Sartorial Satisfaction It’S a Truism That a Designer Should Know Her Customer
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Issue: Fashion Industry Fashion Industry
Issue: Fashion Industry Fashion Industry By: Vickie Elmer Pub. Date: January 16, 2017 Access Date: October 1, 2021 DOI: 10.1177/237455680302.n1 Source URL: http://businessresearcher.sagepub.com/sbr-1863-101702-2766972/20170116/fashion-industry ©2021 SAGE Publishing, Inc. All Rights Reserved. ©2021 SAGE Publishing, Inc. All Rights Reserved. Can it adapt to changing times? Executive Summary The global fashion business is going through a period of intense change and competition, with disruption coming in many colors: global online marketplaces, slower growth, more startups and consumers who now seem bored by what once excited them. Many U.S. shoppers have grown tired of buying Prada and Chanel suits and prefer to spend their money on experiences rather than clothes. Questions about fashion companies’ labor and environmental practices are leading to new policies, although some critics remain unconvinced. Fashion still relies on creativity, innovation and consumer attention, some of which comes from technology and some from celebrities. Here are some key takeaways: High-fashion brands must now compete with “fast fashion,” apparel sold on eBay and vintage sites. Risk factors for fashion companies include China’s growth slowdown, reduced global trade, Brexit, terrorist attacks and erratic commodity prices. Plus-size women are a growing segment of the market, yet critics say designers are ignoring them. Overview José Neves launched Farfetch during the global economic crisis of 2008, drawing more on his background in IT and software than a love of fashion. His idea: Allow small designers and fashion shops to sell their wares worldwide on a single online marketplace. The site will “fetch” fashion from far-off places. -
Smart Moves Smart
Page 1 Thursday s FASHION: s REVIEWS: MEDIA: The s EYE: Partying collections/fall ’09 Michael Kors, Getting ready diversity with Giorgio Narciso for the $380 quotient Armani, Rodriguez million Yves rises on Leonardo and more, Saint Laurent the New DiCaprio, the pages art auction, York Rodarte sisters 6 to 14. page 16. runways, and more, NEW page 3. page 4. YORKWomen’s Wear Daily • The Retailers’ Daily Newspaper • February 19, 2009 • $3.00 WSportswear/Men’swDTHURSdAY Smart Moves It was ultrachic coming and going in Oscar de la Renta’s fall collection, a lineup that should delight his core customers. The look was decidedly dressed up, with plenty of citified polish. It was even set off by Judy Peabody hair, as shown by the duo here, wearing a tailored dress with a fur necklet and a fur vest over a striped skirt. For more on the season, see pages 6 to 14. Red-Carpet Economics: Oscars’ Party Goes On, Played in a Lower Key By Marcy Medina LOS ANGELES — From Sharon Stone to Ginnifer Goodwin, the 40-person table beneath the stone colonnade at the Chateau Marmont here was filled with Champagne-drinking stars. It appeared to be business as usual for Dior Beauty, back to host its sixth annual Oscar week dinner on Tuesday night. With the worldwide economy in turmoil, glamour lives in the run-up to Hollywood’s annual Academy Awards extravaganza on Sunday night, but brands are finding ways to save a buck: staging a cocktail party instead of a dinner, flying in fewer staffers or cutting back on or eliminating gift suites. -
Fashion Awards Preview
