Networked Knowledge Media Briefing Rupert Max Stuart Homepage This

Total Page:16

File Type:pdf, Size:1020Kb

Networked Knowledge Media Briefing Rupert Max Stuart Homepage This Networked Knowledge Media Briefing Rupert Max Stuart Homepage This page setup by Dr Robert N Moles Black And White Review / Margaret Pomeranz and David Stratton Comments by Margaret Pomeranz In 1959 an aboriginal man Max Stuart was arrested for the rape and murder of a young girl on the beach at Ceduna South Australia. His trial and subsequent appeals became a cause celebre... it was never a case of black and white... When lawyer David O'Sullivan (Robert Carlyle) is assigned to defend Max Stuart (David Ngoombujarra), he has no idea that his involvement will lead him on a collision course with the police and with the justice system. He learns that Max's confession has been beaten out of him, that his confession is one he could not possibly have made, this with the help of Father Tom Dixon (Colin Friels). But the entrenched racism of the times makes Max's conviction a foregone conclusion, particularly with that bastion of the establishment, Crown Solicitor Roderic Chamberlain (Charles Dance) leading the case for the prosecution. O'Sullivan's refusal to accept the verdict, his desperate search for a basis for appeal will not only involve his law partner Helen Devaney (Kerry Fox) and the young Rupert Murdoch (Ben Mendelsohn) and Rohan Rivett (John Gregg), the editor of the Adelaide Advertiser, but will take him on a journey to the highest court in the system – the Privy Council in England. Black and White explores this fascinating and seminal piece of Australian history in a rather old-fashioned way. Dialogue is delivered in a declamatory style that just seems clunky, giving scenes a distinct lack of credibility. While director Craig Lahiff has a good sense of visual style his handling of performances is disappointing. The only ones to emerge with distinction are Ben Mendelsohn, John Gregg and David Ngoombujarra. Comments From David Stratton: This should have been a fascinating Australian film on an important theme, but the treatment is surprisingly prosaic and some of the key performances aren't very interesting. Robert Carlyle and Kerry Fox seem a bit bored with it all, and Charles Dance overacts appallingly. On the plus side, David Ngoombajarra is really touching as the man accused of murder. .
Recommended publications
  • Adelaidean December 2001 Vol 10 No 11
    Adelaidean Volume 10 Number 11 News from Adelaide University December 2001 INSIDE A sound solution The Lord of Spineless for carp the Rings invaders page 5 page 7 page 9 Securing the future: Lights, campus, action! major initiatives announced for 2002 Vice-Chancellor tackles budget issues THE Vice-Chancellor, Professor Cliff University achieves a balanced budget in 2002 Blake, has announced a series of and significant surpluses in subsequent years. initiatives aimed at strengthening This will enable us to rebuild our cash reserves Adelaide University's position as one of and look to the future with confidence." Australia's foremost research and The budget strategy aims to boost revenue by education institutions. attracting more fee-paying international The initiatives include: a comprehensive students and reduce costs through tighter budget strategy to restore the University's internal controls, an early voluntary capital base and secure its financial future; a retirement scheme, and amalgamation of stronger marketing effort to build on an some small schools/departments. increase of nearly 30% in total student "Adelaide University is recognised nationally applications for 2002 [see story page 3]; a and internationally as one of Australia's great staff renewal strategy, incorporating a universities," Professor Blake said. recruitment drive and voluntary early retirement scheme to reinvigorate the "The initiatives announced ensure that the academic staff profile; a new Graduate University will be better able to meet the School for postgraduate research students challenges of the 21st century and continue [see story page 3]; new budget control to make a significant contribution to South measures; a $20 million capital works Australia and the nation." program [see story page 4]; a new University A total of 47 Adelaide University staff had Two scenes in the latest film to star Robert Carlyle (Hamish Macbeth, The Full Monty) have Planning Office with responsibility for been accepted for early retirement under the been shot at key locations at Adelaide University.
