MORNING GLORY SCHOOL and COLLEGE SAVAR CANTONMENT Class: VII Subject: Arts and Crafts

Total Page:16

File Type:pdf, Size:1020Kb

MORNING GLORY SCHOOL and COLLEGE SAVAR CANTONMENT Class: VII Subject: Arts and Crafts MORNING GLORY SCHOOL AND COLLEGE SAVAR CANTONMENT Class: VII Subject: Arts and Crafts Theory Part Q/A and MCQ Chapter: 1 Q/A 1. Through which examples did the artist make the government realize the importance of establishing the Government Art Institute? 2. How many students took admission in the first year? Write about them. 3. What are the importance of arts and crafts? 4. Who are the artists that contributed in flourishing culture and fine arts education in the first twelve years by studying art? 5. What was the contribution of the artist during Liberation of Bangladesh? MCQ 1.Who was the chief Directorate of public Instruction (DPI) of the East Pakistan? a. Dr. Kudrat E Khuda c. Dr. Aminul Islam b. Dr. Luttfur Rahman d. Dr.Shiek Moniruddin 2.The Government Art Institute started its journey on- a. 15 Sep 1948 b. 15 Oct 1948 c. 15 Nov 1948 d. 15 Dec 1948 3.Artist Mohammad Kibria was a student of- a. Fine Arts Institute c. Kolkata Art College b. Kolkata Art School d. Dhaka Art Institute 4. The ancient men used to draw pictures on – a. canvas b. walls of caves c. papers d. Roof 5.Who was the principal of Fine Art Institute? a. Monirul Islam c. Syed Shafikul Hossen b. Abu Taher d. Abdul Baset 6. Who is seen in the following picture? a.Quamrul Hassan c. Hashem Khan b. Aminul Islam d. Zainul Abedin 1 7. who was the student of first institution for painting of East Pakistan or present Bangladesh? a. Zainul Abedin c. Abdul Baset b. Shafiuddin Ahmed d. Shafiqul Amin 8. Who is seen in the following picture? a. Artist Quamrul Hassan c. Artist Hashem Khan b. Artist Aminul Islam d. Artist Zainul Abedin Practical Part Subjective Painting 1. Draw a picture of school playground and color it. 2. Draw human figures from your সবণা book (Page.49) and color it. Natural Design 1. Make a 6″ X 6″ size design with flowers, creeper and leaves using black and white color. 2. Draw a circle of 3″ in diameter using any natural shape and color it. 2 .
Recommended publications
  • Shahjalal Islami Bank ALLOTNO BANKCODE LOTTERYNO BONO
    Shahjalal Islami Bank ALLOTNO BANKCODE LOTTERYNO BONO NAME SHARES 077447 09-01-000003 0241929 1203010030044929 MD JANE ALAM (SONY) & MD MONTU MIA 200 077448 09-01-000006 0241932 1202160018790256 MD BELAL HOSSAIN & MD REZAUL HOQUE 200 077449 09-01-000009 0241935 1204100041078592 SHAFILA BEGUM & YUSUF HAMID 200 077450 09-01-000018 0241944 1201720045133516 ABDUR RAHIM BHUIA 200 077451 09-01-000021 0241947 1204370019451568 MD HOSSAIN ALI 200 077452 09-01-000023 0241949 1201580021593606 MOHAMMED SHAHED UDDIN 200 077453 09-01-000026 0241952 1204090042674571 MOHAMMED ISMAIL 200 077454 09-01-000030 0241956 1203140036249756 MST SHAHIDA KHATUN & MD SHARIAR RAHMAN 200 077455 09-01-000033 0241959 1203140036249721 MD SHARIFUL ISLAM 200 077456 09-01-000034 0241960 1203140036249713 MD SHARIFUL ISLAM & MST ROTNA KHATUN 200 077457 09-01-000039 0241965 1202580038966566 YOUSUF SHAMIM 200 077458 09-01-000046 0241972 1201950012558362 AFROZA KHANAM & MD ALAUDDIN 200 077459 09-01-000051 0241977 1203210008622284 MD MOZIBUR RAHMAN 200 077460 09-01-000052 0241978 1203210008622292 MD MOZIBUR RAHMAN & ROKEYA BEGUM 200 077461 09-01-000055 0241981 1203210006026418 MD MOZAMMAL HOQUE 200 077462 09-01-000058 0241984 1204120032651077 MD MONI MIA & SAYED SARAFAT ALI 200 077463 09-01-000063 0241989 1202700002618184 SYED MOSHAROF HOSSAIN & ROZINA SULTANA 200 077464 09-01-000064 0241990 1203370010289653 SABINA NARGIS 200 077465 09-01-000070 0241996 1202490007140321 ABU BAKAR SIDDIQUE & MD KAMAL HOSSAIN 200 077466 09-01-000073 0241999 1204100045611454 MOSHARROF HOSSEN & NASAR
