DOCSLIB.ORG

2016 ASTA National Conference Sessions Thursday 7:00 A.M.-8:00 A.M Yoga for String Players Thursday 7:00 A.M.-8:00 A.M

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2016 ASTA National Conference Sessions Thursday 7:00 A.M.-8:00 A.M Yoga for String Players Thursday 7:00 A.M.-8:00 A.M 2016 ASTA National Conference Sessions Thursday 7:00 a.m.-8:00 a.m Yoga for String Players Thursday 7:00 a.m.-8:00 a.m. – Room: TBA This is an all-levels yoga class designed to serve the specific physical demands of a string player. Presenter: Melissa (Tatreau) Holtmeier, Omaha Conservatory of Music Thursday 7:00 a.m.-8:00 a.m Opening Ceremony Keynote Speaker: Scott Lang Thursday 9:45 a.m.-10:45 a.m. Learn to Swing Like a Gyspy! A Hands on Session on the Art of Jazz Manouche . "Gypsy Jazz" Thursday 9:45 a.m.-10:45 a.m. – Room 1/2 Bring your instrument to this fun interactive session where we will explore how gypsy violinists, guitarists, and other european folk musicians in the 1930's applied and adapted traditional folk and classical string techniques to create a fun, unique string based version of American jazz, referred to as Jazz Manouche or Gyspy Jazz. All ages and levels of experience welcome. Presenter: Duane Padilla, Punahou Music School Using the iPad to Organize and Energize Your Orchestra Classroom Thursday 9:45 a.m.-10:45 a.m. – Room 3/4 Explore a host of iPad apps that can be easily integrated into all levels of the orchestra classroom to enhance classroom management, organize assessment, assist with note and rhythm reading and boost classroom energy! Presenter: Erin Broadhurst, Hilliard City School District Science Experiments for Violinists: Helping Learners Discover How Our Movements Make Sound Thursday 9:45 a.m.-10:45 a.m. – Room 5/6 Come investigate several experiments that can promote player “ahahs” Encounter useful analogies, diagrams, videos, and visuals of motion patterns. Helping learners discover a long-held misconception or mismapping can set the stage for rapid progress. We will address questions such as: How do we control the horsehair when we are not touching it directly? What do tennis strokes, turning light bulbs, and examining 1 expiration dates on soup cans have to do with the violinist’s left arm? Presenter: Sarah Hersh, SUNY Potsdam No Joke! 200 Years of Original Viola Caprices by Composer-Performers Thursday 9:45 a.m.-9:45 a.m. – Room: 9 To include viola caprices in recitals, competitions, auditions, and audio and video recordings is an effective way to increase appreciation and awareness of the viola, violists and viola history. There is a growing interest among professional and student violists to perform viola caprices and, in turn, a scholarly interest in the neglected histories of composers for the viola and their works. Come discover the viola as a virtuoso solo instrument! Presenter: Pamela Ryan, Florida State University Breaking the Learning Curve: Decoding and Fostering the Adult String Student Thursday 9:45 a.m.-10:45 a.m. – Room: 10 Why don't I sound like Joshua Bell already? The adult string student presents interesting challenges to the traditional studio teacher-student model. Often, the gap between intellectual knowledge and physical ability creates frustration and tension in the learning process. This session will explore ways to uncover a students true motivations and goals, to decipher the psychological issues that arise out of learning to play, and how to reduce adult student turnover in your studio. Presenter: Lisa Caravan, Bucknell University; Erin Ellis, Waldorf School of Atlanta You Can Lead a Horse to Water - But Can You Make Him Think? How to Build a Better Learner! Thursday 9:45 a.m.-10:45 a.m. – Room: 12 According to Einstein, creativity is intelligence having fun. Rooted in neuroscience research, we'll give practical applications on how to build a more curious and creative learner by using composers’ voices to make your pieces alive by dissecting music's complex concepts into Composers’ Choices (why does this music exist?), Composers’ Tools (how is it put together?), and Composers’ Conversational Choices (what is the composer saying?). After examining the musical experts, they demonstrate Bloom's Taxonomy in action! Presenter: Lyda Osinga, Milwaukee Youth Symphony Orchestra; Gregg Goodhart, Better Learning Through Neuroscience.com Achieving an Artistic Vibrato in the String Class Thursday 9:45 a.m.-10:45 a.m. – Room: 13 This session will review pedagogical literature and compare various approaches that have been used to teach vibrato. Video clips of artist level performers in real time and slow motion will be presented to clearly outline the component motions of a beautiful vibrato. Practical applications for intermediate and advanced orchestra classrooms will 2 be discussed, as well as the relationship to professional performance practice. Presenter: Rebecca MacLeod, University of North Carolina at Greensboro String Orchestra for your School Program - The O'Connor Method Thursday 9:45 a.m.