WWD A SUPPLEMENT TO WOMEN’S WEAR DAILY 2011 CFDA FASHION AWARDS PREVIEW 053111.CFDA.001.Cover.a;4.indd 1 5/23/11 12:47 PM marc jacobs stores worldwide helena bonham carter www.marcjacobs.com photographed by juergen teller marc jacobs stores worldwide helena bonham carter www.marcjacobs.com photographed by juergen teller NEW YORK LOS ANGELES BOSTON LAS VEGAS MIAMI DALLAS SAO PAULO LONDON PARIS SAINT TROPEZ BRUSSELS ANTWERPEN KNOKKE MADRID ATHENS ISTANBUL MOSCOW DUBAI HONG KONG BEIJING SHANGHAI MACAU JAKARTA KUALA LUMPUR SINGAPORE SEOUL TOKYO SYDNEY DVF.COM NEW YORK LOS ANGELES BOSTON LAS VEGAS MIAMI DALLAS SAO PAULO LONDON PARIS SAINT TROPEZ BRUSSELS ANTWERPEN KNOKKE MADRID ATHENS ISTANBUL MOSCOW DUBAI HONG KONG BEIJING SHANGHAI MACAU JAKARTA KUALA LUMPUR SINGAPORE SEOUL TOKYO SYDNEY DVF.COM IN CELEBRATION OF THE 10TH ANNIVERSARY OF SWAROVSKI’S SUPPORT OF THE CFDA FASHION AWARDS AVAILABLE EXCLUSIVELY THROUGH SWAROVSKI BOUTIQUES NEW YORK # LOS ANGELES COSTA MESA # CHICAGO # MIAMI # 1 800 426 3088 # WWW.ATELIERSWAROVSKI.COM BRAIDED BRACELET PHOTOGRAPHED BY MITCHELL FEINBERG IN CELEBRATION OF THE 10TH ANNIVERSARY OF SWAROVSKI’S SUPPORT OF THE CFDA FASHION AWARDS AVAILABLE EXCLUSIVELY THROUGH SWAROVSKI BOUTIQUES NEW YORK # LOS ANGELES COSTA MESA # CHICAGO # MIAMI # 1 800 426 3088 # WWW.ATELIERSWAROVSKI.COM BRAIDED BRACELET PHOTOGRAPHED BY MITCHELL FEINBERG WWD Published by Fairchild Fashion Group, a division of Advance Magazine Publishers Inc., 750 Third Avenue, New York, NY 10017 EDITOR IN CHIEF ADVERTISING Edward Nardoza ASSOCIATE PUBLISHER, Melissa Mattiace ADVERTISING DIRECTOR, Pamela Firestone EXECUTIVE EDITOR, BEAUTY Pete Born PUBLISHER, BEAUTY INC, Alison Adler Matz EXECUTIVE EDITOR Bridget Foley SALES DEVELOPMENT DIRECTOR, Jennifer Marder EDITOR James Fallon ASSOCIATE PUBLISHER, INNERWEAR/LEGWEAR/TEXTILE, Joel Fertel MANAGING EDITOR Peter Sadera EXECUTIVE DIRECTOR, INTERNATIONAL FASHION, Matt Rice MANAGING EDITOR, FASHION/SPECIAL REPORTS Dianne M. -
Stephen Jones Datasheet
TITLE INFORMATION Tel: +44 (0) 1394 389950 Email: [email protected] Web: https://www.accartbooks.com/uk Stephen Jones And the Accent of Fashion Hanish Bowles ISBN 9781851496525 Publisher ACC Art Books Binding Hardback Territory World Size 300 mm x 240 mm Pages 240 Pages Illustrations 297 color Price £45.00 First monograph on the work of the celebrated milliner Stephen Jones With a preface by John Galliano and texts by authorities such as Hamish Bowles, Andrew Bolton, Suzy Menkes and Anna Piaggi, with new photography by Nick Knight and David Bailey "Picture the moment, in the run-up to a Christian Dior haute couture show. John Galliano is working silently in the Paris studio with his friend and ally, the master milliner Stephen Jones. The designer is looking at the arc of a silhouette, the drape of a skirt and the tilt of a hat: 'I often work through a mirror for most of my decisions and I always see Stephen's reflection,' says Galliano. 'He is reading my every nuance. He is studying my face. I don't need to say anything - he can read my mind'." - From the essay by Suzy Menkes. Stephen Jones is one of the world's most talented and distinguished milliners. This exquisitely illustrated monograph is the first to examine his illustrious career and famous collaborations. Including photographs from private collections and museums, the book focuses on a variety of aspects of his work, from his collaborations with Boy George, John Galliano and Thierry Mugler to his work with photographers Bruce Weber and Nick Knight. -
The Law, Culture, and Economics of Fashion
THE LAW, CULTURE, AND ECONOMICS OF FASHION C. Scott Hemphill* & Jeannie Suk** INTRODUCTION....................................................................................................... 102! I. WHAT IS FASHION? ............................................................................................. 109! A. Status ........................................................................................................... 109! B. Zeitgeist ....................................................................................................... 111! C. Copies Versus Trends .................................................................................. 113! D. Why Promote Innovation in Fashion? ........................................................ 115! II. A MODEL OF TREND ADOPTION AND PRODUCTION ........................................... 117! A. Differentiation and Flocking ....................................................................... 118! B. Trend Adoption ............................................................................................ 120! C. Trend Production ........................................................................................ 122! III. HOW UNREGULATED COPYING THREATENS INNOVATION ............................... 124! A. Fast Fashion Copyists ................................................................................. 124! B. The Threat to Innovation ............................................................................. 128! 1. Harmful copying .................................................................................. -
