Keys Fine Art Auctioneers 8 Market Place Aylsham Norwich Pictures Norfolk NR11 6EH Started 04 Oct 2013 10:00 BST

Lot Description

AFTER B FAWCETT, GROUP OF THREE HAND COLOURED LITHOGRAPHS, Buzzard, Ger Falcon and Osprey, 8” x 5”; together with 1 AFTER J GOULD AND H C RICHTER, PAIR OF HAND COLOURED LATER IMPRESSION ENGRAVINGS, Phyllopneuste Rufa and Ficedula Hypolais, 21” x 14” (5)

2 KEINEN IMAO, COLOURED WOODBLOCK (PUBLISHED BY NISHIMURA IN 1892), “Keinen’s Album of Flowers and Birds”, 12” x 9”

3 19TH CENTURY JAPANESE SCHOOL, WOODBLOCK, Figurative Study, 14” x 9”

PAUL BISSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (89/350) COLOURED ETCHING, “Boatyard, River Dart”, 12” x 4 17”

MICHEL DUMONTET, SIGNED AND NUMBERED 102/150 IN PENCIL TO MARGIN, SCREEN PRINT, Inscribed “Vieux Couple”, 16” x 5 14 ½”, Provenance: Christie’s Contemporary Art

AFTER H ALKEN, ENGRAVED BY J HARRIS, SET OF FOUR HAND COLOURED LITHOGRAPHS (PUBLISHED 1865 BY BEN 6 BROOKES), “The First Steeplechase on Record”, Plates 1 to 4, 11” x 15” (4)

FRANCOIS LEDAN), SIGNED AND INSCRIBED A/P, COLOURED ARTIST’S PROOF, French Street Scene, 23” x 20”, Provenance: 7 Purchased from Christie’s Contemporary Art

AFTER T HEARNE, ENGRAVED BY W BYRNE AND S MIDDIMAN, PAIR OF ANTIQUE HAND COLOURED ENGRAVINGS, 8 PUBLISHED 1778/81, “The View of the Castle at Castle-Acre …” and “Castle Acre Priory …”, 7” x 10” (2)

AFTER W HAMILTON, ENGRAVED BY P W TOMKINS, PAIR OF ANTIQUE COLOURED STIPPLE ENGRAVINGS, Milkmaids by a 9 Creamery Doorway; and Shepherdess and other Figures with Sheep, 13” x 10 ½” (2)

AFTER W L WYLLIE, ENGRAVED BY HAROLD WYLLIE, 20TH CENTURY COLOURED ETCHING, “The First Journey of Victory 10 1778”, 16” x 13”

MARK HUSKINSON, TWO SIGNED LIMITED EDITION PRINTS; together with a Signed, Original Watercolour by the same artist, 11 assorted sizes (3)

MARGARET CHAPMAN, SIGNED IN PENCIL TO MARGIN, COLOURED ARTIST’S PROOF, “The Otto Gas Man”, 18” x 21”; and E 12 STURGEON, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “Bridge Street, Chester”, 20” x 30” (2)

13 NORAH GOLDEN, SIGNED AND DATED ’68 TO THE MARGIN, SEPIA SCREEN PRINT, “Irish Farmers”, 10” x 6 ½”

CAPTAIN D J SCOTT-MASSON, RD, RNR, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “Britannia Rules”, 14” x 23”; 14 together with ANNE ROOKE, SIGNED AND DATED ’55, COLOURED SCREEN PRINT, LAKE AND MOUNTAIN LANDSCAPE, 15” x 20” and J WARNER, SIGNED TO THE IMAGE, BLAC ...[more] PORTFOLIO: AVIATION PRINTS, including Seerey Lester, Robert Banks, Alan Fernley etc; plus two Advertising Posters for Austin 15 Reed’s With Flying Colours, assorted sizes

RUBEN WARD BINKS, SIGNED IN PENCIL TO MARGIN, AQUATINT (PUBLISHED 1934 BY ARTHUR GREATOREX), Inscribed “The 16 Rise” (also see publisher’s original label verso), 7 ½” x 11”

GEORGE CUNNINGHAM, SIGNED IN PENCIL TO MARGIN, PAIR OF COLOURED LIMITED EDITION (OF 250) COLOURED 17 PRINTS, “Early Doors” and “The Haymarket”, 12” x 16” (2)

AFTER F G BYRON, ENGRAVED BY STADLER & LEWIS, BLACK AND WHITE AQUATINT (PUBLISHED 1802 BY W HOLLAND), 18 “Coming Out of a Country Theatre”, 16” x 23”

AFTER HEATH, ENGRAVED BY O’DRISCOLL, HAND COLOURED LITHOGRAPH (PUBLISHED 1840 BY R ACKERMANN), “The 19 Pack in Full Cry”. 13” x 18”

AFTER TURNER, ENGRAVED BY HUNT, SET OF FOUR HAND COLOURED AQUATINTS (PUBLISHED 1841 BY J W LAIRD), 20 “January – Snipe Shooting”; “October – Pheasant Shooting”; “November – Woodcock Shooting” and “December – Duck Shooting”, 15̶ ...[more]

W DENDY SADLER, A GROUP OF EIGHT SIGNED BLACK AND WHITE ENGRAVINGS, Various Figurative Subjects, the largest 21” x 21 15” (conditions vary) (8)

22 AFTER F WHEATLEY, GROUP OF FIFTEEN COLOURED PRINTS, The Cries of , 14” x 11” (15)

ENGRAVED BY R BONNART, PAIR OF FRENCH 19TH CENTURY HAND COLOURED ENGRAVINGS, “Mr Le Prince de Conti” and 23 “L’Imperatrice”, 10” x 7” (2)

E BURROW, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING, “The Hall, Eton College, 1901”, 9” x 7”; and AFTER MEISSONIER, 24 ENGRAVED BY H DION, AND SIGNED BY THE LATTER TO THE MARGIN, BLACK AND WHITE ETCHING, A Musical Interlude, 11” x 8” (2)

25 AFTER F BARTOLOZZI, PROOF COPY ENGRAVING, CIRCA 1791, “St Paul”, 11” x 8”; together with one unframed similar example (2)

26 EARLY 20TH CENTURY ENGLISH SCHOOL, SET OF FOUR COLOURED PRINTS, Classical Figures in Interior, 11 ½” x 8 ½” (4)

N VIOLLIN, SIGNED IN PENCIL TO MARGIN, PAIR OF LIMITED EDITION (4/5) BLACK AND WHITE ETCHINGS, Abstract Head 27 Compositions, 7” x 5” (2)

28 SALVADOR DALI, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (82/350) COLOURED LITHOGRAPH, “Flordali II”, 9” x 6”

SALVADOR DALI, SIGNED IN PENCIL TO MARGIN, COLOURED LITHOGRAPH, “Purgatory, Canto 24: The Tree of Penitence” (see 29 certificate of authenticity verso), 13” x 10”

19TH CENTURY ENGRAVING (FROM MIDDLETON’S COMPLETE SYSTEM OF GEOGRAPHY), “The City of Malacca in the East 30 Indies”, 6” x 11”

KAY CHRISTENSEN, SIGNED AND DATED 1952 IN PENCIL TO MARGIN, LIMITED EDITION (36/100) BLACK AND WHITE 31 LITHOGRAPH, “Ann Katharina ….”, 11” x 17” 32 BLEDSOE, LIMITED EDITION (171/300) COLOURED LITHOGRAPH (PUBLISHED BY CIRCLE GALLERY 1979), Zebras, 10” x 18”

ROBERT GILLMOR, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (77/200) BLACK AND WHITE LITHOGRAPH, Badgers, 7” x 33 11”

AFTER W J HUGGINS, ENGRAVED BY C ROSENBERG, 20TH CENTURY HAND COLOURED ENGRAVING, “The Right Honourable 34 Lord Yarborough’s Yacht, The Falcon of 351 Tons”, 14” x 19”

35 AFTER ALFRED HEATON COOPER, COLOURED PRINT, Lake District, 12” x 17”

MARILYN SOUTHEY, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (25/35) BLACK AND WHITE ETCHING, Inscribed with title 36 “Tête-à-Tête”,5 ½” x 7”

JOSEPH KIRKPATRICK, SIGNED IN PENCIL TO MARGIN, PAIR OF COLOURED AQUATINTS, “The Harvest Moon” and “Moonrise” 37 (see Deighton’s Strand Gallery labels verso), 11” x 15 ½” (2)

FRANCES ST CLAIR MILLER (20TH CENTURY), SIGNED AND NUMBERED 9/75 IN PENCIL TO MARGIN, COLOURED ETCHING, 38 Inscribed “Luxembourg Gardens”, 14” x 13 ½”

ANTIQUE HAND COLOURED ENGRAVING, “The Staff No 15”, 14” x 12” (trimmed); plus two further ENGRAVINGS of Military Interest 39 (3)

AFTER C E HOLLOWAY, HAND COLOURED ETCHING, PUBLISHED 1885 BY ROBERT DUNTHORNE, “The Tower of London”, 13” x 40 20”; together with one similar (2)

41 NORMAN WILKINSON, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, The Armada off a Coast, 13” x 13”

AFTER NORMAN WILKINSON, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “His Majesty’s Yacht Britannia, 1932”, 13” x 42 21”

43 AFTER DOUGLAS ADAMS, COLOURED PHOTOGRAVURE (PUBLISHED 1903), “A Tight Line, Connemara”, 15” x 24”

44 AFTER J PHILLIPS, HAND COLOURED ENGRAVING (PUBLISHED BY G HUMPHREY 1829), “Four Friends”, 7 ½” x 12”

TOM DODSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (194/850) COLOURED ARTIST’S PROOF WITH PUBLISHER’S 45 BLIND STAMP, Street Scene, 16” x 20”

AFTER G BARNARD, ENGRAVED BY THE SAME, REPRODUCTION COLOURED PRINT, “Rugby School”, 13” x 20”; together with 46 BOB NICOLSON, PAIR OF SIGNED LIMITED EDITION PRINTS, “… The Captain of the School 11 went in First ….” and “…. With a Fine Disregar ...[more]

AFTER GEORGE RICHMOND, ENGRAVED BY W J EDWARDS, 19TH CENTURY BLACK AND WHITE ENGRAVING, “The Hon and 47 Rev Baptist W Noel”, 14 x 11 ½” (in burr walnut frame)

BOB FARNDON, SIGNED IN PENCIL TO MARGIN, PAIR OF LIMITED EDITION (26 AND 27/350) COLOURED PRINTS, “Quiet 48 Please” and “Foul Stroke”, 8” x 12” (2)

DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (752/850) COLOURED ARTIST’S PROOF (PUBLISHED 49 1981 BY SOLOMON & WHITEHEAD), “At Readiness – Summer of ‘40”, 17 ½” x 32” 50 AFTER ARCHIBALD THORBURN, COLOURED PRINT, Grebe, 12” x 9 ½”; together with two further prints of bird interest (3)

AFTER E ISABEY, ENGRAVED BY C MOTTE, ANTIQUE BLACK AND WHITE LITHOGRAPH, “Souvenir de S:Valery Sur Somme”, 12” 51 x 9 ½”

52 CHARLES HENRY BASKETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE AQUATINT, Inscribed “Bosham”, 8” x 13”

53 E T, A FOLDER OF FIFTEEN MIXED MEDIA – HISTORICAL/COMICAL/EROTIC SUBJECTS, each approx 7” x 5”

SARAH CHURCHILL, INITIALLED IN PENCIL TO MARGIN, COLOURED PRINT, “Papa”, 5” x 7”; together with one further Print by 54 PHOEBE GIBSON (2)

55 FOLDER: 19TH CENTURY BLACK AND WHITE ENGRAVINGS, all relating to Houghton Hall

56 LARGE PACKET: ASSORTED 19TH CENTURY BLACK AND WHITE ENGRAVINGS AND BOOKPLATES

57 OLIVER HALL, FIRST PROOF LITHOGRAPH, Landscape, 7” x 9 ½”, unframed

JO COOPER, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (13/150), “Rowan at Watendlath”, 58 3 ½” x 4 ½”; together with two small framed Topographical Engravings of London and Southampton, plus one other (4)

