The Dreyfus Affair – Lessons for Today
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Adelaidean December 2001 Vol 10 No 11
Adelaidean Volume 10 Number 11 News from Adelaide University December 2001 INSIDE A sound solution The Lord of Spineless for carp the Rings invaders page 5 page 7 page 9 Securing the future: Lights, campus, action! major initiatives announced for 2002 Vice-Chancellor tackles budget issues THE Vice-Chancellor, Professor Cliff University achieves a balanced budget in 2002 Blake, has announced a series of and significant surpluses in subsequent years. initiatives aimed at strengthening This will enable us to rebuild our cash reserves Adelaide University's position as one of and look to the future with confidence." Australia's foremost research and The budget strategy aims to boost revenue by education institutions. attracting more fee-paying international The initiatives include: a comprehensive students and reduce costs through tighter budget strategy to restore the University's internal controls, an early voluntary capital base and secure its financial future; a retirement scheme, and amalgamation of stronger marketing effort to build on an some small schools/departments. increase of nearly 30% in total student "Adelaide University is recognised nationally applications for 2002 [see story page 3]; a and internationally as one of Australia's great staff renewal strategy, incorporating a universities," Professor Blake said. recruitment drive and voluntary early retirement scheme to reinvigorate the "The initiatives announced ensure that the academic staff profile; a new Graduate University will be better able to meet the School for postgraduate research students challenges of the 21st century and continue [see story page 3]; new budget control to make a significant contribution to South measures; a $20 million capital works Australia and the nation." program [see story page 4]; a new University A total of 47 Adelaide University staff had Two scenes in the latest film to star Robert Carlyle (Hamish Macbeth, The Full Monty) have Planning Office with responsibility for been accepted for early retirement under the been shot at key locations at Adelaide University. -
Henri-Gabriel IBELS (1867-1936) Un Promeneur Engagé
Henri-Gabriel IBELS (1867-1936) Un promeneur engagé Claire DUPIN DE BEYSSAT Témoin exemplaire du Paris de la fin du XIXe siècle, Henri-Gabriel Ibels (Paris, 1867- 1936) ne se cantonne pas aux milieux de l'avant-garde artistique, mais fréquente aussi bien Montmartre et ses caricaturistes que des groupes politiques plus ou moins organisés. Il se destine rapidement à une carrière artistique : élève à l’École des Arts Décoratifs jusqu'en 1887, il intègre ensuite l'Académie Jullian. Il y rencontre Paul Sérusier (1864-1927), ainsi que Maurice Denis (1870-1943) et Paul Ranson (1861-1909) et constituent ensemble le cercle confidentiel des nabis. Néanmoins, Ibels prend peu à peu ses distances avec ce groupe souvent décrit comme neutre, pour participer à des entreprises socialement plus engagées. Dès le début de sa carrière, il collabore avec des artistes ouvertement libertaires : il devient l'illustrateur attitré du Théâtre Libre d'André Antoine pendant la saison 1892-1893, et l'affichiste fétiche du chanteur Jules Mévisto dès 1891. A partir de 1893, il devient un collaborateur régulier de quelques revues anarchistes : Le Père Peinard et L'Escarmouche, dont il est l'un des fondateurs. Cet engagement trouve son apogée au cours de l'Affaire Dreyfus. En raison de sa connaissance personnelle de l'officier Ferdinand Estherazy, il prend rapidement position aux côtés d'Alfred Dreyfus et des intellectuels qui s'organisent peu à peu pour sa défense en un « Syndicat ». Il fonde ainsi un hebdomadaire illustré, Le Sifflet, en réponse aux divers journaux et images antidreyfusards. Au cours de cette décennie 1890, l’œuvre et la biographie d'Ibels font donc état d'un intérêt croissant pour les questions sociales et pour leurs réponses politiques. -
Le Naturalisme Sur La Scène De L'opéra Lyrique
Université Lumière Lyon 2 Le Naturalisme sur la scène de l’Opéra lyrique Roxane SIFFER Sous la Direction de Mme Sophie PAPAEFTHYMIOU Août-Septembre 2010 Table des matières Remerciements . 5 Introduction. 6 PREMIERE PARTIE : LE THEATRE LYRIQUE COMME MOYEN D’EXPRESSION: LE PROLONGEMENT ET L’ACHEVEMENT DU COMBAT NATURALISTE . 20 SECTION PREMIERE : Genèse et collaborations du couple fondateur : Zola-Bruneau . 20 A°) L’acte de naissance du naturalisme : la rencontre d’Emile Zola et d’Alfred Bruneau . 20 B°) L’œuvre singulière d’Alfred Bruneau . 26 SECTION DEUXIEME : La confusion entre le naturalisme et les Dreyfusards . 33 A°) D’une coopération artistique à l’engagement politique : l’affaire Dreyfus en toile de fond . 33 B°) La prise de position de Bruneau en faveur de Zola . 37 SECTION TROISIEME : L’Affaire Dreyfus : une affaire politique dans les coulisses de l’opéra . 