Contemporary Opera Newsletter
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Samuel Ramey
welcome to LOS i\Ilgeles upera http://www.losangelesopera.comlproduction/index.asp?... •• PURCHASE TICKETS • 2003/2004 SEASON LA AMNATION DE FAD T La damnation de Faust The damnation of Faust / Hector Berlioz Nicholas and In French with English Supertitles Ticket Information Alexandra Lucia di Samuel Ramey, Synopsis Lammermoor r-----------.., Program Notes Denyce Graves and Photo Gallery Orfeo ed Euridice Paul Groves star in a spectacular new Recital: production by Achim Ask an Expert Hei-Kyung Hong Forward to a Freyer with Kent Friend Recital: Cecilia Nagano conducting. Bartoli Generously Madama Europe's master Underwritten by: Butterfly theatre artist Achim Freyer matches his New production Die Frau ohne made possible by a Schatten painterly visual imagery with Hector generous gift from Mr. and Mrs. Recital: Dmitri Berlioz's vivid musical imagination in the premiere of Hvorostovsky Milan Panic this new production featuring a cast of more than Le nozze di 100 singers and dancers. The legend of Faust, which Figaro tells the story of the man who sold his soul to the II trovatol'"e Devil, has captivated great imaginations for centuries. Marlowe, Goethe, Gounod, Schumann, Liszt, Mahler and Stravinsky all found inspiration in SEASON G!J1]) the Faust tale, which continues to reverberate in SPONSOR Audt today's modern world. Originally conceived as an oratoriO, Hector Berlioz's dramatic La damnation de Faust is now a mainstay of opera houses around the world. Haunting melodies and startling orchestrations flood the score and illustrate the beWitching tale of Faust's desperate struggle for power, riches, youth and, ultimately, redemption. PRODUCTION DATES: Wednesday September 10, 20036:30 p.m. -
Prince Igor Knyaz Igor Page 1 of 3 Opera Assn
San Francisco Civic 1996-1997 Prince Igor Knyaz Igor Page 1 of 3 Opera Assn. Auditorium Prince Igor (in Russian) Opera in five acts by Alexander Borodin Libretto by Alexander Borodin, after a scenario by Stasov Based on a 12th-century Russian epic "Song of the Army of Prince Igor" (See Notes) Conductor CAST Alexander Anissimov Igor Svyatoslavich, Prince of Seversk Sergei Leiferkus Production Galitsky, Prince of Galich, brother of Princess Yaroslavna Jeffrey Wells Francesca Zambello Vladimir Igorevich, Igor's son by his first marriage Mark Baker Designer Musicians: Skula Vladimir Ognovenko Zack Brown Musicians: Yeroshka Konstantin Pluzhnikov Lighting Designer Gary Rideout (9/10,13,15,21) Thomas J. Munn Yaroslavna, Igor's second wife Lauren Flanigan Sound Designer Yaroslavna's Nurse Catherine Cook Roger Gans Konchakovna, daughter of Khan Konchak Elena Zaremba Chorus Director Ovlur, a Christian Polovtsian Dennis Petersen Ian Robertson Konchak, Polovtsian Khan Paata Burchuladze Choreographer Solo dancers Teimuraz Koridze Alphonse Poulin Badri Esatia Musical Preparation Susanna Lemberskaya Bryndon Hassman *Role debut †U.S. opera debut Peter Grunberg PLACE AND TIME: The Russian city of Putivl; a Polovtsian Ian Robertson encampment on the Russian Steppes Svetlana Gorzhevskaya Supertitles Christopher Bergen Prompter Jonathan Khuner Assistant Stage Director Paula Williams Assistant Stage Director Yefim Maizel Stage Manager Jerry Sherk Fight Consultant Larry Henderson Friday, September 6 1996, at 6:30 PM PART I Tuesday, September 10 1996, at 8:00 -
