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'Keep Your Ead In' £650 REF: 2023 Artist: GEORGE DENHOLM ARMOUR
'Keep your ead in' £650 REF: 2023 Artist: GEORGE DENHOLM ARMOUR Height: 27 cm (10 3/4") Width: 22 cm (8 3/4") Framed Height: 42 cm - 16 1/2" Framed Width: 34 cm - 13 1/2" 1 Sarah Colegrave Fine Art By appointment only - London and North Oxfordshire | England +44 (0)77 7594 3722 https://sarahcolegrave.co.uk/keep-your-ead-in 24/09/2021 Short Description GEORGE DENHOLM ARMOUR, RSA, OBE (1864-1949) “Keep you ‘ead in” Signed, inscribed: Cabman: “Now then bunny, you keep your ‘ead in the rabbit-‘utch, there ‘aint no lettuces for you today!” Pencil and grisaille watercolour heightened with white 27 by 22 cm., 10 ½ by 8 ½ in. (frame size 42 by 34 cm., 16 ½ by 13 ¼ in.) Armour was born in Waterside, Lanarkshire and studied at St Andrews University, Edinburgh School of Art and the Royal Scottish Academy Schools. He was a close friend of Joseph Crawhall and visited Tangiers with him and Robert Alexander in the 1880s. In the 1890s he settled in London, sharing a studio for some time with Phil May and becoming a regular contributor of illustrations for Punch, The Tatler, Country Life and The Graphic as well as illustrating many sporting books. In 1910, he studied military equestrianism at the Spanish Riding School in Vienna. During the First World War he commanded the depot of the Army remount service and from 1917 to 1919 served with the Salonika Force. By the end of the war he was the Director of Remounts in that area and was awarded the OBE for his services. -
Klabonneproject.Pdf
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Labonne, Kevina Natacha (2015) The model of artifice: the doll seen as a mimetic and traumatic figure in the paintings of Kevina Labonne. Other thesis, Middlesex University. [Thesis] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/18870/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
Newsletter Still Doesn't Have Any Reporting on Direct Queries and Submissions To: Recent Developments in U.S
N ewsletter NoVEMbER, 1991 VolUME 5 NuMbER 5 SpEciAl JournaL Issue In This Issue................................................................ 2 The Speed of DAnksess ancI "CrazecJ V ets on tHe oorstep rama e o s e PublJshER's S tatement, by Ka U TaL .............................5 D D ," by DAvId J. D R ...............40 REMF Books, by DAvid WHLs o n .............................. 45 A nnouncements, Notices, & Re p o r t s ......................... 4 eter C ortez In DarIen, by ALan FarreU ........................... 22 PoETRy, by P D ssy............................................4 4 FIctIon: Hie Romance of Vietnam, VoIces fROM tHe Past: TTie SearcTi foR Hanoi HannaK by RENNy ChRlsTophER...................................... 24 by Don NortTi ...................................................44 A FiREbAlL In tBe Nlqlrr, by WHUam M. KiNq...........25 H ollyw ood CoNfidENTlAl: 1, b y FREd GARdNER........ 50 Topics foR VJetnamese-U.S. C ooperation, PoETRy, by DennIs FRiTziNqER................................... 57 by Tran Qoock VuoNq....................................... 27 Ths A ll CWnese M ercenary BAskETbAll Tournament, Science FIctIon: This TIme It's War, by PauI OLim a r t ................................................ 57 by ALascIaIr SpARk.............................................29 (Not Much of a) War Story, by Norman LanquIst ...59 M y Last War, by Ernest Spen cer ............................50 Poetry, by Norman LanquIs t ...................................60 M etaphor ancI War, by GEORqE LAkoff....................52 A notBer -
Art Nr129 Dollmagazine.Pdf
Rare world children Black dolls and their history By: Jolie van der Klis Antique black dolls are rare — I actually wanted to write this line last year, to tell the history of the dolls that we may remember from childhood. At the time, I waived it: I didn't want to throw any fuel on any discussion.*) Meanwhile, even much more has happened on the world stage, the brutal murder of George Floyd, one of the many victims of police prejudice. I could of course postpone the article again, but, as I wondered down-hearted: how many years will I postpone it? *) Note: This refers to an awkward debate in The Netherlands, about the altered tradition of the Dutch Santaclaus and his companion, see: https://en.wikipedia.org/wiki/Zwarte_Piet Exhibition in Paris It has been two years since Deborah Neff exhibited her unique collection of antique black dolls in Paris. Handmade from fabric and leather, flour sacks and buttons, by unknown Americans with an African background. These dolls were intended as play dolls: they can sometimes be seen in old family photos. Some are already 180 years old. Photo: press release exhibition at La Maison Rouge, Deborah Neff dolls Caricatures Manufacturers who made black dolls hardly existed at the time; if they were made, the dolls were gross caricatures. Like this doll, that has all the features of a tap dancer from the humiliating Minstrel shows. Photo: Detail undated wooden caricature Doll maker Leo Moss An exception to that rule is doll maker Leo Moss. In the early 1900s he made unique portrait dolls, all modeled after an existing child, the name of which has sometimes been preserved. -