    [Show full text]
  • South Asia Multidisciplinary Academic Journal, 9 | 2014 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl
    South Asia Multidisciplinary Academic Journal 9 | 2014 Imagining Bangladesh: Contested Narratives Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Electronic version URL: https://journals.openedition.org/samaj/3725 DOI: 10.4000/samaj.3725 ISSN: 1960-6060 Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic reference Lala Rukh Selim, “Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization”, South Asia Multidisciplinary Academic Journal [Online], 9 | 2014, Online since 22 July 2014, connection on 21 September 2021. URL: http://journals.openedition.org/samaj/3725 ; DOI: https://doi.org/10.4000/samaj.3725 This text was automatically generated on 21 September 2021. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl... 1 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Introduction 1 The art of Bangladesh embodies the social and political changes that have transformed the country/region through history. What was once a united state of Bengal is now divided into two parts, the sovereign country of Bangladesh and the state of West Bengal in India. The predominant religion in Bangladesh is Islam and that of West Bengal is Hinduism. Throughout history, ideas and identifications of certain elements of culture as ‘tradition’ have played an important role in the construction of notions of identity in this region, where multiple cultures continue to meet. The celebrated pedagogue, writer and artist K.
    [Show full text]
  • YOUR DHAKA ART SUMMIT “Dhaka Art Summit Has Set the Gold Standard for the Visual Arts in South Asia.” -Bunty Chand, Director of Asia Society, India CONTENTS
    YOUR DHAKA ART SUMMIT “Dhaka art summit has set the gold standard for the visual arts in South Asia.” -Bunty Chand, Director of Asia Society, India CONTENTS ABOUT DAS ........................................................................ 6 PROGRAMME ..................................................................... 8 SCHEDULE ........................................................................ 25 VENUE MAP ...................................................................... 54 DHAKA ............................................................................... 56 OUR PARTNERS ................................................................ 60 Front Cover: Louis Kahn, National Parliament Building, Dhaka. Image credit: Randhir Singh 2 3 The Missing One installation view. Photo courtesy of the Dhaka Art Summit and Samdani Art Foundation. Photo credit: Jenni Carter DHAKA ART SUMMIT 2018 “I have never experienced something as art focused, open and inclusive as I just did at Dhaka Art Summit. The calibre of the conversations was a rare happening in our region.¨ -Dayanita Singh, DAS 2016 Participating Artist 5 The Dhaka Art Summit (DAS) is an international, non-commercial research and exhibition platform for art and architecture connected to South Asia. With a core focus on Bangladesh, DAS re-examines how we think about these forms of art in both a regional and an international context. Founded in 2012 by the Samdani Art Foundation, DAS is held every two years in a public- private partnership with the Bangladesh Shilpakala Academy, with the support of the Ministry of Cultural Affairs and Ministry of Information of the People’s Republic of Bangladesh, the National Tourism Board, Bangladesh Investment Development Authority (BIDA), and in association with the Bangladesh National Museum. Rejecting the traditional biennale format to create a more generative space for art and exchange, DAS’s interdisciplinary programme concentrates its endeavours towards the advancement and promotion of South Asia’s contemporary and historic creative communities.