38 A°)Le combat naturaliste sur la scène lyrique : le prolongement du combat dreyfusard . 38 B°)Triomphes et de défaites du naturalisme musical . 40 C°) Un répertoire trop figé historiquement: du mépris à l’oubli . 43 DEUXIEME PARTIE : LE NATURALISME LYRIQUE: UN MOUVEMENT MUSICAL CONTESTE ET INCOMPRIS . 46 SECTION PREMIERE : Les difficultés techniques et l’absence de réelle identité musicale . 46 A°) L’influence du wagnérisme: un héritage romantique indubitable . 46 B°) Style et registres de langue du naturalisme: la négation des canons de l’opéra lyrique . 50 SECTION SECONDE : Les élites de l’univers musical réservées à l’égard du naturalisme lyrique . 59 A°) Des journaux hostiles à l’avènement d’un genre “profane” sur la scène lyrique: . 59 B°) Les directeurs des théâtres lyriques nationaux, majoritairement hostiles aux opéras naturalistes . -
Larrikins, Rebels and Journalistic Freedom in Australia
Larrikins, Rebels and Journalistic Freedom in Australia Josie Vine Larrikins, Rebels and Journalistic Freedom in Australia Josie Vine Larrikins, Rebels and Journalistic Freedom in Australia Josie Vine RMIT University Melbourne, VIC, Australia ISBN 978-3-030-61855-1 ISBN 978-3-030-61856-8 (eBook) https://doi.org/10.1007/978-3-030-61856-8 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2021 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifcally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microflms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affliations. -
Networked Knowledge Media Briefing Rupert Max Stuart Homepage This
Networked Knowledge Media Briefing Rupert Max Stuart Homepage This page setup by Dr Robert N Moles Black And White Review / Margaret Pomeranz and David Stratton Comments by Margaret Pomeranz In 1959 an aboriginal man Max Stuart was arrested for the rape and murder of a young girl on the beach at Ceduna South Australia. His trial and subsequent appeals became a cause celebre... it was never a case of black and white... When lawyer David O'Sullivan (Robert Carlyle) is assigned to defend Max Stuart (David Ngoombujarra), he has no idea that his involvement will lead him on a collision course with the police and with the justice system. He learns that Max's confession has been beaten out of him, that his confession is one he could not possibly have made, this with the help of Father Tom Dixon (Colin Friels). But the entrenched racism of the times makes Max's conviction a foregone conclusion, particularly with that bastion of the establishment, Crown Solicitor Roderic Chamberlain (Charles Dance) leading the case for the prosecution. O'Sullivan's refusal to accept the verdict, his desperate search for a basis for appeal will not only involve his law partner Helen Devaney (Kerry Fox) and the young Rupert Murdoch (Ben Mendelsohn) and Rohan Rivett (John Gregg), the editor of the Adelaide Advertiser, but will take him on a journey to the highest court in the system – the Privy Council in England. Black and White explores this fascinating and seminal piece of Australian history in a rather old-fashioned way. Dialogue is delivered in a declamatory style that just seems clunky, giving scenes a distinct lack of credibility. -
“A Man Has Disappeared”: Gender, Social Frameworks, and Narrative
“A MAN HAS DISAPPEARED”: GENDER, SOCIAL FRAMEWORKS, AND NARRATIVE CONSTRUCTION IN THE AUDIN AFFAIR AND ITS MEMORIAL AFTERLIVES, 1957 – 2018 Emilia Kate Flack Undergraduate Senior Thesis History Department Columbia University 17th April, 2020 Second Reader: Professor Emmanuelle Saada Seminar Leader: Professor George Chauncey Flack 2 ACKNOWLEDGEMENTS I never anticipated writing my acknowledgments at home in Virginia on day whatever-it- is-now of social distancing. The past few weeks have been filled with fear, grief, and uncertainty but through it all this thesis has remained a happy constant. For the opportunities it has given me to delve into the archives, hone my language skills, interview remarkable individuals, foster relationships with phenomenal professors, and rediscover a love of learning that I had perhaps briefly lost, this thesis represents almost everything that I wanted my Columbia undergraduate experience to be… the cap toss will have to wait for now. First of all, I thank everyone at Columbia who has given me the gift of this education. To Professor Chauncey, I thank you for your invaluable advice when I needed it most. To Professor Saada, I am grateful for your guiding hand, expertise, and patience when I turned in far longer drafts than you were expecting! Thank you to the History Department, Professor Mass, Professor Pizzigoni, Professor Coleman and many others for helping me find my home on this campus. I am especially grateful for the Senior Thesis Fellowship for Research in European Archives that enabled me to conduct the interviews and archival research at the heart of this project. To the French Department and Reid Hall, to Professor Taraud and Serge Ollivier, and to Professor Dodman, I express enormous thanks. -
