The Mirror 37 September-October 1996

Total Page:16

File Type:pdf, Size:1020Kb

The Mirror 37 September-October 1996 THE MIRROR Newspaper of the International Dzogchen Community September/October 1996 Issue No. 37 ASIA'S MISSION TO Summer Retreat in Tuscany DZAMTHOG by Des Barry Return to Amdo Impressions of the land returning to Amdo from Kham where the ASIA project will build a new school and hospital. by Tony Laurent When the English poets Byron more etheric and elemental presences. gardeners of Merigar. and Shelley set off on their grand As if orchestrated, the wind rose and The first practice of the day was a tours of Europe searching for the clouds surrounded the Gonpa as Yantra Yoga class for advanced inspiration that would flower into Namkhai Norbu Rinpoche began his students. The idea of the course was great works of Romantic poetry, opening discourse and right on cue to impart the latest developments doubtless they absorbed the thunder and lightning exploded just that had been clarified by close study paradisiacal qualities of the Tuscan as he began the Rite of the Guardians. and translation of the original text of The first faint streaks of light could be seen penetrating an inky black sky landscape in summer: soaring It seemed to be a very auspicious Vairocana. This led to a number of high over the narrow valley surrounding the Tibetan settlement of Jomda. cypresses, gnarled olives, the lines of start by any standards whether lively discussions among participants Sunshine would not enter for several hours to brighten die secluded pine abundant vines below the medieval Tibetan or Western. which hopefully clarified any doubts forests and the torrents of white water gushing through every available cranny walls of hill top villages that once Namkhai Norbu Rinpoche about the various Yantra movements in the granite heights. Dr. Phuntsog Wangmo ( Rinpoche's niece) was awake protected inhabitants from siege and announced that he would be teaching and positions; or at least inspired and had prepared some Tsampa and tea for us as Giorgio Minuzzo and I rapine. Looking as natural in its hill from an Anuyoga text called Na.ra each person to study further the pre­ discussed last details for the organization of the ASIA project. top setting as any medieval borgo, Tong.tuk which closes off rebirth in cise points of each posture. The effect We had spent the last seven days together and needed to make some rapid the eight sided gonpa of Merigar, the three lower realms of Buddhist of diet on flexibility and early decisions about the site and local materials for building in Dzamthog village. with its sweeping lines and copper iconography: the animal realm, the morning prana could be observed This is where Namkhai Norbu Rinpoche was bom and these were the valleys spire, hosted another summer prêta realm and the hell realm. Over very clearly and seemed to depend where he spent his childhood. The project for a hospital and school is gathering of the Dzogchen the next nine days Rinpoche on which restaurant the participants Rinpoche's work to help his people. The site lay three hours away by jeep Community under the guidance of explained the essence of the text had dined in the previous evening. climbing high into the valley towards Dzamthog and passing the house and Chögyal Namkhai Norbu. including the preliminary practices, During the retreat participants sparse settlement where Rinpoche played as a child. Today this house nurtures The days of the Romance have practices of purification, and gathered at 3:30 a.m. to celebrate the a rather splendid tree which seems to recognize the heritage that once played passed. Retreat participants came to visualizations of the radiation and birthday of Guru Padmasambhava within its walls. this place of refuge from sieges and absorption of light (tron.du). He with a practice of Guru yoga To reach the village we have to make our way across a long winding road troubles of a different origin. Even if related the teaching to other aspects synchronized with practitioners all and steady incline carved into a sparse landscape of stone shelters and black the country is not involved in war. of the practice of Anuyoga over the world. An offering of Gana- goat herds where poorer Tibetans etch out an existence from the short periods Italy has entered the machine age and instantaneous transformation that are puja was celebrated at 7:00 p.m. that between winter snows. The road passes through a narrow wind-swept gap the age of cyberspace which has found in many of the secondary evening and another on the last day to adorned with prayer flags and a tern at four thousand five hundred meters brought with it stresses that are more practices used within the Dzogchen close the retreat. before