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Teatro de la Zarzuela Centro Nacional de Difusión Musical MATTHIAS GOERNE barítono ALEXANDER SCHMALCZ piano XXI CICLO DE LIED RECITAL X TEATRO DE LA ZARZUELA | LUNES 29/06/15 20:00h Centro Nacional de Difusión Musical UNIVERSO BARROCO | Auditorio Nacional de Música UNIVERSO BARROCO | SAlA SINfónica 10/12/15 | ORQUESTA BARROCA DE HElSINKI 22/11/15 | 18:00h | ENSEMBlE MATHEUS AAPO HÄKKINEN clave y dirección | MATTHIAS JEAN-CHRISTOPHE SPINOSI director MONICA GROOP mezzosoprano MALENA ERNMAN Serse (mezzosoprano) Obras de Johan Helmich Roman, Joseph Martin Kraus, ADRIANA KUCˇEROVÁ Romilda (soprano) Johann Sebastian Bach y Joseph Haydn SONIA PRINA Arsamene (contralto) GOERNE barítono KERSTIN AVEMO Atalanta (soprano) 21/01/16 | HESPÈRION XXI MARINA DE LISO Amastre (mezzosoprano) JORDI SAVALL viola da gamba y dirección CHRISTIAN SENN Elviro (barítono) La Europa musical: 1500-1700 LUIGI DE DONATO Ariodate (bajo) Danzas italianas del renacimiento veneciano George Frideric Haendel (1685-1759): Serse, HW 40 Obras de John Dowland, Orlando Gibbons, William Brade, Luys de Milán, Antonio de Cabezón, Diego 14/12/15 | 19:30h | WIENER AKADEMIE ALEXANDER Ortiz, Samuel Scheidt, Joan Cabanilles, MARTIN HASElBÖCK director Henry Purcell, Guillaume Dumanoir, Antonio Valente SOPHIE KARTHÄUSER Susanna (soprano) y anónimos CARLOS MENA Joacim (contratenor) ALOIS MÜHLBACHER Daniel (contratenor) 25/02/16 | ACCADEMIA BIZANTINA SCHMALCZ piano MARIE-SOPHIE POLLAK Ayudante (soprano) OTTAVIO DANTONE clave y dirección PAUL SCHWEINESTER Primer anciano (tenor) Johann Sebastian -
Maurizio Pollini
REVISTA DE MÚSICA Año XX - Nº 196 - Abril 2005 - 6,30 DOSIER Don Quijote y la música Nº 196 - Abril 2005 SCHERZO ENTREVISTA Miguel Sánchez ENCUENTROS Ofelia Sala ACTUALIDAD Maurizio Pollini ANIVERSARIO Karl Amadeus Hartmann 9778402 134807 9100 6 AÑO XX Nº 196 Abril 2005 6,30 € 2 OPINIÓN Don Quijote y los libros de caballerías CON NOMBRE Arturo Reverter 118 PROPIO Un singular encuentro 6 Maurizio Pollini entre Falla y Cervantes Yvan Nommick 122 Carmelo di Gennaro La discoteca del hidalgo 10 AGENDA Juan Manuel Viana 126 18 ACTUALIDAD ENCUENTROS NACIONAL Ofelia Sala “Espero no perder nunca la 44 ACTUALIDAD capacidad de ilusionarme” 132 INTERNACIONAL Rafael Banús Irusta 60 ENTREVISTA ANIVERSARIO Miguel Sánchez Karl Amadeus Hartmann “No podríamos sentir la música Francisco Ramos 138 sin el concierto” EDUCACIÓN Juan Antonio Llorente Pedro Sarmiento 140 64 Discos del mes EL CANTAR DE LOS CANTARES SCHERZO DISCOS Arturo Reverter 142 65 Sumario JAZZ Pablo Sanz 144 DOSIER 113 Don Quijote y la música LIBROS 146 114 Música para unos papeles LA GUÍA 148 y cartapacios CONTRAPUNTO Alfonso de Vicente Norman Lebrecht 152 Colaboran en este número: Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, David Armendáriz Moreno, Rafael Banús Irusta, Alfredo Brotons Muñoz, José Antonio Cantón, José Luis Carles, Jacobo Cortines, Carmelo Di Gennaro, Giacomo Di Vittorio, Fernando Fraga, Joaquín García, José Antonio García y García, Mario Gerteis, José Guerrero Martín, Fernando Herrero, Leopoldo Hontañón, Bernd Hoppe, Paul Korenhof, Norman Lebrecht, Juan -
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Elena Flores SOPRANO STAGE EXPERIENCE Frasquita¹ Greensboro Opera Carmen — Bizet The Foreign Woman UNC Greensboro The Consul — Menotti Dancer UNC Greensboro Speed Dating Tonight! — Michael Ching Sister Constance UNC Greensboro The Dialogues of the Carmelites — Poulenc Laetitia UNC Greensboro The Old Maid and the Thief — Menotti Soprano Soloist Saint Mary's Episcopal Church, High Point NC Mozart Coronation Mass in C, K. 317 CONTACT Adele Shenandoah University Die Fledermaus — Johann Strauss II address Cendrillon Shenandoah University 1901 San Fernando Drive Cendrillon — Massenet High Point, NC 27265 First Lady, Queen of the Night Bethesda Summer Music Festival email Die Zauberflöte — Mozart [email protected] Judy Shenandoah University online portfolio This is the Rill Speaking — Lee Hoiby elenafloressoprano.com Donna Anna¹, Chorus Shenandoah University Don Giovanni — Mozart phone 540-645-1745 Soloist Maryland Symphony Orchestra Opera Cat (2013-14) Mother Duck, Igor UNC Greensboro AWARDS The Ugly Duckling Grand Prize Winner 2016 Mrs. Lovett Bethesda Summer Music Festival UNC Greensboro Student Artist Sweeney Todd Competition Goldilocks Riverside Dinner Theater Cecilia Award for Vocal 2015 Goldilocks and the Christmas Bears Excellence Shenandoah University EDUCATION Forest-Parker Excellence 2015 Masters in Music UNC Greensboro in Voice Award Vocal Performance 2015 - 2017 Shenandoah University Bachelors of Music Shenandoah University Vocal Performance 2011 - 2015 RELATED SKILLS German Opera Experience James Madison University Brahms Lieder -
