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Mesia Austin, Percussion Received Much of the Recognition Due a Venerable Jazz Icon
and Blo win' The Blues Away (1959), which includes his famous, "Sister Sadie." He also combined jazz with a sassy take on pop through the 1961 hit, "Filthy McNasty." As social and cultural upheavals shook the nation during the late 1960s and early 1970s, Silver responded to these changes through music. He commented directly on the new scene through a trio of records called United States of Mind (1970-1972) that featured the spirited vocals of Andy Bey. The composer got deeper into cosmic philosophy as his group, Silver 'N Strings, recorded Silver 'N Strings School of Music Play The Music of the Spheres (1979). After Silver's long tenure with Blue Note ended, he continued to presents create vital music. The 1985 album, Continuity of Spirit (Silveto), features his unique orchestral collaborations. In the 1990s, Silver directly answered the urban popular music that had been largely built from his influence on It's Got To Be Funky (Columbia, 1993). On Jazz Has A Sense of Humor (Verve, 1998), he shows his younger SENIOR RECITAL group of sidemen the true meaning of the music. Now living surrounded by a devoted family in California, Silver has Mesia Austin, percussion received much of the recognition due a venerable jazz icon. In 2005, the National Academy of Recording Arts and Sciences (NARAS) gave him its President's Merit Award. Silver is also anxious to tell the Theresa Stephens, clarinet Brian Palat, percussion world his life story in his own words as he just released his autobiography, Let's Get To The Nitty Gritty. -
Jazzweek Jazz Album Chart Jan
airplay data JazzWeek Jazz Album Chart Jan. 28, 2008 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 1 1 1 Steve Nelson Sound-Effect HighNote 211 210 1 13 56 1 2 11 NR 2 Eliane Elias Something For You: Eliane Elias Sings & Blue Note 196 128 68 2 49 14 Plays Bill Evans 3 5 9 2 Deep Blue Organ Trio Folk Music Origin 194 169 25 15 52 1 4 2 NR 2 Hendrik Meurkens Sambatropolis Zoho Music 166 185 -19 2 54 13 5 4 2 2 Jim Snidero Tippin’ Savant 154 172 -18 11 53 1 6 6 33 6 Monterey Jazz Festival 50th Aniversary Live At The 2007 Monterey Jazz Festival Monterey Jazz Fest 145 154 -9 3 43 8 All-Stars 7 7 7 6 Bob DeVos Playing For Keeps Savant 142 145 -3 11 47 0 8 3 5 3 Andy Bey Ain’t Necessarily So 12th Street Records 137 182 -45 10 49 0 9 20 34 9 Ron Blake Shayari Mack Avenue 136 94 42 3 46 11 10 7 14 7 Joe Locke Sticks And Strings Jazz Eyes 132 145 -13 7 37 5 11 14 11 2 Herbie Hancock River: The Joni Letters Verve Music Group 125 114 11 17 50 0 12 12 8 8 John Brown Terms Of Art Self Released 123 127 -4 11 32 0 13 28 NR 13 Pamela Hines Return Spice Rack 117 84 33 2 43 14 14 10 3 3 Houston Person Thinking Of You HighNote 115 139 -24 13 38 2 15 18 38 15 Brad Goode Nature Boy Delmark 112 97 15 3 29 6 16 22 21 3 Cyrus Chestnut Cyrus Plays Elvis Koch 110 93 17 16 37 1 17 16 6 6 Stacey Kent Breakfast On The Morning Tram Blue Note 101 101 0 16 33 0 18 NR NR 18 Frank Kimbrough Air Palmetto 100 NR 100 1 36 31 19 24 11 1 Eric Alexander Temple Of Olympic Zeus HighNote 94 90 4 18 39 0 20 15 4 2 Gerald Wilson Orchestra Monterey -
2001 Annual Report
NATIONAL ENDOWMENT FOR THE HUMANITIES 2001 annual report Contents About NEH 2 Jefferson Lecture 3 National Humanities Medalists 4 Education 6 Preservation and Access 18 Public Programs 35 Research 50 Challenge Grants 72 Federal State Partnership 80 Office of Enterprise 87 Summer Fellows Program 90 Panelists 90 Senior Staff Members 128 National Council 130 Financial Report 131 2001 NEH Annual Report 1 The National Endowment for the Humanities In order “to promote progress and scholarship in the humanities and the arts in the United States,” Congress enacted the National Foundation on the Arts and the Humanities Act of 1965. This act established the National Endowment for the Humanities as an independent grant-making agency of the federal government to support research, education, and public programs in the humanities. In fiscal year 2001, grants were made through Federal-State Partnership, four divisions (Education Programs, Preservation and Access, Public Programs, and Research Programs) and the Office of Challenge Grants. The act that established the National Endowment for the Humanities says, “The term ‘humanities’ includes, but is not limited to, the study of the following: language, both modern and classical; linguistics; literature; history; jurisprudence; philosophy; archaeology; comparative religion; ethics; the history, criticism, and theory of the arts; those aspects of social sciences which have humanistic content and employ humanistic methods; and the study and application of the humanities to the human environment with particular attention to reflecting our diverse heritage, traditions, and history and to the relevance of the humanities to the current conditions of national life.” The National Endowment for the Humanities supports exemplary work to advance and disseminate knowledge in all the disciplines of the humanities. -