-10:45 a.m. – Room 15/16 The O'Connor Method for string teachers and students is a 10-Book series designed to guide students gradually through the development of pedagogical and musical techniques necessary to become a proficient, well-rounded musician through a carefully planned succession of pieces. The O'Connor Method is unique in that the solo repertoire corresponds with the string orchestra repertoire so students experience the music they are learning through a different prism. By using the O'Connor Method orchestra books, students can further explore harmony, melody, rhythm, counterpoint, cultural diversity and American music from many eras on the pieces student's learn in their solo lessons. This approach using common repertoire is the perfect tool for school programs interested in producing fine string players and creative musicians and playing great American music. The versatility of the music and orchestral arrangements in the O'Connor Method series allows for classes from 3 students to 300! Find out more at www.oconnormethod.com Presenters: Mark O'Connor and Maggie O'Connor Sponsored by O’Connor Method No More Limitations! Composing and Choosing Orchestra Music Regardless of Level Thursday 9:45 a.m.-10:45 a.m. – Room: 18/19 Music for younger ensembles is often held to a different standard than music written for advanced groups. This clinic will provide a tangible list of elements that can, and should be included in any piece regardless of grade level. Gain insight into repertoire selection while also seeing how it impacts the way a composer writes for these various types and levels of ensembles! Presenter: Brian Balmages, FJH Music Company Inc. Multi-Level Harp Master Class Thursday 9:45 a.m.-10:45 a.m.- Room:20/21 Clinician: Gretchen Van Hoesen, Pittsburgh Symphony Orchestra 3 Thursday 9:45 a.m.-12:00 p.m. Student Chapter Networking Thursday 9:45 a.m.-12:00 p.m. – Room: 7 Come meet other students from universities and colleges from around the country! This is an opportunity for student chapter members, and those interested in starting a chapter, to share ideas, successes, and challenges. Presenter: Adriana Ransom, Illinois State University Thursday 11:00 a.m.-12:00 p.m. Hip Hop, Jazz, Fiddle, and More for First Year String Students! Thursday 11:00 a.m.-12:00 p.m. – Room: 1/2 This session will address cultural relevancy in the string classroom. Attending teachers will gain ideas for using hip hop, jazz, fiddle, and more with their first year string students. Participants will see how utilizing these genres in a first year classroom can help students with technique, musicianship, and peer learning. These ideas can be carried beyond the first year to help with retention and participation. Presenter: Liz Dinwiddie, Indiana University Using a Modified Suzuki Approach in the Public School Thursday 11:00 a.m.-12:00 p.m. – Room: 3/4 The presenter will discuss and demonstrate a successful curriculum for the public or private school using the principles of the Suzuki method. Presenter: Julie Carr, Ithaca College Building a Quartet Interpretation: The Tools You'll Need Thursday 11:00 a.m.-12:00 p.m. – Room: 5/6 Interpreting a piece of chamber music is like cooking up a recipe. The composer gives us pitches, rhythms, and tempos. To transform these into something scrumptious requires sound shaping, time management, and volume control. These need to be the basic ingredients in our musical kitchen. Our spices are articulation, intonation, inflection, pulse, balance, pacing, bow, and vibrato color. Help the Stamps String Quartet, students from the Frost School of Music, cook like the pros. Presenter: Ross Harbaugh, University of Miami An Overview of ASTA's Certificate Advancement Program (ASTA CAP) and Ten Ways it will Improve, Motivate, and Invigorate your Private Studio! Thursday 11:00 a.m.-12:00 p.m. – Room: 9 Welcome to an informative, fast-paced presentation on utilizing ASTA's Certification Advancement Program in your private studio. This session will include an overview of the program, explanation of requirements for online and live exams, discussion of repertoire guidelines, and tips on how to facilitate an exam site. You will acquire a 4 better sense of how to implement well balanced choices in your studio from the ASTA CAP curriculum and learn ten useful benefits of the program. Presenter: Stephanie Meyers, University of Texas at El Paso El Sistema – My Personal Journey Thursday 11:00 a.m.-12:00 p.m. - Room: 10 As a Venezuelan, Margaret Gonzalez is a product of El Sistema. “El Sistema – My Personal Journey” will include personal experiences, training techniques, similarities and differences between El Sistema and the American music education system, and a performance of some Venezuelan folk songs. In addition, the audience will learn some Latin rhythm patterns that can be useful educational tools. Presenter: Margaret Gonzalez, El Sistema Educator and Advisor Secrets from the CelloLab: Reimagining the Instrumental Studio Thursday 11:00 a.m.-12:00 p.m.