    [Show full text]
  • 5. Chronological List of Members.Indd
    Chronological List of Members SL No. Enrl. No. Name of Members 1 9 Md Jainul Abedin FCA 2 16 Md Muzaffar Ahmed, FCA 3 24 Kamal Ziaul Islam FCA 4 28 Hari Sadhan Dhar FCA 5 30 A K M Rafi qul Islam FCA 6 37 AKM Mosharraf Hossain FCA 7 38 Kazi Aminul Huque FCA 8 39 Nazrul Islam FCA 9 41 Abdul Hafi z Choudhury FCA 10 43 Beg Mohammed Nurul Azim FCA 11 45 Muhammad Abdus Sattar FCA 12 46 ABM Azizuddin FCA 13 48 Abdul Wahab FCA 14 49 Md Obaidur Rahman FCA 15 51 Abdur Rouf Bhuiya FCA 16 53 Anil Chandra Nath FCA 17 56 Amanullah Khan FCA 18 57 Badrul Alam FCA 19 60 Abu Nasar Altaf Hussain Siddiqui FCA 20 61 Md Abu Taleb Talukder FCA 21 63 Syed Fazlul Haque FCA 22 64 Md Abdul Majid FCA 23 66 ASM Ataul Karim FCA 24 68 Kazi Zahirul Kabir FCA 25 69 M Ashraful Haque FCA 26 73 M A Quadir Mollah FCA 27 74 Abul Kashem FCA 28 78 Md Mushtaque Ahmed FCA 29 80 Mainuddin Ahmed FCA 30 84 Md Azharul Islam FCA 31 89 Shahid Uddin Ahmed FCA 32 92 Sultan Ahmed FCA 33 94 Md Abu Taher FCA 34 95 M Idris Ali FCA 35 97 Muhammed Abdul Halim Gaznavi FCA 36 101 Abu Khaled Mohammad Akhtaruzzaman FCA 37 103 Md Zahirul Islam FCA 38 104 AKM Golam Mostafa FCA 39 105 Howlader Mahfel Huq FCA 40 107 AHM Mustafa Kamal FCA 41 110 Sheikh Abdul Hafi z FCA 42 111 Mohammed Salahuddin FCA 502 MEMBERS AND FIRMS 2019-2020 SL No.
    [Show full text]
  • A Qualitative Study on Advancement of Scholastic Arts and Its Observances: the Perspective of Bangladesh
    Information and Knowledge Management www.iiste.org ISSN 2224-5758 (Paper) ISSN 2224-896X (Online) Vol.6, No.1, 2016 A Qualitative Study on Advancement of Scholastic Arts and its Observances: The Perspective of Bangladesh Arafat Hosen Lecturer, Department of Graphics Design and Multimedia Shanto-Mariam University of Creative Technology, Bangladesh Abstract The study has attempted to provide information how academic system has been initiated in fine art practices in Bangladesh, geographically which was a part of the greater of Bengal in Moghul era and thereafter in British colonial period, was a province of the South Asian Indian sub-continent. The history of art practices in Bangladesh eventually involves the sub continental perspective. Our cultural tradition has an admirable heritage compared to the general identity of Bangladesh in the world map as a country afflicted by poverty and crises. The artists working in various media and cultural workers of this country are earning out the responsibility to keep this honor continuing. It can be said without doubt that our fine artists are playing a visible and leading role in the contemporary world of cultural activities in this country. The tendency to experiment and to accept the context of our country is gradually beginning to be instilled within young artists through various encouraging effort. In the field of sculpture and printmaking, the desire to create has overcome the shortage of materials and is being expressed in many ways. Keywords: Scholastic, Historical Integration, Practices and Scrutinizing, Arts and Culture 1. Prologue Traditional art practices in the past had been mostly patronized by rulers of different era.
