risultati positi partita, insomma, per vedere una squadra messa ni polmoni si sprecano prima siile Vasco, fatte apposta per so l'Accademia d'Ungheria il che recuperano, alta lontana, vi: anche nella scorsa settima a punto con maestria, aggressiva e potente. Per che vinca la musica e dall'A cantare insieme al pubblico, decimo Festival di musica l'antico in una gamma di Cho- na ha totalizzato nel «prime ti- Vasco Rossi non è stato solo un trionfo annuncia* rena si alzi un coro pratica per creare un coinvolgimento contemporanea, «Nuovi Spazi pin a Debussy al Rock. me> (cioè allora di cena) il to, ma anche la conferma che i suoi fans sono mente ininterrotto, Vasco, totale. -
Smash Hits Volume 33
FORTNIGHTLY March 6-19 1980 i: fcMrstfjg i TH LYING LIZARDS .;! albums STS EDMUNDS )ur GRRk/£V£t/HlfLK HATES 7EEJM THAT TVf^ itav UGLYMONSTERS/ ^A \ / ^ / AAGHi. IF THERE'S ONE THING THATMAKES HULK REALLYAM6RY, IT'S PEOPLE WHO DON'T LOOK AFTER THEIRT€€TH! HULK GOES MAD UNLESS PEOPLE CLEAN THEIR TEETH THOROUGHLY EVERY DAY (ESPECIALLY LAST THING ATNIGHT). HE GOES SSRSfRK IFTHEY DON'T VISITTHE DENTIST REGULARLY! IF YOU D0N7 LOOKAFTER YOUR TEETH, SOMEBODY MAY COME BURSTING INTO YOUR HOUSE IN A TERRIBLE TEMPER AND IT WON'T BE THE MamAM...... 1 ! IF YOU WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FlU IN THE COUPON AND RETURN IT TO: HULK POSTER P.O BOX 1, SUDBURY, SUFFOLK COlO 6SL. tAeE(PUASETICKTHEAPPROPRIATEBOir)UNDERI3\Z\i3-l7\3lSANDOVER\JOFFERCLOSESONAPRIL30THmO.AUOW2SDAYSFORDELIVERY(sioaMPmisniA5l}l SH 1 uNAME ADDRESS X. i ^i J4 > March 6-19 1980 Vol 2 No. 5 Phew! Talk about moving ANIMATION mountains — we must have The Skids 4 shifted about six Everests' worth of paper this fortnight, what with ALABAMA SONG your voting forms and Walt David Bowie 4 Jabsco entries. With a bit of luck we'll have the poll results ready SPACE ODDITY forthe next issue but you'll find David Bowie 5 our Jabsco winners on page 26 of this issue. There's also an CUBA incredibly generous Ska Gibson Brothers 8 competition on page 24, not to mention our BIG NEWS! Turn to ALL NIGHT LONG the inside back page and find out Rainbow 14 what we mean . I'VE DONE EVERYTHING FOR YOU Sammy Hagar 14 Managing Editor HOT DOG Nick Logan Shakin' Stevens 17 Editor HOLDIN' -
Research Guide to Holocaust-Related Holdings at Library and Archives Canada
Research guide to Holocaust-related holdings at Library and Archives Canada August 2013 Library and Archives Canada Table of Contents INTRODUCTION...................................................................................................... 4 LAC’S MANDATE ..................................................................................................... 5 CONDUCTING RESEARCH AT LAC ............................................................................ 5 HOW TO USE THIS GUIDE ........................................................................................................................................ 5 HOW TO USE LAC’S ONLINE SEARCH TOOLS ......................................................................................................... 5 LANGUAGE OF MATERIAL.......................................................................................................................................... 6 ACCESS CONDITIONS ............................................................................................................................................... 6 Government of Canada records ................................................................................................................ 7 Private records ................................................................................................................................................ 7 NAZI PERSECUTION OF THE JEWISH BEFORE THE SECOND WORLD WAR............... 7 GOVERNMENT AND PRIME MINISTERIAL RECORDS................................................................................................ -
Miles Davis the Last Word