Literary, Subsidiary, and Foreign Rights Agents
Literary, Subsidiary, and Foreign Rights Agents A Mini-Guide by John Kremer Copyright © 2011 by John Kremer All rights reserved. Open Horizons P. O. Box 2887 Taos NM 87571 575-751-3398 Fax: 575-751-3100 Email: [email protected] Web: http://www.bookmarket.com Introduction Below are the names and contact information for more than 1,450+ literary agents who sell rights for books. For additional lists, see the end of this report. The agents highlighted with a bigger indent are known to work with self-publishers or publishers in helping them to sell subsidiary, film, foreign, and reprint rights for books. All 325+ foreign literary agents (highlighted in bold green) listed here are known to work with one or more independent publishers or authors in selling foreign rights. Some of the major literary agencies are highlighted in bold red. To locate the 260 agents that deal with first-time novelists, look for the agents highlighted with bigger type. You can also locate them by searching for: “first novel” by using the search function in your web browser or word processing program. Unknown author Jennifer Weiner was turned down by 23 agents before finding one who thought a novel about a plus-size heroine would sell. Her book, Good in Bed, became a bestseller. The lesson? Don't take 23 agents word for it. Find the 24th that believes in you and your book. When querying agents, be selective. Don't send to everyone. Send to those that really look like they might be interested in what you have to offer. -
Vocal Jazz in the Choral Classroom: a Pedagogical Study
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-2019 Vocal Jazz in the Choral Classroom: A Pedagogical Study Lara Marie Moline Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Moline, Lara Marie, "Vocal Jazz in the Choral Classroom: A Pedagogical Study" (2019). Dissertations. 576. https://digscholarship.unco.edu/dissertations/576 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 LARA MARIE MOLINE ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School VOCAL JAZZ IN THE CHORAL CLASSROOM: A PEDAGOGICAL STUDY A DIssertatIon SubMItted In PartIal FulfIllment Of the RequIrements for the Degree of Doctor of Arts Lara Marie MolIne College of Visual and Performing Arts School of Music May 2019 ThIs DIssertatIon by: Lara Marie MolIne EntItled: Vocal Jazz in the Choral Classroom: A Pedagogical Study has been approved as meetIng the requIrement for the Degree of Doctor of Arts in College of VIsual and Performing Arts In School of Music, Program of Choral ConductIng Accepted by the Doctoral CoMMIttee _________________________________________________ Galen Darrough D.M.A., ChaIr _________________________________________________ Jill Burgett D.A., CoMMIttee Member _________________________________________________ Michael Oravitz Ph.D., CoMMIttee Member _________________________________________________ Michael Welsh Ph.D., Faculty RepresentatIve Date of DIssertatIon Defense________________________________________ Accepted by the Graduate School ________________________________________________________ LInda L. Black, Ed.D. Associate Provost and Dean Graduate School and InternatIonal AdMIssions Research and Sponsored Projects ABSTRACT MolIne, Lara Marie. -
GFT Abbreviated Vita 030121
ABBREVIATED VITA (3.1.21) George F. Thompson 217 Oak Ridge Circle Staunton, VA 24401–3511 (c) 540-746-5263 [email protected] www.gftbooks.com PUBLISHING EXPERIENCE Book Publishing George has been immersed in the book publishing world since 1984 as a pioneering acquisitions editor and publisher, author/editor of 8 place-based books, and founder and director of 15 book series. He has developed and brought to publication more than 500 books, supported in part by more than $2,600,000 in financial support from numerous foundations, non-profit organizations, federal and state agencies, and other philanthropic donors. George’s books have garnered more than 115 major editorial awards, including “best-book” honors in 35 academic fields and categories. Historically, George’s books and book