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Keys Fine Art Auctioneers 8 Market Place Aylsham Norwich Pictures Norfolk NR11 6EH Started 04 Oct 2013 10:00 BST United Kingdom

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Keys Fine Art Auctioneers 8 Market Place Aylsham Norwich Pictures Norfolk NR11 6EH Started 04 Oct 2013 10:00 BST United Kingdom Keys Fine Art Auctioneers 8 Market Place Aylsham Norwich Pictures Norfolk NR11 6EH Started 04 Oct 2013 10:00 BST United Kingdom Lot Description AFTER B FAWCETT, GROUP OF THREE HAND COLOURED LITHOGRAPHS, Buzzard, Ger Falcon and Osprey, 8” x 5”; together with 1 AFTER J GOULD AND H C RICHTER, PAIR OF HAND COLOURED LATER IMPRESSION ENGRAVINGS, Phyllopneuste Rufa and Ficedula Hypolais, 21” x 14” (5) 2 KEINEN IMAO, COLOURED WOODBLOCK (PUBLISHED BY NISHIMURA IN 1892), “Keinen’s Album of Flowers and Birds”, 12” x 9” 3 19TH CENTURY JAPANESE SCHOOL, WOODBLOCK, Figurative Study, 14” x 9” PAUL BISSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (89/350) COLOURED ETCHING, “Boatyard, River Dart”, 12” x 4 17” MICHEL DUMONTET, SIGNED AND NUMBERED 102/150 IN PENCIL TO MARGIN, SCREEN PRINT, Inscribed “Vieux Couple”, 16” x 5 14 ½”, Provenance: Christie’s Contemporary Art AFTER H ALKEN, ENGRAVED BY J HARRIS, SET OF FOUR HAND COLOURED LITHOGRAPHS (PUBLISHED 1865 BY BEN 6 BROOKES), “The First Steeplechase on Record”, Plates 1 to 4, 11” x 15” (4) FRANCOIS LEDAN), SIGNED AND INSCRIBED A/P, COLOURED ARTIST’S PROOF, French Street Scene, 23” x 20”, Provenance: 7 Purchased from Christie’s Contemporary Art AFTER T HEARNE, ENGRAVED BY W BYRNE AND S MIDDIMAN, PAIR OF ANTIQUE HAND COLOURED ENGRAVINGS, 8 PUBLISHED 1778/81, “The View of the Castle at Castle-Acre …” and “Castle Acre Priory …”, 7” x 10” (2) AFTER W HAMILTON, ENGRAVED BY P W TOMKINS, PAIR OF ANTIQUE COLOURED STIPPLE ENGRAVINGS, Milkmaids by a 9 Creamery Doorway; and Shepherdess and other Figures with Sheep, 13” x 10 ½” (2) AFTER W L WYLLIE, ENGRAVED BY HAROLD WYLLIE, 20TH CENTURY COLOURED ETCHING, “The First Journey of Victory 10 1778”, 16” x 13” MARK HUSKINSON, TWO SIGNED LIMITED EDITION PRINTS; together with a Signed, Original Watercolour by the same artist, 11 assorted sizes (3) MARGARET CHAPMAN, SIGNED IN PENCIL TO MARGIN, COLOURED ARTIST’S PROOF, “The Otto Gas Man”, 18” x 21”; and E 12 STURGEON, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “Bridge Street, Chester”, 20” x 30” (2) 13 NORAH GOLDEN, SIGNED AND DATED ’68 TO THE MARGIN, SEPIA SCREEN PRINT, “Irish Farmers”, 10” x 6 ½” CAPTAIN D J SCOTT-MASSON, RD, RNR, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “Britannia Rules”, 14” x 23”; 14 together with ANNE ROOKE, SIGNED AND DATED ’55, COLOURED SCREEN PRINT, LAKE AND MOUNTAIN LANDSCAPE, 15” x 20” and J WARNER, SIGNED TO THE IMAGE, BLAC ...[more] PORTFOLIO: AVIATION PRINTS, including Seerey Lester, Robert Banks, Alan Fernley etc; plus two Advertising Posters for Austin 15 Reed’s With Flying Colours, assorted sizes RUBEN WARD BINKS, SIGNED IN PENCIL TO MARGIN, AQUATINT (PUBLISHED 1934 BY ARTHUR GREATOREX), Inscribed “The 16 Rise” (also see publisher’s original label verso), 7 ½” x 11” GEORGE CUNNINGHAM, SIGNED IN PENCIL TO MARGIN, PAIR OF COLOURED LIMITED EDITION (OF 250) COLOURED 17 PRINTS, “Early Doors” and “The Haymarket”, 12” x 16” (2) AFTER F G BYRON, ENGRAVED BY STADLER & LEWIS, BLACK AND WHITE AQUATINT (PUBLISHED 1802 BY W HOLLAND), 18 “Coming Out of a Country Theatre”, 16” x 23” AFTER HEATH, ENGRAVED BY O’DRISCOLL, HAND COLOURED LITHOGRAPH (PUBLISHED 1840 BY R ACKERMANN), “The 19 Pack in Full Cry”. 