59 AFTER LEONARD R SQUIRRELL, SET OF SEVEN BLACK AND WHITE PRINTS, Titled Norfolk Views, 9” x 11”, unframed (7)

BRIAN LEWIS, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (154/600) COLOURED PRINT, “The Famous Galloping Horses, 60 Kings Lynn”, 4” x 16”; together with one further Limited Edition by the same artist (2)

AFTER JOHN CONSTABLE, ENGRAVED BY DAVID LUCAS, PROOF MEZZOTINT, “Summer Evening”, 5 ½” x 8”; together with two 61 similar (3)

19TH CENTURY HAND-COLOURED STIPPLE ENGRAVING, “Rasselas Prince of Abyssinia”, 11” diameter; together with AFTER G 62 MORLAND, ENGRAVED BY NUTTER & BOND, PAIR OF HAND-COLOURED 19TH CENTURY STIPPLE ENGRAVINGS, “The Visit Returned in the Country” and “The Farmers Fi ...[more]

SET OF THREE 19TH CENTURY, COLOURED STIPPLE ENGRAVINGS, including “The Rt Honble. The Marchioness of Townshend”, 63 11” x 9”, conditions vary (3)

ALFRED J BENNETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Westminster Abbey”, 7” x 5” and 64 INDISTINCTLY SIGNED, ARTIST’S PROOF ETCHING, “Jerusalem from Mt Scopus”, 8” x 10”, both mounted but unframed (2)

MERCIE K LACK, SIGNED IN PENCIL TO MARGIN, TWO COLOURED WOODBLOCKS, Inscribed “The Smith” and “The Stable 65 Window”, 6” x 8” and 6 ½” x 5”; together with EDOUARD CHIMOT, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (1/3) COLOURED ETCHING, Erotic Subject, ...[more]

OKENS ALLGEMEINE NATURGESCHICHTE, GROUP OF FOUR HAND COLOURED LITHOGRAPHS CIRCA 1850, Bird Studies, 66 11”x 9” (4)

67 PAIR OF 19TH CENTURY, HAND COLOURED ENGRAVINGS, Butterflies, 11” x 9” (2) GRAHAM CLILVERD, SIGNED AND DATED 1921 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Street Scene; together 68 with three further Etchings by a different artist, assorted sizes (4)

AFTER J BURFORD, ENGRAVED BY S SPARROW, HAND COLOURED ENGRAVING, Cambridge University Almanack 1814 – 69 “Catherine Hall”, 11” x 16 ½”; together with two further Prints relating to Catherine Hall/Cambridge (3)

70 FOLDER: ASSORTED ETCHINGS, WOODBLOCKS ETC

PAUL CESAR HELLEU, SIGNED IN CRAYON TO MARGIN, BLACK AND WHITE ETCHING, Mother and Child, 10” x 14”, unframed 71 (A/F)

AFTER E P KINSELLA, TWO FRAMES OF SIX MINIATURE COLOURED PRINTS, Comical Golf and Cricketing Subjects (named), 72 each print approximately 5” x 3” (2)

AFTER HENRY BRIGHT, BLACK AND WHITE AQUATINT, Mill by Moonlight; together with other Norfolk related engravings, assorted 73 sizes (4)

AFTER ALKEN, ENGRAVED BY POLLARD, SET OF FOUR HAND COLOURED ENGRAVINGS, Pheasant, Partridge, Woodcock and 74 Grouse Shooting, 7 ½” x 11”, Provenance: Frost & Reed (see labels verso) (A/F) (4)

AFTER WILLIAM DANIELL, TWO HAND COLOURED AQUATINTS, “ Taken from the Opposite Side of the River” and “Distant 75 View of The Needles and Hurst Castle”, 7” x 10” (2)

76 S L BROOKES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “The South Gate, Kings Lynn”, 7” x 5”

FRANK PATON, SIGNED IN PENCIL TO LOWER MARGIN, BLACK AND WHITE ETCHING, “Royal and Ancient” (St Andrews 1798), 77 8” x 10”

78 AFTER G E STUDDY, LARGE COLLECTION OF COLOURED PRINTS, Bonzo, assorted sizes

79 F B JOWETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “St Ives Bridge”, 7” x 9”

80 BORIS O’KLEIN, SIGNED IN PENCIL TO MARGIN, HAND COLOURED ETCHING, ….. Beau Blond ?, 6” x 18”

81 BORIS O’KLEIN, SIGNED, HAND COLOURED ETCHING, A La Queue, (Comical Parisian Dogs), 6” x 18”

82 PAIR OF ANTIQUE COLOURED ENGRAVINGS, Figure Studies, 12” x 10” (2)

83 HORACE W TUCK, SIGNED, WOODBLOCK, Fishermen in a Rowing Boat, 4” x 7”

84 PACKET: 19TH CENTURY PRINTS, American Subjects, some of States and Cities

85 FOLDER: THREE SIGNED MEZZOTINTS, Famous Writers, assorted sizes, mounted but unframed (3)

86 19TH CENTURY CHROMOLITHOGRAPH, Still Life Study of Mixed Fruit and Flowers, in ornate swept gilt gesso frame, 9 ½” x 12” AFTER H NINHAM, ENGRAVED BY L HAGHE, BLACK AND WHITE LITHOGRAPH, Norwich Castle; together with four further 87 Engravings of Norwich Castle, assorted sizes (5)

J NEWMAN, TWO 19TH CENTURY SEPIA LITHOGRAPHS (PUBLISHED BY JARROLD & SONS), “Market Place, Norwich” and “The 88 Foundry Bridge and Railway Station, Norwich”, 9” x 13”; together with two similar (4)

89 WILHELM KUHNERT, SIGNED LOWER RIGHT, BLACK AND WHITE ETCHING, Bird on a Branch, 7” x 3 ½”, unframed

EDOUARD MANET, TWO BLACK AND WHITE RE-STRIKE ETCHINGS (IMP A SALMON), “Portraits of Charles Baudelaire” (one on 90 Arches Paper), 4” x 3”, both unframed (2)

91 FOLDER: JAPANESE WOODBLOCK AND CHINESE SCHOOL WATERCOLOUR ON RICE PAPER (laid down), both unframed (2)

GRAHAM CLARKE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (208/400) COLOURED ETCHING, “Paris – First Stop”, 5” x 92 4”; together with GRAHAM CLARKE, SIGNED IN PENCIL TO MARGIN, COLOURED ARTIST’S PROOF ETCHING, Inscribed “Pilchard Practise”, 5 ½” x ...[more]

* GRAHAM EVERNDEN, SET OF FOUR COLOURED ETCHINGS, ALL SIGNED, NUMBERED 144/295 AND INSCRIBED WITH 93 TITLES IN PENCIL, Field Daisies, Primroses, Celandines and Mesdao Poppies, 7 ½” x 5” (4)

GIANFRANCO MISSIAJA, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (484/500) COLOURED MIXED MEDIA, Venezia 2005, 94 14” x 19”

95 GIANFRANCO MISSIAJA, SIGNED, WATERCOLOUR, “Pollo”, 7” x 10”

JOHN SELL COTMAN, SIGNED TO THE IMAGE, BLACK AND WHITE ENGRAVING, PUBLISHED 1819, “Interior of the Chancel of 96 Walsoken Church, Norfolk”, 10” x 13”, mounted but unframed

ROBERT TAYLOR, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (524/850) COLOURED PRINT, “The Admiral’s Cup 1974” 97 (Countersigned by Edward Heath); ROBERT TAYLOR, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (529/850) COLOURED PRINT, “The Cutty Sark” and ROBERT TAYLOR, SIGNED ...[more]

ROBERT TAYLOR, COLOURED PRINT, The Swordfish Attack at Taranto (Countersigned by Sir Richard Janvrin and Commander 98 Charles Lamb); together with ROBERT TAYLOR, COLOURED PRINT, The Red Arrows 1980 (Countersigned by Squadron Leader Brian Hoskins), 13” x 18”, unframed (2)

ROBERT TAYLOR, COLOURED PRINT, “Duel of Eagles” (Signed by Douglas Bader and Adolf Galland); together with ROBERT 99 TAYLOR, TWO COLOURED PRINTS, Memphis Belle (Signed by Robert K Morgan) and Wellington (Signed by Bill ….), 13” x 19”, all unframed (3)

ROBERT TAYLOR, COLOURED PRINT, “Duel of Eagles”; together with ROBERT TAYLOR, TWO COLOURED PRINTS, Hurricane 100 (Signed by Bob Stanford-Tuck) and Lancaster (Signed by Captain Leonard Cheshire), 13” x 19” (3)

ROBERT TAYLOR, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “Steaming into Wind” (Countersigned by Rear Admiral E R 101 Anson); together with ROBERT TAYLOR, TWO COLOURED PRINTS, HMS Ark Royal and The Last Moments of HMS Hood (Signed by Lieutenant Ted Biggs), 13” x 20”, all unframe ...[more]

AFTER WINSTON CHURCHILL, LIMITED EDITION (630/850) COLOURED PRINT, “View from Chartwell” (Published by 102 Limited); together with four COLOURED PRINTS AFTER LOWRY, assorted sizes (5) 103 FOLDER: ASSORTED COLOURED PRINTS ETC, Cricket interest

104 FOLDER: ASSORTED PRINTS AND ENGRAVINGS, various subjects

HAROLD ALTMAN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (94/160) COLOURED ETCHING, “Chairs”, 18” x 24”; 105 together with four further works relating to the same artist (5)

DEREK MYNOTT, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (149/250) COLOURED LITHOGRAPH, Park Scene, 14” x 20”; 106 together with MICHEL MOORE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (118/25) COLOURED LITHOGRAPH, French Chateau, 13” x 22”; together with three further works b ...[more]

DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (604/850) COLOURED ARTIST’S PROOF WITH 107 PUBLISHER’S BLIND STAMP, “Cool Cats”, 9” x 16”, unframed

FRANK MARTIN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (80/150) COLOURED ETCHING, Inscribed “The Brasserie 108 Hoffmann”, 12” x 18”, unframed

PHILIPPE NOYER, SIGNED AND DATED 1970 IN PENCIL TO MARGIN, LIMITED EDITION (90/150) COLOURED LITHOGRAPH, “At 109 The Piano”, 22” x 18”, unframed

FANCH, SIGNED, GROUP OF THREE LIMITED EDITION COLOURED LITHOGRAPHS, French Subjects and Ballooning, assorted 110 sizes, all unframed (3)

AFTER DRAKE, PAIR OF HAND COLOURED MEZZOTINTS (PRINTED BY CARINGTON BOWLES), “Arthur Wentworth of Bulmer” 111 and “Partridge Shooting”, 9” x 13” (2)

AFTER J SEYMOUR JNR AND J WOOTTON, ENGRAVED BY J SYMPSON, THREE LATE 19TH CENTURY HAND COLOURED 112 ENGRAVINGS, Hunting Scenes, 11” x 16” (3)

FELIKS TOPOLSKI, SIGNED IN PENCIL TO MARGIN, COLOURED ARTIST’S PROOF, “The 200th Derby Stakes”; together with a 113 further section of the same Print, 35” x 12” and 34” x 34” (2)

113A AFTER ADRIEN BARRERE, PAIR OF COLOURED LITHOGRAPHS, Doctors/Butchers, 20” x 34” (A/F) (2)

114 BARBIZON GILT GESSO PICTURE FRAME, 21” x 29”

115 LARGE VICTORIAN SWEPT GILT GESSO PICTURE FRAME, 27” x 39”

116 GROUP OF SIXTEEN VICTORIAN AND LATER GILT GESSO PICTURE FRAMES AND SLIPS

117 VICTORIAN GILT GESSO PICTURE FRAME, GLAZED AND CURRENTLY CONTAINING A PRINT, 11 ½” x 9 ½”

118 PAIR OF 20TH CENTURY CARVED GILTWOOD PICTURE FRAMES, CURRENTLY CONTAINING PRINTS, 9” x 7”, oval (2)

119 GROUP OF NINE VICTORIAN AND LATER GILT GESSO AND OTHER PICTURE FRAMES

PAIR OF 20TH CENTURY HARDWOOD CARVED PICTURE FRAMES, CURRENTLY CONTAINING WATERCOLOURS, 10” x 6 ½”, 119A oval (2) 120 FOLDING TRIPOD ARTIST’S EASEL