Malena Ernman På Arlanda Med Den Effektivt Packade, Röda Konsertväskan
RESKLAR Malena Ernman på Arlanda med den effektivt packade, röda konsertväskan. MALENA ERNMAN RESANDE I SKÖNSÅNG Snart är operahösten här, med en ny våg av svenska röster som ekar över världen. Och allra längst fram står supersopranen Malena Ernman. Vi ville träffa henne på ett ställe som är typiskt för hennes jobb. Det blev en taxi till Arlanda. TEXT PONTUS DAHLMAN FOTO LINDA GREN ➤ 14 TIDNINGEN VI NR 9 2011 TIDNINGEN VI NR 9 2011 15 SVENSKA OPERASTJÄRNOR ungsholmen, Stockholm, som den kanske tydligast lysande svenska hemma hos Malena stjärnan just nu. Ernman, mezzosopran. På hennes nya cd, med arior ur kända Hon står i hallens operor, finns också en svensk sommarvisa. halvdunkel. Managern Den heter I det fria, och börjar: Svante Thunberg, som ”Här är platsen där vägen tar slut … också är hennes man, marken, stenarna sjunger för mig, sången säger ömsint, nästan lugnande: om vägarna som förde mig hit.” K – Telefonen har du? Glasögonen? En Hon har inte skrivit texten själv, men bok? Vad vill du ha? Jag är skulle kunna ha gjort det. Det är något Hon rullar fram den ”lilla konsertväs med det där temat: borta, hemma, borta. kan”. Kabinmodellen i knallrött som ska för tuff Hon säger att hon är utomlands ”ungefär räcka för att vara borta en vecka i sträck. för att gå i terapi. tre månader om året”. – I den packar jag ett par högklackat, Vad tänker du på, när du sitter så här och springskor, långklänning. Till och med är på väg? trosorna ligger vikta. Jag är väldigt bra på att packa effektivt. -
25 December 2009 Page 1 of 13
Radio 3 Listings for 19 – 25 December 2009 Page 1 of 13 SATURDAY 19 DECEMBER 2009 Jorma Rahkonen (violin) SAT 13:00 The Early Music Show (b00pgvpy) La Fenice SAT 01:00 Through the Night (b00p8jc6) 5.48am Presented by Susan Sharpe. Paganini, Niccolo (1782-1840): Polonaise Catherine Bott presents highlights from a concert given in 2008 Viktor Pikajzen (violin) in Villars-sur-Glane in Switzerland, featuring the ensemble La 1.00am Evgenia Sejdelj (piano) Fenice directed by Jean Tubery, with soprano Nuria Rial. Music Enescu, George (1881-1955): Violin Sonata No 3 in A, Op 25 includes Monteverdi's Exulta filia Sion and works by Tarquinio (dans le caractere populaire roumain) 5.54am Merula, Bonifazio Graziano and Jacob van Eyck. Sebastian Tegzesiu (violin) Mendelssohn, Fanny Hensel (1805-1847): Trio in D minor, Op Viorica Boerescu (piano) 11 Anon: Misteri gioisi. Ave Maria gratia plena. Canto fermo for Trio Orlando one voice; Lucis creator optime. Canto fermo for male voices; 1.29am Mozart, Wolfgang Amadeus (1756-1791): String Quartet No 20 6.19am Giuseppe Scarani: Sonata sopra Lucis creator optime, for two in D, K499 (Hoffmeister) Arban, Jean-Baptiste (1825-1889), arr David Stanhope: Fantasy cornetts, organ, harpsichord, cello and theorbo ANIMA Quartet and variations on a Cavatina (Beatrice di Tenda - by Bellini) Geoffrey Payne (trumpet) Bonifazio Graziano: Venite pastores ad sacros amores (Motets 1.54am Melbourne Symphony Orchestra for 1, 2 and 3 male voices and continuo), arr for soprano Muthel, Johann Gottfried (1728-1788): Concerto in D -
Concert: Thirty-Eighth Annual Ithaca College Choral Composition Contest Ithaca College Choir