descending into another valley where settlements of earth and timber based in the emotional and the Community. Those participants who houses again appear. There villagers reap a sparse agriculture from the nervous reactions to family and social have been following Santi Maha San- terraced slopes dotted with stone compounds and the herds supplying basic concerns. gha training would have recognized CONTENTS necessities to Tibetan life. Crossing through the pass I could look up into still As the hour for the opening many of the terms and concepts which higher ground where granite peaks and thin vegetation disappear. I imagine the practice of the retreat approached, Rinpoche used in his explanations. Explanation of the Meaning small stone hut, "no bigger than a dog's house" that Rinpoche had visited with fresh breezes lightened the heat of In his discourses, Norbu Rinpoche of the Vajra 2 his uncle Wangchuk describing this rather eccentric master who had lived at Chögyal Namkliai Norbu the day. A stream of people of made the practices of Na. ra Tong. tuk these heights for years without any apparent food or contact with human different races and countries made easy to understand, to access, and to Community Activities 3 beings. I was supposed to leave by plane from Chamdo, a town two hundred Chögyal Namkhai Norbu their way toward the Gonpa just as apply in everyday life. He gave the and sixty kilometers and nine hours by jeep south of Jomda. My arrival to thunderheads made their appearance lung or permission to practice for the Schedule of Chögyal Namkhai Jomda had been delayed three days due to rain and clouds, waiting for clear Norbu 3 over the volcanic mass of Monte majority of the practices used in the weather to land in the mountain strip serving Chamdo. Andrea dell'Angelo Amiata - suggesting the arrival of Community and indicated that he Interview with Dobooni and Tullio Caselli had also been delayed after a month's work laying the - was preparing a book to explain the Tulku Rinpoche 4 ground for making the agreements and terms for the project. Little time was images of the masters of all the Book Reviews 5 left to complete the work for the Dangche school and it seemed pointless to lose Qualifications of the lineages that are represented on the Lives of the Great Masters 5 another three days due to incessant poor weather, so I decided to leave for Instructors of Yantra wall panels of the Gonpa. Karin Eisenegger Amdo and the far north area of Tibet by jeep. Besides, an overland trip from Yoga and Vajra Dance Light of Merigar 9 Each day. clouds of cypress smoke Kham to Amdo would take me through the most isolated areas of the Tibetan by Chögyal Namkhai Norbu Interview by Occidente Buddhista from the pot-bellied, white-painted nomadic tribes and an untouched landscape where I could witness an existence International Community structures called sang kang rolled that remains as enchanting today as ever, even to the imagination of Tibetans. For all those interested in News 10-12 becoming instructors of Yantra into the morning air before the Magic Sound 17 By six in the morning the car and driver had arrived and I was ready to leave Yoga or Vajra Dance, as well as teachings began. The plants in the Constantino Albini accompanied by the Chinese contractor who had arrived from Qinghai to bid those interested in organizing gardens around the Gonpa were in Hear My Voice Come Ringing ...20 for the construction work. courses and retreats. full flower, evidence of the care and see page 6 John Shane continued on page 7 commitment of the green fingered 1 Excerpts from the Teaching of how we view thevajra, if we rotate it dualistic vision then secondary causes having their point of view, their Everything is Experience, View, Namkhai Norbu Rinpoche at Meri­ we can no longer say up and down, manifest how everything is, for feelings, their sensations. If we want Meditation and Behavior go r, July Retreat 1996. we can say left and right. In general, example, the mirror can manifest to develop society so there is more When we ask 'why' there is no we view things in this way. When we everything as it is—its form, shape peace and happiness we must work end to it and we can't find a reason or I want to explain clearly what vajra say up and down we also can mean and color. The mirror has no idea of one by one with our condition. For a 'because' that is limited. Therefore means; this is something important good and bad, important and less subject and object. It al way s manifests example, our society is like numbers. it's better we don't use 'why' and for the Teachings. You know already important. Often in the West it is said with the qualifications of the mirror, When we count we must always begin 'because' too much.
