2008 Erik Axel Karlfeldt Memorial Open Round 5
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“Girls Don't Watch Porn”: a Narrative Analysis of Women's
“GIRLS DON’T WATCH PORN”: A NARRATIVE ANALYSIS OF WOMEN’S NEGOTIATIONS WITH ‘PROBLEMATIC SPACES’ by Tara Dawn Snape B.A., University Of British Columbia, 2008 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE COLLEGE OF GRADUATE STUDIES (Interdisciplinary Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Okanagan) July 2010 © Tara Dawn Snape, 2010 Abstract This research investigates the various strategies women use to negotiate, rationalize and story their sexual identities and their relationship to potentially problematic spaces. I interviewed ten women between the ages of nineteen and thirty looking for stories from, arguably, the first generation to watch pornographic films before engaging in sexual activities themselves. After listening to women’s stories, two spaces stood out as places of fracture, tension, and also possibility – mainstream, heterosexual pornography and heterosexual anal sex. I am interested in conceptualizing women who engage in socially ‘problematic’ sites as outside the traditional dichotomy of cultural victims who are unaware of their own subordination or as subjects that are entirely resistant and agentic. For example, when porn is viewed as something only men watch, it reinforces perceptions that women are not as sexual as men. This feeds into heteronormative assumptions of women’s sexuality as biologically passive. When women in the audience are considered, questions of agency, self-reflexivity and the possibility for resistant relationships with pornography are absent. Using a narrative methodology, this research works to conceptualize women’s participation in and/or avoidance of pornography and anal sex as indicative of continual and active negotiations with postfeminist and heteronormative definitions of gender, sexuality and sex. -
Sex Issue 2008
TUDENT IFE THE SINDEPENDENT NEWSPAPER OF WASHINGTON UNIVERSITY L IN ST. LOUIS SINCE 1878 SPECIAL ISSUE WEDNESDAY, FEBRUARY 13, 2008 WWW.STUDLIFE.COM X2 STUDENT LIFE | NEWS Senior News Editor / Sam Guzik / [email protected] WEDNESDAY | FEBRUARY 13, 2008 Student Life When did you lose Ahh. Another year, another Sex Issue survey. While the results vary each year, the main purpose of survey remains constant: to discover students’ expectations, experiences and your virginity? opinions on relationships and sex. 1.67% However, there were some notable changes made this year. 2008 marked the fi rst time 14 and under Student Life conducted the survey online, leading to an unprecedented 1550 undergradu- 10.11% ate responses collected. The survey has a theoretical margin of error of two percent. 15-16 We also sorted some of the data based on gender, relationship status and other factors to see if there were any interesting delineations. However, no generalizations were made 40.50% based on sexual orientation because the number of respondents who chose options other 28.40% Still a virgin than heterosexual was too low to supply suffi cient data for an accurate analysis. 17-18 Data complied by David Brody and Shweta Murthi Graphic design by Joe Rigodanzo and Anna Dinndorf 17.45% 19-20 1.80% 21-22 The average WU student has sex _______ I do 24% Are you a Virgin? less often than 60% Freshmen 55% 65% Sophmores more often 55% Juniors than Art School 21% Seniors 50% as often sexuality as 45% 40% 88% of Art and Architec- ture students identify as 35% heterosexual, the lowest 30% percentage of any school. -
Pornstars Twitter Followers Count