13” x 18” AFTER TURNER, ENGRAVED BY HUNT, SET OF FOUR HAND COLOURED AQUATINTS (PUBLISHED 1841 BY J W LAIRD), 20 “January – Snipe Shooting”; “October – Pheasant Shooting”; “November – Woodcock Shooting” and “December – Duck Shooting”, 15&#822 ...[more] W DENDY SADLER, A GROUP OF EIGHT SIGNED BLACK AND WHITE ENGRAVINGS, Various Figurative Subjects, the largest 21” x 21 15” (conditions vary) (8) 22 AFTER F WHEATLEY, GROUP OF FIFTEEN COLOURED PRINTS, The Cries of London, 14” x 11” (15) ENGRAVED BY R BONNART, PAIR OF FRENCH 19TH CENTURY HAND COLOURED ENGRAVINGS, “Mr Le Prince de Conti” and 23 “L’Imperatrice”, 10” x 7” (2) E BURROW, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING, “The Hall, Eton College, 1901”, 9” x 7”; and AFTER MEISSONIER, 24 ENGRAVED BY H DION, AND SIGNED BY THE LATTER TO THE MARGIN, BLACK AND WHITE ETCHING, A Musical Interlude, 11” x 8” (2) 25 AFTER F BARTOLOZZI, PROOF COPY ENGRAVING, CIRCA 1791, “St Paul”, 11” x 8”; together with one unframed similar example (2) 26 EARLY 20TH CENTURY ENGLISH SCHOOL, SET OF FOUR COLOURED PRINTS, Classical Figures in Interior, 11 ½” x 8 ½” (4) N VIOLLIN, SIGNED IN PENCIL TO MARGIN, PAIR OF LIMITED EDITION (4/5) BLACK AND WHITE ETCHINGS, Abstract Head 27 Compositions, 7” x 5” (2) 28 SALVADOR DALI, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (82/350) COLOURED LITHOGRAPH, “Flordali II”, 9” x 6” SALVADOR DALI, SIGNED IN PENCIL TO MARGIN, COLOURED LITHOGRAPH, “Purgatory, Canto 24: The Tree of Penitence” (see 29 certificate of authenticity verso), 13” x 10” 19TH CENTURY ENGRAVING (FROM MIDDLETON’S COMPLETE SYSTEM OF GEOGRAPHY), “The City of Malacca in the East 30 Indies”, 6” x 11” KAY CHRISTENSEN, SIGNED AND DATED 1952 IN PENCIL TO MARGIN, LIMITED EDITION (36/100) BLACK AND WHITE 31 LITHOGRAPH, “Ann Katharina ….”, 11” x 17” 32 BLEDSOE, LIMITED EDITION (171/300) COLOURED LITHOGRAPH (PUBLISHED BY CIRCLE GALLERY 1979), Zebras, 10” x 18” ROBERT GILLMOR, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (77/200) BLACK AND WHITE LITHOGRAPH, Badgers, 7” x 33 11” AFTER W J HUGGINS, ENGRAVED BY C ROSENBERG, 20TH CENTURY HAND COLOURED ENGRAVING, “The Right Honourable 34 Lord Yarborough’s Yacht, The Falcon of 351 Tons”, 14” x 19” 35 AFTER ALFRED HEATON COOPER, COLOURED PRINT, Lake District, 12” x 17” MARILYN SOUTHEY, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (25/35) BLACK AND WHITE ETCHING, Inscribed with title 36 “Tête-à-Tête”,5 ½” x 7” JOSEPH KIRKPATRICK, SIGNED IN PENCIL TO MARGIN, PAIR OF COLOURED AQUATINTS, “The Harvest Moon” and “Moonrise” 37 (see Deighton’s Strand Gallery labels verso), 11” x 15 ½” (2) FRANCES ST CLAIR MILLER (20TH CENTURY), SIGNED AND NUMBERED 9/75 IN PENCIL TO MARGIN, COLOURED ETCHING, 38 Inscribed “Luxembourg Gardens”, 14” x 13 ½” ANTIQUE HAND COLOURED ENGRAVING, “The Staff No 15”, 14” x 12” (trimmed); plus two further ENGRAVINGS of Military Interest 39 (3) AFTER C E HOLLOWAY, HAND COLOURED ETCHING, PUBLISHED 1885 BY ROBERT DUNTHORNE, “The Tower of London”, 13” x 40 20”; together with one similar (2) 41 NORMAN WILKINSON, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, The Armada off a Coast, 13” x 