121 NORWICH SCHOOL, OIL, Cattle Grazing by a River, 11” x 17 ½”; together with six further Oil Paintings by different artists (7)

122 J SUNDANCE KING, SIGNED, OIL, Pocahontas, 33” x 35”

123 VICTORIAN SCHOOL, CHROMOLITHOGRAPH, “Mary Queen of Scots”, 37” x 23”

124 BRUCE, SIGNED, OIL, “Cha”, 19 ½” x 19 ½”

125 TONY PALINO, SIGNED, WATERCOLOUR, The Jazz Player, 17” x 10”

VEIJO PIISPA (20TH CENTURY, FINNISH), SIGNED AND DATED 1998, OIL ON CANVAS, “Wild Flowers in the Library of Ilya Repin, 126 Kuokkala”, 29” x 23”

127 STEVE WISE (20TH CENTURY), SIGNED AND DATED ’78, OIL ON CANVAS, Kings Cross Station, 35” x 27”

128 ROSINA ROGERS, OIL, “Camellias in a Striped Jug”, 19 ½” x 23 ½”

129 ROSINA ROGERS, MONOGRAMMED, OIL, “Flowers on a Dish”, 19 ½” x 23 ½”

130 ROSINA ROGERS, OIL, “Geraniums with Shell”, 19 ½” x 23 ½”

131 ROSINA ROGERS, SIGNED AND DATED ’61, OIL, “Dancing Squares”, 20” x 30”

132 ROSINA ROGERS, OIL, “Integration”, 24” x 36”

133 ROSINA ROGERS, OIL WITH RAISED SQUARES, “Five Circles”, 23” x 31”

134 ROSINA ROGERS, SIGNED AND DATED ’54, OIL, “Still Life with Black Coffee Jug”, 23” x 18”

136 UNSIGNED, OIL, Figures in Rowing Boat in Mountain River Landscape, 19 ½” x 29”

ALFRED PARKMAN, SIGNED AND DATED 1909, WATERCOLOUR, Inscribed “Oystermouth from the Pier”, 11” x 23 ½”; together with 137 four further works by different artists (5)

138 JACK DENNIS POUNTNEY, SIGNED AND DATED ‘66, OIL, “Charing Cross Pier”, 25” x 30”

HUMBERT HEUSSER, OIL ON CANVAS, SIGNED LOWER RIGHT AND INSCRIBED WITH TITLE VERSO, Bei Findelen – 139 Obergabelhorn Und Wellenkuppe, 18” x 25”; together with one further oil by the same artist (2)

WILLIAM SAVAGE COOPER, OIL ON CANVAS, SIGNED AND DATED 1906 TOP RIGHT, Head and Shoulders Portrait of a Gent with 140 Moustache, 23 ½” x 19 ½”

141 20TH CENTURY ENGLISH SCHOOL, OIL, Inscribed verso “River Nidd”, 19 ½” x 23 ½” 142 MICHEL HUBBARD, SIGNED, OIL, Windswept Norfolk Landscape, 19” x 23”

143 BASIL ROWLES, SIGNED, WATERCOLOUR, Lobster Pots, 14” x 18”

144 ANN BLANKSON-HEMANS, SIGNED AND DATED ’11, OIL, Inscribed verso “Summer Market, Northampton”, 32” x 32”, unframed

145 20TH CENTURY FRENCH SCHOOL, OIL, Blue-Eyed Nude, 27” x 19”

146 INDISTINCTLY SIGNED, FRENCH SCHOOL, OIL, Inscribed verso “La Femme au Licas”, 24” x 29”, unframed

147 FOLLOWER OF JOSEF HERMAN, BEARS INITIALS AND DATE 58, OIL, Farm Machinery in a Field, 20” x 24”

148 IN THE MANNER OF JOHN HOYLAND, BEARS PEN INSCRIPTION VERSO, OIL, Abstract Composition, 29” x 21”

149 UNSIGNED, 19TH CENTURY OIL, Ship in Dock, 28” x 23 ½”, unframed (in need of restoration)

150 JOANNE BRETT, SIGNED VERSO, PAIR OF OILS, Abstract Compositions, 24” x 18”, unframed (2)

151 THREE FOLDERS: APPROX 100 FRENCH ART POSTERS

152 LARGE FOLIO: A QUANTITY OF REPRODUCTION WARTIME POSTERS AND OTHERS

CECCARELLI ANTONIO, SIGNED AND DATED ’70, OIL ON CANVAS, Figures and Building, 16 ½” x 20”, unframed; together with one 153 further work by the same artist (2)

154 PORTFOLIO: UNFRAMED OILS, WATERCOLOURS, DRAWINGS ETC

155 DEIDRE HENTY CREER, SIGNED GROUP OF FIVE OILS, Coastal and Mountain Landscapes, 18” x 24”, unframed (5)

156 JOHN REDMAYN, SIGNED VERSO, GROUP OF SIX OILS, Abstract Compositions, 16” x 12”, unframed (6)

157 A R LEYDEN ?, SIGNED GROUP OF THREE OILS, Alpine Landscapes, assorted sizes, unframed (3)

158 CARLOSS VAGNA, SIGNED AND DATED ’84, MODERN OIL, A Peruvian, 23” x 18”, unstretched canvas

159 LARGE FOLDER: ASSORTED PRINTS ETC

160 FOLDER: ASSORTED 19TH CENTURY AND OTHER ENGRAVINGS, Italian and Naval interest

161 MAX BRUMMELL, LARGE PORTFOLIO: WATERCOLOURS, Norfolk/Suffolk Views, assorted sizes

FOLDER: MODERN PRINTS AND SIGNED LIMITED EDITIONS, varying artists including MARTIN BROADBENT, IAN ANDERSON, 162 TAYLOR ETC 163 FOLDER: MIXED SPORTING, COUNTRY AND HUMOROUS PRINTS

164 FOLDER: ASSORTED ETCHINGS, ENGRAVINGS, OILS, DRAWINGS ETC

165 AFTER F L BLANCHARD, THREE COLOURED PRINTS, “Brixham Harbour”; “Torbay”; “Devon”, 7 ½” x 10”, unframed (3)

166 FOLDER: ASSORTED MODERN PRINTS INCLUDING STURGEON AND LIMITED EDITIONS AFTER

167 FOLDER: PRINTS AFTER CECIL ALDIN

168 CIRCLE OF JOHN CONSTABLE ETC, FOLDER OF VARIOUS PENCIL DRAWINGS, Tree Studies and Landscapes, assorted sizes

169 FOLDER: SIX MODERN BRITISH OILS, Landscape Studies, assorted sizes (6)

MARJORIE BOWEN, SIGNED, TWO WATERCOLOURS, “Lingering Snow” and “Boatshed”, 14” x 10” and 13” x 18”, mounted but 170 unframed (2)

171 GEORGE J FOLLOWS, SIGNED, OIL, “Stephen” (See Exhibition of Holiday Art and Travel label verso), 18” x 14”, unframed

ITALO GIORDANI, TWO OILS ON PANEL, SIGNED LOWER LEFT, Mountain And Coastal Landscapes, 16 ½” x 13” and 11” x 15” 172 unframed (2)

173 INDISTINCTLY SIGNED, ROUGE DRAWING, Head and Shoulders Portrait of a Lady, 12” x 9 ½”

CIRCLE OF GEORGE RICHMOND, PAIR OF WATERCOLOURS, Portraits of Ladies, 12” x 9” and 13 ½” x 9”, both mounted but 174 unframed (2)

175 CIRCLE OF FRANK HENRY MASON, WATERCOLOUR AND GOUACHE, Steamer at Suez ?, 6” x 25”

176 ERNEST PRATER, SIGNED, MONOTONE WATERCOLOUR, Illustration from Wheat and Chaff, 9” x 5 ½”, mounted but unframed

177 MARION BROOM, SIGNED, WATERCOLOUR, Still Life Study of Mixed Flowers in a Bowl, 11” x 14”, mounted but unframed

E J LAMBERT, SIGNED AND DATED ’27, WATERCOLOUR, “The Staithe, Near Wroxham”, 7 ½” x 12”; together with Monotone 178 Watercolour, Kelling Church, Norfolk 1840 and two further Drawings verso, unframed (2)

CHRISTOPHER T PAGE, SIGNED, WATERCOLOUR, Inscribed verso “Stiffkey Marshes”, 10 ½” x 30”, unframed; together with two 179 Drawings by HANSLIP FELTCHER (3)

JUREK NEMS, SIGNED, TWO PEN INK AND WATERCOLOURS, Views of Tower Bridge, 3” x 5” and 6” x 9 ½”, both mounted but 180 unframed (2)

J M HOUSTON, SIGNED, PASTEL, Mevagissey Harbour, 10” x 14 ½”; together with L W SIMPSON, SIGNED, WATERCOLOUR, 181 Inscribed “Mosque of Omar”, 12” x 9” (2)

WILLIAM HUNT, CRAYON HEIGHTENED IN WHITE ON BLUE PAPER, London Scene – Old Hucksters Stall with Figures, 6 ½” x 8 ½”, 182 mounted but unframed FRANKLIN WHITE, SIGNED, MONOTONE WATERCOLOUR, Gertrude Sketching, 9 ½” x 12 ½”; together with one further Watercolour 183 by a different artist (2)

184 VOGI, SIGNED, GROUP OF THREE OILS ON PANEL, Italian Landscape etc, assorted sizes, all unframed (3)

185 INDISTINCTLY SIGNED, PEN, INK AND WASH, The Wounded Soldier, 10” x 14” (A/F)

186 EDWARD CONWAY, OIL, “A Mixed Bouquet”, 16” x 13”

187 G DUPETT, SIGNED, OIL, Still Life Study of Mixed Flowers in a Vase, 18” x 15”

188 18TH/19TH CENTURY CONTINENTAL SCHOOL, OIL, Young Boy with Staff, 21” x 18”, unframed (A/F)

189 ALLAN MORGAN, SIGNED, WATERCOLOUR, Welsh Mountains, 10” x 14”, mounted but unframed

190 ALLAN MORGAN, SIGNED, WATERCOLOUR, Welsh Mountains, 13” x 20”, mounted but unframed

191 ALLAN MORGAN, SIGNED, WATERCOLOUR, Welsh Mountains, 13” x 20”, mounted but unframed

192 ALLAN MORGAN, SIGNED, WATERCOLOUR, Welsh Mountains, 13” x 20”, mounted but unframed

193 FOLLOWER OF JOHN BRATBY, BEARS SIGNATURE, OIL ON CANVAS, Preparing for the Ballet, 28” x 24”, unframed

194 HENRY VAN DER WEYDE, SIGNED AND DATED ‘97, MIXED MEDIA, Portrait of a Lady “Agnes Larcombe”, 35” x 23”

195 VANIA YOVAMOVICH, SIGNED AND DATED 1973, WATERCOLOUR AND GOAUCHE, “La Sirene”, 22” x 17”

196 JOHN HENRY BOEL, SIGNED AND DATED 1901, PAIR OF OILS, Rural Landscapes, 19” x 29” (2)

196A 19TH CENTURY ENGLISH SCHOOL, OIL, Country Landscape with Figures and Cattle by a Barn, 24” x 28”

197 INDISTINCTLY SIGNED, OIL ON METAL, Tavern Interior with Jolly Drinker, 7 ½” x 6”

198 CIRCLE OF THOMAS CHURCHYARD, OIL, Chickens by a Cottage, 8” x 10”, unframed

199 FOLLOWER OF NICOLAS BERCHEM, OIL ON PANEL, Travellers and Sheep Beside a River, 10” x 11 ¾”, unframed

19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Half-Length Portrait of a Soldier, 4” x 3”; together with one further Portrait 200 Miniature of a Lady (2)

201 20TH CENTURY ENGLISH SCHOOL, OIL MINIATURE, Head and Shoulders Portrait of a Lady, 3” x 2”, in folding leather case

202 MOGUL SCHOOL, GROUP OF FOUR WORKS ON IVORY, Figure Groups, assorted sizes (4) 203 JOHN MACE, OIL, Mother and Child by a Cottage, 52 x 6”; together with a further Oil on Panel AFTER CONSTABLE (2)