Load more

Recommended publications
  • Download Booklet
    559216-18 bk Bolcom US 12/08/2004 12:36pm Page 40 AMERICAN CLASSICS WILLIAM BOLCOM Below: Longtime friends, composer William Bolcom and conductor Leonard Slatkin, acknowledge the Songs of Innocence audience at the close of the performance. and of Experience (William Blake) Soloists • Choirs University of Michigan Above: Close to 450 performers on stage at Hill Auditorium in Ann Arbor, Michigan, under the School of Music baton of Leonard Slatkin in William Bolcom’s Songs of Innocence and of Experience. Symphony Orchestra University Musical Society All photographs on pages 37-40 courtesy of Peter Smith/University Musical Society Leonard Slatkin 8.559216-18 40 559216-18 bk Bolcom US 12/08/2004 12:36pm Page 2 Christine Brewer • Measha Brueggergosman • Ilana Davidson • Linda Hohenfeld • Carmen Pelton, Sopranos Joan Morris, Mezzo-soprano • Marietta Simpson, Contralto Thomas Young, Tenor • Nmon Ford, Baritone • Nathan Lee Graham, Speaker/Vocals Tommy Morgan, Harmonica • Peter “Madcat” Ruth, Harmonica and Vocals • Jeremy Kittel, Fiddle The University Musical Society The University of Michigan School of Music Ann Arbor, Michigan University Symphony Orchestra/Kenneth Kiesler, Music Director Contemporary Directions Ensemble/Jonathan Shames, Music Director University Musical Society Choral Union and University of Michigan Chamber Choir/Jerry Blackstone, Conductor University of Michigan University Choir/Christopher Kiver, Conductor University of Michigan Orpheus Singers/Carole Ott, William Hammer, Jason Harris, Conductors Michigan State University Children’s Choir/Mary Alice Stollak, Music Director Leonard Slatkin Special thanks to Randall and Mary Pittman for their continued and generous support of the University Musical Society, both personally and through Forest Health Services. Grateful thanks to Professor Michael Daugherty for the initiation of this project and his inestimable help in its realization.
    [Show full text]
  • Jeremy Kittel Band
    Jeremy Kittel Band fiery blend of jazz, Celtic fiddling, and sultry world grooves “Outstanding Michigan Celtic-jazz-bluegrass fiddle whiz … “ — The Boston Globe “We’d call him a rising star, but he’s clearly already risen.“ — Detroit Free Press If you should run into Jeremy Kittel somewhere on this planet, ask him any question except “What’s your favorite style of music?” It’s not that he’ll be so offended as to reprimand you with his violin bow — on the contrary. As anyone who has seen him in concert can attest, his talent is matched by a kind of confident good nature that once spurred the Ann Arbor News to write, “If he didn’t come across as so nice, he’d be a little scary.” It’s just that Kittel, as someone who is truly steeped in a few very different musical traditions, has heard that question before … many times before, and it’s easy to understand why. When a musician is as likely to be found playing a ferocious set of reels in some dark pub in Ireland as he is likely to be found trading licks with a saxophonist at a hip New York City jazz club — and he is occasionally even seen doing such apparently odd-ball joining Turtle Island Quartet, Kittel was earning his masters things as exploring Indian classical music on stage at Carnegie degree in jazz performance at the Manhattan School of Music Hall — one starts to wonder … what is it that drives him? and skipping town on weekends to perform across the country Whatever the source of his inspiration may be, it has led to alongside fiddle legends Mark O’Connor and Darol Anger.
