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REVUE BELGE DE NUMISMATIQUE ET DE SIGILLOGRAPHIE PUBLIÉE UITGEGEVEN SOUS LE HAUT PATRONAGE ONDER DE HOGE BESCHERMING DE S. M. LE ROI VAN Z. M. DE KONING PAR LA Doon HET SOCIÉTÉ ROYALE KONINKLIJK BELGISCH DE NUMISMATIQUE DE BELGIQUE GENOOTSCHAP VOOR NUMISIVIATIEK ET SUBSIDIÉE PAR LE EN :MET DE STEUN VAN DE GOUVERNgl\IENT REGEIUNG DIRECTEURS: PAUL NASTER, ÉMILE BROUETTE, JEAN JADûT, TONY HACKENS CXX - 1974. BHUXELLES BRUSSEL WILLIAM E. METCALF THE «CAIRO)} HOARD OF TETRARCHIC FOLLES (Planche 1) In March, 1914, the late E. T. Newell acquired a large hoard of tetrarchie folles from Hassan Abd-el-Salam, a Cairo dealer. Beyond the fact of its purchase at Cairo, nothing is known of the hoard's provenance; but this combines with the dominance of Alexandrian issues to suggest an Egyptian find spot. At an unknown date, Newell listed the contents of the hoard, describing types and legends and including references to Voetter's catalogue of the Gerin collection. About 1932 poorly preserved and duplicate specimens were removed from his trays; until recently, 400 such specimens remained in theîr original box and wrappings. Approxîmately 350 more pieces, aIl later issues of Alexandria, were discarded, sold, or lost ; they cannot now be located. It is possible to reconstruct the hoard fully from Newell's notes, though not in every case to identify pieces which came from it (1). Where his notes cau be checked against current ANS holdings, they are accurate; and despite the loss of many pieces which might have illuminated mint activity at Alexandria, the size and prove nance of the hoard warrant a record of its contents. -
Tetrarch Pdf, Epub, Ebook
TETRARCH PDF, EPUB, EBOOK Ian Irvine | 704 pages | 05 Feb 2004 | Little, Brown Book Group | 9781841491998 | English | London, United Kingdom Tetrarch PDF Book Chapter Master Aetheon of the 19th Chapter of the Ultramarines Legion was rumoured to be Guilliman's choice to take up the role of the newest Prince of Ultramar. Eleventh Captain of the Ultramarines Chapter. After linking up with the 8th Parachute Battalion in Bois de Bavent, they proceeded to assist with the British advance on Normandy, providing reconnaissance for the troops. Maxentius rival Caesar , 28 October ; Augustus , c. Year of the 6 Emperors Gordian dynasty — Illyrian emperors — Gallic emperors — Britannic emperors — Cookie Policy. Keep scrolling for more. Luke Now in the fifteenth year of the reign of Tiberius Cesar, Pontius Pilate being governor of Judea, and Herod being tetrarch of Galilee, and his brother In the summer of , Tetrarch got their first taste at extensive touring by doing a day east coast tour in support of the EP. D, Projector and Managing Editor. See idem. Galerius and Maxentius as Augusti of East and West. The four tetrarchs based themselves not at Rome but in other cities closer to the frontiers, mainly intended as headquarters for the defence of the empire against bordering rivals notably Sassanian Persia and barbarians mainly Germanic, and an unending sequence of nomadic or displaced tribes from the eastern steppes at the Rhine and Danube. This category only includes cookies that ensures basic functionalities and security features of the website. Primarch of the Ultramarines Legion. The armor thickness was increased to a maximum of 16mm using riveted plating, and the Henry Meadows Ltd. -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
THE PRINCIPATE – LIFEBELT, OR MILLSTONE AROUND the NECK of the EMPIRE? John Drinkwater* the Augustan Principate Was the Produc
THE PRINCIPATE – LIFEBELT, OR MILLSTONE AROUND THE NECK OF THE EMPIRE? John Drinkwater* The Augustan Principate was the product of crisis – a response to the challenges that precipitated the fall of the Republic. The Principate worked because it met the political needs of its day. There is no doubt that it saved the Roman state and the Roman Empire: it was a lifebelt. But it was not perfect. In its turn it precipitated more challenges that had to be responded to – more crises – in particular that known as the ‘third century Crisis’. In the long run it was a problem as much as a solution: a millstone as much as a lifebelt. In the end, it had to go. I will brie y deal with the Principate as a problem, and then suggest a