punch brothers All Ashore album download mega . Punch Brothers are a progressive bluegrass band formed by in 2006. The band consists of Chris Thile (), (/), (), (), and (bass). As performing and recording artists, composers and interpreters, technicians and stylists, they continue to push the boundaries of possibility while maintaining an unerring devotion to the basic audience experience. In the 2009-10 season, the band visits a long list of venues including Stern Auditorium at Carnegie Hall (where they debuted in Zankel Hall in 2007), the Somerville Theater in Boston, Old Town School in Chicago, the Herbst Theater in San Francisco, UMS Ann Arbor, Duke University, the University of Wisconsin in Madison, and many others. They have performed recently in nearly every conceivable format and space, from small clubs (they have a regular series at the Living Room in New York and have played frequently at Largo in Los Angeles) to concert halls (Benaroya Hall in Seattle, Sheldon Hall in St. Louis, Mondavi Center in Davis, Pabst Theater in Milwaukee, the Allen Room in New York, in addition to Carnegie) to festivals of all kinds (Bonnaroo, Ravinia, Aspen, Telluride, Spoleto, Savannah, Chamber Music Northwest). Their shows include an unpredictable mix of original songs written by the band, the 4-movement chamber suite The Blind Leaving the Blind (composed by Thile), traditional bluegrass and folk tunes, arrangements of Bach and Mozart, and covers of Radiohead, The Beatles, The Band, The White Stripes, The Strokes, and multiple other sources. Punch Brothers return with their second album, Antifogmatic, June 15 on Nonesuch. The record is the follow-up to the band's highly praised 2008 debut, Punch, which The New Yorker calls . wide-ranging and restlessly imaginative. A special deluxe edition of the album will also be available. Included in this package is a four song instrumental EP, All of This Is True, as well as a seven song DVD, Live from the Lower East Side: It's p- Bingo Night!, which was filmed during the band's residency at NYC's The Living Room. Pre-orders of both the standard and deluxe editions are available now at www.nonesuch.com and www.punchbrothers.com. The first 500 orders of the deluxe edition will include an autographed official Punch Brothers cocktail recipe guide. At home in a dizzying array of settings even outside of their expansive core activities, Punch Brothers are the subject of an upcoming feature-length documentary called , have appeared on the Tonight Show with Jay Leno, and were among three finalists in ESPN's cut- throat, fan-voted battle of the bands in interpretations of ?Take Me Out to the Ballgame?. The band members' diverse backgrounds and extraordinary talents make the group impossible to describe and thrilling to experience. Chris Thile has changed the mandolin forever, elevating it from its origins as a relatively simple folk and bluegrass instrument to the sophistication and brilliance of the finest jazz improvisation and classical performance. In the 2009-10 season, he premieres his Mandolin Concerto with six orchestras in the US. For more than 15 years, Thile played in the wildly popular band , with whom he released three albums and sold two million records, was awarded a Grammy? in 2002, and traveled the world on sold-out concert tours. As a soloist he has released four albums, as well as performing and recording extensively as a duo with virtuoso and with fellow eminent mandolinist Mike Marshall. He has written a duo for Meyer and pianist Emanuel Ax; recorded with Yo-Yo Ma, Renee Fleming and Joshua Bell; and collaborated with a pantheon of bluegrass innovators including Bela Fleck, , the Dixie Chicks, , and . Although initially drawn to the electric guitar, by his mid-teens Chris Eldridge had developed a deep love for acoustic music, thanks in part to his father, a banjo player and founding member of the seminal bluegrass group . Eldridge later gained in-depth exposure to a variety of different musical styles while studying at Oberlin Conservatory, where he earned a degree in Music Performance in 2004. During his time at Oberlin, Eldridge studied with legendary guitarist . Before joining Punch Brothers, he was a founding member of the critically acclaimed bluegrass band The Infamous Stringdusters. Paul Kowert is from Madison, WI and graduated from The Curtis Institute of Music in Philadelphia. As a classical musician Paul has performed with various orchestras as a soloist and as a section member, most recently playing in the Verbier Festival Orchestra in Switzerland in the summer of 2008. He was one of the performers at Edgar Meyer's Carnegie Hall workshop in 2006, and since then has appeared in concert with 's Republic of Strings, Tristan and Tashina Clarridge, Alex and Tatiana Hargreaves, Futureman's Black Mozart Ensemble, Jordan Tice, Brittany Haas, and Jeremy Kittel. Paul can be heard as a member of the ?Big Trio? with mandolinist Mike Marshall and violinist Alex Hargreaves, a group that released its first album in spring 2009. Noam Pikelny (born Noam Pikelny) hails from Chicago, IL where he picked up the banjo at the age of 8. He studied old-time and bluegrass banjo at the Old Town School of . Throughout high school, he played all over and Indiana with several traditional bluegrass bands, who occasionally required him to wear a uniform. Noam studied music theory at the University of Illinois, Champaign-Urbana. In 2002, he became the principal banjoist with the award-winning Colorado ensemble . His debut solo record, In the Maze, was released on Compass Records, and though it did not have much success on the billboard charts, it made a splash in the world of postmodern progressive three-finger style five-string banjo. He relocated to Nashville, TN in 2006 to play with New Grass Revival bassist and vocalist . He starting performing and recording