MILES DAVIS THE LAST WORD MILES DAVIS THE LAST WORD MILES DAVIS THE LAST WORD - MILES DAVIS ON WARNER BROTHERS (Rhino/Warner Brothers Jazz, Unreleased) RARE COLLECTORS SERIES RCS-084/87 Originally slated for release August 2002, Rhino pulled The Last Word from rotation stating: "We deeply regret the fact that we will not be releasing [the box set] on August 20," David Dorn, VP of Media Relations for Warner Strategic Marketing, told ICE. "Our commitment has always MILES DAVIS THE LAST WORD been to offer consumers the best possible audio and video products for the best possible value. Due to developing circumstances beyond our control, we felt that this box set would not, in its finished form, meet our standards, or the standards our customers expect from our products." (ICE, July 30,2002). What the hell is that all about? You hold in your hands a copy of the promo sent out to the press and to retailers. MILES DAVIS THE LAST WORD Trade Freely. Not For Sale. DISC 1 1. Tutu 05:13 (a) a) Capitol Recording Studio, Los Angeles, USA, 11. Februar 1986 2. Tomaas 05:35 (b) Miles Davis (tp); Marcus Miller (el-b); Paulinho DaCosta (perc) 3. Portia 06:16 (c) b) Clinton Recording Studio, New York City, USA, März 1986 4. Splatch 04:42 (d) Miles Davis (tp); Bernard Wright (synth); Marcus Miller (el-b); Omar Hakim (perc) 5. Backyard Ritual 04:47 (e) c) Clinton Recording Studio, New York City, USA, 13. Februar 1986 6. Perfect Way 04:32 (b) Miles Davis (tp); Marcus Miller (el-b); Paulinho Da Costa (perc) 7. -
The Record Producer As Nexus: Creative Inspiration, Technology and the Recording Industry
The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry A submission presented in partial fulfilment of the requirements of the University of Glamorgan/Prifysgol Morgannwg for the degree of Doctor of Philosophy by Michael John Gilmour Howlett April 2009 ii I certify that the work presented in this dissertation is my own, and has not been presented, or is currently submitted, in candidature for any degree at any other University: _____________________________________________________________ Michael Howlett iii The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry Abstract What is a record producer? There is a degree of mystery and uncertainty about just what goes on behind the studio door. Some producers are seen as Svengali- like figures manipulating artists into mass consumer product. Producers are sometimes seen as mere technicians whose job is simply to set up a few microphones and press the record button. Close examination of the recording process will show how far this is from a complete picture. Artists are special—they come with an inspiration, and a talent, but also with a variety of complications, and in many ways a recording studio can seem the least likely place for creative expression and for an affective performance to happen. The task of the record producer is to engage with these artists and their songs and turn these potentials into form through the technology of the recording studio. The purpose of the exercise is to disseminate this fixed form to an imagined audience—generally in the hope that this audience will prove to be real. -
American Broadcasting Company from Wikipedia, the Free Encyclopedia Jump To: Navigation, Search for the Australian TV Network, See Australian Broadcasting Corporation
Scholarship applications are invited for Wiki Conference India being held from 18- <="" 20 November, 2011 in Mumbai. Apply here. Last date for application is August 15, > 2011. American Broadcasting Company From Wikipedia, the free encyclopedia Jump to: navigation, search For the Australian TV network, see Australian Broadcasting Corporation. For the Philippine TV network, see Associated Broadcasting Company. For the former British ITV contractor, see Associated British Corporation. American Broadcasting Company (ABC) Radio Network Type Television Network "America's Branding Broadcasting Company" Country United States Availability National Slogan Start Here Owner Independent (divested from NBC, 1943–1953) United Paramount Theatres (1953– 1965) Independent (1965–1985) Capital Cities Communications (1985–1996) The Walt Disney Company (1997– present) Edward Noble Robert Iger Anne Sweeney Key people David Westin Paul Lee George Bodenheimer October 12, 1943 (Radio) Launch date April 19, 1948 (Television) Former NBC Blue names Network Picture 480i (16:9 SDTV) format 720p (HDTV) Official abc.go.com Website The American Broadcasting Company (ABC) is an American commercial broadcasting