Heritage Marketing
Heritage Marketing Shashi Misiura AMSTERDAM • BOSTON • HE DELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN D EGO • SAN FRANCISCO • SINGAPORE • SYDNEY • T OKYO Butterworth-Heinemann is an imprint of Elsevier Butterworth-Heinemann is an imprint of Elsevier Linacre House, Jordan Hill, Oxford OX2 8DP 30 Corporate Drive, Suite 400, Burlington, MA 01803 First published 2006 Copyright © 2006, Elsevier Ltd. All rights reserved No part of this publication may be reproduced in any material form (including photo- copying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1T 4LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (+44) 1865 843830, fax: (+44) 1865 853333, e-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage (http://www.elsevier.com), by selecting ‘Customer Support’ and then ‘Obtaining Permissions’ British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloguing in -
Drawing on the Victorians Eries in Victorian Studies S Series Editors: Joseph Mclaughlin and Elizabeth Miller Katherine D
Drawing on the Victorians eries in Victorian Studies S Series editors: Joseph McLaughlin and Elizabeth Miller Katherine D. Harris, Forget Me Not: The Rise of the British Literary Annual, 1823–1835 Rebecca Rainof, The Victorian Novel of Adulthood: Plot and Purgatory in Fictions of Maturity Erika Wright, Reading for Health: Medical Narratives and the Nineteenth-Century Novel Daniel Bivona and Marlene Tromp, editors, Culture and Money in the Nineteenth Century: Abstracting Economics Anna Maria Jones and Rebecca N. Mitchell, editors, Drawing on the Victorians: The Palimpsest of Victorian and Neo-Victorian Graphic Texts Drawing on the Victorians The Palimpsest of Victorian and Neo-Victorian Graphic Texts edited by Anna Maria Jones and Rebecca N. Mitchell with an afterword by Kate Flint ohio university press athens Ohio University Press, Athens, Ohio 45701 ohioswallow.com © 2017 by Ohio University Press All rights reserved To obtain permission to quote, reprint, or otherwise reproduce or distribute material from Ohio University Press publications, please contact our rights and permissions department at (740) 593-1154 or (740) 593-4536 (fax). Printed in the United States of America Ohio University Press books are printed on acid-free paper ƒ ™ 27 26 25 24 23 22 21 20 19 18 17 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data available upon request. Names: Jones, Anna Maria, 1972- editor. | Mitchell, Rebecca N. (Rebecca Nicole), 1976- editor. Title: Drawing on the Victorians : the palimpsest of Victorian and neo-Victorian graphic texts / edited by Anna Maria Jones and Rebecca N. Mitchell ; with an afterword by Kate Flint. -
Fifty Years After She First Hit Toy Shops, 'Sindy' Doll Seeks
Strictly embargoed until 00.01hrs on Monday 2 July 2012 FIFTY YEARS AFTER SHE FIRST HIT TOY SHOPS, ‘SINDY’ DOLL SEEKS A LONG TERM PARTNER Global brand owners expected to show interest in iconic British doll Exeter, 2 July 2012 – After nearly 50 years, the British owner of the Sindy doll brand is looking for a long-term partner to help develop the core range of dolls. For generations of young girls Sindy has been a friend, confidante and cherished toy. The Sindy doll was launched in 1963, and for decades dominated the fashion doll market in Britain. Sindy has repeatedly been the best-selling toy, both in the UK and in overseas markets. Now, Sindy’s Exeter-based owner, Pedigree Toys, is to license or share equity in the iconic brand as part of a strategic shift towards its publishing and third party licensing businesses. Jerry Reynolds, CEO of Pedigree Group Ltd, commented: “Few brands have the emotive power and name recognition of Sindy. Millions of women in Britain grew up playing with her, and have fond memories of their days as ‘Sindy girls’. 1 “Over the years Sindy’s outfits have reflected changing fashions, and her hemlines rose and fell accordingly. But she has never lost her image as the demure girl next door – an enduring image that continues to appeal to young girls around the world. “The core of the Sindy brand remains the development and marketing of fashion dolls. As a business, Pedigree has moved away from toy manufacturing to focus on publishing and third party licensing. -