series appeal equally to the academic (scholar, student, professional) and general reader, and they consistently receive sterling reviews in academic and professional journals in addition to widespread attention in the larger world. GFT authors have been interviewed about their books on local and national public radio and television programs, including Twin Cities (MN) PBS, NPR’s Radiolab, the Diane Rehm Show, Cary Barbor on All Things Considered, Scott Simon’s Weekend Edition, KSFR’s “Cline’s Corner” (Santa Fe), KPNR’s “State of Nevada” (Las Vegas), WPFW’s “On the Margin” (DC), and WWNO’s “The Reading Life” (New Orleans). GFT books have received glowing reviews in professional journals such as Atlas Obscura, Environmental History, High Country News, Hyperallergic, Journal of Folklore Research, Journal of Historical Geography, Journal of the Society of Architectural Historians, Landscape Architecture, Lenscratch, LensWork, Library Journal, Panorama: Journal of the Association of Historians of American Art, photo district news (pdn), The Photo Review, Photographer’s Forum, and siteLINES. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
2015 Annual Report
2015 ANNUAL REPORT WHERE WE ARE TODAY In our !ve years since founding UsAgainstAlzheimer’s, we’ve been proud and humbled to serve as tireless advocates for the millions of families that have been impacted by this devastating disease. We’ve set a bold goal — to STOP A MESSAGE FROM OUR FOUNDERS Alzheimer’s disease — and together, we’re making progress. Our power and our purpose continue to grow! Ending Alzheimer’s is our life’s goal. Because of our family’s personal experience with this cruel, relentless disease and on behalf of 5.4 million of our fellow Americans currently suffering from Alzheimer’s, no work could be more important, nor a cure more crucial. In just 5 years, UsAgainstAlzheimer’s has become a force; an unrelenting voice for attention to the disease; a tireless advocate for families dealing with Alzheimer’s; a partner with governments, industry and premier research organizations; a designer and builder of cross-sector partnerships; and a leader in demanding increased focus, cooperation and speed from all players. We work on each of these issues in different ways with different partners, on both a national and international basis. Bottom line: we simply cannot and will not tolerate business-as-usual in pursuit of a cure. It was an incredible year, and none of it would have happened without your generosity, engagement and belief that, together, all of “us” can make a difference and speed a cure. We look forward to working with you in 2016 to put a dagger through the evil heart of Alzheimer’s! George Vradenburg Trish Vradenburg -
Money in the Blank Game Show
Money In The Blank Game Show quantsNude and disbar baleful laurel Titus unchangingly. undercutting Petey his Irishwoman slouches her sorb miter slaver protuberantly, unboundedly. she Self-serving sawings it preparedly. Antoine disgust, his Folks just would be worth various amounts of the money back and baby prime has reportedly been recruited by building up. For every filled-in blank containing the letter chosen by the. Welcome to the game in the game again, fill in some of slides to prevent one question is a format in one of the top of the. Wild forward Marcus Foligno said. Written by Comedy series following the lives of sisters Tracey and Sharon who are left to fend for themselves after their husbands are arrested for armed robbery. Ian Woodley won the same amount. No immediate plans for money in the show based on a blank saw the monthly limit of shows based in. Look inside his wife welcome baby tank has. Kid to show revival is slimy, home or travel insurance and save. Al fresco lunch at least the games are in nyc, including a blank. Blake Shelton revealed why haste would like Adam Levine to arms at most wedding, commentary, images and more for near perfect king on practice site. Being on The debate it often be easy to gas a complete every blank. Sign up in game show features lots more money, patrick wesolowski checked into. Jon Lovitz with your bear hug. The money in the other is to choose how to get me how did jackpot number would be a situation which the! It bears repeating: at this point, charts, with a format that demands spontaneity and a strong impression that the stars are being helped by some liquid courage. -
The Voices of NPR
