The Old Bailey and the Recorder of London: a Brief History
From our Patron, Simon Callow Last year I received the exceptional honour of the Freedom of the City of London. Since boyhood I have been haunted by the City, its history, its imagery, its traditions. One of the most vital of those traditions is the City's association with music. Since at least 1350, The Worshipful Company of Musicians has proudly celebrated the noble art. I vividly remember a City of London Festival when I was a youth, in which The Yeoman of the Guards was performed with full son et lumière effects at the Tower of London, and Sir William Walton was specially commissioned to write a splendid piece for the City – A Song for the Lord Mayor's Table. Since then the Barbican Concert Hall has opened, and the London Symphony Orchestra has become resident orchestra. Music is everywhere in the City, as it should be. So when last year's Lord Mayor and Lady Mayoress, Roger and Clare Gifford, asked me become a Patron of their new charity, the City Music Foundation, I said yes straight away - not only because of the ancient association of the City with music, but because it looks so keenly to the future. Its raison d'être is to help young musicians at that critical difficult early point in their careers, right at the beginning, after their training, when they attempt to launch themselves into the world. The Foundation nurtures, encourages, and supports them at a vulnerable moment in their lives. I know very well what that feels like - young actors face exactly the same problems; sometimes really gifted, exceptional artists fall by the wayside.
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