Doctoral Theses in Early Modern History: Recent Trends and Not-So-New Problems1
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Recent Acquisitions: a Rare Work by Jacobus Tevius Barry Taylor
Recent Acquisitions: a Rare Work by Jacobus Tevius Barry Taylor The British Library has recently had the good fortune to buy a rare work by a major figure in Portuguese Renaissance Humanism. Its description is as follows: Iacobi Tevii Lusitani. Epodon siue Ia(m)bicorum carminum libri tres [...] Ad Sebastianum primum, inuictissimum Lusitaniæ Regem (Lisbon: Francisco Correia, 1565) 12º. [6], 171 [sic for 160], [2], 66 leaves.1 British Library pressmark: RB.23.a.23815 The work is divided into three books: 1. Sententiarum vtilium quidem omnibus hominibus, sed regibus ac rerum moderatoribus præcipue, quibus addita est boni principis institutio. 2. Hymnorum ad Iesum Christum & ad diuos huiusce regni patronos pro Regis salute & rerum felicissimo statu. 3. De perfecto Episcopo & alia opuscula ad Henricum Serenissimum principem, cardinalemque illustrissimum regnique moderatorem sapientissimum. The author, Diogo de Teive, wrote only under the Latin form of his name, Jacobus Te vius.2 He was born in Braga between 1513 and 1515, and died between 1565 and 1579, probably in Lisbon. His career displays both the glory of Portuguese Humanism and its decline under the Inquisition. Like many a scholar of his generation,Tevius was a traveller, a situation aided by the international currency of Latin. From the age of twelve he studied at the Collège de Sainte-Barbe in Paris, under a Portuguese mentor, Diogo de Gouveia Senior. From 1532 to 1534 he taught at Salamanca. Finding the Spanish university town did not provide him with the peace and quiet necessary for study, he returned to France, studying law at Toulouse and teaching at Bordeaux, where he held a chair in Humanities. -
Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Scheeps-Togt Door Don Henrique de Menezes van Couchin na Panatta int gebide des Samorynzen Konink Van Calicut gelegen Stock#: 66717 Map Maker: van der Aa Date: 1700 Place: Amsterdam Color: Hand Colored Condition: VG+ Size: 9 x 6 inches Price: $ 395.00 Description: Fine image of the Arabian Peninsula and much of India, illustrating the third and final voyage of Vasco Da Gama, which result in his death and the ascendancy of Henrique de Menezes as Governor of India. The name Bischa appears on the map. This would seem to be an early printed appearance of the name "Bishita," a name which dates back to the 8th and 9th Centuries, when it appeared in Eastern Syriatic documents of the Old Testament, "referencing the prosperity of the 'Bayt Qatarya' region." (see, Khalid Al-Jaber, Media In Qatar, Katara (Publishin House 2021), p. 23) Vasco da Gama was a Portuguese explorer and the first European to reach India by sea. His initial voyage to India (1497–1499) is widely considered a milestone in world history. Da Gama's discovery of the sea route to India opened the way for an age of global imperialism and enabled the Portuguese to establish a long-lasting colonial empire in Asia. After the death of King Manuel I in late 1521, his son and successor, King John III of Portugal set about reviewing the Portuguese government overseas. Vasco da Gama re-emerged as an important adviser to the new king's appointments and strategy. -
Secrecy, Ostentation, and the Illustration of Exotic Animals in Sixteenth-Century Portugal
ANNALS OF SCIENCE, Vol. 66, No. 1, January 2009, 59Á82 Secrecy, Ostentation, and the Illustration of Exotic Animals in Sixteenth-Century Portugal PALMIRA FONTES DA COSTA Unit of History and Philosophy of Science and Technology, Faculty of Sciences and Technology, Universidade Nova de Lisboa, 2829-516 Campus da Caparica, Portugal Received 6 December 2007. Revised paper accepted 5 August 2008 Summary During the first decades of the sixteenth century, several animals described and viewed as exotic by the Europeans were regularly shipped from India to Lisbon. This paper addresses the relevance of these ‘new’ animals to knowledge and visual representations of the natural world. It discusses their cultural and scientific meaning in Portuguese travel literature of the period as well as printed illustrations, charts and tapestries. This paper suggests that Portugal did not make the most of its unique position in bringing news and animals from Asia. This was either because secrecy associated with trade and military interests hindered the diffusion of illustrations presented in Portuguese travel literature or because the illustrations commissioned by the nobility were represented on expensive media such as parchments and tapestries and remained treasured possessions. However, the essay also proposes that the Portuguese contributed to a new sense of the experience and meaning of nature and that they were crucial mediators in access to new knowledge and new ways of representing the natural world during this period. Contents 1. Introduction. ..........................................59 2. The place of exotic animals in Portuguese travel literature . ...........61 3. The place of exotic animals at the Portuguese Court.. ...............70 4. Exotic animals and political influence. -