204 R SMITH, SIGNED LOWER LEFT, 19TH CENTURY OIL MINIATURE ON IVORY, Young Girl Seating with Posy of Flowers, 5 ½” x 4”

205 LATE 19TH CENTURY ENGLISH SCHOOL, SET OF SIX WATERCOLOURS, Ladies Fashions, 4 ½” x 3” (6)

206 CIRCLE OF JOHN SELL COTMAN, PACKET OF PENCIL DRAWINGS, Marine Studies, assorted sizes

207 LUCIO CARGNEL, SIGNED, PAIR OF OILS ON COPPER, Italian Landscapes with Figures, 2 ½” x 4 ½” (2)

18TH CENTURY CONTINENTAL SCHOOL, PAIR OF PENCIL AND WATERCOLOURS, Half-Length Portraits of Lady, one with Violin, 207A 8 ½” x 7” (2)

208 EMMANUEL MEURIS (1894-1969, ITALIAN), ONE SIGNED, PAIR OF GOUACHE, Views of Monte Carlo, 10” x 15” (2)

W W, INITIALLED AND DATED 1893, WATERCOLOUR, Extensive River Landscape, 25” x 37”, (glazed and in good quality Watts 209 Frame)

210 WILLIAM AUGUSTUS RIXON, SIGNED, WATERCOLOUR, “Corfe Castle”, 19” x 27”

211 WILLIAM MACWHANNEL PETRIE, SIGNED, PASTEL, Inscribed verso “Katie”, 22” x 16”, oval

212 D J COLMAN, SIGNED, ACRYLIC, Study of YH951 (Paradon) at Sea, 19 ½” x 15 ½”

213 VICTOR NOBLE RAINBIRD (1888-1936), SIGNED, WATERCOLOUR, Inscribed “Golden Eve”, 20” x 28”

214 ROBERT S BRUTEY, SIGNED, OIL, Moored Barge on Quayside, 23” x 35”

C I SMART, SIGNED AND DATED ’84, WATERCOLOUR, Tower of London, 4” x 6”; together with one further Watercolour 215 ATTRIBUTED TO ASTON KNIGHT (2)

216 WILLIAM BAIRD, SIGNED, WATERCOLOUR, Inscribed verso “Near Lodore”, 6 ½” x 9 ½”

217 MARTIN JOHN AYNSCOMB-HARRIS, FAINTLY SIGNED, MIXED MEDIA, Abstract Composition, 5 ½” x 13”

218 EDMUND LE TROUIT LANGOTIERE, SIGNED, OIL, Ballerina, 10” x 8”

LATE 19TH CENTURY ENGLISH SCHOOL, PAIR OF WATERCOLOURS, South Australian Landscapes Printed labels verso stating: 219 “This original watercolour is of a South Australian scene, probably executed by an emigrant from in the late 19th Century”, 7” x 9” (2)

WILLIAM MINSHALL BIRCHALL, SIGNED AND DATED 1916, PAIR OF WATERCOLOURS, Inscribed “Commerce and War” and “In 220 South American Waters”, 5” x 9” (2)

221 18TH/19TH CENTURY ENGLISH SCHOOL, OIL ON PANEL, River Landscape, 12” x 14”, unframed T M RICHARDSON, SIGNED, WATERCOLOUR, Figure in River Landscape with Castle Ruins to Distance, 6” X 8 ½”; together with one 222 further Watercolour attributed to the same artist (2)

223 UNSIGNED, WATERCOLOUR, Mother and Child by Church Gateway, possibly Ipswich, 8” x 5 ½”

224 IN THE MANNER OF OBADIAH SHORT, OIL ON BOARD, Rural Landscape, 6” x 7 ½”

225 19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Moored Boat by a Tower, 7” x 10”

226 W STEWART, SIGNED, PAIR OF WATERCOLOURS, Shipping Scenes, 5” x 9 ½” (2)

ROBERT MALCOLM LLOYD (1859-1907), SIGNED AND DATED 1886, WATERCOLOUR, Inscribed verso “After Rough Weather, 227 Coast of Cornwall”, 6” x 9”

228 J M BARRETT, SIGNED, PEN AND INK OVER PHOTOGRAPHIC BASE, Figures in Alpine Lake Setting, 6” x 7 ½”

229 GEORGE MORLAND, SIGNED, PEN, INK AND WASH DRAWING, Gypsy Encampment, 6” x 8” (A/F)

230 E H R, INITIALLED OIL ON BOARD, STILL LIFE STUDY OF FLOWERS IN A VASE, 7” x 9”

231 A RIMMER, SIGNED AND DATED ’80, WATERCOLOUR, Town Square with Figures, Horse and Cart, Cattle etc, 10” x 7”

232 JOHN HARMSWORTH, SIGNED, TWO WATERCOLOURS, “Hove Front, Sussex” and “Sundown – Brighton”, 3”x 7” and 5” x 7 ½” (2)

233 INDISTINCTLY SIGNED, FRENCH SCHOOL, OIL, Sainte Marie, Marseille Lighthouse, 10” x 13”

234 DAVID WOODLOCK, SIGNED, WATERCOLOUR, Lady Peeling Vegetables, 4 ½” x 6 ½”

235 JOHN CLAYTON ADAMS, SIGNED, WATERCOLOUR, River Landscape with Figures and Punts, 6 ½” x 9”

S SHEPHERD (19TH CENTURY), SIGNED, PAIR OF WATERCOLOURS, Inscribed “Derwent Water” and “On The Thames”, 7” x 17 ½” 236 (2)

237 UNSIGNED, OIL, Inscribed verso “The Deben, Woodbridge”, 9 ½” x 13”

D H PARRY JNR, OIL ON BOARD, INITIALLED AND INSCRIBED WITH TITLE VERSO, “In Brittany”, 7 ½” x 5 ½”; together with one 238 further Oil of Cobhams Dragoons plus Pastel, “Cobhams Dragoons, Evening Winter Patrol” (see label verso), 17” x 15”, by the same artis ...[more]

ALLAN MORGAN (BORN 1952), SIGNED, OIL ON CANVAS, Still Life Study of Flowers, Fruit, Wine Bottle etc on Garden Table, 19” x 239 23”

240 TOM LEWSEY, SIGNED, OIL, Inscribed verso “30 Ton Yawl – A Fair Wind”, 15 ½” x 19 ½”

241 SHELDON PHILLIPS, SIGNED, WATERCOLOUR, Shipping in an Estuary, 10” x14” 242 ATTRIBUTED TO JOHN PEDDER, WATERCOLOUR, “Snowdon”, 11” x 18”

243 18TH/19TH CENTURY ITALIAN SCHOOL, OIL ON PAPER LAID TO MODERN PANEL, Christ and Attendants, 14” x 11”

244 MOPPETT-PERKINS, SIGNED, OIL, Country Road, 25” x 17”

245 HANS BARMA, SIGNED, OIL, Winter Mountain Landscape at Sunset, 19” x 23”

WILLIAM HAMILTON, TWO INK AND WATERCOLOURS, “The Beggars Welcome” and “The Beggars Rejection”, 12” x 10” and 11” x 246 10” (2), Provenance: From the Holland House, London, Collection

247 INDISTINCTLY SIGNED, OIL ON CANVAS, The Lovers, 15” x 10”

248 GARMAN MORRIS, SIGNED, GOUACHE, Inscribed “Off Camber, Sussex – Evening”, 7” x 20”

249 CIRCLE OF THOMAS BUSH HARDY, WATERCOLOUR, Shipping Off a Coast, 12” x 25”

250 R P M, INITIALLED AND DATED 1896, WATERCOLOUR, Figure in Mountain Landscape, 9” x 13”

251 W EGGINTON, SIGNED AND DATED ’06, WATERCOLOUR, Inscribed “The Arethusa”, 9 ½” x 13”

252 J MACINTOSH MACINTOSH, SIGNED, WATERCOLOUR, Figure in a Lane, 10 ½” x 8 ½”

253 C L DOUGHTY, SIGNED, PEN, INK AND WASH, Illustration for Bonnie Prince Charles 1951, 10” x 18”

254 MARTIN DOBSON (BORN 1947), SIGNED, MIXED MEDIA, Inscribed verso “View from a Platform, Approaching Express”, 12” x 22”

255 ALEXANDER CRESSWELL, SIGNED, WATERCOLOUR, Greengrocers, 14” x 21 ½”

256 TONY PICHON, SIGNED, OIL, Female Nude, 11” x 15”

257 AFTER F GUARDI, OIL ON PANEL, Italian Landscape with Figures in Archway, 17” x 14”

* JEAN HAMILTON-GEORGE, SIGNED LOWER RIGHT, OIL ON CANVAS, River Landscape with Bridge, 19” x 29”, Provenance: 258 Bromley Galleries, 37 East Street, Bromley, Kent

FRED HINES, SIGNED, WATERCOLOUR AND GOUACHE, A Woman Gathering Kindling at the Edge of a Wood, Swans on River, 15” 259 x 10”

260 TOWNER, SIGNED AND DATED ’42, OIL, Feeding the Herd, 16” x 20”

261 EDWARD DAVIES, SIGNED, WATERCOLOUR, Cottage Garden, 10” x 14 ½”

262 EARLY 20TH CENTURY ENGLISH SCHOOL, BEARS MONOGRAM, OIL ON CANVAS, Still Life Study of Roses in a Vase, 11” x 15” 263 SAM PRIDE, SIGNED AND DATED 1875, WATERCOLOUR, Figures and Dog in River Landscape, Castle Ruins to Distance, 15” x 24”

GEORGE DENHOLM ARMOUR, SIGNED, TWO PEN AND INK DRAWINGS, “Hints to Beginners, Sea Fishing” and “Fishermen Watts 264 Mackin ….”, 13” x 10” and 10” x 13” (2)

265 19TH CENTURY ENGLISH SCHOOL, OIL, Herders and Cattle before a Cottage, 9” x 12”

AFTER HARRY B NEILSON, WATERCOLOUR, “Mr Fox’s Hunt Breakfast on Xmas Day” (copied from Penny Illustrated Paper Xmas 266 Number 1897), 13” x 27”

267 PAIR OF 20TH CENTURY WATERCOLOURS, Stained Glass Window Designs, 9 ½” x 7 ½” (2)

268 UNSIGNED, OIL ON BOARD, Primitive Study of Tonbridge High Street during a Flood, (see label verso), 16” x 29”

269 INDISTINCTLY SIGNED VERSO, FRENCH SCHOOL, OIL, Young Girl with Harbour Beyond, 13” x 15”

270 LATE 19TH/EARLY 20TH CENTURY ITALIAN SCHOOL, PAIR OF OILS, Sailors Departure and Return, 12” x 8” (2)

271 JULIO PEREZ, SIGNED, OIL, Man Drinking in a Cellar, 16” x 12”

272 LINO, SIGNED AND DATED ’64, OIL, Italian Coastal Scene, 15” x 31”

273 THOMAS TUCKER, SIGNED, OIL, The Ribbon Seller, 13” x 19”

274 WINIFRED TURNER, SIGNED AND DATED ’67, OIL ON CANVAS, Inscribed verso “Oast Houses at Bearsted, Kent”, 19” x 29”

275 INDISTINCTLY SIGNED, PEN, INK AND WASH, Illustration of a Film Set, 18” x 21”

276 MONOGRAMMED PASTEL, Portrait of a Gent, 23 1/2" x 18 1/2"

277 * CHARLES WYATT WARREN, SIGNED LOWER LEFT, OIL ON BOARD, River Landscape, 7” x 13”

278 EARLY 20TH CENTURY CHINESE SCHOOL, PAIR OF GOUACHE, Coastal Views with Figures, Boats, Tower etc, 18” x 25” (2)

279 MICHAEL O’ROURKE, SIGNED AND DATED 1964, Arabs and Camels in Landscape, 20” x 34”

280 ATTRIBUTED TO FRED YATES, OIL, Inscribed with title verso “11 The Parade, Lostwithiel 1985”, 18” x 19”

W M PRICE, INSCRIBED TO LABELS VERSO, PAIR OF PASTELS, “Evening, Clewydd Cathedral” and “Sunrise Ruddland Castle, St 281 Asaphs Bridge”, 5 ½” x 7” (2)

