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Swedish Dimensional Adjectives
ACTA UNIVERSITATIS STOCKHOLMIENSIS Stockholm Studies in Scandinavian Philology NEW SERIES ——————————————– 36 ——————————————– Swedish Dimensional Adjectives Anna Vogel Almqvist & Wiksell International Stockholm – Sweden ACTA UNIVERSITATIS STOCKHOLMIENSIS Stockholm Studies in Scandinavian Philology NEW SERIES ——————————————– 36 ——————————————– Swedish Dimensional Adjectives Anna Vogel Illustrations by Agnes Stenqvist Almqvist & Wiksell International Stockholm – Sweden Doctoral dissertation 2004 Department of Scandinavian Languages Stockholm University SE-106 91 STOCKHOLM Abstract Vogel, Anna. 2004. Swedish Dimensional Adjectives. (Svenska dimensionsadjektiv.) Acta Universitatis Stockholmiensis. Stockholm Studies in Scandinavian Philology. New Series. 36. Almqvist & Wiksell International. 377 pp. The purpose of this study is to give a thorough and detailed account and analysis of the semantics of twelve Swedish dimensional adjectives: hög ‘high/tall’, låg ‘low’, bred ‘broad/wide’, smal ‘narrow/thin’, vid ‘broad’, trång ‘narrow’, tjock ‘thick’, tunn ‘thin’, djup ‘deep’, grund ‘narrow’, lång ‘long’ and kort ‘short’. Focus has been placed on their spatial, non-metaphorical sense. The study was written within the framework of cognitive linguistics, where lexical definitions may be given in terms of prototypical and peripheral uses. Four sources of data have been considered: a corpus, consisting of contemporary fiction, an elicitation test, designed for the purpose, dictionary articles on the pertinent adjectives, and the author’s own linguistic intuition as a native speaker. The methodology has involved categorisation of combinations of adjective and noun, based upon three major themes: orientation, function, and shape. In order to determine prototypical uses, precedence has been given to the outcome of the elicitation test over the corpus search. For both sources, frequency has played an important part. The ranking of senses as stated in the dictionary articles has also been considered. -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Αιγάλεω & Χαϊδάρι Eurovision 2017
11 - 17 ΜΑΪου 2017 . ΤΕυΧοΣ 613 . 210 Η ΦΩΝΗ ΤΗΣ ΑΘΗΝΑΣ . WWW.ATHENSVOICE.GR . FREE PRESS KAΘΕ ΠΕΜΠΤΗ Αιγάλεω & Χαϊδάρι Ανοιξιάτικες βόλτες στα πιο ωραία στέκια Της Νατάσσας Καρυστινού Eurovision 2017 Ακούσαμε όλα τα τραγούδια και σας τα παρουσιάζουμε ένα προς ένα Του Γιάννη Νένε Η ΆνοιξΗ ρολΆρει στΗν ΆθΗνΆ 2 A.V. 11 - 17 ΜΑΪΟΥ 2017 EDITO Thanks for sharing our Tου Φ ώ τ η Γε ω ρ γ ε λ έ voice Eκδότης-∆ιευθυντής Φώτης Γεωργελές Athens Voice (official) Σύµβουλος Έκδοσης ∆ιευθύντρια Σύνταξης Σταυρούλα Παναγιωτάκη Aγγελική Mπιρµπίλη Γενική ∆ιεύθυνση ∆ιαφήµισης Σε µια κανονική χώρα θα µπορούσαµε να συζητή- Η Σ. Τριανταφύλλου γι’ αυτό το µέλλον προειδο- Λουίζα Nαθαναήλ σουµε για τις επιφυλάξεις απέναντι σε ένα νόµο ο ποιεί. Όταν µιλάει για µουσουλµάνους δεν µιλάει οποίος ήταν εξαρχής τόσο θολά και περίεργα δι- φυσικά για ανθρώπους «κατά το θρήσκευµα», ό- Art Director Φώτης Πεχλιβανίδης ατυπωµένος, ώστε να είναι σίγουρο πως θα κα- πως δήθεν δεν καταλαβαίνουν κάποιοι και εξεγεί- Τεχνικός διευθυντής Βάιος Συντσιρµάς τέληγε στα αντίθετα αποτελέσµατα από αυτά τα ρονται για την «ενοχοποίηση 1,5 δις ανθρώπων». οποία, υποτίθεται, στόχευε. Να αθωώνει δηλαδή Μιλάει για «πιστούς». Λέει ότι το Ισλάµ είναι