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Museu Del Cinema - C/ Sèquia, 1 - 17001 Girona - 972 412 777 [email protected]
Museu del Cinema - c/ Sèquia, 1 - 17001 Girona - 972 412 777 [email protected] - www.museudelcinema.cat Cartells de revista Anuncis de pel·lícules en publicacions periòdiques nord-americanes de la Col·lecció Roger Biosca (1930-1964) El cartellista, fotògraf i escriptor Carles Fontserè definí el cartell com “un crit a la paret”. Aquesta exposició, però, pretén mantenir un diàleg íntim i sorprenent amb l’espectador. Sorprenent perquè aborda un tema tan popular com el cinema de Hollywood des d’un vessant inèdit, l’anunci de films en revistes nord-americanes de gran tiratge com Life, The Saturday Evening Post, Ladies’ Home Journal, Colliers o Esquire. Íntim perquè no és el mateix “un crit al carrer” concebut en grans dimensions, que un cara a cara amb una proposta nogensmenys engrescadora. L’objectiu era el mateix, que anessis al cinema, però el mitjà, amb elements compartits, tenia en compte criteris gràfics diferents per mida, proporcions i distància de visió. Aquesta exposició reuneix més d’un centenar d’anuncis procedents de revistes nord- americanes, publicats entre el 1930 i el 1964, de la col·lecció Roger Biosca. I la seva raresa és conseqüència directa de la seva senzillesa: qui guarda els anuncis que apareixien enmig d’unes revistes que eren llençades una vegada llegides? Els cartells, els programes de mà, fins i tot les fotografies promocionals han estat objecte de col·leccionisme des dels inicis del mitjà. Però ningú –o gairebé– es plantejà de col·leccionar els anuncis de pel·lícules inserits en revistes. I avui pràcticament no hi ha informació sobre aquest rar tresor gràfic. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfihn master. UMI fihns the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 A PEOPLE^S AIR FORCE: AIR POWER AND AMERICAN POPULAR CULTURE, 1945 -1965 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Steven Charles Call, M.A, M S. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
European Journal of American Studies, 12-2 | 2017 Thinking Mythologically: Black Hawk Down, the “Platoon Movie,” and the War Of
European journal of American studies 12-2 | 2017 Summer 2017, including Special Issue: Popularizing Politics: The 2016 U.S. Presidential Election Thinking Mythologically: Black Hawk Down, the “Platoon Movie,” and the War of Choice in Iraq Richard Slotkin Electronic version URL: https://journals.openedition.org/ejas/12000 DOI: 10.4000/ejas.12000 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Richard Slotkin, “Thinking Mythologically: Black Hawk Down, the “Platoon Movie,” and the War of Choice in Iraq”, European journal of American studies [Online], 12-2 | 2017, document 1, Online since 01 August 2017, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/12000 ; DOI: https:// doi.org/10.4000/ejas.12000 This text was automatically generated on 8 July 2021. Creative Commons License Thinking Mythologically: Black Hawk Down, the “Platoon Movie,” and the War of... 1 Thinking Mythologically: Black Hawk Down, the “Platoon Movie,” and the War of Choice in Iraq Richard Slotkin 1 In January 2002, five months after Nine-Eleven, the movie Black Hawk Down opened in F0 theaters. A0 Many saw its account of a failed Ranger mission in Somalia as a graphic warning that Third World interventions can become military nightmares. The Times’ Nicholas Kristof, who favored humanitarian interventions elsewhere in Africa, hoped viewers would not come away thinking all such missions were bad ideas.i 2 Be careful what you wish for. When President George W. Bush screened Black Hawk Down at a White House dinner that same month, he and his advisors drew a very different lesson. As Newsweek later reported, “Bush . -
The Family Tree of the Film Noir
Paint It Black: The Family Tree of the Film Noir Raymond Durgnat (1970) In 1946 French critics having missed Hollywood films for five years saw suddenly, sharply, a darkening tone, darkest around the crime film. The English spoke only of the "tough, cynical Hammett-Chandler thriller," although a bleak, cynical tone was invading all genres, from The Long Voyage Home to Duel in the Sun. The tone was often castigated as Hollywood decadence, although black classics are as numerous as rosy (Euripides, Calvin, Ford, Tourneur, Goya, Lautreamont, Dostoievsky, Grosz, Faulkner, Francis Bacon). Black is as ubiquitous as shadow, and if the term film noir has a slightly exotic ring it's no doubt because it appears as figure against the rosy ground of Anglo-Saxon middle-class, and especially Hol- Iywoodian, optimism and puritanism. If the term is French it's no doubt because, helped by their more lucid (and/or mellow, or cynical, or decadent) culture, the French first understood the full import of the American development. Greek tragedy, Jacobean drama and the Romantic Agony (to name three black cycles) are earlier responses to epochs of disillusionment and alienation. But the socio-cultural parallels can't be made mechanically. Late '40s Hollywood is blacker than '30s precisely because its audience, being more secure, no longer needed cheering up. On the other hand, it was arguably insufficiently mature to enjoy the open, realistic discontent of, say, Hotel du Nord. Look Back In Anger, or Norman Mailer. The American film noir, in the narrower sense, paraphrases its social undertones by the melodramatics of crime and the underworld; Scarface and On the Waterfront mark its limits, both also "realistic" films. -
