Dogs in Art Including the Sporting Art Collection of James W
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8364 Licensed Charities As of 3/10/2020 MICS 24404 MICS 52720 T
8364 Licensed Charities as of 3/10/2020 MICS 24404 MICS 52720 T. Rowe Price Program for Charitable Giving, Inc. The David Sheldrick Wildlife Trust USA, Inc. 100 E. Pratt St 25283 Cabot Road, Ste. 101 Baltimore MD 21202 Laguna Hills CA 92653 Phone: (410)345-3457 Phone: (949)305-3785 Expiration Date: 10/31/2020 Expiration Date: 10/31/2020 MICS 52752 MICS 60851 1 For 2 Education Foundation 1 Michigan for the Global Majority 4337 E. Grand River, Ste. 198 1920 Scotten St. Howell MI 48843 Detroit MI 48209 Phone: (425)299-4484 Phone: (313)338-9397 Expiration Date: 07/31/2020 Expiration Date: 07/31/2020 MICS 46501 MICS 60769 1 Voice Can Help 10 Thousand Windows, Inc. 3290 Palm Aire Drive 348 N Canyons Pkwy Rochester Hills MI 48309 Livermore CA 94551 Phone: (248)703-3088 Phone: (571)263-2035 Expiration Date: 07/31/2021 Expiration Date: 03/31/2020 MICS 56240 MICS 10978 10/40 Connections, Inc. 100 Black Men of Greater Detroit, Inc 2120 Northgate Park Lane Suite 400 Attn: Donald Ferguson Chattanooga TN 37415 1432 Oakmont Ct. Phone: (423)468-4871 Lake Orion MI 48362 Expiration Date: 07/31/2020 Phone: (313)874-4811 Expiration Date: 07/31/2020 MICS 25388 MICS 43928 100 Club of Saginaw County 100 Women Strong, Inc. 5195 Hampton Place 2807 S. State Street Saginaw MI 48604 Saint Joseph MI 49085 Phone: (989)790-3900 Phone: (888)982-1400 Expiration Date: 07/31/2020 Expiration Date: 07/31/2020 MICS 58897 MICS 60079 1888 Message Study Committee, Inc. -
'Keep Your Ead In' £650 REF: 2023 Artist: GEORGE DENHOLM ARMOUR
'Keep your ead in' £650 REF: 2023 Artist: GEORGE DENHOLM ARMOUR Height: 27 cm (10 3/4") Width: 22 cm (8 3/4") Framed Height: 42 cm - 16 1/2" Framed Width: 34 cm - 13 1/2" 1 Sarah Colegrave Fine Art By appointment only - London and North Oxfordshire | England +44 (0)77 7594 3722 https://sarahcolegrave.co.uk/keep-your-ead-in 24/09/2021 Short Description GEORGE DENHOLM ARMOUR, RSA, OBE (1864-1949) “Keep you ‘ead in” Signed, inscribed: Cabman: “Now then bunny, you keep your ‘ead in the rabbit-‘utch, there ‘aint no lettuces for you today!” Pencil and grisaille watercolour heightened with white 27 by 22 cm., 10 ½ by 8 ½ in. (frame size 42 by 34 cm., 16 ½ by 13 ¼ in.) Armour was born in Waterside, Lanarkshire and studied at St Andrews University, Edinburgh School of Art and the Royal Scottish Academy Schools. He was a close friend of Joseph Crawhall and visited Tangiers with him and Robert Alexander in the 1880s. In the 1890s he settled in London, sharing a studio for some time with Phil May and becoming a regular contributor of illustrations for Punch, The Tatler, Country Life and The Graphic as well as illustrating many sporting books. In 1910, he studied military equestrianism at the Spanish Riding School in Vienna. During the First World War he commanded the depot of the Army remount service and from 1917 to 1919 served with the Salonika Force. By the end of the war he was the Director of Remounts in that area and was awarded the OBE for his services. -
Animal and Sporting Paintings in the Penkhus Collection: the Very English Ambience of It All
Animal and Sporting Paintings in the Penkhus Collection: The Very English Ambience of It All September 12 through November 6, 2016 Hillstrom Museum of Art SEE PAGE 14 Animal and Sporting Paintings in the Penkhus Collection: The Very English Ambience of It All September 12 through November 6, 2016 Opening Reception Monday, September 12, 2016, 7–9 p.m. Nobel Conference Reception Tuesday, September 27, 2016, 6–8 p.m. This exhibition is dedicated to the memory of Katie Penkhus, who was an art history major at Gustavus Adolphus College, was an accomplished rider and a lover of horses who served as co-president