    [Show full text]
  • Mckee, Alan (1996) Making Race Mean : the Limits of Interpretation in the Case of Australian Aboriginality in Films and Television Programs
    McKee, Alan (1996) Making race mean : the limits of interpretation in the case of Australian Aboriginality in films and television programs. PhD thesis. http://theses.gla.ac.uk/4783/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Making Race Mean The limits of interpretation in the case of Australian Aboriginality in films and television programs by Alan McKee (M.A.Hons.) Dissertation presented to the Faculty of Arts of the University of Glasgow in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow March 1996 Page 2 Abstract Academic work on Aboriginality in popular media has, understandably, been largely written in defensive registers. Aware of horrendous histories of Aboriginal murder, dispossession and pitying understanding at the hands of settlers, writers are worried about the effects of raced representation; and are always concerned to identify those texts which might be labelled racist. In order to make such a search meaningful, though, it is necessary to take as axiomatic certain propositions about the functioning of films: that they 'mean' in particular and stable ways, for example; and that sophisticated reading strategies can fully account for the possible ways a film interacts with audiences.
    [Show full text]
  • Larrikins, Rebels and Journalistic Freedom in Australia
    Larrikins, Rebels and Journalistic Freedom in Australia Josie Vine Larrikins, Rebels and Journalistic Freedom in Australia Josie Vine Larrikins, Rebels and Journalistic Freedom in Australia Josie Vine RMIT University Melbourne, VIC, Australia ISBN 978-3-030-61855-1 ISBN 978-3-030-61856-8 (eBook) https://doi.org/10.1007/978-3-030-61856-8 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2021 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifcally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microflms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affliations.
    [Show full text]
  • Adelaidean December 2002
    Adelaidean Volume 11 Number 11 News from the University of Adelaide December 2002 INSIDE Andy Thomas New urban Theatre Guild drops in environment centre turns 65 page 6 page 7 page 10 Control your power costs How research is impacting on the future of your power supply THE BUZZING sound from the black Mr Vowles said people do not see these price box on the television could not have come signals so they keep their air conditioning on at a worse time. It’s 3:00 on a sweltering during the highest temperatures of the day. Sunday afternoon. The family is relaxing Both researchers caution that change is in the lounge enjoying the cool air coming and with it, lifestyles will be altered. generated by the welcome air conditioner. Adapting to such changes in the supply of This temporary utopia is about to be electricity is a feature of the group’s research. disrupted: the household has a decision to They are currently working with seven make and the quicker they respond, the Australian power companies to improve the quicker they’ll be able to continue with their operation and reliability of the power supply lives. But it won’t be the same. that could potentially save the industry The buzzing sound is to advise them of millions of dollars. an electricity price increase and the family has The project hinges around its title: “to to decide to keep the air conditioning on and enhance the dynamic performance of large absorb the additional cost, or suffer in silence. power systems by means of automatic “Welcome to the world stabilising controllers”.
    [Show full text]
  • Vivat Regina! Melbourne Celebrates the Maj’S 125Th Birthday
    ON STAGE The Spring 2011 newsletter of Vol.12 No.4 Vivat Regina! Melbourne celebrates The Maj’s 125th birthday. he merriment of the audience was entrepreneur Jules François de Sales — now, of course, Her Majesty’s — almost continuous throughout.’ Joubert on the corner of Exhibition and celebrated its birthday by hosting the third TThat was the observation of the Little Bourke Streets. The theatre’s début Rob Guest Endowment Concert. The Rob reporter from M elbourne’s The Argus who was on Friday, 1 October 1886. Almost Guest Endowment, administered by ANZ ‘covered the very first performance in what exactly 125 years later — on Monday, Trustees, was established to commemorate was then the Alexandra Theatre, the 10 October 2011 the merriment was one of Australia’s finest music theatre handsome new playhouse built for similarly almost continuous as the theatre performers, who died in October 2008. * The Award aims to build and maintain a This year’s winner was Blake Bowden. Mascetti, Barry Kitcher, Moffatt Oxenbould, appropriate time and with due fuss and ‘“Vivat Regina!” may be a bit “over the Clockwise from left: Shooting the community for upcoming music theatre He received a $10 000 talent development the theatre’s archivist Mary Murphy, and publicity, as well as the final casting, but I top” — but then, why not?’ commemorative film in The Maj's foyer. Mike Walsh is at stairs (centre). artists and to provide one night every year grant, a media training session, a new theatre historian Frank Van Straten. am thrilled that they are spearheaded by a Why not, indeed! when all facets of the industry join to headshot package and a guest performance Premier Ted Baillieu added a special brand new production of A Chorus Line — as Rob Guest Endowment winner Blake Bowden welcome a new generation of performers.