Dolls and Waste in Italian Children's Literature
Treasure to Trash, Trash to Treasure: Dolls and Waste in Italian Children’s Literature Cristina Mazzoni A growing preoccupation with waste, trash, and obsolescence may be observed in Western societies beginning in the late nineteenth century and continuing throughout the twentieth and into the twenty-first. This phenomenon is largely due to the rapid and intense development of industrialization and consumer culture—the very movement that eventually prompted the birth, in late nineteenth-century Italy, of the industrial production of dolls.1 A reflection of this historical and societal correlation between dolls and trash, confirmed by connections that are also psychological and philosophical, may be read in several literary texts for children written by Italian women between the late nineteenth and the late twentieth centuries. In each of these narratives, the young protagonists own dolls that, though often on the verge of being dumped into the trash bin, play a crucial role in the formation of the protagonist’s identity—a process represented as shaped by both psychological and material forces. The connection made by women between dolls and trash in Italian children’s literature may be read as a culturally specific instance of the wider-ranging reflection on the role of trash in the formation of value, and even of the self.2 Certainly, psychological models of child development have much to teach us about the role dolls play in the formation of young people’s identity.3 While keeping these models in mind, my reading of dolls in Italian children’s litera- ture, however, relies more overtly on philosophical and social reflections on trash, such as those by Italo Calvino, Gay Hawkins, Greg Kennedy, and John Scanlan. -
Move Over, Bratz . . . Here's Proverbs Babe
Move over, Bratz . here’s Proverbs babe - Times Online Page 1 of 2 THE TIMES THE SUNDAY TIMES TIMES+ The Times The Sunday Times Archive Article Please enjoy this article from The Times & The Sunday Times archives. For full access to our content, please subscribe here From The Sunday Times December 23, 2007 Move over, Bratz . here’s Proverbs babe Will children brought up with Sindy dolls and Action Man really take to Bible figurines, asks Amanda Foreman What if our son starts swinging naked Jesus by his hair? We were presented with this dilemma after One2believe, an evangelical toy company, sent us a selection from its new range of biblical dolls. According to the company’s own press material, its goal is to challenge the dominance of secular toys. With nothing more than double-joints and removable sandals, One2believe wants to rescue the young from the horrors of their toy box. Away with smutty Bratz and slutty Barbie and welcome to modest Mary. The company knows it is up against a ferocious marketing machine. To illustrate the point, the official website has a Thunderbirds-like video of the Samson and Goliath dolls hurling themselves at each other, gladiator style. The website urges shoppers to “join the battle” by downloading posters and handing them out at church. In real life, the tiny company has already experienced its Goliath moment. As of this week Amazon and the retailing giant Wal- Mart have sold out of all their talking Jesus dolls. But, I wondered, is getting the dolls under the Christmas tree only half the struggle? Will children whose aesthetic sense begins and ends with the size of plastic lips be swayed by more wholesome fare? Will they eschew bubble-gum pink polyester for tasteful sackcloth? My three older children, Helena, Theo and Halcyon, aged 5, 3, and 2 respectively, have never been short of dolls. -
Doll Collecting; a Course Designed for the Adult Education Student. PUB DATE Jul 74 NOTE 145P.; Ed.D