of the Minnesota Youth Quarter Horse Association, and was a dedicated Anglophile. Hillstrom Museum of Art HILLSTROM MUSEUM OF ART 3 DIRECTOR’S NOTES he Hillstrom Museum of Art welcomes this opportunity to present fine artworks from the remarkable and impressive collection of Dr. Stephen and Mrs. Martha (Steve and Marty) T Penkhus. Animal and Sporting Paintings in the Penkhus Collection: The Very English Ambience of It All includes sixty-one works that provide detailed glimpses into the English countryside, its occupants, and their activities, from around 1800 to the present. Thirty-six different artists, mostly British, are represented, among them key sporting and animal artists such as John Frederick Herring, Sr. (1795–1865) and Harry Hall (1814–1882), and Royal Academicians James Ward (1769–1859) and Sir Alfred Munnings (1878–1959), the latter who served as President of the Royal Academy. Works in the exhibit feature images of racing, pets, hunting, and prized livestock including cattle and, especially, horses. -
The Story of John G. Paton, Told for Young Folks
https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 THE STORY OF JOHN G. PATON https://doi.org/10.24355/dbbs.084-202003201137-0 From a Photograph. by ElUott b Fry, 55 ßakcr Street, IV. A.D. x894. AET. 70. https://doi.org/10.24355/dbbs.084-202003201137-0 THE STORY OF JOHN G. PATON TOLD FOR YOUNG FOLKS OR REARRANGED AND EDITED BY THE REV. JAMES PATON, B.A. FIFTH EDITION COMPLETING THIRTY-FIFTH THOUSAND ~lltullltt HODDER AND STOUGHTON 27 PATERNOSTER ROW MDCCCXCVIII https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 PREFACE EVER since the story of my brother's life first appeared (January 1889), it has been constantly pressed upon me that a YOUNG FOLKS' EDITION would be highly prized. The Autobiography has therefore been re-cast and illustrated, in the hope and prayer that the Lord will use it to inspire the Boys and Girls of Christendom with a whole-hearted enthusiasm for the Conversion of the Heathen World to Jesus Christ. A few fresh incidents have been introduced ; the whole contents have been rearranged to suit a new class of readers ; and the service of a gifted Artist has been employed, to make the book every way attractive to the young. For full details as to the Missionary's work and life, the COMPLETE EDITION must still of course be referrcd to. -
THE HORSEOWNER and STABLEMAN's COMPANION ; Or, Hints on the Selection, Purchase, and Management of the Horse
Morse lanacfement in Jsfealth and fyiseas George Jffrmatage, MK.C.VR mmm JOHNA.SEAVERNS — — — — STANDARD VETERINARY BOOKS. IMPORTANT TO FARMERS, BREEDERS, GRAZIERS, ETC. ETC. Price 21s. each. EVERY MAN HIS OWN HORSE DOCTOR. By George Armatage. M.R.C.V.S. In which is embodied Blaine's "Veterinary Art." Fourth Edition, Revised and consider- ably Enlarged. With upwards of 330 Original Illustrations, Coloured and Steel Plates, Anatomical Drawings, &c. In demy 8vo, half-bound, 884 pp. EVERY MAN HIS OWN CATTLE DOCTOR. By George Armatage, M.R.C.V.S. Sixth Edition. Forming a suitable Text-book for the Student and General Practitioner. With copious Notes, Additional Recipes, &c. , and upwards of 350 Practical Illustrations, showing Forms of Disease and Treat- ment, including Coloured Page Plates of the Foot and Mouth Disease. In demy 8vo, half-bound, 940 pp. THE SHEEP DOCTOR: A Guide to the British and Colonial Stockmaster in the Treatment and Prevention of Disease. By George Armatage, M.R.C.V.S. With Special Reference to Sheep Farming in the Colonies and other Sheep-producing Territories. With 150 Original Anatomical Illustrations. In demy 8vo, half-bound, price 15s. ; or, cloth gilt, 10s. 6d. UNIFORM WITH THIS VOLUME. Price 2s. 6d. each. CATTLE : Their Varieties and Management in Health and Disease. By George Armatage, M.R.C.V.S. With Illustrations. "Cheap, portable, neatly got up, and full of varied information, and contains useful facts as to habits, training, breeding, &c." Sporting Gazette. THE SHEEP: Its Varieties and Management in Health and Disease. By George Armatage, M.R.C.V.S. -