282 WINIFRED P BIDDLE, SIGNED, WATERCOLOUR, Inscribed “The Terrace, Fittleworth, Sussex”, 12” x 8”

283 INDISTINCTLY SIGNED, OIL, View in Paris, 9” x 6 ½” 284 L BASSET, SIGNED, OIL, View of Notre Dame from The River, 11 ½” x 15 ½”

285 GODWIN BENNETT, SIGNED, OIL, Interior Scene with Lady Sewing, 11 ½” x 15 ½”

286 S TREMBLAY, SIGNED, OIL, Coastal Scene, 9” x 14”

287 INDISTINCTLY SIGNED AND DATED 1873, WATERCOLOUR, Coastal Scene, possibly Channel Islands, 6” x 18”

288 UNSIGNED, OIL, Dutch Estuary, 8” x 12”

289 HENRY JOHN SYLVESTER STANNARD, RBA, SIGNED, WATERCOLOUR, Shepherd and Flock in Sunset Landscape, 7” x 10”

290 C W MIDDLETON, SIGNED, OIL, Drover and Sheep in Country Lane, 20” x 16”

291 MASANA KAWAKUBO, SIGNED LOWER LEFT, WATERCOLOUR, Japanese Lady Sewing, 17” x 12”

292 F VITALE (AFTER E P KINSELLA), PAIR OF OILS, “Hope of His Side” and “Out First Ball”, 14 ½” x 9 ½” (2)

294 BERNARD DUFOUR, SIGNED, MIXED MEDIA, Continental Town, 17” x 11 ½”

295 BARAGWYNATH KING, SIGNED, WATERCOLOUR, West Country Estuary, 8” x 17”

296 VICTOR HUME MOODY, OIL, Female Nude, 15” x 11”

297 F STUART RICHARDSON, SIGNED, WATERCOLOUR, Inscribed verso “Caernarvon Bry”, 8” x 12”

298 RAYMOND CAMPBELL, SIGNED, OIL, Unloading on the Shore, 11 ½” x 17 ½”

299 19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Head and Shoulders Portrait of a Seated Lady, 12” x 9”, oval

300 PIERRE FAVIER (20TH CENTURY, FRENCH), SIGNED AND DATED 1926, OIL ON CANVAS, The Watermelon Seller, 18” x 25”

301 MOS, SIGNED, PASTEL, Country Landscape, 33” x 40”

302 ATTRIBUTED TO WALTER HEATH WILLIAMS, PAIR OF OILS, Rural Landscapes with Figures, 17” x 25” (2)

SIDNEY YATES JOHNSON, SIGNED AND DATED 1899, OIL, Shepherd and Sheep in Country Lane by a Cottage, 29” x 24” (in good 303 quality Watts Frame)

304 19TH CENTURY CONTINENTAL SCHOOL, WATERCOLOUR, “Schloss Worth” (Largest Waterfall in Europe), 12” x 18”

305 IN THE MANNER OF THE NORWICH SCHOOL, OIL ON CANVAS, Rural Landscape with Figures, 12” x 16”

306 FOLLOWER OF VAN DER VELD, BEARS INSCRIPTION VERSO, OIL, Inscribed “A Calm off Dutch Coast”, 10 ½” x 11 ½” 307 E CHESTER, SIGNED, PAIR OF OILS, Still Life Studies of Mixed Fruit and Flowers on a Mossy Bank, 10” x 13” (2)

JOSEPH H VIGNOLES FISHER, SIGNED, GROUP OF FOUR WATERCOLOURS, Continental Town, Landscape and Estuary Views, 308 assorted sizes (4)

309 C A STEINER, SIGNED, PAIR OF OILS, Stormy Landscapes, 10” x 8” (2)

310 JOEL OWEN, SIGNED, OIL, Coastal Scene, 20” x 30”

311 COLIS, SIGNED, OIL, River Landscape with Figures and Barge, 18” x 29”

L S, INITIALLED AND DATED ’35, OIL, Gent with Top Hat by a Bridge over Stream, bears inscription verso “Thomas Kinenill Oldcher 312 for William Adam Oldcher”, 22 ½” x 16 ½”

313 AFTER GEORGE MORLAND, MIXED MEDIA, OIL OVER VARNISHED PRINT, Stable Interior, 19” x 25”

314 UNSIGNED, OIL, Blossom in Gateway, 11” x 15”

315 ATTRIBUTED TO HENRY PETHER, OIL, Moonlit Coastal Scene, 8” x 11 ½”

316 19TH CENTURY, PASTEL, Young Boy Playing a Pipe, 10” x 8”

LATE 19TH CENTURY ENGLISH SCHOOL, INDISTINCTLY SIGNED AND DATED ’94, OIL, Thames Barges with Gasworks Beyond, 317 5” x 7”

BELA TOTH PADARI (20TH CENTURY), SIGNED, OIL ON PANEL, Dutch Street Scene with Figures, 11” x 9”, Provenance: W H 318 Patterson, 19 Albemarle Street, London (see gallery label verso)

319 MODERN BRITISH SCHOOL, OIL, Boats in Harbour, 10” x 7 ½”

ANTHONY VANDYKE COPLEY FIELDING, INITIALLED, WATERCOLOUR, “Porchester Castle, Portsmouth Harbour”, 6” x 9”, 320 Provenance: J Davy & Sons, 70 Bridge Street – Deansgate, Manchester (see label verso)

321 UNSIGNED, OIL, Dutch Barges at Sea, 10” x 14”

322 19TH CENTURY ENGLISH SCHOOL, OIL, Sheep in Landscape, 8” x 14”

WILLIAM ERNEST PETTINGALE, SIGNED VERSO, PAIR OF OILS, “At Swarkestone – Derbyshire” and “On The River Trent, 323 Derbyshire”, 6” x 9 ½” (2)

324 H E COLLS, SIGNED, PAIR OF OILS, River Landscapes, 9” x 17” (2)

325 WILLIAM JAMES CALLCOTT, SIGNED, WATERCOLOUR, Figures in Woodland with Cottage, 13 ½” x 17”

326 DAVID HYDE, SIGNED, OIL, Coastal Scene with Gulls, 17” x 27” 327 DAVID HYDE, SIGNED, OIL, Wooden River Landscape with Village to Distance, 16” x 20”

328 DAVID HYDE, SIGNED, OIL, River Landscape with Angler, 15” x 11”

329 SIDNEY YATES JOHNSON, SIGNED AND DATED 1926, OIL, New Forest, Hampshire, 15 ½” x 23 ½”

330 SIDNEY YATES JOHNSON, INDISTINCTLY SIGNED AND DATED, OIL, On The ………. North Wales (see label verso), 15 ½” x 23 ½”

331 SIDNEY YATES JOHNSON, SIGNED AND DATED 1936, OIL, Devon Fishermen, 23” x 15”

332 ROSE DE CRESPIGNY, SIGNED AND DATED ’93, WATERCOLOUR, Tudor House by a River, 18” x 29”

333 G L, MONOGRAMMED WATERCOLOUR, Street Scene, 14” x 20”

334 SIDNEY WALTON, SIGNED, OIL, Derelict Mill, 11” x 15”

335 DIANNE L BRANSCOMBE, SIGNED AND DATED ’85, OIL, Inscribed verso “Oby Mill”, 19” x 29”

336 CHARLES E HANNAFORD, SIGNED, WATERCOLOUR, Inscribed verso “Red Lion Dyke, Thurne Mouth, Norfolk”, 16” x 12”

FRED HARPER, SIGNED AND DATED 1972, WATERCOLOUR, Inscribed verso “The Bure at Horning Ferry” (see also Norfolk and 337 Norwich Arts Circle label verso), 15” x 20”

338 JENNY BENNET, SIGNED, TWO OILS, Still Life of Mixed Flowers in a Jug; and Young Child with Apples, 11” x 9” and 15” x 11” (2)

ROY HODDS, SIGNED, THREE OIL ON BOARDS, Two Wherries at Anchor, 19” x 23”; A View at Breydon Water, 19” x 23” and 339 Inscribed verso “Lake Lothing”, 13” x 16 ½” (3)

340 MIKE THORN, SIGNED AND ONE DATED ’87, TWO WATERCOLOURS, Norfolk Landscapes, 13” x 19” and 14” x 21” (2)

341 JOHN SUTTON, SIGNED AND DATED 1972, WATERCOLOUR, Inscribed “Wherry on the Bure”, 14” x 21”

* DAVID GREEN, ROI, OIL ON BOARD, SIGNED LOWER RIGHT, Harvest Landscape, North Bedfordshire, 9 ½” x 13 ½”; together with 342 seven Watercolours by the same artist (8)

343 GERALDINE GREEN, SIGNED, WATERCOLOUR, Geese, 15” x 11”

344 SHEILA STRATTON, RI, WATERCOLOUR, “Field Marshall 1948” (see labels verso), 14” x 10”

345 SHEILA STRATTON, RI, WATERCOLOUR, “A Field of Sunflowers” (see label verso), 14” x 21”

346 KAY OHSTEN, SIGNED, SET OF SIX WATERCOLOURS, Titled Norfolk Views, 11 ½” x 15” (6)

347 JAMES J ALLEN, SIGNED, OIL, Inscribed verso “Horses on Holiday, North Norfolk” (August from the 2012 Calendar), 15” x 19 ½” 348 JAMES J ALLEN, SIGNED, OIL, Inscribed verso “Dutchman Off The East Coast”, 7 ½” x 11 ½”

349 JAMES J ALLEN, SIGNED, OIL, Inscribed verso “Squally Seas Old Fishing Trawlers Off The East Coast”, 7 ½” x 11 ½”

350 JAMES J ALLEN, SIGNED, OIL, Inscribed verso “The Wherryman, Oby Mill, Norfolk”, 4 ½” x 6 ½”

* ROLAND GREEN, SIGNED LOWER LEFT, WATERCOLOUR, Linnets, 7 ½” x 5 ½”; together with * ROLAND GREEN, SIGNED 351 LOWER RIGHT, PEN AND INK DRAWING, Teal in Flight 1954, 7” x 5” (2)

352 PAUL SMYTH, SIGNED, OIL, Norfolk Landscape, 9” x 10”; together with two Watercolours by IVAN YOUNG (3)

DOREEN ALLEN, SIGNED, GROUP OF THREE OILS, Great Massingham (2) and The Upper Alde; together with a further Watercolour 353 by the same artist, assorted sizes (4)

354 CHARLES A HANNAFORD, SIGNED, WATERCOLOUR, Inscribed “Boats at Barton Turf”, 10” x 14”

355 CLAUDE MUNCASTER, RWS, SIGNED, WATERCOLOUR, “Horning Ferry”, 9” x 14”

356 TERRY BESTWICK, SIGNED, TWO OILS, Scolt Head and Safely Grazing, 5 ½” x 6 ½” and 6” x 10” (2)

357 PETER GILMAN, SIGNED AND DATED ’70, OIL, River Scene with Buildings, 9 ½” x 11”

358 UNSIGNED, OIL, “Poppyland”, 13” x 20”

359 HENRY ROBERTSON, WATERCOLOUR, Boats off a Coast, 7” x 10”

360 ANN ROFF WILLIAMS, SIGNED, WATERCOLOUR, Inscribed verso “Blooms in Summer”, 9 ½” x 14”

361 JOHN CYRIL HARRISON (ENDORSED VERSO BY HIS SON), PENCIL DRAWING, “Kudu”, 6 ½” x 9 ½”

362 ATTRIBUTED TO ROBERT LEMAN, MONOTONE WATERCOLOUR, River Scene with Bridge and Cathedral, 7” x 9 ½”

GEORGE THOMAS ROPE, SIGNED, PENCIL DRAWING, “Keepers Hut on the Heath, Iken, Suffolk”; together with four further works by 363 ROPE and GEORGE FROST, assorted sizes (5)