    [Show full text]
  • Unclaimed Divident
    Unclaimed Dividend - 2014 SL Warrant Index/BO Name of Shareholders Address 1 0000003 A-0025 Dil Afroz 66, Motijheel C/A, Dhaka 2 0000004 A-0048 Mr Taslim Uddin Ahmed 40, Abdul Hadi Lane Dhaka-2 3 0000005 A-0053 Mr Khondker Mahtab Uddin Ahmed 67, Motijheel C/A. Dhaka 4 0000006 A-0054 Mr Khondker Raisuddin Ahmed 67, Motijheel C/A. Dhaka 5 0000007 A-0055 Mr Khondker Raziuddin Ahmed 67, Motijheel C/A. Dhaka 6 0000008 A-0056 Mr Khondker Giasuddin Ahmed 67, Motijheel C/A. Dhaka 7 0000009 A-0074 Mr Murad Ahmed Hetem Khan Ghoramara Rajshahi 8 0000010 A-0011 Mr Md Nurul Absar 46, Court Road, Chittagong. 9 0000014 A-0104 Mr Rashiduddin Ahmed F-130,Sher-e-Bangla Nagar Dhaka 10 0000015 A-0105 Mr Abul Kasem Ahmadullah 34, Abdul Hadi Lane Ramna Dhaka-2 Haji Mohiuddin, 56 KiminiVushan Rudduru 11 0000016 A-0106 Mr Noor-E-Ahameda Road Dhaka 12 0000017 A-0107 Mr Masihuddin Ahmed 193, Santibagh Dhaka-17 13 0000018 A-0121 Mr Anwar Ahmed 3/1 Purana Paltan Dhaka 14 0000019 A-0122 Mr Rahimuddin Ahmed 124, Shanti Nagar Dhaka-17 15 0000020 A-0123 Mr A T M Mansur Ahmed 132, Nayatola, Mogh Bazar Dhaka Ahmad Trading Corpn. Ltd. 1, WAPDA 16 0000022 A-0136 Mr Sultanuddin Ahmed Building Motijheel Dhaka 17 0000023 A-0141 Mr Nazir Ahmed 48,Nasiruddin Sardar Lane Dhaka-1 C/O. Fazlul Haque Farajee North 18 0000024 A-0146 Mr Md Nasir Ahmed (Bachu) Mithakali, Mathbaria Pirojpur 19 0000025 A-0147 Mr Saijuddin Ahmed Mathbaria Pirojpur 20 0000026 A-0151 Dr Monsur Ahmed Doctors Lodge Kalibari Road Bhola 21/I, Dhaka University Quarters, Nilkhet 21 0000027 A-0153 Mr Syed Istiaq Ahmad Dhaka-2 Paduka Taijash & Louha Bitan, Chotta 22 0000028 A-0156 Mr Md Arif Ahmed Bazar Netrokona Vill.
    [Show full text]
  • Exhibition Catalogue
    53 GRAPHICS from Bangladesh & India 21st September till 5th October 2018 Exhibition sponsor Published on the occasion of a group art exhibition titled "53 Graphics from Bangladesh & India" ©Galleri Kaya, Dhaka Photography: Khaled Design: Karukrit Published by: Director, Galleri Kaya, Dhaka. Contact: Galleri Kaya House 20 Road 16 Sector 4 Uttara Dhaka 1230 Bangladesh. Mobile: +88 01752 684 900 Tel: 88-02- 58956902 E-mail [email protected] www.facebook.com/gallerikaya Printed in Bangladesh M.F. Husain-1915-2011 Haren Das-1921-1993 Somnath Hore-1921-2006 Safiuddin Ahmed-1922-2012 K.G. Subramanyan-1924-2016 Amitabha Banerjee-1928-2013 Mohammad Kibria-1929-2011 Murtaja Baseer-1932 Sanat Kar-1935 Dipak Banerjee-1936 Ganesh Haloi-1936 Lalu Prasad Shaw-1937 Suhas Roy-1936-2016 Manu Parekh-1939 Sunil Das-1939-2015 Niranjan Pradhan-1940 Monirul Islam-1943 Rafiqun Nabi-1943 Mahmudul Haque-1945 Abul Barq Alvi-1949 Shahabuddin Ahmed-1950 Adita Basak-1953 Bimal Kundu-1954 Ratan Mojumder-1954 Manoj Dutta-1956 Atul Dodiya- 1959 Pradip Maitra-1959 Wakilur Rahman-1961 Atin Basak-1966 Rashid Amin-1966 Srikanta Paul-1971 Anisuzzaman-1972 Nagarbasi Barman-1973 Jayanta Naskar-1975 Sheikh Mohammad Rokonuzzaman-1976 Ruhul Amin Tarek-1981 Md. Ariful Islam-1993 Md. Ashraful Alam Rana-1993 Kamrul Khan-1994 The current prints’ show carries a distinct trait because of some high ranking Indian printmakers’ attention-grab- Giants of Indian-Bangladeshi prints under one roof bing works with several Bangladeshi technically advanced printmakers’ works. Takir Hossain Indian Printmakers At the mega show MF Husain’s two prints denote a number of archetypal horses with vigorous movements.