    [Show full text]
  • Critical and Creative Approaches Ed. Jan Shaw, Philippa Kelly, LE Semler
    Published in Storytelling: Critical and Creative Approaches ed. Jan Shaw, Philippa Kelly, L. E. Semler (Basingstoke: Palgrave, 2013), pp. 83-113. Transnational Glamour, National Allure: Community, Change and Cliché in Baz Luhrmann’s Australia. Meaghan Morris What are the links between stories and the wider social world—the contextual conditions for stories to be told and for stories to be received? What brings people to give voice to a story at a particular historical moment? … and as the historical moment shifts, what stories may lose their significance and what stories may gain in tellability? (Plummer 25). The vantage points from which we customarily view the world are, as William James puts it, ‘fringed forever by a more’ that outstrips and outruns them (Jackson 23-24). Poetry from the future interrupts the habitual formation of bodies, and it is an index of a time to come in which what today exists potently—even if not (yet) effectively— but escapes us will find its time. (Keeling, ‘Looking for M—’ 567) 1 The first time I saw Baz Luhrmann’s Australia I laughed till I cried. To be exact, I cried laughing at dinner after watching the film with a group of old friends at an inner suburban cinema in Sydney. During the screening itself I laughed and I cried. As so often in the movies, our laughter was public and my tears were private, left to dry on my face lest the dabbing of a tissue or an audible gulp should give my emotion away. The theatre was packed that night with a raucously critical audience groaning at the dialogue, hooting at moments of high melodrama (especially Jack Thompson’s convulsive death by stampeding cattle) and cracking jokes at travesties of history perceived on screen.
    [Show full text]
  • Imagereal Capture
    ARTICLES The Hon Justice Michoel Kirby AC CMG* BLACK AND WHITE LESSONS FOR THE AUSTRALIAN JUDICIARY ABSTRACT Using the 'celluloid metaphor' of the new Australian film Black and White, the author describes the features of the case of Rupert Max Stuart that reached the High Court in 1959. He outlines the imperfections of the legal process and acknowledges that the prisoner's life was ultimately saved not by the legal system or the judicial process but by a dedicated group of journalists and other citizens who shared the High Court's expressed 'anxiety' about the case but were more determined to give effect to that 'anxiety'. The author describes improvements in the criminal justice system since 1959. These include legal protections for indigenous people; the requirements of legal representation as expressed in Dietrich; the rigorous rule for confessions to police adopted in McKinnej.; the stricter rules governing criminal appeals: the larger insistence on prosecutorial impartiality; the enforcement of requirements for competence of lawyers; and the advent of DNA and other scientific * Justice of the High Court of Australia. This article is based on a lecture given at the Law School, The University of Adelaide, 12 August 2002. 196 KIRBY - BLACK AND WHITE LESSONS FOR THE JUDICIARY evidence to reduce the risks of miscarriages of justice. The author suggests that the Stuart affair illustrates how cleverness is not enough in the law. There must also be a commitment to justice. t seems that everyone who lived in South Australia in the late 1950s and 1960s was touched by the Stuart affair.' Most have a story to tell.