    [Show full text]
  • San Pedro Sing
    THE SOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING JULY - AUGUST &2007 OTHER RELATED FOLK ARTSFolkWorks IN THE GREATER LOS ANGELES AREA Page FREE BI-MONTHLY Volume 7 Number 4 July-August 2007 New World Flamenco Festival La Flor de la Vida, August 10-19 See page 3 INSIDE THIS ISSUE FREE SUMMER CONCERT LISTINGS HAWAIIAN FESTIVALS SEA SHANTIES PLUS... KEYS TO THE HIGHWAY ..that reminds me... ...and More!... cover photo: PHOTO OF JUAN OGALLA BY MIGUEL ANDY MOGG Page 2 FolkWorks JULY - AUGUST 2007 EDITORIAL his July/August issue in your musician teaching listings, etc. Be hands lists a plethora of sum- sure to look at the website and Yahoo PUBLISHERS & EDITORS Tmer concerts. Look at page 3 Group for announcements. We plan to Leda & Steve Shapiro for this summer’s offerings at the Skir- continue our ongoing columns about LAYOUT & PRODUCTION ball, Culver City, Japan American Mu- Music Theory, Old Time Music, Events Alan Stone Creative Services seum, Grand Performances, the Santa Around Town and all the other regular FEATURED WRITERS Monica Pier and the Levitt Pavillion. columnists you love. In fact now you Ross Altman, How Can I Keep From Talking At this time each year, we search will be able to read them online and David Bragger, Old-Time Oracle through the listings and mark in our not have to worry about finding that Valerie Cooley, ...that reminds me... calendar all the wonderful concerts old newspaper article. There is a good Linda Dewar, Grace Notes Roger Goodman, Keys to the Highway we plan on attending. We want here search engine on the site and you can David King, Dirt to thank all the producers who spend find what you want.
    [Show full text]
  • Barbican Announces Rescheduled Concerts for 2021
    For immediate release: Wednesday 27 May 2020 Barbican announces rescheduled concerts for 2021 The Barbican today announced that a selection of concerts that were due to take place at the Centre between March and July have now been rescheduled for 2021, subject to Government guidance. Huw Humphreys, Barbican’s Head of Music says: “This is an extraordinarily challenging time for the arts and artists. At the Barbican, we exist to bring artists together, to create together and to connect people across the world, and so this current situation goes against everything we’re here to do. By putting these rescheduled concerts on sale, we want to support artists and our partners in the music industry, and make sure we’re able to get up and running as soon as the guidance allows us to. Until then we are looking how we can stay connected to artists and audiences in different ways.” The rescheduled concerts and artists include: • Shabaka & the Ancestors, featuring Shabaka Hutchings, one of the foremost proponents of the current British jazz scene (now on 24 January 2021) • Irish-American vocalist and songwriter Aoife O’Donovan (now on 28 January 2021) • Celebrated violinist Anne-Sophie Mutter in recital performing Beethoven sonatas (now on 23 February 2021) • Singer, songwriter and composer Damon Albarn’s new project The Nearer the Fountain, More Pure the Stream Flows (now on 30 March 2021) • A MoodSwing Reunion, featuring generation-defining jazz musicians and long-time collaborators Joshua Redman, Brad Mehldau, Christian McBride and Brian Blade (now
    [Show full text]
  • Pokey Lafargelafarge
    Revue de Musiques Américaines Eté 2020 165 LE DU COYOTE PokeyPokey LaFARGELaFARGE Rob Ickes - Susan Alcorn François Robert - Benjamin Smith Jonathan Wilson - Thomas HineHine Eliza Neals - Sophie Louvet - Little Richard Country Avenue - Bluegrass & C° - Lone Riders Carolina Coyote - Du Côté de chez Sam Disqu'Airs - Cabas du Fana - Coyothèque SantéSanté && MédecineMédecine Heaven's Door - Coyot'Elle - Concerts - News dansdans lala CountryCountry MusicMusic Sommaire n°165 Editorial Jacques Brémond 02 Editorial & Plumes 03 Antibiotique en blanc Bonjour, 08 Pokey LaFarge Le numéro de printemps a été posté la veille du confi nement, et il a été particuliè- 10 Avenue Country rement apprécié en ces circonstances de "lecture à domicile". Merci à celles et ceux 14 François Robert qui ont depuis renouvelé leur confi ance en notre vaillant petit fanzine face aux événe- 18 Lone Riders ments du monde ! Nous continuerons, et sur papier, tant que nous le pourrons ! 20 Benjamin Smith 22 Coyothèque Même avec 60 pages bien pleines et une section Concerts touchée par le virus, la 23 Rob Ickes place manque pour publier tout ce qu'on voudrait... comme des portraits de musiciens 25 Du Côté de chez Sam qui nous quittent (ajoutons Jimmy Capps et James Hand récemment). Cet éditorial est 29 Jonathan Wilson donc réduit à quelques annonces, et je vous laisse découvrir la richesse du sommaire. 30 Plumes de Coyotes L’annulation de la musique “live” nous prive non seulement du plaisir des concerts et 31 Bluegrass & C° des rencontres entre amis, mais elle atteint une large partie des musiciens et techni- 36 Carolina Coyote ciens dans leur survie fi nancière.