Pornstars Twitter Followers Count Historical data report by SocialMediaPornstars.com. Report generated on Aug 2021. Timestamp: 1628079062. Pornstar Username Followers Sunny Leone SunnyLeone 6021024 Tori Black misstoriblack 500985 Alexis Texas Alexis_Texas 1125136 Julia Ann therealJuliaAnn 626708 Jessica Jaymes jessicajaymes 205455 Lexi Belle OMGitsLexi 384231 Jayden Jaymes JaydenMichele 829094 Priya Rai priyaanjalirai 184653 Nicole Aniston XNicoleAnistonX 703402 Sophie Dee sophiedee 1125730 Brandi Love brandi_love 835927 Phoenix Marie PMarizzle 608959 Madison Ivy Madison420Ivy 627118 Asa Akira AsaAkira 818767 Holly Halston xxxhollyhalston 112066 Kortney Kane K0RTNEYKANE 13016 Christy Mack christymack 704614 Sasha Grey sashagrey 1461981 Kelly Divine kellydivine 377120 Dani Daniels akaDaniDaniels 739597 Kiara Mia mysexykiaramia 436898 Bridgette B iamspanishdoll 20368 Veronica Avluv veronicaavluvxx 270515 Jada Stevens jadastevens420 320114 Ariella Ferrera ariellaferrera 359124 Ava Addams avaaddams 838930 Karen Fisher sexykarenfisher 355449 Rachel Starr rachelstarrxxx 547651 Crissy Moran realcrissymoran 3000 Ashlynn Brooke ashlynnbrookie 14713 Lela Star lelastartm 394752 Samantha Saint misssaintxxx 635212 Janet Mason janetmasonxxx 161736 Nikki Benz nikkibenz 944875 Shyla Stylez msshylastylez 398029 Audrey Bitoni audreybitonix 412463 Shay Laren shaylaren 32772 Hanna Hilton thehannahilton 14110 Luscious Lopez luscious_lopez 71203 Malena Morgan malmorganxxx 6513 Cody Lane codylanewicked 8943 Jenni Lee jennileeonline 35269 Chanel Preston chanelpreston -
Faculty Film Festival TUESDAY, OCTOBER 25, Gaines Theater, 6:30PM : CRUMB
5/11/2015 Christopher Newport University Mail Reminder! 'CNU @ the Movies', CRUMB, tonight at 6:30pm Susan Barber <[email protected]> Reminder! 'CNU @ the Movies', CRUMB, tonight at 6:30pm 1 message Personal Announcement Do Not Reply Tue, Oct 25, 2011 at <[email protected]> 10:50 AM ReplyTo: [email protected] To: [email protected], [email protected], [email protected] Dear Faculty, Students, and Staff: Reminder: Crumb, Tonight, 6:30pm, Gaines! Come check out Terry Zwigoff's compelling documentary about countercultural icon, Robert Crumb, whose graphic comix in the 1960s introduced one of the most talented comic artists of the 20th century to the world. Through an exploration of his life and backgroundwarts and all, the film supports the connection between artistic expression and basic human survival. Follow this link to the IMDB and see below for our original blurb! CNU @ the Movies: Faculty Film Festival TUESDAY, OCTOBER 25, Gaines Theater, 6:30PM : CRUMB Terry Zwigoff, 1994, featuring Robert Crumb. This film launched the directorial career of Terry Zwigoff ("Ghost World," "Bad Santa," "Art School Confidential") and is often referred to as one of the best documentaries ever made. The father of underground comics, Robert Crumb is a beguiling combination of madness and artistic genius, at once the strangest person you might ever meet and probably the funniest. "Crumb" juxtaposes his heartbreaking family story with his remarkable artistic achievement, treating you to Crumb's incredible and hilarious https://mail.google.com/mail/u/0/?ui=2&ik=283ac54fb8&view=pt&cat=Archives&search=cat&th=1333b8fbda00abf7&siml=1333b8fbda00abf7 1/2 5/11/2015 Christopher Newport University Mail Reminder! 'CNU @ the Movies', CRUMB, tonight at 6:30pm vision, wit and wisdom all the while. -
When the Game Was Ours
When the Game Was Ours Larry Bird and Earvin Magic Johnson Jr. With Jackie MacMullan HOUGHTON MIFFLIN HARCOURT BOSTON • NEW YORK • 2009 For our fans —LARRY BIRD AND EARVIN "MAGIC" JOHNSON JR. To my parents, Margarethe and Fred MacMullan, who taught me anything was possible —JACKIE MACMULLAN Copyright © 2009 Magic Johnson Enterprises and Larry Bird ALL RIGHTS RESERVED For information about permission to reproduce selections from this book, write to Permissions, Houghton Mifflin Harcourt Publishing Company, 215 Park Avenue South, New York, New York 10003. www.hmhbooks.com Library of Congress Cataloging-in-Publication Data Bird, Larry, date. When the game was ours / Larry Bird and Earvin Magic Johnson Jr. with Jackie MacMullan. p. cm. ISBN 978-0-547-22547-0 1. Bird, Larry, date 2. Johnson, Earvin, date 3. Basketball players—United States—Biography. 4. Basketball—United States—History. I. Johnson, Earvin, date II. MacMullan, Jackie. III. Title. GV884.A1B47 2009 796.3230922—dc22 [B] 2009020839 Book design by Brian Moore Printed in the United States of America DOC 10 9 8 7 6 5 4 3 2 1 Introduction from LARRY WHEN I WAS YOUNG, the only thing I cared about was beating my brothers. Mark and Mike were older than me and that meant they were bigger, stronger, and better—in basketball, baseball, everything. They pushed me. They drove me. I wanted to beat them more than anything, more than anyone. But I hadn't met Magic yet. Once I did, he was the one I had to beat. What I had with Magic went beyond brothers. -