American Culture in the 1950S
American Culture in the 1950s Martin Halliwell Edinburgh University Press For Mum and Dad © Martin Halliwell, 2007 Edinburgh University Press Ltd 22 George Square, Edinburgh Typeset in 11/13 pt Stempel Garamond by Servis Filmsetting Ltd, Manchester, and printed and bound in Great Britain by Cromwell Press, Trowbridge, Wilts A CIP record for this book is available from the British Library ISBN 978 0 7486 1884 2 (hardback) ISBN 978 0 7486 1885 9 (paperback) The right of Martin Halliwell to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. Published with the support of the Edinburgh University Scholarly Publishing Initiatives Fund. Introduction The Intellectual Context At a Variety magazine conference at the Cannes Film Festival in May 2004, film producer Lawrence Bender responded dramatically to a question about media censorship in the United States. Censorship had increased suddenly in February 2004 after the inopportune exposure of singer Janet Jackson’s breast at the live televised Superbowl from Houston, Texas, and Bender’s response was biting: ‘I feel like I’m going back to the fifties here . the conservatives are taking over the country’.1 This unease about censorship was shared by many directors, writers and producers in Cannes 2004, with the rise of the Right on American network television and talk radio, and the threat of the Federal Communications Commission imposing large fines on net- works, making it increasingly difficult to debate issues freely or to offer oppositional views to George W. Bush’s Republican administration. Given the widespread dissent from the film industry to Bush’s presidency, it was not surprising that in the last year of Bush’s first term the satirist and filmmaker Michael Moore won the Palme d’Or for Fahrenheit 9/11, his documentary attempt to topple the Republicans. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Specters of the Cold War in America's century : the Korean War and transnational politics of national imaginaries in the 1950s Permalink https://escholarship.org/uc/item/1pw0x891 Author Hwang, Junghyun Publication Date 2008 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Specters of the Cold War in America’s Century: The Korean War and Transnational Politics of National Imaginaries in the 1950s A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Junghyun Hwang Committee in charge: Professor Lisa Lowe, Co-Chair Professor Lisa Yoneyama, Co-Chair Professor Michael Davidson Professor Jin-kyung Lee Professor Nayan Shah Professor Shelley Streeby 2008 Copyright Junghyun Hwang, 2008 All rights reserved. The dissertation of Junghyun Hwang is approved, and it is acceptable in quality and form for publication on microfilm: _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ Co-Chair _______________________________________________________ Co-Chair University of California, San Diego 2008 iii TABLE OF CONTENTS Signature Page ……………………………………………………………………..…… iii Table of Contents ………………………………………………………………...……. -
The Korean War and Transnational Politics of National Imaginaries in the 1950S
UNIVERSITY OF CALIFORNIA, SAN DIEGO Specters of the Cold War in America’s Century: The Korean War and Transnational Politics of National Imaginaries in the 1950s A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Junghyun Hwang Committee in charge: Professor Lisa Lowe, Co-Chair Professor Lisa Yoneyama, Co-Chair Professor Michael Davidson Professor Jin-kyung Lee Professor Nayan Shah Professor Shelley Streeby 2008 Copyright Junghyun Hwang, 2008 All rights reserved. The dissertation of Junghyun Hwang is approved, and it is acceptable in quality and form for publication on microfilm: _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ Co-Chair _______________________________________________________ Co-Chair University of California, San Diego 2008 iii TABLE OF CONTENTS Signature Page ……………………………………………………………………..…… iii Table of Contents ………………………………………………………………...…….. iv List of Figures …………………………………………………………….……...……… v Acknowledgement ………………………………………………………………..…….. vi Vita and Fields of Study ………………………………………………………...……... vii Abstract ………………………………………………………………………………... viii I. Introduction. “The Pacific is the Ocean Bride of America”: The Cold War, the Korean War, and “Ghostly” Politics of History ……………………………………. 1 II. Cold War Liberalism, Masculinity, -
HE BREEZE Vol