Dog Breeds of the World
Dog Breeds of the World Get your own copy of this book Visit: www.plexidors.com Call: 800-283-8045 Written by: Maria Sadowski PlexiDor Performance Pet Doors 4523 30th St West #E502 Bradenton, FL 34207 http://www.plexidors.com Dog Breeds of the World is written by Maria Sadowski Copyright @2015 by PlexiDor Performance Pet Doors Published in the United States of America August 2015 All rights reserved. No portion of this book may be reproduced or transmitted in any form or by any electronic or mechanical means, including photocopying, recording, or by any information retrieval and storage system without permission from PlexiDor Performance Pet Doors. Stock images from canstockphoto.com, istockphoto.com, and dreamstime.com Dog Breeds of the World It isn’t possible to put an exact number on the Does breed matter? dog breeds of the world, because many varieties can be recognized by one breed registration The breed matters to a certain extent. Many group but not by another. The World Canine people believe that dog breeds mostly have an Organization is the largest internationally impact on the outside of the dog, but through the accepted registry of dog breeds, and they have ages breeds have been created based on wanted more than 340 breeds. behaviors such as hunting and herding. Dog breeds aren’t scientifical classifications; they’re It is important to pick a dog that fits the family’s groupings based on similar characteristics of lifestyle. If you want a dog with a special look but appearance and behavior. Some breeds have the breed characterics seem difficult to handle you existed for thousands of years, and others are fairly might want to look for a mixed breed dog. -
May 2012 (PDF 501KB)
Pacific Manuscripts Bureau Newsletter Room 4201, Coombs Building (9) College of Asia and the Pacific The Australian National University, Canberra ACT 0200 Australia Ph: (612) 6125 2521; Fax: (612) 6125 0198; Email: [email protected] http://asiapacific.anu.edu.au/pambu/ Series 5, No. 31 May 2012 Pambu News p.1 Natalie Blake Fieldwork on Makira, Solomon Islands p.4 Radio New Zealand International, Germany to present gifts for Samoa’s 50 years of Independence scholarship, archival equipment, celebrate connection p.5 Kathy Creely,Plac e your mes sage here. F or maximum i mpact, us e t wo or thr ee sent ences. An anniversary and a new name: The Tuzin Archive for Melanesian Anthropology p.5 Angela Jowitt, Digital library project, University of the South Pacific, Alafua, Samoa p.6 Buk bilong pikinini p.7 PMB Photographic collections displayed as part of the 11th Festival of Pacific Arts, Solomon Islands p.7 Elizabeth M. Ling, The re-stocking of agriculture information at NARI, Keravat p.8 A focus on dance in Papua New Guinea p.9 Rita W. Paton, Excerpts from “At home on a Pacific Island” p.10 Neil Gunson essay prize in Pacific History p.11 The society of Jesus charts a future for Micronesian Seminar with expanded programs p.11 Latest PMB Manuscripts & Printed Document Series Titles p.12 PAMBU NEWS The Bureau continues to receive offers of ar- Warm Pacific greetings for 2012 from the chive collections for preservation copying relating Pambu office! The Bureau has had a busy start to the Pacific from scholars and individuals. -
The History of the Working Classes in Scotland