television network. Created in 1943 from the former NBC Blue radio network, ABC is owned by The Walt Disney Company and is part of Disney-ABC Television Group. Its first broadcast on television was in 1948. As one of the Big Three television networks, its programming has contributed to American popular culture. Corporate headquarters is in the Upper West Side of Manhattan in New York City,[1] while programming offices are in Burbank, California adjacent to the Walt Disney Studios and the corporate headquarters of The Walt Disney Company. The formal name of the operation is American Broadcasting Companies, Inc., and that name appears on copyright notices for its in-house network productions and on all official documents of the company, including paychecks and contracts. -
Sly & Robbie Language Barrier Mp3, Flac
Sly & Robbie Language Barrier mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Reggae / Funk / Soul Album: Language Barrier Country: Germany Released: 1985 Style: Dub MP3 version RAR size: 1790 mb FLAC version RAR size: 1260 mb WMA version RAR size: 1862 mb Rating: 4.9 Votes: 707 Other Formats: AIFF WMA VQF DMF TTA VOX MP1 Tracklist Hide Credits Make 'Em Move A1 7:58 Written-By – B. Aasim*, B. Worrell*, B. Laswell*, R. Shakespeare*, S. Dunbar* No Name On The Bullet A2 6:03 Written-By – R. Shakespeare*, S. Dunbar* Miles (Black Satin) A3 7:20 Written-By – B. Laswell*, M. Davis*, R. Shakespeare*, S. Dunbar* Bass And Trouble B1 6:06 Written-By – B. Laswell*, M. Dibango*, R. Shakespeare*, S. Dunbar* Language Barrier B2 6:51 Written-By – B. Reynolds*, M. Chung*, R. Shakespeare*, S. Dunbar*, W. Badarou* Get To This, Get To That B3 5:17 Written-By – B. Fowler*, B. Worrell*, R. Shakespeare*, S. Dunbar* Companies, etc. Recorded At – RPM Studios Recorded At – Compass Point Studios Recorded At – Dynamic Sounds Studios Recorded At – Channel One Recording Studio Mastered At – Masterdisk Mixed At – Power Station Phonographic Copyright (p) – Island Records Ltd. Record Company – Ariola Eurodisc GmbH Distributed By – Ariola Group Of Companies Printed By – TOPAC Pressed By – Sonopress Credits Art Direction – Tony Wright Engineer – Robert Musso, Solgie*, Steven Stanley Management [Administration] – Roger Trilling Mastered By – Howie Weinberg Mixed By – Jason Corsaro Performer – Afrika Bambaataa, Barry Reynolds, Bernard Fowler, Bernie -
Million-Dollar NFT Sales Get Attention, but Don't Expect Them to Last
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 17, 2021 Page 1 of 23 INSIDE Million-Dollar NFT Sales Get Attention, But Don’t Expect Them to Last • Meet the Nonprofits Feeding Thousands of Out- BY MICAH SINGLETON Of-Work Touring Staff The $11.7 million price tag on 3LAU’s sale of 33 col- I think that overlooks the real opportunity here which lectible NFT — — versions of his is to build permanence and perpetual equity in media • How Ice Cream non-fungible token Can Help Make 3-year-old album, Ultraviolet, on Feb. 25 has become on the internet.” Sense of Streaming a beacon for the music industry over the past three NFTs allow the creator to set a perpetual royalty Royalties (Op-Ed) weeks. There’s clearly money to be made in digital during the “minting” creation process that will allow collectibles and now there’s a rush to break into the them to get paid for third-party sales, a feat not pos- • UMG Signs Expanded Licensing market. But artists beware: Exponential growth like sible with any current digital (or physical) good. The Deal with African this is not sustainable and many of the people who average royalty rate is set between 10–25% according Streaming Service were involved in NFTs early on do not expect these to Goens. That means NFTs can deliver artists lifetime Boomplay exorbitant sale prices to continue. royalties with every future sale. • HITS Act “I think it will be very difficult to replicate again,” Right now, the NFT market is booming thanks to Reintroduced in says 3LAU about his $11.7 million haul – an NFT rare sorts of collectors: millionaires — and some bil- Congress on Behalf record until digital artist Beeple sold a single piece lionaires — who made fortunes investing in crypto- of Struggling Music for $69 million on auction at Christie’s on March 11, currency in its infancy.