Recommended publications
  • Tibetan Monastery Immersion Retreat February Losar 2020
    Tibetan Monastery Immersion Retreat February Losar 2020 Organized by the Panchen Lama Tashi Lhunpo Project 1 DISCOVER WITH US this journey of a lifetime. Join the Panchen Lama Tashi Lhunpo Project for a unique immersion experience at the Tashi Lhunpo Monastery India, one of the largest Learning Centers of Tibetan Buddhism in India, and participate in Losar 2020, an incredible celebration of the Tibetan New Year! We are very excited to present a unique opportunity to live within a Tibetan monastery and make a meaningful contribution to the lives of over 400 scholarly monks. By attending this retreat you will be supporting a global cause that is far-reaching for the benefit of all sentient beings. You will experience true generosity of spirit during the many activities including your meal offering for the monks and an individual book offering to the new library. By no means an ordinary monastery, Tashi Lhunpo Monastery India is steeped in historical significance. The original Tashi Lhunpo Monastery in Tibet was founded by His Holiness the 1st Dalai Lama, Gyalwa Gedun Drupe in 1447, and became the largest, most vibrant teaching monastery in Shigatse, Tibet at that time. “Namla Nyi-ma Dawa, Sa la Gyawa-Panchen.” Thus goes the age-old Tibetan saying that is well known and recited often in all 3 provinces of Tibet. It means, “Just as the Sun and the Moon in the Sky, thus Gyawa-Panchen on Earth,” alluding to the great and consequential relationship between the two Lamas, His Holiness the Dalai Lama and His Holiness the Panchen Lama, who have shared a special bond, strengthened by their shared desire to ensure the wellbeing of the Tibetan people and the continued preservation of the Buddha Dharma.
    [Show full text]
  • Monastic Dance in Rumtek Monastery
    Bulletin of Tibetology MONASTIC DANCE IN RtTMTEK 1\10NASTERY -Anandamayee Gho.'ih Sikkim is inhabited by Bhotia (Bod), Rong (dazong) and the MOil Besldes them the Bcngalee, the Mara\\ari. the Bihari and the Nepalese live there. As a result of that the cul­ tural scope of Sikkim throws a multi-coloured view and speaks about the sumtotal of a community both physical and mental. The perfonning art is dancc. music. song, visual art and architecturc that show the external aspects of mind of a people belonging to a particular locality. So the communicative culture may be either uni-ethnic or multi-ethnic according to the people residing in a particular place. As regard the people{s) of Sikkim they hold a legacy of many hundred year grown and nurturcd in the lap of the mount Kanchanjangha. Kanchanjangha is regarded as the guardian deity of the land. Tista and Rangit make Sikkim the land of rice that is dazong (bra dzons). It suggests that the Sikkimese culture stands on economic prosperity since the olden days. The location of Sikkim is strategically important to connect Tibet. presently Tibet Autonomous Region (That is TAR) of China on the North and Bengal on the South and \lathula and Jalepla mountain passes to south Tibet (Lhoka). According to the tradition popular in Sikkim, Padmasambhava is said to have stepped in Sikkim. That makes the land purified. The Bhutias (Bod pa) then feel Sikkim as a holy land blessed by KanchanJangha. Similarly the Rong pa. the Lepcha find Sikkim as a scat of their "acred deih.
    [Show full text]
  • Masked Dance of Sumthrang Mountain Deity
    Masked Dance of Sumthrang Mountain Deity Gengop Karchung * Abstract Masked Dance of Mountain Deity ( Tsän Cham ) of Sumthrang Samdrup Chödzong in Ura, Bumthang is a unique performing art that has been inherited since the 15th century. When the 23rd ’Nyörab Jam’yang Drakpa Özer (’Jam-dbyang grags-pa ’od-zer; 1382–1442) planned to slip away to Tsari (Tibet) for meditation clandestinely, the Drak Tsän Dorje Dradül appeared and beseeched lama to stay at Sumthrang, simultaneously performing this masked dance along with four of his retinues. Consenting to the plea made by the deity, the lama then taught the dance to his disciples. The dance then became part of annual festival called Sumthrang Kangsöl held from 25th Day of 9th Month of the Bhutanese lunar calendar for 5 days. The dance is known by various names: Lha Cham (dance of god), Tsän Cham (dance of mountain deity), and Ta Cham (dance of horse) as the masked dancers ride horses. Today, some episodes of this dance is performed at Zhongmä lhakhang in Lhuntse Dzongkhag as this lhakhang was built by Jam’yang Drakpa Özer. This paper will try to give detailed information on this unique festival, especially the Tsän Cham as it is critically endangered. Further, it will also try to bring out the historical accounts of the lhakhang and other associated sites. This paper will be based on limited available manuscripts, historical publications and other written sources which will be further supplemented with the existing myths and legends that are available. Introduction Bhutan having embraced its culture as one of the core lifelines of every Bhutanese has ensured its sovereignty and independence since time immemorial.