364 CIRCLE OF C H HARRISON, BEARS SIGNATURE AND DATE 1890, Inscribed “Gorleston”, 7” x 10”

365 WILLIAM LESLIE RACKHAM, SIGNED, WATERCOLOUR, Wherry on The Broads, 6” x 11”

366 HENLEY G CURL, SIGNED AND DATED ’73, WATERCOLOUR, Country Path, 11” x 7”

367 * COLIN W BURNS, SIGNED LOWER RIGHT, PAIR OF WATERCOLOURS, Golden Eagle and Peregrine Falcon, 4” x 6” (2)

368 DAVID POOLE, SIGNED, OIL, Boats at Sunset, 9 ½” x 13” 369 PETER SOLLY, SIGNED, WATERCOLOUR, Inscribed verso “Towards Weybourne”, 6” x 8 ½”

370 ROBERT MALLETT, SIGNED, OIL, Norfolk River Scene, 6 ½” x 9 ½”

STEVEN JOHN BATCHELDER, ONE SIGNED, PAIR OF WATERCOLOURS, Norfolk Landscape, and the other inscribed “Gays 371 Staithe, Irstead”, 6 ½” x 9” (2)

372 JANE IRONSIDE, SIGNED, GROUP OF THREE PASTELS, Still Life Studies of Mixed Flowers in Vases, assorted size (3)

373 HUGH SHIPP, MONOGRAMMED, TWO OILS, Cley Mill and Gathering Storm, 4 ½” x 6” and 4 ½” x 6 ½” (2)

CYRIL BOYLAND TURNER, SIGNED, TWO OILS, “Burgh Castle and Ruins” and “Waveney Valley – Blundeston”, 7 ½” x 11” and 9 ½” 374 x 13” (2)

JASON PARTNER, SIGNED AND DATED ‘64, OIL ON BOARD, Inscribed verso “High Tide a June Morning, Blakeney”, 11” x 16 ½”; 375 together with one further Oil Painting by D A GALLINGTON (2)

376 GEOFFREY MACE, INITIALLED, OIL, Norfolk River Scene at Sunset, 8 ½” x 11 ½”

377 GEOFFREY MACE, UNSIGNED, OIL, Norfolk Landscape, 9” x 11”

378 JOHN MACE, MONOGRAMMED, OIL, Steam Train, 4” x 6 ½”; together with two further works by the same artist (3)

379 JOHN MACE, MONOGRAMMED, GROUP OF THREE OILS ON BOARDS, “Great Eastern Railway”, assorted sizes (3)

380 H B J ARMSTRONG, SIGNED, WATERCOLOUR, Inscribed “Irstead Spring 1942”, 9 ½” x 6”

381 WALTER JOHN WATLING, SIGNED AND DATED 1926, OIL, River Landscape, 7” x 7 ½”

WALTER JOHN WATLING, SIGNED, GROUP OF THREE WATERCOLOURS AND ONE LINO CUT, Norfolk Views and other, assorted 381A sizes (4)

382 ARTHUR A PANK, SIGNED, TWO OILS, “Barges – Early Start” and “Barges at Pin Mill, Suffolk”, 5” x 8” and 8” x 12” (2)

383 LESLIE L H MOORE, SIGNED, PAIR OF WATERCOLOURS, Inscribed “On The Bure” and “Horning Ferry”, 8” x 10” (2)

* JAMES FLETCHER WATSON, RI, RBA, SIGNED, WATERCOLOUR, Inscribed to label verso “Road near Windrush, Oxfordshire”, 9” x 384 14”

385 KENNETH GRANT, SIGNED, PENCIL DRAWING, Inscribed “Rescue of All Hands”, 11” x 14 ½”

386 MARK RANDALL, SIGNED, PAIR OF OILS, Inscribed verso “After Rain North Lopham” and “Summer Shadows – Aylsham”, 6” x 8” (2)

387 ATTRIBUTED TO W L RACKHAM, WATERCOLOUR, Norfolk Broads, 6 ½” x 9”

388 DAVID WILLIAMS, SIGNED AND DATED 1953, OIL, Inscribed verso “Blakeney Creek”, 7” x 10” 389 ARTHUR A PANK, SIGNED, OIL, Winter Landscape, 7 ½” x 9 ½”

390 MICK BENSLEY, SIGNED, OIL ON BOARD, Clipper Ship at Sea, 15” x 19”

391 MARTIN MACKEOWN, OIL, Still Life Study of Flowers in a Jug, Vase etc, 18” x 13”

392 PETER ROBINSON, SIGNED, WATERCOLOUR, Cornfields, 14 ½” x 20 ½”

393 PETER ROBINSON, SIGNED, WATERCOLOUR, Sheep before Cottages, 7 ½” x 12 ½”

394 PETER ROBINSON, SIGNED, WATERCOLOUR, The Footpath, 7 ½” x 12 ½”

395 WILLIAM PLUMSTEAD, SIGNED, OIL, Bishops Bridge, Norwich, 14” x 17”

396 RUSSELL FOSTER, EAGMA, SIGNED, OIL, Cromer Pier, 112 x 14 ½”

397 RUSSELL FOSTER, EAGMA, SIGNED, WATERCOLOUR, Inscribed verso “Falls at Glen Artney, Perthshire”, 9 ½” x 6”

398 RUSSELL FOSTER, EAGMA, OIL, Inscribed verso “Don’t Chance Your Luck”, 10” x 9 ½”

399 RUSSELL FOSTER, EAGMA, SIGNED, WATERCOLOUR, Inscribed “Glen Artney”, 7” x 11”

400 EDWARD FRANCIS WELLS, SIGNED AND DATED 1905, WATERCOLOUR, Inscribed verso “Outside Norwich”, 14” x 20”

401 MOPPETT-PERKINS, SIGNED, WATERCOLOUR, Inscribed “Cove Heath, Southwold”, 9 ½” x 13”

402 PAUL SMYTH, SIGNED, WATERCOLOUR, Inscribed verso “On The Alde”, 13” x 17”

403 MARK CHESTER, SIGNED, ACRYLIC, Bullfinches, 9 ½” x 7”

404 MARK CHESTER, SIGNED, ACRYLIC, “Evening Rest – Barn Owl”, 14” x 10”

405 MARK CHESTER, SIGNED, ACRYLIC, “The Fishing Party”, 14” x 10”

406 JOHN DENAHY, OIL, “The Red Sail”, 22” x 23”, Provenence: The Mall Galleries, NEAC Exhibition, 1986 (see label verso)

407 JOHN DENAHY, OIL, “Beach, East Coast”, 15” x 19”, Provenence: The Mall Galleries, NEAC Exhibition, 1986 (see label verso)

JASON PARTNER (1922-2005), SIGNED AND DATED ’72, WATERCOLOUR, Inscribed verso “Mussel Gathering at Morston, Norfolk”, 408 14” x 29”

409 THOMAS TODD BLAYLOCK, SIGNED, PASTEL, Yachts by a Norfolk Mill, 10” x 14”

410 JOHN BURMAN, SIGNED, OIL, Inscribed verso “Red House Farm by The Orwell”, 14” x 19” 411 KEITH JOHNSON, SIGNED, WATERCOLOUR, Inscribed “Broadland Mills from Runham Swim”, 10” x 14”

412 PHILLIP GARDINER, SIGNED, WATERCOLOUR, Inscribed verso “A Corner of North Norfolk”, 10” x 13”

413 ATTRIBUTED TO CHARLES HARMONY HARRISON, WATERCOLOUR, River Scene, 13” x 20”

414 STEPHEN JOHN BATCHELDER, SIGNED, WATERCOLOUR, Horning Ferry, 9” x 13”

415 VICTORIAN SCHOOL, OIL, A View of Cromer, 19” x 29”

416 WILLIAM FREDERICK AUSTIN, WATERCOLOUR, Cow Tower, 10” x 17”

417 DAVID TALKS, SIGNED, WATERCOLOUR, Norfolk Coastal Scene, 14” x 19”

418 BRIAN C DAY, SIGNED, WATERCOLOUR, Barges at Pin Mill, 9 ½” x 13”

419 WILLIAM HENRY FORD, SIGNED, WATERCOLOUR, Inscribed verso “Wells Harbour”, 8” x 12”

420 RONALD CRAMPTON, SIGNED, WATERCOLOUR, Bamburgh Castle, 13” x 20”

421 LESLIE L HARDY MOORE, SIGNED AND DATED ’48, WATERCOLOUR, Inscribed “Near Acle”, 13” x 16 ½”

422 PHYLLIS MACKENZIE, SIGNED AND DATED 1968/9, SET OF SEVEN OILS, Garden Studies (two unframed), 51” x 32” (7)

423 UNSIGNED, WATERCOLOUR, Interior of Ranworth Church 1929, 13 ½” x 9”

424 MARTIN WALTON, SIGNED AND DATED ’58, TWO OILS, A Norfolk Barn; and Street Scene, 11” x 15” and 17” x 23” (2)

425 A VITELLI, SIGNED, OIL, Continental Street Scene, 19” x 15”

426 C H S, INITIALLED, OIL, Children by a Stream, 19” x 15”

427 ALICE REES, SIGNED AND DATED 1910, OIL, Gypsy Encampment by a River, 13” x 19”

428 FOLLOWER OF MARQUET, BEARS SIGNATURE, OIL, Continental Town, 13” x 15”

JOHN REGINALD GOODMAN, SIGNED, PAIR OF WATERCOLOURS, “Sunset by The River Bure” and “Norfolk Dyke at Sunset”, 18” x 429 11” (2)

430 JACK COX, SIGNED, OIL, Sailing Boats in an Estuary (an early example), 10” x 12 ½”

431 JACK COX, SIGNED, WATERCOLOUR, Inscribed verso “Near East Hill, Wells”, 9” x 12”, mounted but unframed

432 JACK COX, SIGNED, WATERCOLOUR, “Seal Boat Setting Off”, 7 ½” x 10 ½” 433 JACK COX, SIGNED, WATERCOLOUR, Bait Diggers, 8 ½” x 11”

434 JACK COX, SIGNED, PAIR OF WATERCOLOURS, Views at Wells, 9” x 13” (2)

435 JACK COX, SIGNED, WATERCOLOUR, Horses Grazing at Sunset, 10” x 14”

436 * SIR MATTHEW SMITH, PEN AND INK, Inscribed with title verso “Lady Elizabeth Townshend, Raynham”, 12” x 8”

437 JOHN OWEN, CARVED WOODEN PLAQUE, Nude Lady, 9” x 8”

438 19TH CENTURY ENGLISH SCHOOL, OIL, Young Girl with Toy Doll in Cradle, 7” x 4 ½”

438A FRANK WILLIAM LESLIE DAVENPORT, SIGNED, OIL, Inscribed verso “Extractor, Jarrolds”, 42” x 39”

438B FRANK WILLIAM LESLIE DAVENPORT, UNSIGNED, WATERCOLOUR, Chapelfield, May 45, 21” x 13”

439 J SAVENO, SIGNED, OIL, Figures in Houseboat by a Castle at Moonlight, 17” x 15”

440 C GUISEPPI, SIGNED, OIL, Continental Lakeland Scene with Figures, Boats and Town, 23” x 39”

441 RONALDSON, SIGNED, OIL, Rural Landscape, 16” x 23”

442 JOE FAIRHURST, SIGNED AND DATED ’83, OIL, Inscribed verso “Wheat Harvest, Norfolk”, 24” x 35”

443 PETER JAY, SIGNED, OIL, Inscribed verso “View from the Downs”, 5 ½” x 5 ½”

444 IXER, SIGNED, TWO OILS, Seascapes at Moonlight; together with an Unsigned Oil, Abstract Fire, assorted sizes (3)

445 ELIZABETH PAGE, SIGNED, TWO OILS, Still Life Studies of Mixed Flowers in Vases, 19” x 13” and 19” x 15” (2)

HUGH BARNDEN, SIGNED, PASTEL, “Cypresses by Lake Trasimeno”, 18” x 13”, Provenance: Francis Kyle Gallery, 9 Maddox Street, 446 London (see gallery label verso)