    [Show full text]
  • Digital Bozone 121515
    New recycling initiatives now in effect: by Rob Pudner ffective immediately, Gallatin Solid Waste Management District (GSWMD) is accepting only plastic bottles with an imprinted #1 or #2 (typical- ly on the bottom) in addition to paper, aluminum and steel cans, and cardboard. Unfortunately, the nation as a whole currently lacks a market for plas- tics marked with #3 through #7–they’re either removed from the recycling stream locally to be sent to a landfill or they travel hundreds of miles to then be removed and sent to a landfill. [See end of article for accepted/unaccepted item guidelines]. Right now, Gallatin County has an opportunity to reduce its carbon footprint and increase the value of its recycling program by managing non-recyclable materials at our own landfill in Logan. We decided to take responsibility for our own waste rather than burning more fossil fuel simply to truck garbage across the country. ECommon plastics with a number one include beverage bottles, such as water bottles and soda bottles, salad dressing bottles, and some juice bottles. Plastics with a number two include both “natural” and “colored” containers suck as milk jugs and laundry detergent bottles. Plastics must be bottles with a neck–no clamshell containers (from berries or mixed salads) or tubs (cream cheese, yogurt, sour cream) even if they are imprinted with a #1 or #2. Because bottles tend to occupy a lot of space in our drop-off bins, we are asking recycling participants to first crush their bottles and then replace the caps. This focus on #1s and #2s requires extra vigilance from county resi- dents as non-recyclable materials contaminate collected loads and jeop- ardize the livelihood of the entire program.
    [Show full text]
  • The Barns at Wolf Trap 2019-2020 Season Calendar *New Shows Appear in Purple*
    The Barns at Wolf Trap 2019-2020 Season Calendar *new shows appear in purple* Publish date: October 8, 2019 Additional performances to be announced The most up-to-date information on artists, performances and ticket availability may be found on Wolf Trap’s website, www.wolftrap.org. Tickets for The Barns at Wolf Trap’s 2019-2020 Season: Online: wolftrap.org By phone: 1.877.WOLFTRAP In person: The Filene Center Box Office 1551 Trap Road, Vienna, VA 22182 October 2019 Lucy Kaplansky Last appeared in Winter 2018 Thursday, October 10 at 8:00 p.m. Tickets $28-$30 A contemporary and collaborator of Suzanne Vega, Shawn Colvin, and Richard Shindell, Renaissance woman "Lucy Kaplansky is a truly gifted performer with a bag full of enchanting songs" (The New Yorker). Over The Rhine Last appeared in Spring 2017 Friday, October 11 at 8:00 p.m. Tickets $27-$32 Fall under the spell of talented husband and wife duo Linford Detweiler and Karin Bergquist as they celebrate 30 years of expertly crafted Americana tunes. The Barns at Wolf Trap 2019-2020 Season Calendar Page | 1 The most up-to-date info is always available at www.WolfTrap.org. Additional performances to be announced. Flamenco Legends Wolf Trap Debut Produced by Javier Limón The Paco de Lucía Project Saturday, October 12 at 8:00 p.m. Tickets $52-$57 Created by 10-time Latin Grammy winner Javier Limón, The Paco de Lucía Project reassembles the original band that toured with the legendary flamenco guitarist for the last 10 years of his career.