µια Αρχισυντάκτες Γιάννης Νένες, ∆ηµήτρης Μαστρογιαννίτης ρατσιστές και να καταδιώκει καθηγητές ιστορίας πολιτική θρησκεία, µε πολιτικούς στόχους, µέχρι και συγγραφείς. την επικράτηση. ∆υστυχώς, για τον κόσµο µας, η Yπεύθυνος Ύλης Τάκης Σκριβάνος Όµως δεν είµαστε κανονική χώρα. Και όλα όσα πραγµατικότητα επαληθεύει τη Σώτη. Ποιος µιλά- Επιµέλεια Ύλης: ∆ήµητρα Γκρους γίνονται, είναι µεταµφιεσµένες επιδιώξεις, υπη- ει τώρα για το «µετριοπαθές Ισλάµ» του Ερντογάν; ∆ιαχείριση Web Βαγγέλης Κορωνάκης ρετούν άλλες ατζέντες. -
SVALA: Annotation of Second-Language Learner Text Based on Mostly Automatic Alignment of Parallel Corpora
SVALA: Annotation of Second-Language Learner Text Based on Mostly Automatic Alignment of Parallel Corpora Mats Wiren´ Arild Matsson Department of Linguistics Sprakbanken,˚ Department of Swedish Stockholm University, Sweden University of Gothenburg, Sweden [email protected] [email protected] Dan Rosen´ Elena Volodina Sprakbanken,˚ Department of Swedish Sprakbanken,˚ Department of Swedish University of Gothenburg, Sweden University of Gothenburg, Sweden [email protected] [email protected] Abstract Annotation of second-language learner text is a cumbersome manual task which in turn requires interpretation to postulate the intended meaning of the learner’s language. This paper describes SVALA, a tool which separates the logical steps in this process while providing rich visual sup- port for each of them. The first step is to pseudonymize the learner text to fulfil the legal and ethical requirements for a distributable learner corpus. The second step is to correct the text, which is carried out in the simplest possible way by text editing. During the editing, SVALA au- tomatically maintains a parallel corpus with alignments between words in the learner source text and corrected text, while the annotator may repair inconsistent word alignments. Finally, the ac- tual labelling of the corrections (the postulated errors) is performed. We describe the objectives, design and workflow of SVALA, and our plans for further development. 1 Introduction Corpus annotation, whether manual or automatic, is typically performed in a pipeline that includes tok- enization, morphosyntactic tagging, lemmatization and syntactic parsing. Because of the deviations from the standard language, however, learner data puts special demands on annotation. -
Country Profiles, Sweden. INSTITUTION Population Council, -New York, N.Y
DOCUMENT RF.SUKE ED 070 603 SE 014 956 AUTHOR Svala, Gertrud TITLE Country Profiles, Sweden. INSTITUTION Population Council, -New York, N.Y. PUB DATE Jul 72 NOTE 19p. AVAILABLE FROM The Population 'Council, 245 Park Avenue, New Yorke; New York 10017 (Free) EDRS PRICE MF-$0.65 HC -$3.29 DESCRIPTORS *Demography; *Developed Nations; *Family Planning; Health Education; National Programs; Population Distribution; Population Growth; *Population Trends; Social Sciences IDENTIFIERS Sweden ABSTRACT A profile of Sweden is sketched in this paper. Emphasis is placed on the nature, scope, and accomplishments of population activities in the country. Topics and sub-topics include: location and description of the country; population -- size, growth patterns, age structure, urban/rural distribution, ethnic and religious composition;, migration, literacy, economic status, future trends; population growth and socio-economic development -- relationships