DOCUMENT RESUME ED 099 543 CE 002 628 AUTHOR Berger, Betty M. TITLE Doll Collecting; A Course Designed for the Adult Education Student. PUB DATE Jul 74 NOTE 145p.; Ed.D. Dissertation, Walden University EDRS PRICE MF-$0.75 HC-$6.60 PLUS POSTAGE DESCRIPTORS *Adult Education; *Course Content; Course Descriptions; *Doctoral Theses; Teacher Developed Materials; *Teaching Techniques IDENTIFIERS *Doll Collecting ABSTRACT The author has attempted to organize the many materials to be found on doll collecting into a course which will provide a foundation of know]edge for appreciating and evaluating old dolls. The course has been divided into sessions in which old dolls will be studied by type (images, idols, and early playthings; child, doll, and social realities; wooden dolls; wax dolls; papier mache and composition; china and parian; bisque dolls, cloth dolls; celluloid, metal, leather, and rubber dolls; and doll art in America) in basically the same chronological order in which they achieved popularity in the marketplace (1800-1925). The instructor is urged to employ a variety of teaching strategies in the presentation of the material. A mixture of lecture, slides, show and tell, and much student participation is encouraged. Handouts are provided whichcan be given to students at the end of each session. Brief annotated bibliographies appear at the end of each chapter,as well as a selected bibliography at the end of the course. Thecourse has been designed to introduce the beginning doll collector to the techniques employed in the manufacture of old dolls, to help the novice identify a doll of excellent artistic merit, and to acquaint the collector with some of the better known names in doll making. -
Print Catalogue
Thursday 5th September 2019 | 09:30 Gentleman's Library Auction 2019 Lot 31 Description Estimate William Barns Wollen, R.I. (1857-1936) Guns to the front, R.H.A. £100.00 - £150.00 Peninsular War, signed in pencil watercolour, 65cm x 44cm Lot 32 Description Estimate George VI pottery teapot, with brown glazed exterior, stamped to base £40.00 - £60.00 "G.VI.R Double & Son Ltd. 1942" Lot 33 Description Estimate Victorian silver cross form pencil by Mordan, with registration and £40.00 - £60.00 Mordan stamps to the body, central sliding section and hanging loop, 4.5cm Lot 34 Description Estimate 19th Century James Dixon & Sons copper and brass powder flask, in the £100.00 - £150.00 form of a gun stock with ornate scrolling and chequered decoration, stamped to one side No. 94923, kite mark to the top, brass nozzle end, 20.5cm long Lot 35 Description Estimate Political Free Trade interest, a post card with an image of a poor family £20.00 - £30.00 and the slogan "Free Trade" the rear of the card "Electors! Read This. In this so called "Free Trade" country, we allow foreigners to take the bread out of our mouths of our work people by Unfair Foreign Competition, Vote for Harry Foster this Friday" Sir Harry Seymour Foster (29 April 1855 – 20 June 1938)[1] was a British Conservative Party politician who served as a Member of Parliament (MP) for three non-consecutive periods between 1892 and 1929. He was a Justice of the Peace and Deputy Lieutenant for Suffolk, and in the Commission of Lieutenancy for the City of London, where he was appointed a Sheriff of London for 1891. -
ST 02 Danielle Barbosa Lins De Almeida - UFSC/UFPB Viviane M
Anais do VII Seminário Fazendo Gênero 28, 29 e 30 de 2006 Sobre gênero e preconceitos: Estudos em análise crítica do discurso – ST 02 Danielle Barbosa Lins de Almeida - UFSC/UFPB Viviane M. Heberle - UFSC As Bonecas da Contemporaneidade: Representações Midiáticas da Identidade Feminina O objetivo desse artigo é propor uma reflexão acerca dos brinquedos enquanto representações semióticas de ‘atores sociais de gênero’ (Caldas Coulthard & van Leeuwen, 2002), a partir da discussão sobre os papéis que bonecas contemporâneas de moda como Barbie, Susi e The Bratz evocam, a fim de examinar como a identidade feminina vem sendo representada pela mídia de dois países distintos – Brasil e Estados Unidos – através de típicas expressões do universo infantil. A análise inclui desvendar alguns dos valores que são incorporados às referidas representações bem como investigar o potencial de negociação da criança no sentido de desafiar as estruturas de significado que subjazem as identidades das chamadas ‘bonecas da contemporaneidade’. Palavras-Chave: bonecas, papéis, identidade. 1. Introdução Em suas inúmeras versões pelo mundo afora, as bonecas são mais comumente conhecidas por seu papel como objetos tridimensionais pertencentes ao universo infantil. Como símbolo inconfundível da infância, o mundo das bonecas não tem sido suficientemente explorado em pesquisas acadêmicas, visto que há relativamente poucos estudos que enfatizam a função das bonecas como fonte de conhecimento social, histórico e cultural (Peers, 2004). Historicamente, em sociedades como o Egito e a Melanésia, às bonecas eram atribuídas uma função mística, sendo então vistas como forma de se espantar maus espíritos e enfermidades, de se conferir proteção e de se prover acesso direto às dimensões espirituais da vida (Fraser, apud Kline, 1993, p.