    [Show full text]
  • Communist Party As Living Buddha: the Crisis Facing Tibetan Religion Under Chinese Control
    ICT-Europe ICT-Deutschland e.V. ICT-Brussels Vijzelstraat 77 Schönhauser Allee 163 11, Rue de la Linière 1825 Jefferson Place, NW 1017HG Amsterdam 10435 Berlin 1060 Brussels Washington, DC 20036 The Netherlands Germany Belgium T +1 202 785 1515 T +31 (0)20 3308265 T +49 (0)30 27879086 T +32 (0)2 6094410 F +1 202 785 4343 F +31 (0)20 3308266 F +49 (0)30 27879087 F +32 (0)2 6094432 E [email protected] E [email protected] E [email protected] E [email protected] www.savetibet.org The International Campaign for Tibet is a non-profit membership organization that monitors and promotes internationally recognized human rights in Tibet. ICT was founded in 1988 and has offices in Washington, DC, Amsterdam, Berlin and Brussels. The Communist Party as Living Buddha: The crisis facing Tibetan religion under Chinese control ©2007 by the International Campaign for Tibet Printed in the USA Design: William Whitehead Design www.WmWhiteheadDesign.com THE COMMUNIST PARTY AS LIVING BUDDHA THE CRISIS FACING TIBETAN RELIGION UNDER CHINESE CONTROL A report by the International Campaign for Tibet Washington, DC l Amsterdam l Berlin l Brussels www.savetibet.org Tibet Autonomous Region Party chief Zhang Qingli recently labeled THE COMMUNIST PARTY AS LIVING BUDDHA the Chinese Communist Party a ‘living Buddha’ and a ‘parent’ to the Tibetan people. (Xinhuanet, March 2, 2007) THE CRISIS FACING TIBETAN RELIGION UNDER CHINESE CONTROL Cover: An image of the 11 th Panchen Lama, Gedun Choekyi Nyima, seen in a monastery in eastern Tibet near a photograph of the Dalai Lama.
    [Show full text]
  • 1 Revival of Indigenous Practices and Identity in 21St Century Inner Asia
    Revival of Indigenous Practices and Identity in 21st Century Inner Asia Amalia H. Rubin A thesis submitted in partial fulfillment of the requirement for the degree of Master of Arts in International Studies University of Washington 2015 Committee: Sara Curran Wolfram Latsch Program Authorize to Offer Degree: International Studies 1 © Copyright 2015 Amalia H. Rubin 2 University of Washington Abstract Revival of Indigenous Practices and Identity in 21st Century Inner Asia Amalia H Rubin Chair of the Supervisory Committee: Sara Curran, Ph.D. Associate Professor of International Studies and Public Affairs Scholars and observers have noticed an emerging pattern in the world wherein communities that have suffered a period of cultural and religious repression, when faced with freedom, experience a sudden surge in certain aspects of cultural practice. The most interesting of these are the so-called “involuntary” practices, such as trance, and spontaneous spirit possession. Why is it that, in the period of freedom when many missionary groups, traditional and foreign, arrive to make claims on souls, we see a disproportionate resurgence of indigenous, non-missionary practices? And why especially those practices in which the practitioner has no conscious control? I aim to explore the significance of the revival of indigenous practices, both voluntary and involuntary, their connection to the assertion of cultural identity after a period of intense repression, and their significance to the formation of development and research approaches in such regions. In this paper, I will look at two examples of cultural revival: 3 Böö Mörgöl (commonly referred to as “Mongolian Shamanism” or “Tengerism”) in Ulaanbaatar, Republic of Mongolia, and the revival of Gesar cultural and religious practices in Kham, Tibet, primarily in Yushu, Qinghai province, China.