13” AFTER NORMAN WILKINSON, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “His Majesty’s Yacht Britannia, 1932”, 13” x 42 21” 43 AFTER DOUGLAS ADAMS, COLOURED PHOTOGRAVURE (PUBLISHED 1903), “A Tight Line, Connemara”, 15” x 24” 44 AFTER J PHILLIPS, HAND COLOURED ENGRAVING (PUBLISHED BY G HUMPHREY 1829), “Four Friends”, 7 ½” x 12” TOM DODSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (194/850) COLOURED ARTIST’S PROOF WITH PUBLISHER’S 45 BLIND STAMP, Street Scene, 16” x 20” AFTER G BARNARD, ENGRAVED BY THE SAME, REPRODUCTION COLOURED PRINT, “Rugby School”, 13” x 20”; together with 46 BOB NICOLSON, PAIR OF SIGNED LIMITED EDITION PRINTS, “… The Captain of the School 11 went in First ….” and “…. With a Fine Disregar ...[more] AFTER GEORGE RICHMOND, ENGRAVED BY W J EDWARDS, 19TH CENTURY BLACK AND WHITE ENGRAVING, “The Hon and 47 Rev Baptist W Noel”, 14 x 11 ½” (in burr walnut frame) BOB FARNDON, SIGNED IN PENCIL TO MARGIN, PAIR OF LIMITED EDITION (26 AND 27/350) COLOURED PRINTS, “Quiet 48 Please” and “Foul Stroke”, 8” x 12” (2) DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (752/850) COLOURED ARTIST’S PROOF (PUBLISHED 49 1981 BY SOLOMON & WHITEHEAD), “At Readiness – Summer of ‘40”, 17 ½” x 32” 50 AFTER ARCHIBALD THORBURN, COLOURED PRINT, Grebe, 12” x 9 ½”; together with two further prints of bird interest (3) AFTER E ISABEY, ENGRAVED BY C MOTTE, ANTIQUE BLACK AND WHITE LITHOGRAPH, “Souvenir de S:Valery Sur Somme”, 12” 51 x 9 ½” 52 CHARLES HENRY BASKETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE AQUATINT, Inscribed “Bosham”, 8” x 13” 53 E T, A FOLDER OF FIFTEEN MIXED MEDIA – HISTORICAL/COMICAL/EROTIC SUBJECTS, each approx 7” x 5” SARAH CHURCHILL, INITIALLED IN PENCIL TO MARGIN, COLOURED PRINT, “Papa”, 5” x 7”; together with one further Print by 54 PHOEBE GIBSON (2) 55 FOLDER: 19TH CENTURY BLACK AND WHITE ENGRAVINGS, all relating to Houghton Hall 56 LARGE PACKET: ASSORTED 19TH CENTURY BLACK AND WHITE ENGRAVINGS AND BOOKPLATES 57 OLIVER HALL, FIRST PROOF LITHOGRAPH, Landscape, 7” x 9 ½”, unframed JO COOPER, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (13/150), “Rowan at Watendlath”, 58 3 ½” x 4 ½”; together with two small framed Topographical Engravings of London and Southampton, plus one other (4) 59 AFTER LEONARD R SQUIRRELL, SET OF SEVEN BLACK AND WHITE PRINTS, Titled Norfolk Views, 9” x 11”, unframed (7) BRIAN LEWIS, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (154/600) COLOURED PRINT, “The Famous Galloping Horses, 60 Kings Lynn”, 4” x 16”; together with one further Limited Edition by the same artist (2) AFTER JOHN CONSTABLE, ENGRAVED BY DAVID LUCAS, PROOF MEZZOTINT, “Summer Evening”, 5 ½” x 8”; together with two 61 similar (3) 19TH CENTURY HAND-COLOURED STIPPLE ENGRAVING, “Rasselas Prince of Abyssinia”, 11” diameter; together with AFTER G 62 MORLAND, ENGRAVED BY NUTTER & BOND, PAIR OF HAND-COLOURED 19TH CENTURY STIPPLE ENGRAVINGS, “The Visit Returned in the Country” and “The Farmers Fi ...[more] SET OF THREE 19TH CENTURY, COLOURED STIPPLE ENGRAVINGS, including “The Rt Honble. The Marchioness of Townshend”, 63 11” x 9”, conditions vary (3) ALFRED J BENNETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Westminster Abbey”, 7” x 5” and 64 INDISTINCTLY SIGNED, ARTIST’S PROOF ETCHING, “Jerusalem from Mt Scopus”,
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