    [Show full text]
  • German Ethnography in Australia
    10 ‘Only the best is good enough for eternity’: Revisiting the ethnography of T. G. H. Strehlow Jason Gibson1 In September 2006, I sat with one of the few men still alive who had performed, in 1965, for the films of Theodor George Henry (T. G. H.) Strehlow (1908–78). We watched an hour-long silent colour film that depicted more than 27 different Anmatyerr ceremonies and included the participation of up to 10 individuals. The film had never been publicly screened before and had certainly never been viewed by Aboriginal people in the four decades since its making. I became fascinated with the manner in which films like this had been made and curious as to the intellectual style, theoretical agenda and methodological processes that drove this ethnographic project. Though plentiful analyses of Strehlow’s moral character and his intriguing life abound (Hill 2002; Morton 1993; McNally 1981), there have been very few attempts to interrogate the theoretical influences and motivations that shaped his ethnographic practice. One exception is Philip Jones’s 1 Harold Payne Mpetyan, Ken Tilmouth Penangk, Max Stuart Kngwarraye (deceased), Paddy Willis Kemarr, Archie Mpetyan, Ronnie Penangke McNamara, Malcolm Heffernan Pengart and Huckitta Lynch Penangk were particularly generous in their memories of ‘Strehlow-time’. I am grateful to the Monash Indigenous Centre and the Strehlow Research Centre for making the fieldwork and archival research for this chapter possible. 243 GERMAN ETHNOGRAPHY IN AUSTRALIA (2004) discussion of the young Strehlow’s ‘mentors’, although this analysis is deliberately contained to the earliest stages of his career. Others have touched on his theoretical framework (Rowse 1992) and some of his contributions to Australian anthropology (Morton 1997; Austin- Broos 1997; Dousset 1999; Kenny 2004), but in-depth examinations of Strehlow’s methods and achievements as an ethnographer are not particularly well developed.
    [Show full text]
  • Report of the Royal Commission in Regard to Rupert Max Stuart
    [P.P. 80 SOUTH AUSTRALIA REPORT OF THE Royal Commission in regard to Rupert Max Stuart .Laid on the table of the Legislative Council 3rd December, 1959, and ordered to be printed 3rd December, 1959. [Estimated cost of printing (250), £114 9s. 5d.] BY AUTHORITY: W. L. HA WES, Government Printer, Adelaide 1959 Digitised by AIATSIS Library 2010 - www.aiatsis.gov.au [P.P. 80 REPORT OF THE ROYAL COMMISSION IN REGARD TO RUPERT MAX STUART To His Excellency Air Vice-Marshal Sir Robert Allingham George, Knight Commander of the Most Distinguished Order of Saint Michael and Saint George, Knight Commander of the Royal Victorian Order, Knight Commander of the Most Excellent Order of the British Empire, Companion of the Most Honourable Order of the Bath, and upon whom has been conferred the decoration of the Military Cross, Governor in and over the State of South Australia and its Dependencies in the Commonwealth of Australia. MAY IT PLEASE YOUR EXCELLENCY. By a Commission under Your Excellency's hand dated 30th July, 1959, we were appointed a Royal •Commission to enquire into and report to Executive Council upon:— (1) The facts purporting to be disclosed in certain statutory declarations purporting to be made by Norman George Gieseman, Edna Gieseman and Betty Hopes all of Burpengarry in the State of Queensland, relative to the movements, actions and intentions of Rupert Max Stuart now a prisoner in Her Majesty's Gaol at Adelaide. (2) The movements of the said Rupert Max Stuart during Saturday, the 20th day of December, 1958. (3) The reasons why the said statements were not made or furnished to the Supreme Court of South Australia or to an appropriate authority before the dates when they were respectively made and furnished.
    [Show full text]
  • The Representation of the Colonial Past in French and Australian Cinema, from 1970 to 2000
    The Representation of the Colonial Past in French and Australian Cinema, from 1970 to 2000 John James Emerson Thesis presented for the degree of Doctor of Philosophy Department of French Studies Centre for European Studies and General Linguistics University of Adelaide South Australia July 2002 ii This work contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference is made in the text. I give consent for a copy of my thesis to be deposited in the University Library and to be made available for loan and photocopying. ohnJ amesJ Emerson. iii Acknowledgments: This thesis could not have been completed without the postgraduate scholarships awarded by the Commonwealth Government of Australia, and the various scholarships awarded by Adelaide University and its French Department, now part of the Centre for European Studies and General Linguistics. I wish to thank especially Dr Jean Fornasiero for support well beyond the call of normal duty. I wish to thank also my supervisor Dr Blandine Stefanson and Professor Peter Mühlhäusler, my associate supervisor for fifteen months. For their readings and comments, I thank Dr Philip Butterss and Catharine Abell. I wish to extend my gratitude to Hans Albers and Gilly Albers for being able to take my thesis up to Anlaby Station away from the urban distractions. In France I wish to thank Jean-Paul Delamotte, Monique Delamotte, Elaine Lewis, Abdelkader Benali, Floréal Jiminez, Francis Ramirez (Université de la Sorbonne Nouvelle - Paris III), Bertrand Tavernier, Muriel Carpentier (Forum des Images - formerly the Vidéothèque de Paris), and the staff of the Maison des Sciences de l’Homme, all of whom provided indispensable support and guidance.