Neü Sex by Sasha Grey
Read and Download Ebook Neü Sex... Neü Sex Sasha Grey PDF File: Neü Sex... 1 Read and Download Ebook Neü Sex... Neü Sex Sasha Grey Neü Sex Sasha Grey Sasha Grey, rising adult film and pop-culture star, takes control in her new monograph neü sex , moving out from in front of the camera to behind it, turning the lens on the wild world she inhabits. “When I first got into the adult industry, I decided to take my photography much more seriously. I started taking a camera with me to capture my experiences on set, so it was a moment in time, a memory for myself—not the video that would be seen by thousands of people. On days where I was physically unable to capture an image, Ian, my fiancé, became my third arm. He understands my aesthetic, or lack thereof. Ian is a photographer, yet the work in this book is quite different from his usual style. When you are so close with someone, there is a shorthand and true understanding of what the other person is trying to accomplish. If there’s something I am physically unable to photograph, I can say one word and Ian can assist me with my vision. Ian can capture intimate moments with me that nobody can fabricate, because of our relationship. The strong sense of familiarity eliminates all boundaries between the subject and the photographer. “Documenting myself has almost become a necessity. “There are so many photos of me, taken by other people, that aesthetically I have no control over. -
Exploring Ghost Worlds: a Review of the Daniel Clowes Reader
Johnston, P 2013 Exploring Ghost Worlds: A Review of The Daniel Clowes THE COMICS GRID Reader. The Comics Grid: Journal of Comics Scholarship, 3(1): 7, pp. 1-5, Journal of comics scholarship DOI: http://dx.doi.org/10.5334/cg.ag REVIEW Exploring Ghost Worlds: A Review of The Daniel Clowes Reader The Daniel Clowes Reader, Ken Parille, Softcover: 360 pages, Colour and black & white, Fantagraphics, 2013, ISBN: 9781606995891 Paddy Johnston* Daniel Clowes is undoubtedly one of the most influen- tial and prolific cartoonists working today, with a career spanning many decades. The Daniel Clowes Reader (Parille 2013) comes at the perfect time – when interest in Clowes from scholars and critics is at a high, but in which he is still perhaps given less critical attention than his peers Chris Ware, Art Spiegelman, and Marjane Satrapi, all of whom are cited twice as often as Clowes despite his large canon of significant works in comics. With recent books being published on Chris Ware by The University Press of Mississippi and the forthcoming Art Spiegelman collec- tion from Drawn and Quarterly, more significant focused, monographic books are emerging in comics and comics criticism, and The Daniel Clowes Reader is a more than wel- come addition to this emergence. Rather than providing an exhaustive chronological ret- rospective, as it would be tempting to do with such a vol- ume, the book is organised into three sections based on distinct areas of discussion which provide thematic arcs: section one explores Girls and Adolescence, focusing on Clowes’ landmark graphic novel Ghost World; section two explores Boys and Post-Adolescence using some of Clowes’ short stories from Eightball; and section three explores the broader and more fluid areas of Comics, Artists and Audiences, including Clowes’ illustrated manifesto, “Mod- ern Cartoonist,” which originally accompanied Eightball #18 as an attached pamphlet in 1997. -
Sarah Paulson Gets Real