France: from Liberal Empire to the Third Republic
France: from Liberal Empire to the Third Republic The Reign of Napoleon III From 1851-1860, Napoleon III was authoritarian by restraining all political dissent, but had widespread support due to protection of property, backing of the pope, and economic programs. After 1860, he became more liberal by creating a free- trade treaty with Britain and by giving moderates more power in government. Yet, he lost of control over Italian unification and supported a failed Austrian military expedition against Mexico. The Franco-Prussian War, specifically the Battle of Sedan, wrecked the Second Empire in 1870, after which Paris attempted to take control. Paris surrendered in 1871. The Paris Commune After fighting with Germany stopped, the division between the provinces and Paris became sharper. The new National Assembly, elected in February, was dominated by monarchists.The Assembly subsequently gave executive power to Adolphe Thiers. On May 23, the Treaty of Frankfurt, which Thiers negotiated with Prussia, was officially ratified. Many Parisians regarded the monarchist National Assembly sitting at Versailles as a betrayal. Parisians elected a new municipal government, called the Paris Commune, which was formally proclaimed on March 28, 1871; it consisted of both radical and socialists alike. The goal of the Commune was to administer Paris separately from the rest of France. The National Assembly surrounded Paris with an army in April, and on May 8, the army bombarded the city. On May 21, the army broke through the city’s defenses, and during the next seven days, the soldiers killed around 200,000 inhabitants. The Paris Commune soon became a legend throughout Europe. -
Adelaidean December 2002
Adelaidean Volume 11 Number 11 News from the University of Adelaide December 2002 INSIDE Andy Thomas New urban Theatre Guild drops in environment centre turns 65 page 6 page 7 page 10 Control your power costs How research is impacting on the future of your power supply THE BUZZING sound from the black Mr Vowles said people do not see these price box on the television could not have come signals so they keep their air conditioning on at a worse time. It’s 3:00 on a sweltering during the highest temperatures of the day. Sunday afternoon. The family is relaxing Both researchers caution that change is in the lounge enjoying the cool air coming and with it, lifestyles will be altered. generated by the welcome air conditioner. Adapting to such changes in the supply of This temporary utopia is about to be electricity is a feature of the group’s research. disrupted: the household has a decision to They are currently working with seven make and the quicker they respond, the Australian power companies to improve the quicker they’ll be able to continue with their operation and reliability of the power supply lives. But it won’t be the same. that could potentially save the industry The buzzing sound is to advise them of millions of dollars. an electricity price increase and the family has The project hinges around its title: “to to decide to keep the air conditioning on and enhance the dynamic performance of large absorb the additional cost, or suffer in silence. power systems by means of automatic “Welcome to the world stabilising controllers”. -
Bodies of Evidence
——————————————— 1. An Orchestrated Litany of Lies ——————————————— Chapter Two: Bodies of Evidence PART 1: AN ORCHESTRAteD LITANY OF LIES1 A crowd scarcely distinguishes between the subjective and the objective. It accepts as real the images evoked in the mind, though they most often have only a very distant rela- tion with the observed fact. —Gustave Le Bon2 The whole Dreyfus Affair can, from one perspective, be seen as a long debate about the nature of evidence and thus about real and false docu- ments, shredded papers glued together, and forgeries, interfered-with letters, secret and nonexistent pieces of paper, handwriting experts, and discrediting of testimony—about what does and what does not consti- tute the truth, the whole truth and nothing but the truth. From another perspective, sometimes that of hindsight and sometimes that of denial and wilful self-blindness and -deafness, it is about anti-Semitism, about the way the prosecutors in the drawn-out controversy do all they can to prove Dreyfus the Jew guilty because Jews must by virtue of their being Jews be traitors and liars. Most of the Dreyfusards do all they can to avoid dealing with this issue of anti-Semitism and to claim instead that the affair is about truth and justice, about the honour of individuals and 1 Justice Peter Mahon, Royal Commission of Inquiry into the Erebus Disaster (27 April 1981), examining the cover-ups used to protect Air New Zealand from full responsibility for the crash of a chartered tourist flight over Antarctica. As in the Dreyfus Affair, the arrogance of power came fully into play in a conspiracy of silence, duplicity, and pressure from both the New Zealand government and its national airlines. -