Page 1 2 0 0 7 a N N U a L R E P O R T
2007 ANNUAL REPORT IN SEARCH OF LASTING SOLUTIONS TO HIV/AIDS THE FOUNDATION FOR AIDS RESEARCH amfAR, THE FOUNDatION F O R A ID S R E S E ar C H , I S DEDICatED TO ENDING THE GLOBAL AIDS EPIDEMIC T H R O U G H I N N O V at I V E RESEARCH. Cover photos (from top): TREAT Asia Community Programs Manager Jennifer I-Ching Ho holds an HIV-positive child (photo: Karl Grobl); Dr. Nolwenn Jouvenet, Aaron Diamond AIDS Research Center (photo: Dr. Rowena Johnston); Shan Grant, Miguel Rivera, and Robert Green (photo: Winnie McCroy). FROM THE CHAIRMAN 02 A Global Force Against a Global Epidemic FROM THE CHIEF EXECUTIVE OFFICER 03 Good Research Drives Good Policy PEOPLE LIVING WITH HIV/AIDS 04 MAJOR ACCOMPLISHMENTS 06 RESEARCH 08 GLOBAL INITIATIVES 15 PUBLIC POLICY 22 EDUCATION AND INFORMATION 26 GIVING 30 Individual Giving Institutional Giving In-Kind Contributions Planned Giving Volunteer Support Workplace Giving FINANCIAL SUMMARY 44 From the Treasurer and the Chair of the Finance and Budget Committee Statement of Activities and Changes in Net Assets Statement of Financial Position LEADERSHIP AND ADVISORY COMMITTEES 46 ACKNOWLEDGMENTS FROM THE CHAIRMAN A Global FORCE AGAINST A Global EPIDEMIC Of the 33 million people living with HIV/AIDS, more than 90 percent are in the develop- ing world. For most of its 23 years at the leading edge of the fight against AIDS, amfAR has brought AIDS research, prevention, and education to countries hard hit by the epidemic. A global health threat demands nothing less than a global response. -
O Luxo Na Moda Alta-Costura Entre O Passado E O Futuro
UNIVERSIDADE DA BEIRA INTERIOR Faculdade de Engenharia Departamento de Ciência e Tecnologia Têxteis O Luxo na Moda Alta-Costura entre o passado e o futuro Rui André Melo de Sousa Dissertação para obtenção do Grau de Mestre em Design de Moda (2º ciclo de estudos) Orientador: Prof. Doutor Rui Alberto Lopes Miguel Coorientadora: Profª. Doutora Catarina Sofia Lourenço Rodrigues Covilhã, outubro de 2015 ii Agradecimentos Esta dissertação resulta de um esforço conjunto de profissionais e instituições, assim gostaria de expressar o meu profundo e sentido agradecimento a todos aqueles que contribuíram para a concretização desta dissertação. Agradeço em primeiro lugar aos meus orientadores, Professor Doutor Rui A. Lopes Miguel e Professora Doutora Catarina S. Lourenço Rodrigues por todo o apoio, esclarecimento e atenção disponibilizada. Gratifico ainda a Universidade da Beira Interior e o Departamento de Ciência e Engenharia Têxteis, pelas instalações, docentes e apoio recebido por parte de todos os funcionários do departamento que, com a experiência, ajudaram no meu crescimento profissional e pessoal. Muito especialmente, aos meus pais, por me terem proporcionado a oportunidade de ingressar no ensino superior e principalmente por toda a força e compreensão proporcionada. A minha avó, irmã e restante família por me terem ajudado direta ou indiretamente dando- me força, coragem e determinação. Aos meus amigos que me acompanharam durante a minha vida académica, à Catarina Marquês por ser uma irmã, à Rita Silva pelo sorriso incansável, à Rita Mendes pelas palavras, ao David Pinto pelo companheirismo, ao Hélio Cabrita pela amizade, à Michelle Reis por ser quem é, e a todos restantes com quem compartilhei bons momentos. -
Windmill Theatre, GIRL ASLEEP Is a Journey Into the Absurd, Scary and Beautiful Heart of the Teenage Mind