to national income, size of the labor force, agriculture, social welfare expenditures; history of population programs -- objectives, organization, operations, research and evaluation; private efforts in family planning; educational and scientific efforts in population; and foreign assistance for family planning activities. In many social aspects, Sweden is unique. It has, for example, the highest life expectancy and lowest infant mortality in the world. Per capita gross national product is third largest in the world and has been growing at almost 5 percent a year. Unemployment has been low. An analysis of generation replacement for Swedish females born in 1870 and afterward reveals that, in cohort terms, Swedish fertility has been at or just slightly below replacement roughly from the 1895 cohort onward. Today, the main deficiency in the Swedish family planning program is shortage of personnel and facilities. -
Guidaesc2017.Pdf
Eurovision Song Contest: la musica che unisce l'Europa... e non solo! C'è chi la definisce la "Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2017 42 paesi: 41 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area, che nel 2015 fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che dallo scorso anno è stata ufficialmente invitata dall’organizzazione. L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più paesi e promuovere il mezzo televisivo nel vecchio continente. -
Beowulf, the Canterbury Tales, and Ljósvetninga Saga
THE PROBLEM OF REVENGE IN MEDIEVAL LITERATURE: BEOWULF, THE CANTERBURY TALES, AND LJÓSVETNINGA SAGA by Ann Park Lanpher A thesis submitted in conformity with the requirements for the degree of Ph.D. Graduate Department of English University of Toronto © Copyright by Ann Park Lanpher 2010 The Problem of Revenge in Medieval Literature: Beowulf, The Canterbury Tales, and Ljósvetninga saga Ann Park Lanpher Doctor of Philosophy Department of English University of Toronto 2010 ABSTRACT This dissertation considers the literary treatment of revenge in medieval England and Iceland. Vengeance and feud were an essential part of these cultures; far from the reckless, impulsive action that the word conjures up in modern minds, revenge was considered both a right and a duty and was legislated and regulated by social norms. It was an important tool for obtaining justice and protecting property, family, and reputation. Accordingly, many medieval literary works seem to accept revenge without question. Many, however, evince a great sensitivity to the ambiguities and paradoxes inherent in an act of revenge. In my study, I consider three works that are emblematic of this responsiveness to and indeed, anxiety about revenge. Chapter one focuses on the Old English poem Beowulf; chapter two moves on to discuss Chaucer’s Reeve’s Tale and Tale of Melibee from the Canterbury Tales; and chapter three examines the Old Icelandic family saga, Ljósvetninga saga. I focus in particular on the ii treatment of the avenger in each work. The poet or author of each work acknowledges the perspective of the avenger by allowing him to express his motivations, desires, and justifications for revenge in direct speech. -
WU Shanzhuan & Inga Svala THORSDOTTIR