Imagereal Capture
ARTICLES The Hon Justice Michoel Kirby AC CMG* BLACK AND WHITE LESSONS FOR THE AUSTRALIAN JUDICIARY ABSTRACT Using the 'celluloid metaphor' of the new Australian film Black and White, the author describes the features of the case of Rupert Max Stuart that reached the High Court in 1959. He outlines the imperfections of the legal process and acknowledges that the prisoner's life was ultimately saved not by the legal system or the judicial process but by a dedicated group of journalists and other citizens who shared the High Court's expressed 'anxiety' about the case but were more determined to give effect to that 'anxiety'. The author describes improvements in the criminal justice system since 1959. These include legal protections for indigenous people; the requirements of legal representation as expressed in Dietrich; the rigorous rule for confessions to police adopted in McKinnej.; the stricter rules governing criminal appeals: the larger insistence on prosecutorial impartiality; the enforcement of requirements for competence of lawyers; and the advent of DNA and other scientific * Justice of the High Court of Australia. This article is based on a lecture given at the Law School, The University of Adelaide, 12 August 2002. 196 KIRBY - BLACK AND WHITE LESSONS FOR THE JUDICIARY evidence to reduce the risks of miscarriages of justice. The author suggests that the Stuart affair illustrates how cleverness is not enough in the law. There must also be a commitment to justice. t seems that everyone who lived in South Australia in the late 1950s and 1960s was touched by the Stuart affair.' Most have a story to tell. -
The Alfred Dreyfus Affair
Video The Beginning 1859: Alfred Dreyfus is born in Alsace, a region in eastern France. 1871: France loses Alsace to the German Empire. 1892: Alfred Dreyfus completes his military training and becomes an officer in the French Army. 1894: September: The French military discovers that military secrets are being sent to the Germans. (One list, called the bordereau, is intercepted.) October: Dreyfus is secretly accused of stealing military secrets. He is arrested and imprisoned. December: Dreyfus is tried and sentenced to life imprisonment on Devil’s Island. 1895: Dreyfus is publicly shamed and stripped of his military rank. He is sent to Devil’s Island in April 1895. The Facts Revealed 1896: Lieutenant Colonel Georges Picquart realizes Major Esterhazy is a German spy and the author of the bordereau. 1897: Vice President of the French Senate Auguste Scheurer- Kestner attempts to reopen the Dreyfus investigation due to new evidence that he is innocent. 1898: January: Esterhazy is found innocent by the military. Emile Zola writes “J’Accuse” a newspaper article in which he accuses the French military of a conspiracy against Dreyfus. August/September: Esterhazy appears before a military inquiry and gives details of his spying activity. He then flees to England. Dreyfus Returns 1899: August/September: Dreyfus is brought back to France and receives a second trial. It causes an international sensation. Dreyfus is again found guilty under “extenuating circumstances” and sentenced to 10 years in prison. Dreyfus supporters face angry mobs and protestors. The country is divided between those who support the military and those who support Dreyfus. -
J'accuse Essay
50 Excellent Extended Essays The Role of Émile Zola’s “J’accuse” in The Dreyfus Affair Role of Emile Zola's "J'acc use" in The Dreyfus Affair Word Count: 3,999 © International Baccalaureate Organization 2008 1 50 Excellent Extended Essays The Role of Émile Zola’s “J’accuse” in The Dreyfus Affair Abstract. ................. ........ ...... ........ .. ........................................ .. ..... 0 Introduction ..... ..... .. ................... ... ..... .. .. ...... .......... .... .. ... ... ............ ... I - 2 Body/Development. ...... .... .. ... .... .. ..................... ........... ........ ..... ......... 3 -11 Conclusion .......................... .. .... ... .......... .. ... ... ................................. 12 - 13 Reference ...... ....... ............. .. ....... .. ........ .... .... ........... .... ... ..... ... .. .. .. ... 14-15 2 © International Baccalaureate Organization 2008 50 Excellent Extended Essays The Role of Émile Zola’s “J’accuse” in The Dreyfus Affair The Dreyfus Affair is the story of Captain Alfred Dreyfus , a young Jewish officer in the French army, wrongly convicted of treason. Dreyfus became a polarizing symbol , mobilizing all of France in a battle between the Dreyfusards and anti-Dreyfusards ; forces that represented defense of the ideals of the Republic versus a blind loyalty towards the honor of the army and state. In this study , I focus on the role of "J'accuse" in The Dreyfus Affair and especially in the acquittal of Dreyfus. I provide some socio -political context from which The