THE INSIDER’S GUIDE TO ALL THINGS EMMYS MINISERIES/MOVIES I JUNE 15, 2016 PLUS Kerry Washington, American Crime, Riley Keough, Roots, All the Way, The Night SARAH Manager and all PAULSON those live musicals GETS REAL HER LONG AND WINDING JOURNEY TO THE PEOPLE V. O.J. SIMPSON FOR YOUR CONSIDERATION “ONE OF THE MOST FASCINATING TRUE CRIME STORIES EVER TOLD” OUTSTANDING DOCUMENTARY SERIES THE WRAP SPREAD NETFLIX: MAKING A MURDERER PUB DATE: 06/15/16 TRIM: 20” X 12” BLEED: 20.5” X 12.5” FOR YOUR CONSIDERATION “ONE OF THE MOST FASCINATING TRUE CRIME STORIES EVER TOLD” OUTSTANDING DOCUMENTARY SERIES THE WRAP SPREAD NETFLIX: MAKING A MURDERER PUB DATE: 06/15/16 TRIM: 20” X 12” BLEED: 20.5” X 12.5” FRONT & CENTER / Table of Contents THE WRAP MAGAZINE EDITOR-IN-CHIEF Sharon Waxman AWARDS EDITOR CREATIVE DIRECTOR Steve Pond Ada Guerin DEPUTY EDITOR Tim Appelo To be brutally honest, VICE PRESIDENT, SALES I wanted to be Julia Caren Gibbens Roberts. But that was SALES Nicole Winters, Mattie Reyes, Joe Marmer a child’s dream.” ASSISTANT ART DIRECTORS Laura Geiser, Eric Hernandez DISTRIBUTION Trevor Tivenan THEWRAP.COM DEPUTY MANAGING EDITORS Thom Geier, Tim Molloy DIRECTOR OF AUDIENCE DEVELOPMENT Andrew Curry EDITORS FILM Greg Gilman, Jordan Matt Donnelly, Burchette, Tim Meriah Doty Kenneally, Debbie Emery, Joshua Rich BLOGGER/ REPORTERS REVIEWS EDITOR Joe Otterson, Alonso Duralde Beatrice Verhoeven, Reid Nakamura TELEVISION Scott Collins, VIDEO Tony Maglio, Chuckie Fuoco, Linda Ge, Itay Hod Matt Turner MEDIA SOCIAL Brian Flood Ashley Reyes EVENTS Haley Davis AD OPS Brittany Lawrence, Matt Rullo The Wrap News Inc. -
Las Adaptaciones Cinematográficas De Cómics En Estados Unidos (1978-2014)
UNIVERSITAT DE VALÈNCIA Facultat de Filologia, Traducció i Comunicació Departament de Teoria dels Llenguatges i Ciències de la Comunicació Programa de Doctorado en Comunicación Las adaptaciones cinematográficas de cómics en Estados Unidos (1978-2014) TESIS DOCTORAL Presentada por: Celestino Jorge López Catalán Dirigida por: Dr. Jenaro Talens i Dra. Susana Díaz València, 2016 Por Eva. 0. Índice. 1. Introducción ............................................................................................. 1 1.1. Planteamiento y justificación del tema de estudio ....................... 1 1.2. Selección del periodo de análisis ................................................. 9 1.3. Sinergias industriales entre el cine y el cómic ........................... 10 1.4. Los cómics que adaptan películas como género ........................ 17 2. 2. Comparación entre los modos narrativos del cine y el cómic .......... 39 2.1. El guion, el primer paso de la construcción de la historia ....... 41 2.2. La viñeta frente al plano: los componentes básicos esenciales del lenguaje ........................................................................................... 49 2.3. The gutter ................................................................................. 59 2.4. El tiempo .................................................................................. 68 2.5. El sonido ................................................................................... 72 3. Las películas que adaptan cómics entre 1978 y 2014 ........................... 75 -
Woody Harrelson, Daniel Clowes, and Our Favorite Films of Sundance 2017 A.A
Woody Harrelson, Daniel Clowes, and our favorite films of Sundance 2017 A.A. Dowd Wilson (Photo: Sundance) Can a film be both bitterly, bitingly misanthropic and kind of cuddly? Wilson (Grade: B) gives it a good college try. The film is based on the 2010 graphic novel by Daniel Clowes, who helped adapt some of his earlier works into a pair of big-screen comedies, Ghost World and Art School Confidential. With Wilson, he’s again translated one of his prickly studies of modern alienation to the screen, but without Terry Zwigoff—a kindred spirit of despair and bilious humor—behind the camera. Instead, the project has been helmed by Craig Johnson, director of the recent