    [Show full text]
  • Edition 3 | 2019-2020
    2 ORLANDO PHILHARMONIC ORCHESTRA | 2019–2020 SEASON WELCOME Dearest Orlando, I’m excited to begin my fifth season with the Orlando Philharmonic Orchestra, continuing our journey of excellence and exploration that we’ve undertaken together since I began as your Music Director. This season we celebrate the American Virtuoso, honoring the spirit of adventure and cultural inclusivity that term represents. I’m looking forward to making music with all the virtuosos of our great orchestra, and with guest artists as diverse as legendary saxophonist Branford Marsalis — amazing fiddler Jeremy Kittel — multidimensional vocalist Alicia Hall Moran — and groundbreaking violin virtuoso Jennifer Koh. I look forward to bringing to you two new ways to share the music we all love so much. We’ll take a deep dive into Berlioz’s infamous Symphonie Fantastique, with a guided tour through the piece followed by a complete performance in November’s Inside the Score event. And, with Resonate, we’ll mix it up even more, combining the grandeur of the full orchestra with the intimacy of the salon via the genius of Mozart and contemporary composer Lisa Bielawa at The Plaza Live. This season, our composer-in-residence will be the multi-talented modern-day troubadour Gabriel Kahane. Equally comfortable in the worlds of folk-pop and classical, Gabriel has worked with Sufjan Stevens and Rufus Wainwright, appeared at Carnegie Hall and the Hollywood Bowl, and been commissioned by the Brooklyn Academy of Music and the Los Angeles Philharmonic, to name just a few. His piece emergency shelter intake form, confronting the resurgence of deep poverty in America, and in particular, the national crises of housing insecurity and homelessness, will be the centerpiece of our March classics program; featured performers will be a choir of members from the Central Florida homeless community.
    [Show full text]
  • The Barns at Wolf Trap 2019-2021 Season Calendar *New Shows Appear in Purple*
    The Barns at Wolf Trap 2019-2021 Season Calendar *new shows appear in purple* Publish date: October 8, 2019 Additional performances to be announced The most up-to-date information on artists, performances and ticket availability may be found on Wolf Trap’s website, www.wolftrap.org. Tickets for The Barns at Wolf Trap’s 2019-2021 Season: Online: wolftrap.org By phone: 1.877.WOLFTRAP In person: The Filene Center Box Office 1551 Trap Road, Vienna, VA 22182 October 2019 Lucy Kaplansky Last appeared in Winter 2018 Thursday, October 10 at 8:00 p.m. Tickets $28-$30 A contemporary and collaborator of Suzanne Vega, Shawn Colvin, and Richard Shindell, Renaissance woman "Lucy Kaplansky is a truly gifted performer with a bag full of enchanting songs" (The New Yorker). Over The Rhine Last appeared in Spring 2017 Friday, October 11 at 8:00 p.m. Tickets $27-$32 Fall under the spell of talented husband and wife duo Linford Detweiler and Karin Bergquist as they celebrate 30 years of expertly crafted Americana tunes. The Barns at Wolf Trap 2019-2021 Season Calendar Page | 1 The most up-to-date info is always available at www.WolfTrap.org. Additional performances to be announced. Flamenco Legends Wolf Trap Debut Produced by Javier Limon The Paco de Lucia Project Saturday, October 12 at 8:00 p.m. Tickets $52-$57 Created by 10-time Latin Grammy winner Javier Limón, The Paco de Lucía Project reassembles the original band that toured with the legendary flamenco guitarist for the last 10 years of his career.
    [Show full text]
  • Sarah Jarosz & the Milk Carton Kids
    02-12 Jarosz_GP 1/30/14 3:27 PM Page 1 Sponsored by Prudential Investment Management Wednesday Evening, February 12, 2014, at 8:30 Sarah Jarosz & The Milk Carton Kids Sarah Jarosz , Octave Mandolin, Mandolin, Banjo, Guitar, and Vocals (Lincoln Center debut) with Jeremy Kittel, Violin ; Nathaniel Smith, Cello ; and Paul Kowert, Bass The Milk Carton Kids (Lincoln Center debut) Kenneth Pattengale , Guitar and Vocals Joey Ryan , Guitar and Vocals This evening’s program is approximately 75 minutes long and will be performed without intermission. Major support for Lincoln Center’s American Songbook is provided by Fisher Brothers, In Memory of Richard L. Fisher; and Amy & Joseph Perella. Wine generously donated by William Hill Estate Winery, Official Wine of Lincoln Center. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. The Allen Room Please make certain your cellular phone, Jazz at Lincoln Center’s Frederick P. Rose Hall pager, or watch alarm is switched off. 02-12 Jarosz_GP 1/30/14 3:27 PM Page 2 Lincoln Center Additional support for Lincoln Center’s American Upcoming American Songbook Events Songbook is provided by The Brown Foundation, Inc., in The Allen Room : of Houston, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Jill and Thursday Evening, February 13, at 8:30 Irwin Cohen, The G & A Foundation, Inc., Great The Songs of Henry Krieger Performers Circle, Chairman’s Council, and Friends with Erin Davie, Charity Dawson, Darius de Haas, of Lincoln Center. Joshua Henry, Matthew Hydzik, Rebecca Luker, Emily Padgett, Alice Ripley, Keala Settle, & Endowment support is provided by Bank of America.