new way of discerning the strains that brought about its demise. The Principate was created by Augustus and continued by the Julio- Claudians. However, there is a case for arguing that the Principate had still to establish itself as ‘the of\ ce of emperor’ as late as the death of Nero. The continuing challenges and responses that created and developed the Principate sometimes also broke it open to show its workings, and what contemporaries made of it. Thus Plutarch reports that in A.D. 68, Galba, on his way from Spain to take up power in Rome, entertained a group of senators in southern Gaul. Though he could have used the imperial furniture and servants sent to him by the Praetorian Prefect, Nymphidius Sabinus, initially he chose not to, which was remarked upon favourably by his guests.1 Galba’s modesty is explicable in various ways but, following Wiedemann’s appreciation of Galba’s family pride, I believe that he rejected this ‘family silver’ basically because it was the silver of an alien family.2 Galba, born in 3 B.C., had lived under all the Julio-Claudian rulers. -
Let's Look Let's Look Again Tapestry Showing The
TAPESTRY SHOWING THE TRIUMPH OF CONSTANTINE OVER MAXENTIUS AT THE BATTLE OF THE MILVIAN BRIDGE FROM THE SERIES KNOWN AS THE “HISTORY OF CONSTANTINE THE GREAT” This tapestry shows the dramatic conclusion of the Battle of the 1623–25 Milvian Bridge fought between two leaders of ancient Rome, Wool and silk with gold and Constantine and Maxentius, in 312 CE. As part of their strategy, silver threads 15 feet, 11 inches x 24 feet, 5 inches Maxentius’s army knocked down a stone bridge and replaced it with (485.1 x 744.2 cm) a temporary wooden one, which could be pulled down easily if they FIGURAL COMPOSITION DESIGNED IN 1622 BY needed to retreat. When Maxentius and his troops were forced back PETER PAUL RUBENS Flemish (active Italy, Antwerp, and by Constantine’s army, the bridge unexpectedly collapsed beneath England), 1577–1640 Woven at the Comans–La Planche them, sending horses and soldiers tumbling into the Tiber River tapestry factory (Paris) below. After this victory, Constantine became the sole ruler of the Western Roman Empire. LET’S LOOK Describe the action in this scene. The defeated Maxentius is pictured upside down at the bottom center What is happening? of the composition. Around him, horses and men fall in a tangled Who is winning? Who is losing? mass of arms, legs, bodies, and heads. At the edge of the bridge, How can you tell? a terrified soldier desperately attempts to prevent his horse from What details tell you about the time period when this falling. Two soldiers cling to the bridge with their fingertips, anxiously event took place? trying to hang on. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
A Handbook of Greek and Roman Coins
CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Library CJ 237.H64 A handbook of Greek and Roman coins. 3 1924 021 438 399 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021438399 f^antilioofcs of glrcfjaeologj) anU Antiquities A HANDBOOK OF GREEK AND ROMAN COINS A HANDBOOK OF GREEK AND ROMAN COINS G. F. HILL, M.A. OF THE DEPARTMENT OF COINS AND MEDALS IN' THE bRITISH MUSEUM WITH FIFTEEN COLLOTYPE PLATES Hon&on MACMILLAN AND CO., Limited NEW YORK: THE MACMILLAN COMPANY l8 99 \_All rights reserved'] ©jcforb HORACE HART, PRINTER TO THE UNIVERSITY PREFACE The attempt has often been made to condense into a small volume all that is necessary for a beginner in numismatics or a young collector of coins. But success has been less frequent, because the knowledge of coins is essentially a knowledge of details, and small treatises are apt to be un- readable when they contain too many references to particular coins, and unprofltably vague when such references are avoided. I cannot hope that I have passed safely between these two dangers ; indeed, my desire has been to avoid the second at all risk of encountering the former. At the same time it may be said that this book is not meant for the collector who desires only to identify the coins which he happens to possess, while caring little for the wider problems of history, art, mythology, and religion, to which coins sometimes furnish the only key. -
The Basilica of Maxentius