447 VICTORIAN SCHOOL, WATERCOLOUR, Lady and Chickens in Country Landscape, 12” x 9”

448 INDISTINCTLY SIGNED, OIL, Figures by a River; plus three further Oils by different artists, assorted sizes (4)

449 INDISTINCTLY SIGNED, GOUACHE, Coastal Scene, 12” x 21”

450 A R LEYDON, SIGNED, GROUP OF THREE OILS, Alpine and other Landscapes, assorted sizes (3)

451 JOHN CONSTABLE REEVE, SIGNED, TWO OILS, Returning Home and Moored Barge, 11” x 15” and 19” x 15” (2)

452 JOHN CONSTABLE REEVE, SIGNED, GROUP OF THREE OILS, Landscape Studies, assorted sizes (3) AFTER W SIMSON, ENGRAVED BY J HORSBURGH, ANTIQUE BLACK AND WHITE ENGRAVING, PUBLISHED 1833, “Prince 453 Charlie at Holyrood”, 15” x 12” (possibly trimmed and laid down) and AFTER DEVINE, EARLY 20TH CENTURY COLOURED SOFT GROUND ENGRAVING, River and Mountain Landscape, 11” x ...[more]

454 JUDI LAMIE, SIGNED, TWO PEN, INK AND WATERCOLOURS, Norfolk Landscapes, 15” x 12” and 15” x 21” (2)

455 19TH CENTURY ENGLISH SCHOOL, TWO WATERCOLOURS, Ruined Abbey and Thatched Barn, 8” x 8” and 7” x 9” (2)

456 DAVID HUMPHREYS, SIGNED, OIL, Abstract Landscape, 11 ½” x 17 ½”

ATTRIBUTED TO CHARLES THOMAS DIXON, WATERCOLOUR, Figures in Lakeland, 4 ½” x 9”; together with one further Watercolour 457 by E J BATH (2)

458 ABRAHAM HULK JNR, SIGNED PAIR OF WATERCOLOURS, Landscapes, 5” x 9” (2)

CHAS MASTERS, SIGNED, PAIR OF WATERCOLOURS, Inscribed “Caversham on Thames” and “Hampton Court from Thames”, 5 ½” 459 x 9” (2)

460 T A THOMAS, SIGNED, WATERCOLOUR, Inscribed to mount “Sketch of a Cottage at Worcester Park in 1884”, 6 ½” x 8”

461 SAMUEL DE WILDE, PENCIL DRAWING, River Landscape (from a Sketchbook July 26th 1815, see label verso), 7” x 10”

462 WILLIAM ELLIS, TWO WATERCOLOURS, Landscapes, 8” x 10” and 9” x 13” (2)

463 MALCOLM RYAN, INITIALLED AND DATED ’73, WATERCOLOUR, Lady Seated in Deckchair Drinking Tea, 7” x 7”

464 UNSIGNED, OIL, Shakespearian Actor, 14” x 12”, unframed

MARK RANDALL, SIGNED AND DATED ’82, PEN, INK AND WATERCOLOUR, Inscribed verso “Boats at Woodbridge”, 9” x 13”; 465 together with a further Pastel by R G LEVY (2)

466 UNSIGNED, OIL, Moorland, 5 ½” x 8”

467 19TH CENTURY CONTINENTAL SCHOOL, PAIR OF WATERCOLOURS, Ladies in Traditional Costume, 12” x 8” (2)

LITTLE, SIGNED, MIXED MEDIA, “Iken Cliffs, Near Aldeborough” and DAVID ROCK, SIGNED, WATERCOLOUR, “Drainpipe, Handrail, 468 Ditchling” and JANE JOSEPH, SIGNED AND DATED ’90, MONOTONE, WATERCOLOUR, A Window; plus five further works by different artists, assorted sizes (8)

19TH CENTURY ENGLISH SCHOOL, PAIR OF OILS, Figures on a Bridge by a River; Figures before a Cottage; together with a 469 Watercolour by TOM CARRUTHERS, assorted sizes (3)

470 INDISTINCTLY SIGNED, WATERCOLOUR, Street Scene with Figures by Cottages, 11 ½” x 17 ½”

471 M B M, INITIALLED, WATERCOLOUR, Continental Street Scene with Figures, 9” x 7” 472 PHILIPPA R MILLER, SIGNED, GROUP OF FOUR WATERCOLOURS, Landscape Studies including Derbyshire, assorted sizes (4)

D LIGHTFOOT, SIGNED, GROUP OF THREE WATERCOLOURS, “The Farm By Langham Church”, “Dedham from Water Meadows” 473 and “Over the Churchyard Wall – Dedham”, assorted sizes (3)

ABRAHAM HULK JNR, SIGNED, WATERCOLOUR, Dartmoor Landscape, 7” x 17”; together with one further Watercolour, AFTER 474 ABRAHAM HULK (2)

475 ANDREW VASS, SIGNED, GROUP OF FOUR WORKS IN THREE FRAMES, Figurative and Landscape Studies, assorted sizes (3)

E WEBB, SIGNED, WATERCOLOUR, Figures by Steps and Monument, 10” x 9”; together with one further work by THELMA 476 BATCHELOR (2)

TERRY BESTWICK, OIL ON BOARD, Inscribed with title verso “Hand in Hand”, 6” x 10”; together with NICK LYONS, SIGNED, PAIR 477 OF WATERCOLOURS, “Weavers Way” and “Old Banningham Road, Aylsham”, 5” x 14” and TERRY BESTWICK, SIGNED, WATERCOLOUR, & ...[more]

R REYNOLDS, SIGNED, THREE OILS ON BOARD, Australian Landscapes; together with two further Oils signed BLACK, assorted 478 sizes (5)

479 IN THE MANNER OF THE NORWICH SCHOOL, OIL ON CANVAS LAID TO BOARD, Figure by a Country Cottage, 12” x 15”

480 ATTRIBUTED TO HARRIET DE WINT, (19TH CENTURY), WATERCOLOUR, “Levens Hall, Cumbria”, 7” x 9 ½”

ARTHUR WILKINSON, SIGNED, GROUP OF THREE WATERCOLOURS, Dutch Estuaries with Windmills and Figures, 7” x 10” (3 481 faded)

482 E P SEAPBY, SIGNED AND DATED 1921, WATERCOLOUR, Shipping off a Harbour, 6” x 9”

F E ARDEN, PAIR OF WATERCOLOURS, Inscribed verso “Felbrigg Park – Lady Buckingham” and “Gresham Church, Norfolk”, 5 ½” x 483 7” (2)

484 IN THE MANNER OF GEORGE CATTERMOLE, WATERCOLOUR, Interior Scene with Figures by a Fire, 11” x 16”

485 S G S, INITIALLED AND DATED 1924, WATERCOLOUR, Still Life Study of Baskets etc, 5” x 8 ½”

486 19TH CENTURY ENGLISH SCHOOL, OIL, Figures in a Lane; together with three further works by different artists, assorted sizes (4)

487 E C H, MONOGRAMMED, WATERCOLOURS, Inscribed “Norwich”, 102 x 6 ½”; together with a further Watercolour of Pulls Ferry (2)

488 EDMUND PERINI, SIGNED, OIL, Street Scene, 13” x 17”

489 MARK CASTON, SIGNED AND DATED ’90, PASTEL, “Reminiscence”, 11” x 16”

490 DAVID GREEN, NS, AROI, SIGNED, WATERCOLOUR, Inscribed “Swavesey, Cambs”, 13” x 20”

491 W H GROVE, SIGNED AND DATED SEPT 1850*, WATERCOLOUR, An Old Mill, 9 ½” x 13 ½” 492 UNSIGNED, WATERCOLOUR, Cley Beach, 9” x 19”

493 ROBERT J HEWITT, WATERCOLOUR, SIGNED LOWER LEFT, Gathering Wood Siene Valley, 10” x 14”

19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Mountain Landscape with Figure and Donkey on a Track, 7” x 9 ½”; together 494 with one further 19th Century English School Watercolour (2)

495 A N COLNEY, SIGNED, WATERCOLOUR, Beached Fishing Boat with Figures, 9 ½” x 13”

496 JOSEPH WEST, SIGNED, WATERCOLOUR, “Ranworth Church and Broad”, 8” x 12”

497 HORACE W TUCK, SIGNED AND DATED ’15, WATERCOLOUR, Inscribed verso “Coltishall Lock, South View Lodge”, 9 ½” x 13”

498 KEITH BURTONSHAW, BWS, SIGNED, WATERCOLOUR, “Snowdonia”, 10” x 14”

499 KEITH BURTONSHAW, BWS, SIGNED, WATERCOLOUR, Lake District Scene, 10” x 14”

500 INDISTINCTLY SIGNED, WATERCOLOUR, Fisherfolk on a Shore, 12” x 15”

501 BANBURY, SIGNED, OIL, Figurative Study, 14” x 11”

502 RENE LE FORESTIER, SIGNED, WATERCOLOUR, “Concarneau Harbour”, 10” x 14”

503 UNSIGNED, OIL, Coastal Scene with Boats and Fisherfolk, 13” x 23”

504 CHARLES RUMP, INITIALLED, OIL, Barge on The Broads, 11” x 15”; together with two further Oils by different artists (3)

505 UNSIGNED, OIL, Hunting Scene, 13 ½” x 16”

LUCETTE DE LA FOUGERE, RBA, ROI, WATERCOLOUR, SIGNED LOWER RIGHT, Putney Common, 9” x 14”, Provenance: The 506 Society of Graphic Artists, The Royal Institute Galleries, 195 Piccadilly, London (see labels verso)

507 INDISTINCTLY SIGNED, OIL ON PANEL, Woodland, 19” x 9”

508 W LIMMER, SIGNED AND DATED 1884, OIL, A View of a Cromer Street, 15” x 11”

509 INDISTINCTLY SIGNED, WATERCOLOUR, Continental River Scene with Town to Distance, 9” x 13”

510 T WALLIS, SIGNED, WATERCOLOUR, Inscribed “Fareham”, 8” x 12 ½”

511 LOWES DALBIAC LUARD, SIGNED, WATERCOLOUR, Continental Landscape with Mountain and Trees, 15” x 7”

512 IN THE MANNER OF GEORGE FREDERICK WATTS, WATERCOLOUR, Head and Shoulders Portrait of a Bearded Gent, 8” x 7” 513 UNSIGNED, OIL, Canal Scene with Barge, 13” x 18”

514 CIRCLE OF THOMAS BUSH HARDY, BEARS SIGNATURE AND DATE 1887, WATERCOLOUR, Seascape, 11” x 18”

515 A RUSKIN BROWNE, SIGNED, PASTEL, “London Embankment in the Sun”, 14” x 20”

19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, (BEARING SIGNATURE J VARLEY), WATERCOLOUR, Lakeland Landscape 516 with Figures and Cattle, 9” x 13”

517 HORACE LESLIE, SIGNED, WATERCOLOUR, “Crossing the Ford”, 12” x 17”

J A THELWALL, SIGNED, WATERCOLOUR, A Woodland Pool, 14” x 10”; together with two further WATERCOLOURS by different 518 hand (3)

RACHAEL HAMILTON-RUSSELL, SIGNED AND DATED 1940, SIGNED, WATERCOLOUR, “Autumn Landscape” (see Chelsea Art 519 Stores label verso), 10” x 14”

520 W H WODSLEY, SIGNED, PAIR OF OILS, Still Life Studies of Mixed Fruit and Tankards, 10” x 16” (2)

UNSIGNED, OIL ON CANVAS LAID TO BOARD, Gun Dogs, 19” x 15”; together with INDISTINCTLY SIGNED, WATERCOLOUR, 521 Inscribed “Ludlow”, 10” x 14” (2)

522 ATTRIBUTED TO R O DUNLOP, BEARS SIGNATURE, River Scene, 19” x 23”

DAVID JOHN, SIGNED, TWO WATERCOLOURS, Figurative Studies; together with C J STONES, SIGNED, TWO WATERCOLOURS, 523 Landscape and Still Life, assorted sizes (4)