    [Show full text]
  • Bangladesh Studies O Level (7094) Pilot Textbook Topic 1 (A) Influence of Major Cultural Figures
    Bangladesh Studies O Level (7094) Pilot Textbook Topic 1 (a) Influence of major cultural figures Purpose of this chapter This chapter covers Topic 1 of the five History & Culture Topics in the syllabus for the Cambridge GCE Ordinary Level Bangladesh Studies (syllabus 7094, Paper 1). It introduces candidates to: the influence of major cultural figures (Topic 1a) a general background of key developments in Bengali language, literature, art, architecture, folk culture and other cultural practices that shape the culture of Bangladesh (Topic 1b). Teachers should note that the material provided here should form the basis of what is needed to answer the compulsory question in the examination. However, it is hoped that candidates will be able to draw on a wide variety of cultural experiences (by being exposed to poetry, song, dance, drama and local sites of historical interest) and on any other cultural figures to support their answers. Pictures of many cultural figures can be found in: http://banglapedia.search.com.bd Exam guidance Teachers should note that candidates should be familiar with the influence of key figures on the culture of Bangladesh. They may provide information on any key figures (e.g. those suggested in Section 1b) to support their answers, but to restrict demands made on teachers and candidates, the University of Cambridge International Examinations (CIE) has decided that specific questions will only be asked on the following major figures: Alaol Lalon Shah Mir Mosharraf Hossain Rabindranath Tagore Begum Rokeya Kazi Nazrul Islam Jasimuddin Zainul Abedin. Candidates are not expected to have studied the works of such exponents in detail, but should be able to comment on their contribution to developments in, for example, language, literature, drama, dance, music, painting or architecture.
    [Show full text]
  • Unclaimed Divident
    Unclaimed Dividend - 2013 SL Warrant Index/BO Name of Shareholders Address 1 0000001 A-0011 Mr. Md. Nurul Absar 46, Court Road, Chittagong. 2 0000003 A-0025 Dil Afroz 66, Motijheel C/A, Dhaka 3 0000004 A-0034 Mr. Sankar Kumar Agarwala Galla Patty 4 0000005 A-0048 Mr. Taslim Uddin Ahmed 40, Abdul Hadi Lane Dhaka-2 5 0000006 A-0053 Mr. Khondker Mahtab Uddin Ahmed 67, Motijheel C/A. 6 0000007 A-0054 Mr. Khondker Raisuddin Ahmed 67, Motijheel C/A. 7 0000008 A-0055 Mr. Khondker Raziuddin Ahmed 67, Motijheel C/A. 8 0000009 A-0056 Mr. Khondker Giasuddin Ahmed 67, Motijheel C/A. 233,Dhanmondi R/A (Old) 71(New),Road 9 0000010 A-0066 Mr. Yaruddin Ahmed No.15(old) Rd. - 8A(New) 10 0000011 A-0074 Mr. Murad Ahmed Hetem Khan Ghoramara 11 0000013 A-0091 Mr. Moinuddin Ahmed 66/C, Indira Road, West Raja Bazar 12 0000017 A-0104 Mr. Rashiduddin Ahmed F-130,Sher-e-Bangla Nagar 13 0000019 A-0106 Mr. Noor-E-Ahameda Haji Mohiuddin, 56 KiminiVushan Rudduru Road 14 0000020 A-0107 Mr. Masihuddin Ahmed 193, Santibagh 15 0000021 A-0121 Mr. Anwar Ahmed 3/1 Purana Paltan 16 0000022 A-0122 Mr. Rahimuddin Ahmed 124, Shanti Nagar 17 0000023 A-0123 Mr. A. T. M. Mansur Ahmed 132, Nayatola, Mogh Bazar Ahmad Trading Corpn. Ltd. 1, WAPDA Building 18 0000025 A-0136 Mr. Sultanuddin Ahmed Motijheel 19 0000026 A-0141 Mr. Nazir Ahmed 48,Nasiruddin Sardar Lane C/O. Fazlul Haque Farajee North Mithakali, 20 0000027 A-0146 Mr.