    [Show full text]
  • Teaching Turtle Island Quartet Music: Selected String Orchestra Pieces for High School and College Musicians Sally Hernandez
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Teaching Turtle Island Quartet Music: Selected String Orchestra Pieces for High School and College Musicians Sally Hernandez Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC TEACHING TURTLE ISLAND QUARTET MUSIC: SELECTED STRING ORCHESTRA PIECES FOR HIGH SCHOOL AND COLLEGE MUSICIANS By SALLY HERNANDEZ A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2013 Sally Hernandez defended this treatise on October 30, 2013. The members of the supervisory committee were: Pamela Ryan Professor Directing Treatise John Geringer University Representative Bruce Holzman Committee Member Melanie Punter Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii To José Hernández, my dance partner in life iii ACKNOWLEDGMENTS The author would like to express gratitude to the members of the Turtle Island Quartet, past and present, for creating such wonderful and daring music and for taking time out of their busy schedules to assist with this paper. The author is grateful to Nick Geist for his technical expertise with the musical excerpts and music librarian, Misti Shaw, for her help with diacritical markings and footnotes. Thank you to those who gave me continual love and support, my family and friends, especially my mother, sister, and husband. I am appreciative of my friends, Kristin Geist and Rebecca Rhoads, for enduring encouragement and to the members of the “ABD Club” who helped ensure my future ineligibility into the club.
    [Show full text]
  • Houston Friends of Music the Shepherd School of Music
    HOUSTON FRIENDS OF MUSIC THE SHEPHERD SCHOOL OF MUSIC Present YING AND TURTLE ISLAND QlJARTETS Tuesday, January 22, 2008, 8:00 p.rn. CANTUS Tuesday, February 12, 2008, 8:00 p.rn. STUDE CONCERT HALL ALICE PRATT BROWN HALL RlCE UNIVERSITY 0 houstonartsalliance HOUSTON FRIENDS OF MUSIC IS FUNDED IN PART BY GRANTS FROM THE CITY OF HOUSTON THROUGH THE HOUSTON ARTS ALLIANCE. THESE PERJORMANCES ARE MADE POSSIBLE BY A GENEROUS GRANT FROM HOUSTON ENDOWMENT INC. A PHILANTHROPY ENDOWED BY MR. AND MRS. JESSE H. JONES / YING AND TURTLE ISLAND QlJARTETS Tuesday, January 22, 2008 Ying Quartet TIMOTHY YING -VIOLIN JANET YING - VIOLIN PHILLIP YING - VIOLA DAVID YING - CELLO Turtle Island Quartet DAVID BALAKRISHNAN - VIOLIN, BARITONE VIOLlN MADS TOLLING - VIOLlN JEREMY KITTEL - VIOLA MARK SUMMER - CELLO This performance is generously underwritten by the CULLEN TRUST FOR THE PERFORMING ARTS. Tonight's performance has also been made possible by the generous support of Asia -c.m.,Society The Ying Quartet is represented by: Turtle Island Quartet is represented by: Melvin Kaplan Incorporated Baylin Artists Management 115 College Street J 96 W. Ashland Street, Suite 20 I Burlington, Vermont 0540 I Doylestown, PA 18901 -PROGRAM- I QUARTET INF MAJOR (1903) ............. Maurice Ravel (1875-1937) I. Allegro moderato: Tres doux Ying Quartet II. Assez vif: Tres rhythme III. Tres lent IV. Vif et agite \ Selections to be announced from the stage ................ Turtle Island Quartet l,1 - INT ERM ISSI ON - ' LA CREATION DU MoNDE (1922-3) ... Darius Milhaud (1892-1974) Arranged by Danny Seidenberg Ying and Turtle Island Quartets \ JuuE-0 (1988) ....................................................... Mark Summer Mark Summer & David Ying !/ MARA'S GARDEN OFFALSE DELIGHTS (2002) ..
    [Show full text]