Portugal Caminhos Da Fé Paths of Faith Portugal Caminhos Da Fé Paths of Faith
Portugal Caminhos da Fé Paths of faith Portugal Caminhos da Fé Paths of Faith Vitrais do Mosteiro dos Jerónimos, Lisboa Stained glass, Jerónimos Monastery, Lisbon PORTUGAL CaMiNHOS Da fÉ Paths of faith Este folheto apresenta de forma muito resumida os locais de culto e celebração religiosa mais visitados em Portugal, organizados de norte para 03 CAMINHOS sul do território. This brochure sums up the places for religious worship DA Fé São locais de fé e espiritualidade que se visitam and celebration that receive most visitors in Portugal. em oração e recolhimento. Mas são também They are displayed from north to south of Portugal. Paths of Faith um convite à viagem, locais de cultura que enriquecem o visitante qualquer que seja a Each path located on the map is related to an act of intenção ou objetivo da visita. Faith, but it’s not limited to this path. With each path is associated an intention and an objective that inspires Os Santuários religiosos, alguns anteriores à the motivation for that visit and propels for an inner 04 devoção e Festas fundação da nacionalidade, multiplicam-se em search, promoting the spiritual enrichment of the religiosas Portugal e culminam, na Cidade da Paz, no visitor. Santuário de Nossa Senhora de Fátima, local das Devotion and religious Aparições de Nossa Senhora aos três Pastorinhos, The religious Sanctuaries, some built before the festivities em 1917. creation of the nationality, multiply in Portugal. They all culminate at the City of Peace in the Sanctuary of Os Caminhos Portugueses para Santiago de our Lady of Fátima, located where the three young Compostela, percorridos desde o século XII, shepherds saw the Apparitions of Our Lady in 1917. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 46100 I I
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again - beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
The Portrait of Juana of Austria in the Bilbao Fine Arts Museum
IN THE KING’S NAME The Portrait of Juana of Austria in the Bilbao Fine Arts Museum Leticia Ruiz Gómez This text is published under an international Attribution-NonCommercial-NoDerivs Creative Commons licence (BY-NC-ND), version 4.0. It may therefore be circulated, copied and reproduced (with no alteration to the contents), but for educational and research purposes only and always citing its author and provenance. It may not be used commercially. View the terms and conditions of this licence at http://creativecommons.org/licenses/by-ncnd/4.0/legalcode Using and copying images are prohibited unless expressly authorised by the owners of the photographs and/or copyright of the works. © of the texts: Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao Photography credits © Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao: fig. 1 © Kunsthistorisches Museum, Wien: fig. 7 © Musées Royaux des Beaux Arts de Belgique, Bruxelles: fig. 4 © Museo Nacional del Prado, Madrid: figs. 2, 3, 5, 9 and 10 © Patrimonio Nacional, Madrid: figs. 6 and 8 Text published in: B’06 : Buletina = Boletín = Bulletin. Bilbao : Bilboko Arte Eder Museoa = Museo de Bellas Artes de Bilbao = Bilbao Fine Arts Museum, no. 2, 2007, pp. 85-123. Sponsored by: 2 n the 1550s Princess Juana of Portugal was a regular subject for portrait artists, being one of the leading women in the House of Austria, the dynasty that dominated the political scene in Europe throughout the I16th century. The youngest daughter of Charles V and Isabella of Portugal, she had a special role to play in her father’s geopolitical strategies, first as the wife of the heir to the Portuguese throne, to whom she bore a posthumous son who would eventually come to the throne of Spain’s neighbour, and subsequently as regent of the Emperor’s peninsular territories. -
Dutch Sephardi Jewry, Millenarian Politics, and the Struggle for Brazil (1640-1654)