STRUCTURAL APPRAISAL OF A ROMAN CONCRETE VAULTED MONUMENT: THE BASILICA OF MAXENTIUS A. Albuerne1 and M.S. Williams2 1 Dr Alejandra Albuerne Arup Advanced Technology and Research 13 Fitzroy Street London W1T 4BQ UK Tel: +44 20 7755 4446 [email protected] 2 Prof. Martin S. Williams (corresponding author) University of Oxford Department of Engineering Science Parks Road Oxford OX1 3PJ UK Tel: +44 1865 273102 [email protected] RUNNING HEAD: Basilica of Maxentius Page 1 ABSTRACT The Basilica of Maxentius, the largest vaulted space built by the Romans, comprised three naves, the outer ones covered by barrel vaults and the central, highest one by cross vaults. It was built on a sloping site, resulting in a possible structural vulnerability at its taller, western end. Two naves collapsed in the Middle Ages, leaving only the barrel vaults of the north nave. We describe surveys and analyses aimed at creating an accurate record of the current state of the structure, and reconstructing and analysing the original structure. Key features include distortions of the barrel vaults around windows and rotation of the west wall due to the thrust from the adjacent vault. Thrust line analysis results in a very low safety factor for the west façade. The geometry of the collapsed cross vaults was reconstructed from the remains using solid modelling and digital photogrammetry, and thrust line analysis confirmed that it was stable under gravity loads. A survey of the foundations and earlier structures under the collapsed south-west corner revealed horizontal slip and diagonal cracking in columns and walls; this is strong evidence that the site has been subject to seismic loading which may have caused the partial collapse. -
Marble Provenance Unknown Pr
Catalogue of the Portraits 1. Diocletian (?) H. 0,36 m. Date: c. 284-305 (although early is likely) Marble Provenance unknown Private Collection (Michael Miller Collection, New York) Frowning; medium length beard; leaf headband around head (corona civilis ); furrowed brow; grey/ brown unfinished marble base (not attached); iron mounting rod inserted in bottom. Info: Minneapolis Institute of Art description card; Minneapolis, Minnesota, USA. Source Image: http://www.flickr.com/photos/11257308%40N06/3035166868/ 2. Diocletian H. 0,355 m. Date: Stylistically dated between 280-285 (so 284-285?)(Calza 1972: 91 ) Grainy white marble Prov. Nicomedia (Western Turkey) Currently at Archeological Museum, Istanbul, Turkey. Wearing a corona civilis (Calza 1972: 91). Slight frown, distant view towards his left. Realistically depicted crown and hair. Image source: http://www.flickr.com/photos/roger_ulrich/4630182217/ 3. Maximianus H. 2,26m Date: 284-305, most likely 297/8 (Bastet 1979: 51). Marble Prov. Utica (Tunis), near Carthage. Currently at Rijksmuseum voor Oudheden, Leiden. Over life-size statue of which the body is older, probably from the late second century A.D. (Bastet 1979: 51). The head is quite dynamic, probably to fit in with the body. The face is quite heavily damaged but the typical frown, distant look and chipped hair and beard are observable. Although the hair is chipped is it rather full as in some of the portraits with more realistically represented hair. Image source: http://www.livius.org/man-md/maximianus/maximianus.html 4. Maxentius or Constantius (Delbrueck 1933: 125) H. 0,25 m (face; slightly over lifesize) Marble, probably Carrarian. -
Journal of Ancient History and Archaeology
JOURNAL OF ANCIENT HISTORY AND ARCHAEOLOGY JAHA Romanian Academy JOURNAL OF ANCIENT HISTORY Technical University Of Cluj-Napoca AND ARCHAEOLOGY Journal of Ancient History and Archaeology DOI: http://dx.doi.org/10.14795/j.v1i2 ISSN 2360 – 266X ISSN–L 2360 – 266X No. 1.2 /2014 CONTENTS STUDIES REVIEWS ANCIENT HISTORY Victor Cojocaru Horaţiu Cociş ONCE MORE ABOUT ANTONIA TRYPHAINA 3 RADU OLTEAN, DACIA. THE ROMAN WARS.VOLUME I. SARMIZEGETUSA ..............................................57 Dragoș MITROFAN THE ANTONINE PLAGUE IN DACIA AND MOESIA INFERIOR 9 Csaba Szabó KREMER, GABRIELLE (MIT BEITRÄGEN VON CHRISTIAN GUGL, CHRISTIAN UHLIR UND MICHAEL Olivier Hekster UNTERWURZACHER), GÖTTERDARSTELLUNGEN, ALTERNATIVES TO KINSHIP? KULT – UND WEIHEDENKMÄLER AUS CARNUNTUM......59 TETRARCHS AND THE DIFFICULTIES OF REPRESEN- TING NON-DYNASTIC RULE 14 Imola Boda ARCHAEOLOGICAL MATERIAL RADA VARGA, THE PEREGRINI OF ROMAN DACIA (106–212) 61 Vitalie Bârcă RETURNED FOOT EXTERIOR CHORD BROOCHES Gaspar Răzvan Bogdan MADE OF A SINGLE METAL PIECE (TYPE ALMGREN C. GĂZDAC, F. HUMER, LIVING BY T HE COINS. 