WU Shanzhuan & Inga Svala THORSDOTTIR Wu Shanzhuan 1960 Born in China 1985 Founded Red Humour 1986 Graduated from Normal Department of the Zejiang Art Academy 1990 Founded Red Humour International 1995 Graduated from the Hochschule für bildende Künste in Hamburg Inga Svala Thorsdottir 1966 Born in Iceland 1991 Graduated from Painting Department of the Icelandic School of Arts and Crafts 1993 Founded Thor’s Daughter’s Pulverization Service 1999 Founded BORG 1995 Graduated from the Hochschule für bildende Künste in Hamburg Since 1991 Thorsdottir and Wu have been working and exhibiting collaborative. They live and work in Hamburg and Shanghai. Selected Solo Exhibitions: 2018 Quote! Quote! Quote! , Inga Svala Thorsdottir & Wu Shanzhuan, Hanart TZ Gallery, Hong Kong 2016 Cause and Examples Projected from It, Long March Space, Beijing, China 2015 Circles Vibration – Bracket Bridge, Hanart TZ, Hong Kong 2014 The Printer/The Paper/The Layer/The Thing’s Right(s)/The Little Fat Flesh, Singapore Tyler Print Institute, Singapore 2013 What A Form: A Reportage, OCT Contemporary Art Terminal, Shenzhen, China Arctic Fox Arc, Temperature War, Large Collage, Hanart TZ, Hong Kong 2011 Kuo Xuan, Inga Svala Thorsdottir & Wu Shanzhuan, Long March Space, Beijing China 2009 Thing’s Right(s) 09 The More, Wu Shanzhuan, Red Humour International & Inga Svala Thorsdottir, Thor’s Daughter’s Pulverization Service, Shanghai Gallery of Art, Three on the Bund, Shanghai, China 2008 Wu Shanzhuan BUT STILL RED, Red Humour International in collaboration with Inga Svala Thorsdottir, -
Various Eurovision Song Contest Kyiv 2017 Mp3, Flac, Wma
Various Eurovision Song Contest Kyiv 2017 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop / Folk, World, & Country Album: Eurovision Song Contest Kyiv 2017 Country: Finland Released: 2017 Style: Pop Rock, Europop, Synth-pop, Dance-pop, Indie Pop, Ballad MP3 version RAR size: 1325 mb FLAC version RAR size: 1251 mb WMA version RAR size: 1664 mb Rating: 4.2 Votes: 740 Other Formats: AA ADX MPC XM AU MMF MP1 Tracklist Hide Credits 1 –Lindita World 2:56 2 –Artsvik Fly With Me 2:59 3 –Isaiah Don't Come Easy 3:04 4 –Nathan Trent Running On Air 2:47 5 –Dihaj Skeletons 2:59 6 –Blanche City Lights 2:54 7 –Kristian Kostov Beautiful Mess 3:00 8 –Naviband Story Of My Life 3:00 9 –Timebelle Apollo 2:59 10 –Hovig Gravity 2:59 11 –Martina Bárta My Turn 2:58 12 –Levina Perfect Life 3:00 13 –Anja Nissen Where I Am 2:59 14 –Manel Navarro Do It For Your Lover 3:00 15 –Koit Toome And Laura* Verona 3:02 16 –Norma John Blackbird 3:06 17 –Alma Requiem 3:00 18 –Lucie Jones Never Give Up On You 3:00 19 –Tamara Gachechiladze Keep The Faith 2:58 20 –Demy This Is Love 3:01 21 –Jacques Houdek My Friend 3:00 22 –Joci Papai* Origo 3:03 23 –Brendan Murray Dying To Try 3:00 24 –Svala Paper 2:59 25 –IMRI I Feel Alive 3:00 26 –Francesco Gabbani Occidentali's Karma 3:03 27 –Fusedmarc Rain Of Revolution 3:05 28 –Triana Park Line 3:08 29 –Sunstroke Project Hey Mamma 2:59 30 –Jana Burcheska* Dance Alone 3:06 31 –Claudia Faniello Breathlessly 3:00 32 –Slavko Kalezić Space 2:59 33 –OG3NE* Lights And Shadows 3:00 34 –JOWST Grab The Moment 2:55 35 –Kasia Mos* Flashlight 3:00 36 –Salvador Sobral Amar Pelos Dois 3:00 Yodel It! 37 –Ilinca* 2:56 Featuring [Uncredited] – Alex Florea* 38 –Julia Samoylova* Flame Is Burning 3:02 39 –Jimmie Wilson , Valentina Monetta Spirit Of The Night 3:05 40 –Tijana Bogićević In Too Deep 3:07 41 –Omar Naber On My Way 3:00 42 –Robin Bengtsson I Can't Go On 3:03 43 –O.Torvald Time 3:04 Companies, etc. -