with mandolinist, fellow Cubs fan, spiritual advisor, and life coach Chris Thile in the fall of 2005. Noam relocated to Brooklyn, NY in the spring of 2008. Gabe Witcher began his musical training at age five, learning classical violin and bluegrass fiddle simultaneously. By age six he was performing professionally with his father in the bluegrass band The Witcher Brothers; over the next decade, he gained renown as both a member of that group and as a multiple winner on the California competition circuit. In 1994, Witcher was recruited by veteran musician to fill the shoes of three-time national fiddle champion in the group The Laurel Canyon Ramblers. By age 17, Witcher was recording for heavyweights such as , Bernie Taupin, and producer Don Was. He has since contributed to more than 300 records and countless movie and television scores, including 2006 Oscar? winner Brokeback Mountain. Over the last five years, he has solidified his place at the forefront of the progressive acoustic music scene by playing with 12-time Grammy? winner Jerry Douglas. Punch brothers All Ashore album download mega. 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E ver since their formation in 2006, the Punch Brothers have been sold as something of a progressive-bluegrass supergroup, and over the 12 years since then, they’ve continued to push the boundaries of even that loose sub-genre, far and away into what is latterly been dubbed avant-roots. For anyone thus far still unacquainted with the quintet, there are no brothers involved, although the symbiotic bond between the five musicians is extraordinarily brother-like. Also, none of the members are named (or nicknamed) Punch, but their music packs a considerable punch. The ensemble work is by any standards remarkable, both in terms of instrumental chops and natural vocal interaction. Punch Brothers’ lineup comprises Chris Thile (mandolin, lead vocals), Gabe Witcher (fiddle), Noam Pikelny (banjo), Chris Eldridge (guitar) and Paul Kowert (bass). Their 2015 album The Phosphorescent Blues (produced by , no less) was a thought-provoking statement which also made good musical sense, introducing into the already stimulating musical mix of bluegrass, newgrass and progressive jazz elements of 20 th century and contemporary chamber-classical and esoteric pop invention. Its followup All Ashore , while a consolidation of these elements, takes the band’s keen envelope-pushing a stage further, while at the same time being (perhaps more obliquely) informed by all the various side- projects with which its members had been involved in the intervening years. It tells too, that the band is completely at ease in the studio (specifically, the same studio they’ve used for the two previous records), and having established a rapport with the space, they’ve taken the decision to self-produce this new album. Although Punch Brothers have always used the bluegrass idiom as a basic springboard, they quickly launch off into other musical directions with a scintillating combination of inevitability and discovery. Their songs are informed not so much by the values and concerns of tradition as by how their themes apply to this digital age with its pervasive (and disturbing) sense of isolation despite community. In essence, the album is, in the words of Chris Thile himself: “a meditation on committed relationships in the present day, particularly in the present political climate”. Edgy sentiments, set to edgy rhythms that constantly wrongfoot convention and expectation, that is until you get used to being in tune with the pulse of these songs. A clear case of sense and sensibility, one might say. The album’s lengthiest opus is its calling-card seven-minute title track, whose gently episodic nature weaves its own intriguing pattern in words and music and demands instant repeat play for further revealing detail to emerge. The Angel Of Doubt also trades off an insistent ostinato riff that in rock would be heavy weather; here, it only serves to accentuate its trade-off with the jazzy spiralling vocal line and curiously irregular thought processes (for all that they originate from a fairly straightforward situational premise); the riff and the rap coincide pointedly on the song’s final section. The cheekily biting character-portrait Jumbo is delicious fun, set to an infectious bouncy, funky strut and displaying abundant humour in the playing. In contrast, the deeply reflective commentary of The Gardener provides a disc highlight of a different kind, another lesson in pared-down excellence where every note and ripple speaks volumes and beautifully complements the tender vocal phrasing to reinforce the song’s important message. Even the final song, Like It’s Going Out Of Style , has a live-for-the-moment urgency – and optimism – to its deliberate tread. Considering the guys’ brilliant musicianship, it might come as a surprise that All Ashore only contains two instrumental cuts. The first of these, Three Dots And A Dash , employs a tricky, spiky time-signature that could in lesser hands be just an excuse for some soulless note-spinning, but here we get a masterclass in light and shade, with dynamic levels reined in and kept low until the piece’s cutting final stages. This is virtuosity of an altogether classier kind – but that’s not to say Punch Brothers can’t let rip with the whirlwind lightning picking and bowing when the music demands – as on the disc’s second instrumental, Jungle Bird, which blows through like a fierce tornado but one that’s supremely controlled, funnelled, targeted and with no spillage of surplus energy outside of its track. I will say this tho’ – and not in the way of adverse criticism – that in showcasing Punch Brothers’ increasingly developing songwriting craft there’s less in the way of overt expansion of influences and idioms on All Ashore compared to its