THE HISTORY OF THE CONTENTS. CHAP. WORKING CLASSES I.—THE SLAVERY PERIOD, II.—UNDER THE BARONS, IN SCOTLAND III.—EARLY LABOUR LEGISLATION, IV.—THE FORCED LABOURERS, . $£■ V.—THE DEMOCRATIC THEOCRACY, VI.—THE STRUGGLE IN THE TOWNS, VII.—EEIVING oi" THE COMMON LANDS, VIII.—THE CLEARANCES, IX.—THE POLITICAL DEMOCRACY, X.—THE ANTI-COMBINATION LAWS, XI.—UNDER THE CAPITALIST HARROW, XII.—THE GREAT MASSACRE, XIII.—THE UNIONS, I.—The Factory Workers, BY II.—The Hand-loom Weavers, . THOMAS JOHNSTON III.—Child Labour in the Factories, IV.—The Factory Acts, . V.—The Bakers, VI.-—The Colliers, . VII.—The Agricultural Labourers, VIII.—The Railwaymen, IX.—The Carters, . X.—The Sailormen, XI.—The Woodworkers, XII.—The Ironworkers, XIII.—Engineering and Shipbuilding, XIV.—The Building Trades, XV.—The Tailors, . PORWARD PUBLISHING COY., LTD., XIV.—THE COMMUNIST SEEDS OF SALVATION, I.—The Friendly Orders, 164 HOWARD STREET, II.—The Co-operative Movement, GLASGOW. III.—The Socialist Movement, . tfLf 84 THE HISTORY OF THE WORKING GLASSES. their freedom in the courts, it followed, as a general rule, that the slave was only liberated by death. The result of all these restric CHAPTER V, tions was that coal-mining remained unpopular and the mine-owners in Scotland were still forced to pay higher wages for labour than were THE DEMOCRATIC THEOCRACY. their English confreres. And so the liberating Act of 1799, which " The Solemn League and Covenant finally abolished slavery in the coal mines and saltpans of Scotland, Whiles brings a sigh and whiles a tear; was urged upon Parliament by the more far-seeing coalowners them But Sacred Freedom, too, was there, selves. -
Drawing on the Victorians Eries in Victorian Studies S Series Editors: Joseph Mclaughlin and Elizabeth Miller Katherine D
Drawing on the Victorians eries in Victorian Studies S Series editors: Joseph McLaughlin and Elizabeth Miller Katherine D. Harris, Forget Me Not: The Rise of the British Literary Annual, 1823–1835 Rebecca Rainof, The Victorian Novel of Adulthood: Plot and Purgatory in Fictions of Maturity Erika Wright, Reading for Health: Medical Narratives and the Nineteenth-Century Novel Daniel Bivona and Marlene Tromp, editors, Culture and Money in the Nineteenth Century: Abstracting Economics Anna Maria Jones and Rebecca N. Mitchell, editors, Drawing on the Victorians: The Palimpsest of Victorian and Neo-Victorian Graphic Texts Drawing on the Victorians The Palimpsest of Victorian and Neo-Victorian Graphic Texts edited by Anna Maria Jones and Rebecca N. Mitchell with an afterword by Kate Flint ohio university press athens Ohio University Press, Athens, Ohio 45701 ohioswallow.com © 2017 by Ohio University Press All rights reserved To obtain permission to quote, reprint, or otherwise reproduce or distribute material from Ohio University Press publications, please contact our rights and permissions department at (740) 593-1154 or (740) 593-4536 (fax). Printed in the United States of America Ohio University Press books are printed on acid-free paper ƒ ™ 27 26 25 24 23 22 21 20 19 18 17 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data available upon request. Names: Jones, Anna Maria, 1972- editor. | Mitchell, Rebecca N. (Rebecca Nicole), 1976- editor. Title: Drawing on the Victorians : the palimpsest of Victorian and neo-Victorian graphic texts / edited by Anna Maria Jones and Rebecca N. Mitchell ; with an afterword by Kate Flint. -
White Priory Murders
THE WHITE PRIORY MURDERS John Dickson Carr Writing as Carter Dickson CHAPTER ONE Certain Reflections in the Mirror "HUMPH," SAID H. M., "SO YOU'RE MY NEPHEW, HEY?" HE continued to peer morosely over the tops of his glasses, his mouth turned down sourly and his big hands folded over his big stomach. His swivel chair squeaked behind the desk. He sniffed. 