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ithaca College Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-12-2016 Concert: Thirty-eighth Annual Ithaca College Choral Composition Contest Ithaca College Choir Janet Galván Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Choir and Galván, Janet, "Concert: Thirty-eighth Annual Ithaca College Choral Composition Contest" (2016). All Concert & Recital Programs. 1399. http://digitalcommons.ithaca.edu/music_programs/1399 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. THE THIRTY-EIGHTH ANNUAL ITHACA COLLEGE CHORAL COMPOSITION CONTEST Sponsored jointly by Ithaca College and Mark Foster Foster Publishing (a division of Hal Leonard) Saturday, November 12th, 2016 7:00 pm ITHACA COLLEGE THIRTY-EIGHTH ANNUAL CHORAL COMPOSITION CONTEST AND FESTIVAL Sponsored jointly by Ithaca College and Mark Foster (a division of Hal Leonard) The Choral Composition Festival was founded in 1979 to encourage the creation and performance of new choral music and to establish the Ithaca College Choral Series. Six scores were chosen for performance this evening from the entries submitted from around the world. The festival was founded by Professor Lawrence Doebler. The composition The Voice You Hear by Francisco Núñez was commissioned by Ithaca College and will be premiered by the Ithaca College Choir this evening. -
Ich Ican Op Ra Th Ea Re 76-7
Copyright 2010, Michigan Opera Theatre ICH ICAN OP RA TH EA RE 76-7 . " " ". ", .. Compliments.of .... INTERNATIONAL "" . "TELEPHONE ·· . " . .. and . .. " "TELEGRAPH · "" " .. CORPORATION Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre 2 Del ail f ro m on Assyria n r elief cou rt es y o f Delr oit In sti tute o f A rts tt A trustee is held to something stricter than the morals of the market place. Not honesty alone, but the punctilio of an honor-the most sensitive-is then the standard of behavior." "" Benjamin Nathan Cardozo "" TRU ST DEPARTMENTCopyright 2010, Michigan Opera Theatre 3 ew . Cnevrolet The handwriting was on the wall. makes it easi~r to climb intoan.d out of. It clearly said that the time had More trunk room come for a new kind of 6-passenger . Thetrunkistrulyenormous,morethan. car. One that would use fuel and space a cubic foot bigger than last year. with more sparingly, yet still provide the a nice flat floor that makes it easy to . kind of room and ride you've found so arrange things. comfortable and comforting in our Irs one of many pleasant surprises popular full-size Chevys of the past. awaiting you in The NewCheVrolet. The car is here. Irs called The New Chevrolet. More efficient . The New Chevrolet is, by design, a More head room very lean but very strong automobile. The New Chevrolet stands a We eliminated excess inches and little taller than last year's full-size ounces everywhere we coul<;j. Chevy, which perhaps explains why it And it pays off at the gas pump. -
Neue Aufnahmen Im April 2013
CD CD 2 CD CD CD CD 2 CD CD CD CD CD CD 1 CD CD 2096,01 2103,01 2097,01 2095,01 07.05.13 Kurt Kurt Moll, , , , , , , , David Daniels, John Moore, Patricia Bardon, Coote, Natalie Alice Dessay, Christophe Dumaux, Guido Loconsolo, Rachid Ben Abdeslam, Joshua,Rosemary Sarah Connolly, Davies,Clayton, Allan Neal Lestyn Davies, , , , Linda Watson, Petersamer, Alexandra Jürgen Müller, Jukka Rasilainen, , , , , Anna Prohaska, , , , , , , , , , , , , , , , Malena Ernman, Bernard Richter, Christiane Ann-Beth Karg, Solvang, Martin Borchev, Nikolay Snell, Mikós , Sebestyén, Christian ,Gerhaher, , , , , , , Lucia Popp, Siegfried Doris Soffel, Ridderbusch, Jerusalem, Karl Siegmund Nimsgern, , , , Julianna Di Giacomo, Franck Ferrari, Jordi, NikaIsmael Guliashvili, , , Gabriela Gabriela Benacková, Marjana , , , Bryn Terfel, Keith Lipovsek, Lewis, , Katarina Kerstin Avemo, Karnéus, Karl Rombo, Markus Schwarz, Mats Persson, , , , Aleksandra Kurzak, Roberto Alagna, Fabio Capitanucci, Maestri, Ambrogio Susana Gaspar, , , , Karita Mattila, Jorma Silvasti, Judith VladimirForst, Ognovenko, Chris Merritt, MagdalenaRaymond Very, SebastianKozená, Catana, -- -- -- -- -- -- -- -- -- -- -- -- -- Nicolas Cavallier, Sophie Koch, -- cda1304 Leo Hussain Leo Mariss Jansons Bruno Campanella Heinz Wallberg Bicket Harry William Christie Jiri Belohlávek Marcus R. Bosch Daniel Harding Mariss Jansons Jean-Luc Tingaud Carlo Maria --Giulini Giancarlo --Andretta -- -- -- -- -- -- -- -- -- -- -- -- S h-O h O Orchestredel'OpéraNat O The MetropolitanThe Opera O C Orchester der Metropoli -