predecessor, on which the band had worn 20 th century impressionism and neo-classicism on their sleeves somewhat with their precision remodellings of original works by Scriabin and Debussy and seemed to be taking more chances in comparison (with gambits like that album’s episodic ten-minute opener Familiarity ). This time around, the shadow of Debussy is arguably more subliminally present, almost out of the corner of the ear. Similarly, for all their virtuosity, the musicians all exercise considerable restraint in their playing, with an unerring sense of dynamics that gains even more through its unbridled natural spontaneity and unstinting crispness of execution. A special glory of Punch Brothers’ music-making is that for all it embraces a melting-pot of influences it always feels organically driven and not like a melting-pot in the usual sense of just-toss-it-all-in-and-see-what-happens. It’s intimate and inclusive, and the listener feels privileged to be in on the five musicians’ private session. Winter Update + Spring Tour On Sale Now. Howdy Folks! Pickles & Critter, here with some news that will surely change your life. Greetings from Southwest Flight #734, en route from Nashville to Los Angeles for the Grammy Awards this Sunday. If by sheer coincidence you happen to be on this flight, please come say hi- I’m in First Class Private Sky Cabin “B”. Please knock first. Critter is in seat 27B if you’d like to say hi to him. We’re honored that our newest record, All Ashore was nominated for Best Folk Album at the 2019 Grammy Awards. Gabe, Critter & myself will be attending the awards ceremony on Sunday afternoon to witness Joan Baez walk away with that Best Folk Album trophy. Chris Thile & Paul Kowert have chosen to not attend, because they prefer to lose from afar. Thile has been doing precisely that for decades, as he grew up a die hard Cubs fan while living in Southern California. There’s no explanation for Paul’s behavior, in general. Presentation of the Best Folk Album hasn’t been included as part of the national live prime time broadcast since 1863, but you you can stream our defeat. Our Spring Tour is just over a month away. We’ll be joined again by our good friend, the incredible Gabriel Kahane opening the shows. All dates are listed below. I’ve been instructed to mention that the special VIP Big Time Friend Packages are selling fast, so please don’t screw that up if you’ve been on the fence. In case you’re having trouble staying warm this winter, Punch Brothers finally has your back, as there are now new official PB (≠Pottery Barn) knit hats , sweatshirts and insulated mugs available in our online store . We can’t wait to reconvene in March, but we’ve all been staying busy with individual projects since we finished up with our Europe tour last fall. Thile & Critter have been pounding the airwaves every Saturday on . If you have an aversion to public radio on weekends and have yet to tune in, I should let you know that Live From Here is remarkably, NOT A QUIZ SHOW. Give a listen as they’re making great music every week without fail. Paul Kowert has been busy with his band Hawktail , formerly known as Haas Kowert Tice & Leslie. They recently changed their name because they thought a random part of a bird would have more name recognition. Gabe has been busy recording, producing and writing in Los Angeles. He’s still in search of his big Hollywood break but in the meantime you can hear him slumming it on indy projects such as Red Dead Redemption & True Detective. I’ve mostly been at home playing with my dog but I will interrupt that briefly to head out with fiddler for our first duo tour in over 4 years. We start in the Northeast this Wednesday, and we will be making our way across the country over the next few weeks. If you can’t make one of these shows with Stuart, not to worry, we will soon be adding a handful of more dates in 2023. All Ashore. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at 9.99€ Here’s a delicious sound stew in which the Punch Brothers have put the best Americana sounds. For this fifth album, Chris Thile, mandolin player and singer, offers with his four accomplices an ensemble of ballads full of sweetness and suitable for meditation. In total, All Ashore contains nine tracks and becomes the first self-produced album of the band. Recorded in Los Angeles and released by the Nonesuch label, All Ashore is, according to Thile, like a work of “ meditation on committed relationships in the present day ”. The Punch Brothers update here the typical instruments of Americana. Banjo (Noam Pikelny), fiddle (Gabe Witcher), mandolin (Chris Thile) and guitar (Chris Eldridge), supported by double bass (Paul Kowert) and vocals. In respect with traditional music, they lead into modernity, both in a music and lyric sense. The note is as important as the lyric, if not more… The Punch Brothers don’t indulge in excessive chatter. Each expresses himself through his instrument, as evidenced by Three Dots and a Dash or It's All Part of the Plan . Through instrumental superimposition, the riffs go one after another, as well as the permanent swinging between nuances and rhythms. While their precedent album, The Phosphorescent Blues, was wandering on the Bluegrass path, notably with titles like Boll Weevil or Forgotten , you will find no recycling here! The pop filled with folk is well and truly there, but Jungle Bird nonetheless evokes a rather quirky blues. It’s a perfect transition between these two albums… And let’s not forget Thile’s melodious voice. In perfect harmony with the playing of his comrades, he displays a great vocal mastery. Whether holding a high note or tackling a lighter and jolting singing, he is always filled with intensity. In the end, All Ashore is a small gold mine, whose richness is accessible to both amateurs and long-time fans. © Clara Bismuth/Qobuz.