    [Show full text]
  • Re-Imagining Tibetan Buddhist Pilgrimage Culture in India
    Kalmar: Re-imagining Brigitta KALMAR Re-imagining Tibetan Buddhist Pilgrimage Culture in India ABSTRACT: This article explores how Tibetans have defined India, the birthplace of Buddhism, as a space for themselves and hence created, re-created and reinvented their ancient pilgrimage destinations and rituals there since the middle of 20th century. I begin this paper by introducing the historical development of pilgrimage in the Buddhist tradition and mapping the sacred Buddhist geography of India. In the second part, I explore the development of pilgrimage traditions in Tibetan Buddhism and the network of sacred sites used by pilgrims. In the third part, I introduce some of the Tibetan inventions and reinventions of the pilgrimage tradition over an extensive period of time, between the 12th and the mid-20th century. Finally, partly based on my fieldwork findings, I examine how the Tibetan diasporic community in India has maintained and reinvented its pilgrimage culture and what possible changes have occurred subsequently. KEYWORDS: Buddhism, pilgrimage, Tibetan, India, Tibetan Buddhism Brigitta KALMAR holds a JD in Law from University of Szeged, Hungary, an MA in Human Rights from University of Ulster, UK and an MA in Contemporary Religions from UCC, Ireland. Her research interests include contemporary Buddhism in India and Nepal, women and Buddhism in the 21st century, gender equality and pilgrimage studies. 40 Journal of the Irish Society for the Academic Study of Religions 5 ©ISASR 2017 Introduction Pilgrimage is an ancient universal human activity and one of the most common phenomena found in all major religious traditions. Hinduism, Buddhism, Christianity and Islam all have developed complex pilgrimage cultures, with a range of sites and unique traditions.
    [Show full text]
  • Paro Festival Description, Schedule and Their Significance
    Wind Horse Travel Paro Festival Description, Schedule and their significance. Paro Tsechu Festival is one of the biggest event in Bhutan. Like other Tsechus, it held to honour Guru Rin- poche, who spread tantric Buddhism, that is practiced all over Himalayas. Paro Tsechu is held from 11-15 of 2nd month in Bhutanese calendar. First day of the Paro Tsechu is normally held inside Rinphung Dzong, and the venue for rest of the days is outside in a open area. The final day concludes with unfurling of giant Thongdrol in the early hours before the sunrise, which is then folded back and Wang or blessings are provided. The following is the sequence of dances at Paro Tshechu. Most dances are the same or similar to other Tshechus or festival in Bhutan, but the sequence varies. Between these mask dances, there are some folk singing and dancing. Even if you are not one of Wind Horse Tours Guest, please feel free to use this as a Guide to visiting a festival in Bhutan Day One Shinje Yab Yum: Dance of the Durdag : Dance of the Lords of The black-hat dancers assume the Lord of Death and his Consort the Cremation Grounds appearance of yogis who have the Costume : buffalo mask and long power of killing and recreating life. brocade dress Costume : white skull masks, short shirts and boot It is believed that the gestures of Bodhisattva Jamba Yang or Manju- the dancers’ hands are transformed shri, represents the wisdom aspect This dance was composed by the into mudras (sacred mystic ges- of all Buddha.