1 WINNER ADEL AIDE FILM FESTIVAL FOXTEL MOVIES AUDIENCE AWARDS MOST POPULAR FEATURE Girl Asleep bags most popular feature at Adelaide Film Festival. IF MAGAZINE It’s in Myers’s commitment to eccentricity that Girl Asleep – an art-house film made firmly with a teenage audience in its sight – finds its heart. THE GUARDIAN AUSTRALIA Girl Asleep is the stylish, formally exuberant debut of theatre director Rosemary Myers. A funny and imaginative portrait of growing pains. THE HOLLYWOOD REPORTER With the endless production of superhero films and film remakes these days, it is refreshing to see a film with such raw acting and originality from start to finish. It’s hard not to fall in love with the characters in Girl Asleep, and be left with the warmth of the film long after the credits have stop rolling. THE UPSIDE NEWS Inventive and confidently executed... bright and occasionally subversive take on teen growing pains that gives fresh legs to a familiar genre. We’re lucky to call this one our own. RIP IT UP Profoundly funny. SCENESTR Wildly funny and deeply moving in equal measure, it is a work rich in larrikin character but universal in its themes and appeal. As Greta embraces her blossoming self, so to does Australian cinema welcome another memorable movie heroine. SCREEN SPACE A memorable, comic balance of poise and chaos. ADELAIDE REVIEW Colourful, eccentric... production about a girl navigating the pitfalls of puberty with a casual side of magical realism... one for fans of coming-of-age dramas and colourful Wes Anderson-style quirkfests. -
1 | Page the EVOLUTION of 'IMMERSIVE
THE EVOLUTION OF ‘IMMERSIVE’ EXHIBTIONS AT THE V&A MUSEUM, LONDON – 2008-2021 By Victoria Broackes and Geoffrey Marsh 1. Introduction GCDN members have expressed interest in the potential of ‘immersive’ exhibitions and related ‘experiences’ as programmatic elements that can meet their ambitions for broadening the base of their audiences. Audience analysis does demonstrate that these ‘experiences’ offer the opportunity of a cost-effective option with the ability to attract larger and more diverse audiences. As a result, there is particular curiosity about whether there is a basic underlying methodology, which can, however, create varied outputs that are faithful to the character and mission of their own districts. A comprehensive study of immersive exhibitions would require a book, so, as a starting point, this review examines the experience of the Victoria & Albert Museum in London – where we and colleagues have curated a series of immersive exhibitions over the last fifteen years. It stresses this was an evolutionary journey where skills, opportunities and confidence built up over time. However, the growth of a (semi-) commercial immersive exhibition market over this period means that GCDN members may have the opportunity of short circuiting such a process by connecting to an increasing number of ‘off the peg’ products, systems and creators in the post-Covid world. Sections 2, 3 and 4 trace the evolution as it happened, not simply as a matter of record but also to illustrate the interplay of opportunities, technology, sponsorship and other factors that impacted what was produced. Those seeking a summary overview may best move directly to Section 5 onwards. -
Schmatta’ Story: TV
Kathie Lee Scandal, Deadly Fire Highlight ‘Schmatta’ Story: TV Review by Dave Shiflett Bloomberg October 19, 2009 New York’s Garment District is being buried in a cheap Chinese suit. “Schmatta: Rags to Riches to Rags ,” a documentary airing tonight on HBO at 9 p.m. New York time, traces the rise and fall of an industry that was once New York City’s biggest employer. Most of those jobs have now gone overseas, many of them to China. Today, the schmatta (Yiddish for “rag”) trade is very ragged indeed. The 90-minute film is fairly lively, considering it’s basically a long obit for the industry, whose fate is told in this statistic: In 1965, 95 percent of American clothing was made in the U.S. Now, only 5 percent is made here. The show begins with a look at the district’s early days as