DUTCH SEPHARDI JEWRY, MILLENARIAN POLITICS, AND THE STRUGGLE FOR BRAZIL (1640-1654) JONATHAN I. ISRAEL The notion that Jews were a marginal, isolated group which took no sig nificant part in the great political struggles and rivalries of early modern times is so ingrained in the historiography of the period that any conten tion to the contrary is bound to seem startling and be looked on with scepticism. But the evidence that western Sephardi Jewry (and the Portu guese New Christians in Portugal) played a central role in the vast trian gular, trans-Atlantic struggle between Portugal, Spain and the Dutch in the 1640s is extensive and deserves to be analyzed more systematically than has been the case hitherto. The secession of Portugal from the Spanish crown in December 1640, the outcome of a conspiracy among the Portuguese nobility against Phil ip IV of Spain, and in favor of the Duke of Braganza, who was now pro claimed King John IV of Portugal, was one of the most dramatic events of the mid-seventeenth century - and one of the most far-reaching in its implications. Its effects, especially after Portuguese Brazil and the Portuguese East Indies followed Portugal itself in throwing off allegiance to the Spanish crown, during 1641, were indeed world-wide in scope. Portugal, a key market and hub of a global empire severed its links with the Spanish Monarchy, at that time still the largest and most powerful world imperium, starting a war in the Iberian Peninsula which was to last for over a quarter of a century1. -
European Latin Drama of the Early Modern Period in Spain, Portugal and Latin America
1 European Latin Drama of the Early Modern Period in Spain, Portugal and Latin America Joaquín Pascual Barea Introduction In the Hispanic Neo-Latin theatre, ancient drama converged with cultured and popular medieval genres such as elegiac comedy, debates and religious performances, as well as humanistic comedy from Italy and from the Low Countries, and other dramatic, poetic and oratorical genres from the Modern Age. Before a historical survey, we also analyze the influence of Aristotle’s and Horace’s poetics and of ancient drama on Neo-Latin drama, paying particular attention to the structure, the number of acts, the characters, the use of prose or verse, and the main dramatic genres. The History of Neo-Latin drama in Iberia and Latin America has been divided into four periods. During the reign of the Catholic Kings (1479–1516), the first Latin eclogues and dialogues produced in Spain, and the works of Hercules Florus and Johannes Parthenius de Tovar in the Kingdom of Aragon deserve our interest. Under the King and Emperor Charles (1516–1556), we consider the main authors of Neo-Latin drama: Joannes Angelus Gonsalves and Joannes Baptista Agnesius in Valencia, and Franciscus Satorres in Catalonia; Joannes Maldonatus in Salamanca and Burgos; Joannes Petreius at the University of Alcalá de Henares, and Franciscus Cervantes de Salazar in Mexico, as well as Didacus Tevius in Portugal under John III (1521–1557). A few months before the reign of King Sebastian in Portugal and King Philip in Spain (1556–1598), the Society of Jesus started their dramatic activity in the different provinces of Iberia: Portugal, Andalusia, Castile, Toledo and Aragon. -
A New Companion to Hispanic Mysticism Brill’S Companions to the Christian Tradition
A New Companion to Hispanic Mysticism Brill’s Companions to the Christian Tradition A series of handbooks and reference works on the intellectual and religious life of Europe, 500–1700 VOLUME 19 A New Companion to Hispanic Mysticism Edited by Hilaire Kallendorf LEIDEN • BOSTON 2010 Cover illustration: Confraternity painting (detail) of Saint Michael the Archangel and Souls (Igreja Sandim, Vila Nova de Gaia, Portugal) (Photo: María Gabriela Oliveira). Th is book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data A new companion to Hispanic mysticism / edited by Hilaire Kallendorf. p. cm. — (Brill’s companions to the Christian tradition, ISSN 1871-6377 ; v. 19) Includes bibliographical references and index. ISBN 978-90-04-18350-6 (hardback : alk. paper) 1. Mysticism—Iberian Peninsula—History. 2. Iberian Peninsula—Church history. 3. Mysticism—Spain—Colonies—America—History. 4. Spain—Colonies—America— Church history. I. Kallendorf, Hilaire, 1974- II. Title. III. Series. BV5077.I18N48 2010 248.2’20917561—dc22 2010016132 ISSN 1871-6377 ISBN 978 90 04 18350 6 Copyright 2010 by Koninklijke Brill NV, Leiden, Th e Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to Th e Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
The Portuguese Guitar: History and Transformation of an Instrument Associated with Fado
THE PORTUGUESE GUITAR: HISTORY AND TRANSFORMATION OF AN INSTRUMENT ASSOCIATED WITH FADO NUNO JOSÉ DOS SANTOS ANAIA CRISTO A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO JANUARY 2014 © Nuno José dos Santos Anaia Cristo 2014 ABSTRACT Since the mid-nineteenth century the Portuguese guitar has been connected to the fado genre. Over the years, both the instrument and the song genre have experienced significant transformations, at times related to aesthetic changes, at other times conditioned by social, political and economic alterations. This thesis focuses on the historic organological development of the Portuguese guitar, as an instrument associated with fado, and explores how the Lisbon guitar model has been progressively