'Well, have a cigar, then. And some whisky. - What's so blasted funny, hey? You got a cheek, you have. What're you grinnin' at, curse you?" The nephew of Sir Henry Merrivale had come very close to laughing in Sir Henry Merrivale's face. It was, unfortu- nately, the way nearly everybody treated the great H. M., including all his subordinates at the War Office, and this was a very sore point with him. Mr. James Boynton Bennett could not help knowing it. When you are a young man just arrived from over the water, and you sit for the first time in the office of an eminent uncle who once managed all the sleight-of-hand known as the British Military Intelligence Department, then some little tact is indicated. H. M., although largely ornamental in these slack days, still worked a few wires. There was sport, and often danger, that came out of an unsettled Europe. Bennett's father, who was H. M.'s brother-in-law and enough of a somebody at Washington to know, had given him some extra-family hints before Bennett sailed. "Don't," said the elder Bennett, "don't, under any circumstances, use any ceremony with him. -
The Pewter Society Library and Photograph Collection (Scrap Books of Walter Churcher, Menus, Photos of Staple Inn and Old Pewter)
OLD PEWTER DINNERS - THANKS FOR RESEARCH This website especially wishes to thank the following for all their research and detail which they have allowed us to use, regarding - Walter Churcher, Frank Jackson, The Staple Inn, The tablecloth, the menus, the drawings or sketches on the tablecloth, the list of those attending. Thanks given in order of information received. The Pewter Society Library and Photograph Collection (Scrap books of Walter Churcher, menus, photos of Staple Inn and old pewter) Ms Heidi Egginton, PhD Student, Faculty of History University of Cambridge (additional information regarding Walter Churcher) Christine Ellis of Sydney Australia (Genealogy) Albert Bartram of Chesham Bucks for permission to use various completed detailed articles written by him, also menus, and other research. Peter Wildash of Thirsk, North Yorkshire, for photographs of the sketches on the tablecloth and listing of attendees etc. Many thanks to all for permission to use and put on the pewterbank.com website the research included in these articles. The Pewter Dinners - Dinners eaten off Old Pewter Plate This is the stuff of legend, where middling better end artists and artistes, and their friends, ate suppers off old pewter. It is also true that Walter Churcher was especially known for this as the following cuttings show. But he was not the first and likely he continued when his good friend Frank Jackson stopped hosting them. From the late 1800s Walter Churcher, a leading old pewter collector of his times, associated with an artistic group of friends and associates especially in the Bedford Park Area of West London and at the London Sketch Club. -
Don Juan Study Guide
Don Juan Study Guide © 2017 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary Don Juan is a unique approach to the already popular legend of the philandering womanizer immortalized in literary and operatic works. Byron’s Don Juan, the name comically anglicized to rhyme with “new one” and “true one,” is a passive character, in many ways a victim of predatory women, and more of a picaresque hero in his unwitting roguishness. Not only is he not the seductive, ruthless Don Juan of legend, he is also not a Byronic hero. That role falls more to the narrator of the comic epic, the two characters being more clearly distinguished than in Byron’s Childe Harold’s Pilgrimage. In Beppo: A Venetian Story, Byron discovered the appropriateness of ottava rima to his own particular style and literary needs. This Italian stanzaic form had been exploited in the burlesque tales of Luigi Pulci, Francesco Berni, and Giovanni Battista Casti, but it was John Hookham Frere’s (1817-1818) that revealed to Byron the seriocomic potential for this flexible form in the satirical piece he was planning. The colloquial, conversational style of ottava rima worked well with both the narrative line of Byron’s mock epic and the serious digressions in which Byron rails against tyranny, hypocrisy, cant, sexual repression, and literary mercenaries.