Courier Gazette: T Day, D Ec E M B Er 20, 1892
T he Courier-Gazette. •I LTME 47. ROCKLAND, MAINE, TUESDAY, DECEMBER 20. 1892. N umber 50 g low CITY CHAT. If holly nnd mistletoe don’t here, THIS CHRISTMAS LOCAL LACONIC’S. good health does, nnd with good health Current Comment on Matters ot Inter we can earn the money to Imy the holly We have made little attempt to get! est to Rockland. cot a n d ......rate Christmas number. We Sa?2'.n^ " '2 t.*bbrevi*‘ed and mistletoe which tho sunny Soutti lor Home Consumption. produces. have tried to get nut an extra good R IG H T nii>n arc these commercial Rockland seems prolific in candidates newspaper, and have tilled onr columns 1.1 EROCK Hall,-ho travellers, and nb for offices, nnd good candidates, too with readable news The paper this irnw place of serving fellows ns Rockland can always be counted on to issue consists of sixteen pages, in which amusement being furnish her quota, whether it's of lime, well, ami l h e ir will bo found a great deal of seasonable fitted up by Mad- money, enterprise nr candidates. doeks & Rackliffe opinions on men, matter. To our many readers nnd w o m e n, towns, Our workingmen, in the variou over their place of subscribers, 3500. never less and often business and trades, are organizing, nnd we’re glad business, head of things in general is worth something. of it. Trade organizations for mutual more, we extend the season’s greetings of Limerock sheet, will he finished by W illi this I n a self evident (net.it is grat benefit, and material, moral and mental .A* -;Sn, nnd good wishes, to our local contem Dec 21 -
62Nd Eurovision Song Contest 2017 Kiev / Ukraine 1St Semi Final 9Th May 2017
62nd Eurovision Song Contest 2017 Kiev / Ukraine 1st Semi Final 9th May 2017 Country Participant Song My Notes My Points Rank Qualifer 1 Sweden Robin Bengtsson I Can't Go On 2 Georgia Tako Gachechiladze Keep The Faith 3 Australia Isaiah Firebrace Don't Come Easy 4 Albania Lindita Halimi Botë 5 Belgium Blanche City Lights 6 Montenegro Slavko Kalezić Space 7 Finland Norma John Blackbird 8 Azerbaijan Diana Hajiyeva Skeletons 9 Portugal Salvador Sobral Amar Pelos Dois 10 Greece Demy This Is Love 11 Poland Kasia Mós Flashlight 12 Moldova Sunstroke Project Hey Mamma 13 Iceland Svala Paper 14 Czech Republic Martina Bárta My Turn 15 Cyprus Hovig Gravity 16 Armenia Artsvik Fly With Me 17 Slovenia Omar Naber On My Way 18 Latvia Triana Park Line [email protected] http://www.eurovisionlive.com © eurovisionlive.com 62nd Eurovision Song Contest 2017 Kiev / Ukraine 2nd Semi Final 11th May 2017 Country Participant Song My Notes My Points Rank Qualifier 1 Serbia Tijana Bogićević Too Deep 2 Austria Nathan Trent Running On Air 3 FYR Macedonia Jana Burceska Dance Alone 4 Malta Claudia Faniello Breathlessly 5 Romania Ilinca ft. Alex Florea Yodel It! 6 The Netherlands O'G3NE Ligths and Shadows 7 Hungary Joci Pápai Origo 8 Denmark Anja Nissen Where I Am 9 Ireland Brendan Murray Dying To Try 10 San Marino Valentina Monetta & Jimmie Spirit Of The Night 11 Croatia Jacques Houdek My Friend 12 Norway Jowst Grab The Moment 13 Switzerland Timebelle Apollo 14 Belarus Naviband Historyja majho zyccia 15 Bulgaria Kristian Kostov Beautiful Mess 16 Lithuania Fusedmarc Rain Of Revolution 17 Estonia Koit Tomme & Laura Verona 18 Israel Imri Ziv I Feel Alive [email protected] http://www.eurovisionlive.com © eurovisionlive.com.