a mostly Italian and Jewish business. Lisa Nussbaum tells the story of distant cousin Sadie Nussbaum, who shared a Lower East Side apartment with 11 people. Conditions were “horrendous,” she says: no heat or running water, plus long tedious days at very low wages. Director Marc Levin illustrates the era with a still photo of children playing beside a horse lying dead in the street. This isn’t the only corpse we see. Triangle Fire Sadie was among 146 people, mostly young women, killed in the 1911 Triangle Shirtwaist Factory fire. A photo of victims’ bodies lined up for identification is heart-rending and finds a modern counterpart near the end of the film. -
The Vulgar Fashion Redefined
The Vulgar Fashion Redefined Barbican Art Gallery, London, UK 13 October 2016 – 5 February 2017 Media View: Wednesday 12 October, 10am –1pm Supported by Agent Provocateur #thevulgar “Vulgarity exposes the scandal of good taste” – Adam Phillips Potent, provocative and sometimes shocking, the word vulgar conjures up strong images, ideas and feelings in us all. The Vulgar: Fashion Redefined is the first exhibition to consider this inherently challenging but utterly compelling territory of taste. It both questions notions of vulgarity in fashion while revelling in its excesses, inviting the visitor to think again about exactly what makes something vulgar and why it is such a sensitive and contested term. Drawn from major public and private collections worldwide, with contributions from leading modern and contemporary designers such as Walter Van Beirendonck, Manolo Blahnik, Christian Dior, Iris van Herpen, Pam Hogg, Marc Jacobs for Louis Vuitton, Stephen Jones, Christian Lacroix, Karl Lagerfeld for Chloé and CHANEL, Alexander McQueen for Givenchy, Prada, Jeremy Scott for Moschino, Philip Treacy, Viktor & Rolf and Vivienne Westwood. The Vulgar opens at Barbican Art Gallery on 13 October 2016. Conceived by exhibition-maker Judith Clark and psychoanalyst Adam Phillips, the exhibition takes fascinating literary definitions of ‘the vulgar’ as a starting point and includes a wealth of over 120 stunning exhibits from the Renaissance through to the 21st century. Weaving together historic dress, couture and ready-to-wear fashion, textile ornamentation, manuscripts, photography and film, this carefully crafted installation illustrates how taste is a mobile concept: what was once associated with vulgarity is reconjured by designers to become the height of fashion. -
Spring 2021 Nonfiction Rights Guide
Spring 2021 Nonfiction Rights Guide 19 West 21st St. Suite 501, New York, NY 10010 / Telephone: (212) 765-6900 / E-mail: [email protected] TABLE OF CONTENTS SCIENCE, BUSINESS & CURRENT AFFAIRS HOUSE OF STICKS THE BIG HURT BRAIN INFLAMMED HORSE GIRLS FIRST STEPS YOU HAD ME AT PET NAT RUNNER’S HIGH MY BODY TALENT MUHAMMAD, THE WORLD-CHANGER WINNING THE RIGHT GAME VIVIAN MAIER DEVELOPED SUPERSIGHT THE SUM OF TRIFLES THE KINGDOM OF CHARACTERS AUGUST WILSON WHO IS BLACK, AND WHY? CRYING IN THE BATHROOM PROJECT TOTAL RECALL I REGRET I AM ABLE TO ATTEND BLACK SKINHEAD REBEL TO AMERICA CHANGING GENDER KIKI MAN RAY EVER GREEN MURDER BOOK RADICAL RADIANCE DOT DOT DOT FREEDOM IS NOT ENOUGH HOW TO SAY BABYLON THE RISE OF THE MAMMALS THE RECKONING RECOVERY GUCCI TO GOATS TINDERBOX RHAPSODY AMERICAN RESISTANCE SWOLE APOCALYPSE ONBOARDING WEATHERING CONQUERING ALEXANDER VIRAL JUSTICE UNTITLED TOM SELLECK MEMOIR UNTITLED ON AI THE GLASS OF FASHION IT’S ALL TALK CHANGE BEGINS WITH A QUESTION UNTITLED ON CLASSICAL MUSIC MEMOIRS & BIOGRAPHIES STORIES I MIGHT REGRET TELLING YOU FIERCE POISE THE WIVES BEAUTIFUL THINGS PLEASE DON’T KILL MY BLACK SON PLEASE THE SPARE ROOM TANAQUIL NOTHING PERSONAL THE ROARING GIRL PROOF OF LIFE CITIZEN KIM BRAT DON’T THINK, DEAR TABLE OF CONTENTS, CONT. MINDFULNESS & SELF-HELP KILLING THATCHER EDITING MY EVERYTHING WE DON’T EVEN KNOW YOU ANYMORE SOUL THERAPY THE SCIENCE AND TECHNOLOGY OF GROWING YOUNG HISTORY TRUE AGE THE SECRETS OF SILENCE WILD MINDS THE SORCERER’S APPRENTICE INTELLIGENT LOVE THE POWER OF THE DOWNSTATE