replaced by the Coimbra guitar model (both in practice and iconic symbolism). I argue that this tendency is related to the current new era of Portuguese guitar practice with its origins in the post-revolutionary period lived in Portugal after the political overthrow in 1974. My study is based on the review and analysis of the most recent works on the subject, fieldwork among players and makers, iconographic and archival research, and my own experience as a player and maker of both models of the Portuguese guitar. ii DEDICATION To my parents iii ACKNOWLEDGMENTS Many thanks to: York University for the 2012 GS-CUPE Unit 1 Graduate Financial Assistance - Dom Award. The Faculty of Graduate Studies for the allocation of the 2012-2013 Fieldwork Fund, without whose generous financial assistance this research would have not been possible; My supervisor Louise Wrazen and secondary reader Judith Cohen for all their encouragement, help and insightful advice throughout this process; My teachers at York University: Rob van der Bliek, Robert Witmer, Robert Simms, Trichy Sankaran, and Sherry Johnson. -
Sources for the History of Art Museums in Portugal» Final Report
PROJETHA Projects of the Institute of Art History Sources for the History of Art Museums in Portugal [PTDC/EAT-MUS/101463/2008 ] Final Report PROJETHA_Projects of the Institute of Art History [online publication] N.º 1 | «Sources for the History of Art Museums in Portugal» _ Final Report Editorial Coordination | Raquel Henriques da Silva, Joana Baião, Leonor Oliveira Translation | Isabel Brison Institut of Art History – Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa | 2013 PROJETHA_ Projects of the Institute of Art History SOURCES FOR THE HISTORY OF ART MUSEUMS IN PORTUGAL CONTENTS Mentioned institutions - proposed translations _5 PRESENTATION | Raquel Henriques da Silva _8 I. PARTNERSHIPS The partners: statements Instituto dos Museus e da Conservação | João Brigola _13 Museu Nacional de Arte Antiga | António Filipe Pimentel _14 Art Library of the Calouste Gulbenkian Foundation | Ana Paula Gordo _15 II . THE TASKS TASK 1. The origins of the Galeria Nacional de Pintura The origins of the Galeria Nacional de Pintura | Hugo Xavier _17 TASK 2. MNAA’s historical archives database, 1870-1962 The project “Sources…” at the Museu Nacional de Arte Antiga | Celina Bastos e Luís Montalvão _24 Report of the work undertaken at the Archive of the Museu Nacional de Arte Antiga. Research Fellowship | Andreia Novo e Ema Ramalheira _27 TASK 3. Exhibitions in the photographic collection of MNAA . The Photographic Archive at the Museu Nacional de Arte Antiga. A historical sketch | Hugo d’Araújo _35 TASK 4. Inventory and study of the “Arrolamentos” of the Royal Palaces of Necessidades and Ajuda. The project “Sources…” at the Palácio Nacional da Ajuda | PNA _52 Report of the work undertaken at the Palácio Nacional da Ajuda. -
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The Eruption of Insular Identities: A Comparative Study of Contemporary Azorean and Cape Verdean Prose By Brianna Medeiros B.A., Brown University, 2011. A.M., Brown University, 2015. A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of Portuguese and Brazilian Studies at Brown University. Providence, Rhode Island May, 2017 © Copyright 2017 by Brianna Medeiros This dissertation by Brianna Medeiros is accepted in its present form by the Department of Portuguese and Brazilian Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date ______________ ______________________________________________ Onésimo T. Almeida, Advisor Recommended to the Graduate Council Date ______________ ______________________________________________ Leonor Simas-Almeida, Reader Date ______________ ______________________________________________ Nelson H. Vieira, Reader Approved by the Graduate Council Date ______________ ______________________________________________ Andrew G. Campbell, Dean of the Graduate School ! iii! Curriculum Vitae Brianna Medeiros was born in Brockton, Massachusetts, where she was raised. She graduated in 2011 from Brown University, where she double concentrated in Portuguese and Brazilian Studies and International Relations. While she was an undergraduate at Brown, she spent a semester in Lisbon, Portugal, studying at the Universidade Nova de Lisboa, in 2010. In 2011 and 2012, she received funding from FLAD to travel to the Azores, with the Antero de Quental Mobilidade fund, and begin her research on Azorean literature. In September 2011, she began her graduate career in Portuguese and Brazilian Studies at Brown University. During her time at Brown, in addition to the support received from FLAD, she also received a Belda Research Fellowship to travel to Santa Catarina and Rio Grande do Sul, Brazil, to conduct research on the Azorean presence and legacy in these two states, in 2014.