158) RECENTLY DISCOVERED IN THE WESTERN ROMAN LIFE IN THE LIGHT OF COIN FINDS PLAIN OF ROMANIA. NOTES ON ORIGIN AND AND ARCHAEOLOGY WITHIN A RESIDENTIAL CHRONOLOGY 21 QUARTER OF CARNUNTUM ..................................63 Silvia Mustață, Iosif Vasile Ferencz, Cristian Dima A ROMAN THIN-CAST BRONZE SAUCEPAN FROM THE DACIAN FORTRESS AT ARDEU (HUNEDOARA Florin Fodorean COUNTY, ROMANIA) 40 Z. CZAJLIK, A. BÖDŐCS (EDS.), AERIAL ARCHAEOLOGY AND REMOTE SENSING FROM THE BALTIC TO THE ADRIATIC. SELECTED PAPERS OF THE ANNUAL CONFERENCE OF THE AERIAL TH TH DIGITAL ARCHAEOLOGY ARCHAEOLOGY RESEARCH GROUP, 13 – 15 OF SEPTEMBER 2012, BUDAPEST, HUNGARY 65 Ionuț Badiu, Radu Comes, Zsolt Buna Xenia-Valentina Păușan CREATION AND PRESERVATION OF DIGITAL R. -
Roman Coins Elementary Manual
^1 If5*« ^IP _\i * K -- ' t| Wk '^ ^. 1 Digitized by Google Digitized by Google Digitized by Google Digitized by Google Digitized by Google Digitized by Google PROTAT BROTHERS, PRINTBRS, MACON (PRANCi) Digitized by Google ROMAN COINS ELEMENTARY MANUAL COMPILED BY CAV. FRANCESCO gNECCHI VICE-PRBSIDENT OF THE ITALIAN NUMISMATIC SOaETT, HONORARY MEMBER OF THE LONDON, BELGIAN AND SWISS NUMISMATIC SOCIBTIES. 2"^ EDITION RKVISRD, CORRECTED AND AMPLIFIED Translated by the Rev<> Alfred Watson HANDS MEMBF,R OP THE LONDON NUMISMATIC SOCIETT LONDON SPINK & SON 17 & l8 PICCADILLY W. — I & 2 GRACECHURCH ST. B.C. 1903 (ALL RIGHTS RF^ERVED) Digitized by Google Arc //-/7^. K.^ Digitized by Google ROMAN COINS ELEMENTARY MANUAL AUTHOR S PREFACE TO THE ENGLISH EDITION In the month of July 1898 the Rev. A. W. Hands, with whom I had become acquainted through our common interests and stud- ieSy wrote to me asking whether it would be agreeable to me and reasonable to translate and publish in English my little manual of the Roman Coinage, and most kindly offering to assist me, if my knowledge of the English language was not sufficient. Feeling honoured by the request, and happy indeed to give any assistance I could in rendering this science popular in other coun- tries as well as my own, I suggested that it would he probably less trouble ii he would undertake the translation himselt; and it was with much pleasure and thankfulness that I found this proposal was accepted. It happened that the first edition of my Manual was then nearly exhausted, and by waiting a short time I should be able to offer to the English reader the translation of the second edition, which was being rapidly prepared with additions and improvements. -
A Numismatic Iconographical Study of Julian the Apostate
A Revolutionary or a Man of his Time? A Numismatic Iconographical Study of Julian the Apostate Master’s Thesis in Classical Archaeology and Ancient History, Spring 2018 Department of Archaeology and Ancient History Lund University Author: Nicolas Frendin Supervisor: Henrik Gerding 2 Abstract Julian the Apostate’s short rule has left in the historical records a clearly divisive picture. This thesis starts with that divisive nature of the reign of Rome’s last pagan emperor and aims to analyse some of the Apostate’s coinage iconography. Can the symbols used on the coins minted during his reign say something about his allegedly revolutionary rule? By choosing to focus on a set of ten symbols found of Julian’s coins, this thesis was subsequently divided in a three-phased analysis in order to approach the subject. Julian’s coin iconography was first analysed in comparison to the totality of the Roman Emperors, stretching back to Octavian/Augustus. The second step was to put Julian’s rule within its own context and compare his coinage iconography to that of his predecessors in his own family, the second Flavian dynasty. The last step was to observe the changes during Julian’s two periods of time in power: being first a Caesar – subordinate to his cousin Constantius II – and later on the sole ruler/Augustus. Julian’s iconography was also compared to Constantius’. The results tend to show that most of Julian’s coin iconography could be characterised as conventional. The true departures can be divided into either obvious or surprising ones. 3 Contents