    [Show full text]
  • Bhutan's Sacred Song and Lute Dance
    Citation: Dobson, Elaine. 2011. From Mount Tsari to the tsechu: Bhutan’s Sacred Song and Lute Dance. Journal of Bhutan Studies, 25 (Winter), pp. 59-81 འག From Mount Tsari to the tsechu: Bhutan’s Sacred Song and Lute Dance Elaine Dobson∗ For a few days in October, in the Himalayan kingdom of Bhutan, the population of the tiny country increases two-fold as visitors from neighbouring countries in the sub-continent, and from across the world, gather to witness one of the great, annual, Buddhist, three-to-five day, religious, dance-drama festivals or tsechus. A tsechu1 celebrates the great deeds that were performed by the religious saint and teacher, Padmasambhava (also known as Guru Rinpoche2 or Ugyen Rinpoche). Tsechus are held on the tenth day of a lunar month. The exact month depends on the location. Every valley has its own tsechu, usually with some identifying traits. These festivals reinforce the social life of the community and offer opportunities for making or renewing friendships, having picnics and drinking, or trading. In Bhutan, villagers who have moved to the larger towns are expected to return for the festival and they will often sponsor a major part of it. Tsechus accrue status for the monasteries and villages that stage them, and spiritual merit for those who are their sponsors. The spectacular dances that form these tsechus are known as cham. The subjugation of evil and the purification and protection from demonic spirits are important themes in the tsechu and dances. These themes are usually interwoven with those that are morally instructive or didactic and those that proclaim the victory of Buddhism and the glory of Padmasambhava, ∗ Senior Lecturer, School of Music, University of Cantebury, New Zealand.
    [Show full text]
  • Tibetan Silk Appliqué Thangka: Every Stitch Is a Prayer
    Tibetan silk appliqué thangka: every stitch is a prayer Manjushri, Bodhisattva of Wisdom. Detail of silk appliqué thangka, 2009. Private collection i Tibetan silk appliqué thangka This thesis is submitted in fulfilment of the degree of Master of Arts of the Australian National University, Canberra Submitted by Edith A. Young August 2010 I certify that this thesis is my own work and that all sources have been acknowledged. Copyright © by Edith Young. All rights reserved. No part of this thesis may be reproduced in any form or by any means, electronic, photocopy, information retrieval system, or otherwise without permission from the author. ii Acknowledgements I would like to acknowledge those who have assisted me in the work for this thesis. This thesis would not have been possible without assistance from Bhiksuni Karma Palmo and Bhiksuni Karma Lhadron, who helped me from the very beginning to find artists and contacts in Dharamsala and Kathmandu and provided unfailing encouragement and support throughout. It is thanks to the kindness of the artists and lamas who spoke to me at length of their work, their motivation and their efforts in this revival that I have been able to make this contribution to this area of Tibetan art. I have been humbled and motivated by their dedication and the strength of their commitment to sustaining and reviving this artistic tradition. These artists include Terris Temple and Leslie Ngyuen Temple, who warmly welcomed me in Chiang Mai and shared their stories, and Leslie Rinchen Wongmo who has also encouraged and helped me. I am grateful for the assistance I received from the Office of His Holiness the Fourteenth Dalai Lama in Canberra, and I would also like to acknowledge the help of Tenzin Nyimalha, Palden Lama and Tenzin Ringpaponsang, who acted as my translators.
    [Show full text]
  • The Search for Soul in Poetry Janet Gyatso and Pema Bhum This Paper Will
    The Search for Soul In Poetry Janet Gyatso and Pema Bhum This paper will explore the history and reception of the Tibetan idea of ‘soul’ (srog) as a special category to analyse poetry. It is cited by the Fifth Dalai Lama in his commentary to Kavyadarsa, where he attributes it to Zur mkhar ba Blo gros rgyal po, the great medical theorist of the 16th century. Other scholars rejected the idea as necessary to articulate, and accused Zur mkhar ba of excessive immersion in medical practice and confusion of medical issues with poetics. The paper will try to track down the history of this idea, mentioning also seemingly similar ideas in several other statements on the poetics and the Kavyadarsa from various Buddhist countries in South Asia. Automatic Parallel Text Alignment for Tibetan, Sanskrit, Chinese, and Pāli texts Paul G. Hackett In crafting both the translation of a text and the construction of lexical resources, parallel texts in multiple languages serve a critical role in the disambiguation of terms and concepts. This paper reports on the results of the application of techniQues for parallel text alignment to Buddhist canonical materials in TSCP(E) languages — Tibetan, Sanskrit, Chinese, Pāli (and English). The specific techniQues for aligning structurally different languages and the resources developed and deployed in service of this task are also discussed. In particular, the application to English translations is highlighted for its role in enabling both lexical data-mining and translation evaluation. The resources developed and deployed, their use and access through the unified catalog of the Buddhist Canons Research Database (BCRD), and other potential applications are discussed.