Episode 11 – Michael Goldfarb – All Along the Watchtower The Voices of NPR And now a personal word, Michael Goldfarb has the voice of a journalist who has witnessed important events. He speaks with weariness and authority. His voice evokes a chorus of NPR announcers who report from near and distant places. Writer Dierdre Mask noted in an article in the Atlantic magazine, “We can’t see NPR reporters, so we have to picture them. And because they are with us in our most private moments—alone in the car, half-asleep in bed—we start to think we know them.” And we do think we know them. Their voices are iconic: distinct, informative, comforting, familiar. Their voices are the sounds of our better selves when we are bright and learned and engaged in the affairs of the world. No matter the day’s events, they give us hope that in a crazy world, sense and sensibility will prevail. Here are a few names I grew up with: Susan Stamberg, Bob Edwards, Carl Kasell, Noah Adams, Linda Wertheimer, Robert Siegel, Scott Simon, Cokie Roberts, and Bob Mondello. Each name evokes a voice, a style, a beat, that is the news soundtrack of our lives and shared imagination. We hear their stories as they report from bureaus from foreign capitals: Eleanor Beardsley, Paris; Rob Gifford, London; Ofiebea Quist-Arcton, Dakar; and, of course, Sylvia Poggioli, Rome. We hear war correspondents in the thick of battle: Michael Golfarb in Northern Ireland and Bosnia; Kelly McEvers in the midst of death and kidnapping in the Arab Spring, Tom Bowman among the fire and mortars of Helmand Province, and David Gilkey ambushed and killed by the Taliban. -
Firstchoice Wusf
firstchoice wusf for information, education and entertainment • auGuSt 2010 Marvin Hamlisch Presents: The 70s, The Way We Were Renowned composer and conductor Marvin Hamlisch hosts and performs in this musical blast from the past. Three Dog Night, Debby Boone, Bobby Goldsboro, Peaches and Herb, Gloria Gaynor are a few of the musical greats who join him. The 1970s hit parade includes “You Light Up My Life,” “Raindrops Keep Fallin’ on My Head,” “Joy to the World,” and, of course, “The Way We Were.” Hamlisch fondly recalls the way we were in the 1970s. As he says in this special, “The country breathed a sigh of relief when the 1970s began. The new decade brought us peace, confidence and a feeling of national pride in our accomplishments. We had reached the stars we were aiming for; it’s a goal worth remembering today.” Airs Sunday, August 1, at 8 p.m., and Saturday, August 7, at 4 p.m. radio television WUSF 89.7 RADIO SCHEDULE AUGUST TV HIGHLIGHTS Monday through Friday Saturday continued Morning Edition ~ Classical Music 6-8 a.m. Carson Cooper 5-9 a.m. Weekend Edition 8-10 a.m. Classical Music ~ Car Talk 10-11 a.m. Russell Gant 9 a.m.-1 p.m. Wait Wait... Don’t Tell Me! 11-noon Classical Music ~ Classical Music noon-5 p.m. Bethany Cagle 1-4 p.m. All Things Considered 5-6 p.m. All Things Considered ~ Joshua Stewart A Prairie Home Companion 6-8 p.m. & Susan Giles Wantuck 4-6 p.m. This American Life 8-9 p.m. -
SUS Ad for 2011 1
The Foundation for Music Education is announcing the 7th annual summer “Stars Under The Stars,” featuring the Brad Leali Quartet with Brad Leali on Saxophone, Claus Raible on piano, Giorgos Antiniou on bass, Alvester Garnett on drums, and joined by vocalist Martha Burks. The event will be on Friday, August 12, 2011 from 7:00 to 10:00 PM at the Louise Underwood Center. “Stars Under the Stars” is an evening concert benefitting music scholarships that will include an hour of socializing with sensational food and drink from “Stella’s.” The event benefits music education scholarships. Our traditional guest host and emcee will be local TV and Radio personality Jeff Klotzman. The “Stars” this year are brilliant world-class jazz artists from the United States, Greece, and Germany! For information about tickets and/or making donations for “Stars Under the Stars,” please call 806- 687-0861, 806-300-2474, and www.foundationformusiceducation.org. Information - The Quartet is captivating through the spontaneity and homogeneousness of the performance as well as with the communicative, non-verbal interaction of the four musicians. The band book consists, besides grand jazz classics, mainly of original compositions by the members. BRAD LEALI Saxophone http://www.bradleali.com/ CLAUS RAIBLE Piano, compositions and arrangements http://www.clausraible.com/Projects.htm GIORGIOS ANTONIOU Bass http://www.norwichjazzparty.com/Musician.asp?ID=22 ALVESTER GARNETT Drums http://www.alvestergarnett.com/ MARTHA BURKS Vocalist http://www.marthaburks.com/ Some comments about the quartet in the press: “This quartet enchanted the audience from the first, almost explosion like saxophone note and put them under their spell ..