/ 'HE BREEZE Vol. XXX Madison College, Harrisonburg, Virginia, Friday, October 2, 1953 No. 3 Film Sociiety Scholarships Are CALENDAR Registrar Announces Begins Season Still Available Saturday, October 3. Mr. William J. DeLong announc- French Club to the College Camp. Your Madison Film Society is soon es that there are sixteen more open- 8-12 p.m. Informal dance by German Faculty Office Hours Club. to begin its third season of presenting ings for dining hall and ten hour service scholarships. Anyone inter- 7:30-9:30 p.m. Movie—One Minute Miss Helen Frank announces the office hours of all faculty unusual and interesting films. These to Zero, starring Robert Mitchum ested in investigating the possibili- members. Please pay special attention to change in office locations. films not only suggest the nature of ties of either of these scholarships, and Ann Blyth. life in other countries but also that in This is for the convenience of both faculty and students. Any student please see Mr. William J. DeLong, Monday, October 5. our own. The best possible movies to director of student personnel serv- may visit their faculty during the appointed hours.. 8-9:30 p.m. Red Cross Water Safety come out of Hollywood and such for- ices, Wilson Hall. Instructor Course NAME PERIOD eign countries as England, France, OFFICE 8:00 p.m. Business Club Skating Aiken, Miss W7, S2 W36 Italy, Spain and Germany will be Party . Anderson, Mr. Th7, 8. F6, S2, 3, T4 H14 selected. Perhaps freshmen may College Enrollment Tuesday, October & Anthony, Miss M3, Th6, & By App. -
Exceptions to American Exceptionalism in Hollywood
American Studies in Scandinavia, 49:1 (2017), pp. 61-82. Published by the Nordic Association for American Studies (NAAS). “I’ve Got a Hunch We’re Going Around in Circles”: Exceptions to American Exceptionalism in Hollywood Korean War Films Junghyun Hwang Hansung University in Seoul Abstract: Hollywood Korean War films primarily aimed at integrating American citi- zenry into national narratives of cohesion and teleology by displacing contradictions onto the exteriority of American identity. The films dismiss the Korean War as not worth fighting for, yet simultaneously propose that fighting is the only viable option to cope with the futility of war. This paper argues that this closed rationality of we-fight- simply-because-we-fight is a symptom of cold war liberalism. And the cold war sub- ject, caught in the circular movement of finding-while-missing the meaning, prefigures a postmodern subject of drive that transcends the fundamental lack in the process of subjectivization and finds satisfaction in the endless circular movement with no desti- nation. Crucially, American exceptionalism functions as the state fantasy in this pro- cess of denying/displacing inconsistencies inherent to the imagined national identity. This circular rationality, which constitutes the paradigmatic subject-position of late- capitalist American culture, was constructed in the early years of the cold war, and its cultural manifestations can be traced in Hollywood films about the Korean War. Keywords: Hollywood Korean War Films, Cold War Liberalism, American Exception- alism, Post-Cold War World Order, Iraq War Films Representing war as a spectacle is a familiar story in the Hollywood film industry. -
Motion Picture Lobby Cards, 1913-1999
http://oac.cdlib.org/findaid/ark:/13030/kt700021m7 No online items Motion Picture Lobby Cards, 1913-1999 Finding aid prepared by UCLA Library Special Collections Staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2004 The Regents of the University of California. All rights reserved. Motion Picture Lobby Cards, PASC 65 1 1913-1999 Title: Motion picture lobby cards Collection number: PASC 65 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 55.5 linear ft.(111 boxes) Date (inclusive): 1913-1999 Abstract: The collection consists of primarily of American motion picture lobby cards dating from 1913 to ca 1980s. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Motion Picture Lobby Cards (Collection PASC 65). -
Cinema and Representation in International Relations: Hollywood Cinema and the Cold War
CINEMA AND REPRESENTATION IN INTERNATIONAL RELATIONS: HOLLYWOOD CINEMA AND THE COLD WAR A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY ALİ FUAT ŞENGÜL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN THE DEPARTMENT OF INTERNATIONAL RELATIONS JULY 2005 Approval of the Graduate School of Social Sciences. Prof. Dr. Sencer Ayata Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. Prof. Dr. Atila Eralp Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. Assoc. Prof. Dr. Necati Polat Supervisor Examining Committee Members. Assist. Prof. Dr. Nejat Ulusay (AU,COMM) Assoc. Prof. Dr. Necati Polat (METU,IR) Assist. Prof. Dr. Oktay Tanrısever (METU,IR) ii I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Surname: Ali Fuat, Şengül Signature : iii ABSTRACT CINEMA AND REPRESENTATION IN INTERNATIONAL RELATIONS: HOLLYWOOD CINEMA AND THE COLD WAR Şengül, Ali Fuat M.Sc., Department of International Relations Supervisor : Assoc. Prof. Dr. Necati Polat July 2005, 65 pages The thesis seeks to trace the development of the process of ‘reflection as reality’ through a politico-historical analysis of the intimacies between the United States governments and Hollywood cinema during the Cold War.