    [Show full text]
  • Annual Report 2015-16
    Jeee|<ekeâ efjheesš& Annual Report 2012015555---20120120166 केb6ीय ितबती अaययन िव िवcालय Central University of Tibetan Studies (Deemed University) Sarnath, Varanasi - 221007 www.cuts.ac.in Contents Chapters Page Nos. 1. A Brief Profile of the University 3 2. Faculties and Academic Departments 10 3. Research Departments 35 4. Shantarakshita Library 55 5. Administration 64 6. Activities 75 Appendixes 1. List of Convocations held and Honoris Causa Degrees Conferred on Eminent Persons by CUTS 88 2. List of Members of the CUTS Society 90 3. List of Members of the Board of Governors 92 4. List of Members of the Academic Council 94 5. List of Members of the Finance Committee 97 6. List of Members of the Planning and Monitoring Board 98 7. List of Members of the Publication Committee 99 Editorial Committee Chairman: Dr. Banarsi Lal Associate Professor Rare Buddhist Texts Research Department Members: Dr. Mousumi Guha Banerjee Assistant Professor-in-English and Head Department of Classical and Modern Languages Dr. D. P. Singh P.A. Shantarakshita Library Member Secretary: Shri M.L. Singh Sr. Clerk (Admn. Section-I) [2] A BRIEF PROFILE OF THE UNIVERSITY 1. A BRIEF PROFILE OF THE UNIVERSITY The Central University of Tibetan Studies (CUTS) at Sarnath is one of its kind in the country. The University was established in 1967. The idea of the University was mooted in course of a dialogue between Pandit Jawaharlal Nehru, the first Prime Minister of India and His Holiness the Dalai Lama with a view to educating the young Tibetan in exile and those from the Himalayan regions of India, who have religion, culture and language in common with Tibet.
    [Show full text]
  • The Snowdancer (PDF)
    1 THE SNOWDANCER A Modern Tibetan Love Story in Three Tantric Parables Rolf Gross Pacific Palisades 2011 2 Table of Contents Richard – Active Compassion 1. Richard meets Asya in Lhasa. Ganden Ling. He persuades her to a hike to the Rongshar Valley 2. They hire a yak and cross the mountains to the Tsangpo River 3. A day of rest at Chung Riwoche Gompa. Asya's dreams, New yaks, The old abbot 4. Tsyögyel and the abbot's tulku. Fording a river. 5. Dingri and the Himalayas. Ali the photographer. The sheep must die. 6. Tsultim Lama takes them into Milarepa's Rongshar Beyul. 7. Drintang. Phurbu Lama from Ojai, CA. Guru Setchu Mystery Play. 8. The Snowdancer. Phurbu holds forth on Dzogchen. Lapchi Gompa. Phurbu disappears 9. They survive a disasterous snowstorm in a cave. Asya's dance. Rescued they reach Kathmandu. Asya – The Unification of Opposites 1. Asya returns to Kathmandu. A house for Asya. The Dharma Bums and an moon ecclipse 2. Christian and his airplane. Dakini Airlines. Asya flies to Pokhara. 3. Flying to Mustang. Making the blind of Lo Mantang see. Drölma. 4. Asya and Drölma in Lo. Lhosar Cham dances. The Dalai Lama disappears 5. Drölma teaches Vajra dances at Nagi Gompa. Richard appears 6. Wangchuk. Planning to go to Pemakö. Drölma and Asya explore Vajrayogini shrines 7. The Pemakö. A mysterious njalorpa. Lake Gondu Dorsem Podrang. Asya gives birth to Leah. Leah - All Perceptions are but Delusions of your Mind 1. At a Fasshingball in Munich Leah meets Fritz Lama. Blind Morby in the fog.
    [Show full text]