The Body and the Archive Author(s): Allan Sekula Reviewed work(s): Source: October, Vol. 39 (Winter, 1986), pp. 3-64 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/778312 . Accessed: 27/08/2012 13:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to October. http://www.jstor.org The Body and the Archive* ALLAN SEKULA . theremust be arrangeda comprehensive systemof exchanges, so thatthere might grow up somethinglike a universalcurrency ofthese banknotes,or promisesto pay in solid sub- stance,which the sun has engravedfor the greatBank ofNature. - Oliver Wendell Holmes, 1859 On theone side we approachmore closely to whatis goodand beautiful;on theother, vice and sufferingare shut up withinnarrower limits;and we have to dreadless themon- strosities,physical and moral,which have the power to throwperturbation into the social framework. --Adolphe Quetelet, 1842 I. The sheer range and volume of photographic practice offersample evi- dence of the paradoxical status of photographywithin bourgeois culture. The simultaneous threatand promise of the new medium was recognized at a very early date, even beforethe daguerreotypeprocess had proliferated.For exam- * Earlier versions of this essay were presented at the National Gallery of Canada, Ottawa, October 2, 1982, and at the College Art Association Annual Meeting, New York, February 13, 1986.