    [Show full text]
  • NUMBER 18, 1990 the HISTORICAL SOCIETY of SOUTH AUSTRALIA Founded 1974
    JOURNAL of the HISTORICAL SOCIETY of SOUTH AUSTRALIA CO NUMBER 18, 1990 THE HISTORICAL SOCIETY OF SOUTH AUSTRALIA Founded 1974 Objects: (a) to arouse interest in and to promote the study and discussion of South Australian and Australian history. (b)to promote the collection, preservation and classification of source material of all kinds relating to South Australian and Australian history. (c) to publish historical records and articles. (d)to promote the interchange of information among members of the Society by lectures, readings, discussions and exhibitions. (e)to co-operate with similar Societies throughout Australia. (f) to do all such things as are conductive or incidental to the attainment of the above objects or any of them. ********** Council 1990 Patron: Sir Walter Crocker, K.B.E. President: Dr R.P.J. Nicol Vice- President: Mr B J. Samuels Secretary: Mr M.B. Keaire Treasurer: Mrs A.A. Huckel Members: Mr A.H.F. Angas Mr R.M. Gibbs, A.M. Dr PA. Howell Ms S.E. Marsden Dr J.D. Playford, O.A.M. Mr W.S. Stacy Ms P. Sumerling Mrs E. Ulbrich All enquiries about membeship of the Society or purchase of the Journal should be directed to the Secretary. The Historical Society of South Australia. Institute Building, 122 Kintore Avenue, Adelaide, S.A. 5000. Correspondence with the Editor of the Journal should be directed to the same address. CONTENTS ARTIC:[.FS The Stretton Symposium: Social Science and Public Policy Robert Dare 5 Hugh Stretton's University of Adelaide, 1954-56 KS. Inglis 7 Committed Historians: Charles Pearson and Hugh Stretton
    [Show full text]
  • Aboriginal History Journal: Volume 1
    Aboriginal History Volume one 1977 ABORIGINAL HISTORY Editorial Board and Management Committee 1977 Diane Barwick and Robert Reece (Editors) Andrew Markus (Review Editor) Niel Gunson (Chairman) Peter Grimshaw (Treasurer) Peter Corris Luise Hercus Hank Nelson Charles Rowley Ann Curthoys Isabel McBryde Nicolas Peterson Lyndall Ryan National Committee for 1977 Jeremy Beckett Mervyn Hartwig F.D. McCarthy Henry Reynolds Peter Biskup George Harwood John Mulvaney John Summers Greg Dening Ron Lampert Charles Perkins James Urry A.P. Elkin M.E. Lofgren Marie Reay Jo Woolmington Aboriginal History aims to present articles and information in the field of Australian ethnohistory, particularly the post-contact history of the Aborigines and Torres Strait Islanders. Historical studies based on anthro­ pological, archaeological, linguistic and sociological research, including comparative studies of other ethnic groups such as Pacific Islanders in Australia, will be welcomed. Future issues will include recorded oral traditions and biographies, vernacular narratives with translations, pre­ viously unpublished manuscript accounts, resumes of current events, archival and bibliographical articles, and book reviews. Aboriginal History is administered by an Editorial Board which is respon sible for all unsigned material in the journal. Views and opinions expressed by the authors of signed articles and reviews are not necessarily shared by Board members. The editors invite contributions for consideration; reviews will be commissioned by the review editor. Contributions, correspondence and enquiries concerning price and availa­ bility should be sent to: The Editors, Aboriginal History Board, c/- Research School of Pacific Studies, The Australian National University, GPO Box 4, Canberra, A.C.T. 2600, Australia. Reprinted 1988. ABORIGINAL HISTORY VOLUME ONE 1977 PART 1 CONTENTS ARTICLES W.
    [Show full text]