Sundance favorite The Skeleton Twins, and one can often sense it being pulled in divergent directions, toward the acid wit of its creator and toward something a little more charitable, a little more Fox Searchlight-friendly. An uptick in humaneness, and in palatability, was possibly inevitable; behavior that readers can stomach from a drawing, frozen in ink, might be a tougher sell in flesh-and-blood form. Johnson’s strongest move was securing Woody Harrelson for the title role, an incorrigible windbag who lacks social boundaries, a filter between his mind and motor-mouth, and just about anyone willing to put up with him for longer than a few minutes. Harrelson doesn’t shy away from Wilson’s obnoxiousness—this is a guy who plants himself next to strangers on an empty bus, then berates them when they don’t share his anticonformist worldview—but he does sand down some of his edges, lending an oddly likable quality to his gregarious assholery. -
Chester Brown Mary Wept Over the Feet of Jesus
DRAWN & QUARTERLY SPRING 2016 CHESTER BROWN MARY WEPT OVER THE FEET OF JESUS CHESTER BROWN MARY WEPT OVER THE FEET OF JESUS THE IDIOSYNCRATIC MASTER CHESTER BROWN CONTINUES HIS THOUGHTS ON SEX WORK The iconoclastic and bestselling cartoonist of Paying for It: A Comic- Strip Memoir About Being a John returns with a polemical interpreta- tion of the Bible that will be one of the most controversial and talked- about graphic novels of 2016. Mary Wept over the Feet of Jesus is the retelling in comics form of nine biblical stories that present Chester Brown’s fascinating and startling thesis about biblical representations of prostitution. Brown weaves a connecting line between Bathsheba, Ruth, Rahab, Tamar, Mary of Bethany, and the Virgin Mother and reassesses the Christian moral code by examining the cultural impli- cations of the Bible’s representations of sex work. Mary Wept over the Feet of Jesus is a fitting follow-up to Brown’s sui generis graphic memoir Paying for It, which was reviewed twice in the New York Times and hailed by sex workers for Brown’s advocacy for the decriminalization and normalization of prostitution. Brown approaches the Bible as he did the life of Louis Riel, making these stories compellingly readable and utterly pertinent to a modern audience. In classic Chester Brown fashion, he provides extensive handwritten endnotes that delve into the biblical lore that informs Mary Wept Over the Feet of Jesus. praise for chester brown “I regard Paying For It, as simply, or not so simply, the most recent in a series of totally -
San Jose State University Basketball 2008-09 Schedule Table of Contents Thurs
San Jose State University Basketball 2008-09 Schedule Table of Contents Thurs. Nov. 6 +Menlo College Walt McPherson Court 7:00 p.m. Team Rosters . 2 Fri. Nov. 14 South Dakota State Brookings, S.D. 7:00 p.m. Broadcast Roster . 3 Sun. Nov. 16 Nebraska Lincoln, Neb. 2:00 p.m. Coaching Staff . 4-7 Player Profiles . 8-30 Wed. Nov. 19 California Maritime Walt McPherson Court 7:00 p.m. 2007-08 Year In Review . 31-34 Mon. Nov. 24 Presbyterian Clinton, S.C. 8:00 p.m. Western Athletic Conference. 35-36 Opponents . 37-46 Wed. Dec. 3 Santa Clara Walt McPherson Court 7:00 p.m. In-Season Tournament Competition . 41 Mon. Dec. 8 San Diego San Diego, Calif. 7:00 p.m. Team & Individual Records . 47-57 Sat. Dec. 20 Northern Colorado Civic Auditorium 3:00 p.m. Letterwinners . 58-60 Mon. Dec. 22 USF Walt McPherson Court 7:00 p.m. Honors & Awards . 61 Sat. Dec. 27 Shamrock Office Moraga, Calif. Spartans in the Pros. 62 Solutions Classic Records vs. Collegiate Opponents . 63 Year-by-Year Scores . 64-89 Morgan State vs. William Jessup 5:00 p.m. Head Coaching Records . 89 San Jose State vs. Saint Mary’s 7:30 p.m. NCAA Tournament Teams . 90 Sun. Dec. 28 Shamrock Office Moraga, Calif. The Last Time . 91 Solutions Classic City of San Jose. 92 San Jose State vs. Morgan State or William Jessup 5:00 p.m. San Jose State University. 93-94 Saint Mary’s vs. William Jessup or Morgan State 7:30 p.m.