2005 Next Wave Festival
November 2005 2005 Next Wave Festival Mary Heilmann, Last Chance for Gas Study (detail), 2005 BAM 2005 Next Wave Festival is sponsored by: The PerformingNCOREArts Magazine Altria 2005 ~ext Wave FeslliLaL Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents Symphony No.6 (Plutonian Ode) & Symphony No.8 by Philip Glass Bruckner Orchestra Linz Approximate BAM Howard Gilman Opera House running time: Nov 2,4 & 5, 2005 at 7:30pm 1 hour, 40 minutes, one intermission Conducted by Dennis Russell Davies Soprano Lauren Flanigan Symphony No.8 - World Premiere I II III -intermission- Symphony No. 6 (Plutonian Ode) I II III BAM 2005 Next Wave Festival is sponsored by Altria Group, Inc. Major support for Symphonies 6 & 8 is provided by The Robert W Wilson Foundation, with additional support from the Austrian Cultural Forum New York. Support for BAM Music is provided by The Aaron Copland Fund for Music, Inc. Yamaha is the official piano for BAM. Dennis Russell Davies, Thomas Koslowski Horns Executive Director conductor Gerda Fritzsche Robert Schnepps Dr. Thomas Konigstorfer Aniko Biro Peter KeserU First Violins Severi n Endelweber Thomas Fischer Artistic Director Dr. Heribert Schroder Heinz Haunold, Karlheinz Ertl Concertmaster Cellos Walter Pauzenberger General Secretary Mario Seriakov, Elisabeth Bauer Christian Pottinger Mag. Catharina JUrs Concertmaster Bernhard Walchshofer Erha rd Zehetner Piotr Glad ki Stefa n Tittgen Florian Madleitner Secretary Claudia Federspieler Mitsuaki Vorraber Leopold Ramerstorfer Elisabeth Winkler Vlasta Rappl Susanne Lissy Miklos Nagy Bernadett Valik Trumpets Stage Crew Peter Beer Malva Hatibi Ernst Leitner Herbert Hoglinger Jana Mooshammer Magdalena Eichmeyer Hannes Peer Andrew Wiering Reinhard Pirstinger Thomas Wall Regina Angerer- COLUMBIA ARTISTS Yuko Kana-Buchmann Philipp Preimesberger BrUndlinger MANAGEMENT LLC Gorda na Pi rsti nger Tour Direction: Gudrun Geyer Double Basses Trombones R. -
MUSIC; Must Sweet Always Yield to Sweat? - the New York Times
MUSIC; Must Sweet Always Yield To Sweat? - The New York Times http://www.nytimes.com/2001/04/29/arts/music-must-sweet-always-yield... This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » April 29, 2001 MUSIC By BERNARD HOLLAND ''DIE TOTE STADT'' got rough treatment from forward-looking commentators when it returned to the New York City Opera recently. Korngold's opera is certainly not ''Tristan und Isolde'' or even ''Moses und Aron,'' but operating on its own modest scale, it remains a gracefully executed piece of stagecraft. Its music, though illustrative, is more than mere illustration. Its story balances fact with fantasy, and the use of an opera company within an opera company offers nice allusions to appearance and reality. What troubles the heavier thinkers of the music world, I suspect, is that ''Die Tote Stadt'' goes down like ice cream. Its smooth, welcoming harmonic language -- like Richard Strauss on tranquilizers -- offers no resistance. ''Where is the challenge?'' its critics ask. Anything this accessible this quickly must have something wrong with it. Substance implies depths, and depths necessarily take time to plumb. The calendar may also be an irritant. Korngold's opera dates from 1920. Schoenberg's ''Pierrot Lunaire'' was already eight years old, Stravinsky's ''Sacre du Printemps'' seven. In science, as reflected in literature, art and music, the 20th century represented the march of progress: things evolved, grew, got better, smarter, purer.