524 PETER WALTON, SIGNED, OIL, Stormy Landscape, 20” x 30”, unframed

525 SIGRID MULLER, SIGNED, MIXED MEDIA, “Iris on Brown”, 15” x 5”, Provenance: Martin Tinney Gallery (see label verso)

526 CHINESE SCHOOL, PAIR OF WATERCOLOURS ON LINEN, Birds and Flowers, 21” x 15” (2)

527 M M, INITIALLED AND DATED 1931, WATERCOLOUR, Country Cottage, 7” x 9 ½”

528 PRESSWOOD, SIGNED, OIL, View of Wells, 17” x 24”; together with one further Watercolour by L L B (2)

529 H SMITH, SIGNED, PAIR OF OILS ON CANVAS, Still Life Studies, 8” x 9” (2)

530 M B M, INITIALLED, WATERCOLOUR, Inscribed “Nurnberg”, 8 ½” x 5 ½”

531 YVONE BYRAN, SIGNED, PASTEL, Flowers; together with two further works by different artists, assorted sizes (3)

532 A B WALLER, SIGNED, WATERCOLOUR, River Landscape, 10” x 15”

533 W PHILLIPS, SIGNED AND DATED 1909, PAIR OF WATERCOLOURS, Views of Scarborough, 8 ½” x 13” (2) 534 SYLVIA, SIGNED AND DATED 1914, OIL, Playful Kittens, 10” x 15”; together with two further Oils by different artist (3)

WILLIAM COOK OF PLYMOUTH, MONOGRAMMED AND DATED ’74, WATERCOLOUR, Inscribed verso “Curl Mount”, 10” x 15”; 535 together with EDWARD BARTON, SIGNED AND DATED 1880, WATERCOLOUR, Rural Landscape with Figure and Horses, Sheep Grazing by a River, 9 ½” x 13” and CIRCL ...[more]

536 FOLLOWER OF ARMAND JAMAR, OIL ON BOARD, French Coastal Town, 9” x 12”

537 BRIAN HOGWOOD, WATERCOLOUR, SIGNED LOWER LEFT, Gannet, 9” x 7”, oval

538 HALL, SIGNED, GROUP OF FOUR WATERCOLOURS, Norfolk Landscapes, assorted sizes (4)

539 WILLIAM LESLIE RACKHAM, SIGNED, WATERCOLOUR, Inscribed “On The Yare”, 7 ½” x 10”

H WEBSTER NASH , SIGNED, WATERCOLOUR, Inscribed “Mt. Ruapehu, NZ” (Mount Ruapehu is an active volcano in New Zealand), 540 10” x 14”; together with EARLY 19TH CENTURY, ENGLISH SCHOOL, WATERCOLOUR, Coastal Scene with Castle Ruins, 6 ½” x 9” (2)

UNSIGNED, OIL ON WHITE GLASS, Still Life Study of Flowers, 7” x 7”; together with C W MARSHALL, SIGNED, OIL ON BOARD, A 541 Farmstead, 15” x 20” (2)

542 A WULLEPUTTE, SIGNED, OIL, Boats in a Harbour, 14” x 17”

543 ATTRIBUTED TO FRANCES NESBITT, WATERCOLOUR, A Russian Fishing Fleet, 6 ½” x 9 ½”

544 GORDON FREDERICK BROWNE, RBA, RI, WATERCOLOUR, “An Equestrian Mishap”, (see various labels verso), 6” x 10”

IN THE MANNER OF UHLMAN, BEARS SIGNATURE, OIL, Windmill at Sunset, 11 ½” x 15”; together with MANNER OF G SPENCER, 545 BEARS SIGNATURE, OIL, Low House Farm, 15” x 19” (2)

546 UNSIGNED, OIL, Inscribed verso “Great Yarmouth Beach”, 8” x 11”; together with one further Oil (2)

547 ANTHONY GROSS, SIGNED, PEN, INK AND WATERCOLOUR, Inscribed “Water with Trees”, 14” x 10”

A T WISE, SIGNED, WATERCOLOUR, Bridge over River; together with T C, MONOGRAMMED AND DATED 1.10.12, 548 WATERCOLOUR, River Landscape; and a further WATERCOLOUR BY A CHADWICK, assorted sizes (3)

549 RAGNAR NYBERG, SIGNED, OIL, River Landscape, 18” x 23”, unframed (A/F)

550 R SHARPE, SIGNED, OIL, Lake District, 10” x 12”

WILLIAM TOWNLEY, FAINTLY SIGNED, WATERCOLOUR, “Mid-Day Haze Grasmere”, 9 ½” x 14”; together with F G WILLS, SIGNED, 551 WATERCOLOUR, Shepherd Boy, 10” x 12” (2)

ERNEST HASSELDINE, SIGNED AND DATED 1921, WATERCOLOUR, Alpine Landscape, 10” x 14”; together with a further 552 WATERCOLOUR BY F ROBERTS (2) 553 WILLIAM JOHN PHILPIN JONES (JON), SIGNED, CARTOON, “The Two Types – Give Me A Sandstorm Any Day”, 12” x 15”

554 DOREEN IDLE, SIGNED, OIL ON CANVAS, Inscribed verso “Abandoned Moorings at Thornham”, 30” x 40”

555 C A EGGAR-BANKS, PASTEL, The Norfolk Broads, 17” x 29”

556 EARLY 20TH CENTURY ENGLISH SCHOOL, PAIR OF WATERCOLOURS, Daffodils and Narcissi; Berries in a Basket, 11” x 17” (2)

557 19TH CENTURY DUTCH SCHOOL, OIL, Still Life Study of Mixed Flowers in a Vase, 18” x 14”

558 HEINRICH, SIGNED, OIL, Boats at Venice, 13” x 37”

559 INDISTINCTLY SIGNED, 19TH CENTURY, PASTEL, Inscribed verso “Joseph H Salmon” (Grandfather of Emma Eliza Page), 20” x 14”

560 B ALVEY, SIGNED, CHARCOAL DRAWING, Roman Figure, 20” x 10”

561 INDISTINCTLY SIGNED, CRAYON DRAWING, Antelope Grazing, 18” x 16”

562 DION PEARS, SIGNED, OIL ON CANVAS, USA Frigate in Ice Flow, 27” x 35”

563 H WHITWELL, SIGNED AND DATED 1972, OIL, A Garden Scene, 24” x 26”

564 IN THE MANNER OF BURLIUK, BEARS SIGNATURE, OIL, Wooded Landscape, 23” x 31”

565 HEW PURCHAS, SIGNED AND DATED 1964, OIL ON CANVAS, “Talisan Slate Quarry, North Wales”, 40” x 50”

566 HEW PURCHAS, SIGNED AND DATED ’87, OIL ON CANVAS, Inside the Artist’s Studio in Barnet, 29” x 49”

567 BUNUEL, SIGNED, OIL, “L’Eglise St Pierre”, 19” x 23”

568 W JACKSON, SIGNED AND DATED 1894, OIL, The Water Gatherers, 35” x 23” (A/F)

HELEN ELTIS, SIGNED AND DATED 1982, WATERCOLOUR, Inscribed “Summer Flower Vase”, 29” x 21”, Provenance: Purchased 569 directly from the artist

570 HELEN ELTIS, SIGNED AND NUMBERED 25/200, COLOURED PRINT, Kitchen Still Life, 18 ½” x 26”

H PERCY-GRIFFITHS, SIGNED, TWO OILS, Figures and Boats; Garden Scene with Figures, 25” x 30” and 19” x 24”, both unframed 571 (2)

INDISTINCTLY SIGNED, LOWER RIGHT, OIL ON CANVAS, Rural Landscape, bearing inscription to stretcher “Alfred Munnings 1897 572 Off Mendlesham Lane, Harleston, Norfolk”, 13” x 19”

573 MONOGRAMMED AND DATED 1892, OIL, A Church, 15” x 19” 574 ALLINSON, SIGNED AND DATED ’21, PASTEL, Continental Landscape, 12” x 13”

575 JOHN REAY, SIGNED, OIL ON CARD, “Geraniums” ), 6” x 4” , Provenance: Bohun Gallery, Henley-on-Thames

576 UNSIGNED, OIL, Still Life Study of Mixed Vegetables, 17” x 21”

577 E NEVIL, SIGNED, WATERCOLOUR, Inscribed “Beauvais”, 14” x 10”

578 PETER TOMS, SIGNED, WATERCOLOUR, Inscribed verso “Vessels, Key West Marina”, 9” x 13”

579 * CHRISTOPHER COMPTON HALL, SIGNED AND DATED 1979, OIL ON BOARD, “Barr’s Farm”, 8 ½” x 14”

580 * CHRISTOPHER COMPTON HALL, SIGNED AND DATED 1975, OIL ON BOARD, “Plaistow Green, Newbury”, 10 ½” x 12”

CHARLES FREDERICK ALLBON, SIGNED, PAIR OF WATERCOLOURS, Figures and Cottages in River Landscape, 19” x 8 ½”, 581 together with CHARLES FREDERICK ALLBON, SIGNED AND DATED 1896, WATERCOLOUR, Inscribed “Devon”, 18” x 9” (3)

582 BERTRAND PRIESTMAN, INITIALLED, WATERCOLOUR, Inscribed “Miller Ground, Windermere”, 11” x 15”

CHARLES BARTLETT, SIGNED, GROUP OF THREE WATERCOLOURS, “The Footbridge”, “Farm Bridge” and “Withies”, 6” x 8”, 583 Provenance: Bohun Gallery, Henly-on-Thames (see gallery labels verso) (3)

584 J MORRIS, SIGNED, PAIR OF WATERCOLOURS, Stepping Stones and Figures by a Cottage, 9 ½” x 15” (2)

585 N BRADLEY-CARTER, SIGNED, OIL ON CANVAS, Open Landscape with Cloud Formation, 15 ½” x 19 ½”

586 IN THE MANNER OF GEAR, BEARS SIGNATURE AND DATE ’81, MIXED MEDIA, Abstract Composition, 19” x 14”

587 F VAN VOLLEN, SIGNED, WATERCOLOUR, Dutch Landscape with Windmill, 12” x 9”

588 ROBERT DIXON, SIGNED, WATERCOLOUR, “Mountain Landscape with Shepherd, Dog and Sheep”, 9” x 19”

589 NEIL S HOPKINS, SIGNED AND DATED 1984, WATERCOLOUR, Coastal View from a Cove, 9 ½” x 9 ½”

590 JEAN COOKE, SIGNED, WATERCOLOUR, “Ruined Chapel of St Roch, Merthyr Mawr”, 13” x 11”

591 ALEXANDER MACKENZIE, SIGNED, PAIR OF WATERCOLOURS, Fishing Boats in Harbour, 8” x 12” (2)

592 SIR ERNEST GEORGE, RA, RE, INITIALLED, WATERCOLOUR, Inscribed “Richmond”, 7” x 10”

593 WALTER DUNCAN, ARWS, SIGNED, WATERCOLOUR, “Highland Heather”, 7” x 10 ½”

594 EMMA LOUISE BRADBURY, FSAM, WATERCOLOUR, “Lathkill Dale Near Bakewell”, 9” x 13” MARJORIE FLORENCE MOSTYN, R Cam A, SWA, SIGNED AND DATED ’43, WATERCOLOUR, Head and Shoulders Portrait of a 595 Young Boy, 12” x 8”

19TH CENTURY ENGLISH SCHOOL, OIL, Head and Shoulders Portrait of a Gent, 25” x 21”, unframed (A/F); together with three further 596 Oils (4)

597 EARLY 20TH CENTURY, MIXED MEDIA, Peacock, 39” x 18”

598 W STEWART, SIGNED, GOUACHE, View of Venice, 7” x 11”

RICHARD BOURDON SMITH, INITIALLED, PAIR OF OILS ON BOARD, Inscribed verso “The Thames in Flood” and “The Thames at 599 Crickdale”, 5” x 10” (2)

ROBERT MCVEY, SIGNED AND DATED 1981, OIL, Slayer with Polar Bears, 30” x 19”; together with two further works by different 600 artists (3)

601 DAVID J WINFIELD, TWO OILS, Crown Yard, Wells and Norfolk Stones, 41” x 41” and 35” x 36” (2)

602 SUSAN J WILSON, SIGNED, OIL, A Norfolk Tale, 35” x 23”

603 W F D, MONOGRAMMED AND DATED ’09 (AFTER T B HARDY), WATERCOLOUR, Inscribed “Off Scarbro”, 26” x 38”

604 W COOPER, SIGNED, MODERN OIL, The Water Fetcher, 15” x 11”

605 MARGARET RUDD, SIGNED AND DATED 1953, WATERCOLOUR, Mallard Alighting over Extensive Lakeland, 18” x 50”