    [Show full text]
  • A Brief History of Form and Meaning in Pakistani Art - in Review -
    A brief history of form and meaning in Pakistani art - In Review - ... https://herald.dawn.com/news/1153861/a-brief-history-of-form-an... In Review | A brief history of form and meaning in Pakistani art PRINT Santhal Maidens, ca. 1950s, oil, by Zainul Abedin | Jalaluddin Ahmed, Art in Pakistan (Third Edition 1964) his essay must start with a qualification: it offers only a selective overview of Tdevelopments in modern and contemporary art in Pakistan. Here, the term ‘modern’ is used for the art produced between the middle of the 20th century and the beginning of 1990s; after that ‘contemporary’ art comes into vogue. Modernism largely avoids engagement with the immediate and the present. Rather than focusing on specific social circumstances or engaging with current events, modern art offers metaphoric and transcendent alternatives to the real world. Its materials and mediums seek permanence. By contrast, contemporary art is immersed in the immediate and the present. Unlike modernism, it offers no transcendence but instead engages with existing conditions. It is often ‘post-medium’ as ‘contemporary’ artists usually employ diverse 1 of 24 9/14/17, 10:23 PM A brief history of form and meaning in Pakistani art - In Review - ... https://herald.dawn.com/news/1153861/a-brief-history-of-form-an... materials and techniques that include ephemeral and time-based mediums. Metamorphosis, 1948 , oil on canvas, by Zubeida Agha | Courtesy Khaas Gallery, Islamabad bdur Rahman Chughtai (1894–1975) enjoyed a long and productive career and stands out Aas the first prominent modern Indian Muslim artist. He studied at the Mayo School of Art in Lahore circa 1911 and began painting early in his life.
    [Show full text]
  • Bangladesh a Nation on the March Commemorative Publication on the Occasion of 43Rd Anniversary of the Independence and National Day of Bangladesh-2014
    0 Bangladesh A Nation on the March Commemorative publication on the occasion of 43rd Anniversary of the Independence and National Day of Bangladesh-2014 Bangladesh High Commission, Canberra 1 12 Chaitra 1420 26 March 2014 Message of the President On the eve of our great Independence and National Day, I extend my heartfelt greetings and felicitations to the fellow countrymen living at home and abroad. The great Independence Day is a glorious one in our national life. We achieved our long-cherished independence through a nine-month long armed struggle and manifold forbearance and patience. Today, I recall with deep gratitude the heroic martyrs who made supreme sacrifices in achieving our independence. On this historic day, I recall with profound respect Father of the Nation Bangabandhu Sheikh Mujibur Rahman who proclaimed country’s independence despite myriad challenges and odds. I also recall with deep reverence our four National Leaders; valiant freedom-fighters, organizers, supporters and people from all walks of life for their unmatched contributions and courageous role that accelerated the achievement of our victory. The contributions of those valiant sons would be written in golden letters in the history of our independence forever. One of the prime objectives of our hard-earned independence was to build a happy and prosperous Bangladesh. Keeping that in mind, the Government has been putting untiring efforts in materializing the objectives of independence. We have been achieved some significant progress in the fields of agriculture, education, health, rural infrastructure, communication, energy and power, trade & commerce, ICT, SME, youth & sports, women and children, women empowerment, etc.
    [Show full text]
  • Independence Day Award
    Independence Day Award Independence Day Award (Bengali: sাধীনতা িদবস পরু sার) The gold medal recognition of substantial contribution to Awarded for any fields in national life. Presented by Government of Bangladesh Country Bangladesh Location Dhaka, Bangladesh First awarded 1977 Last awarded 2008 The Independence Day Award (Bengali: sাধীনতা িদবস পদক),also termed Independence Award (Bengali: sাধীনতা পুরsার), is the highest state award given by the government of Bangladesh.Introduced in 1977, this award is bestowed upon Bangladeshi citizens or organizations in recognition of substantial contribution to one of many fields, including the War of Liberation, the language movement, education, literature, journalism, public service, science and technology, medical science, social science, song, games and sports, fine arts, rural development, and other areas. Each awardee receives a gold medal, a certificate of honour, and a sum of cash. The amount of the cash reward was originally taka 20 thousand, but was subsequently increased to taka one lac (.10 million in Bangladeshi currency) in 2004. A cabinet committee on national awards prepares the list of each year's nominees and forwards the list to the head of the government for final approval.The award is traditionally presented on the eve of Independence day in Bangladesh at a much publicized ceremony attended by several cabinet and parliament members and distinguished society guests. Contents List of awardees –1977 –1978 –1979 –1980 –1981 –1982 –1983–1984 –1985 –1986 –1987 – 1988 –1989 –1990 –1991 –1992 –1993 –1994 –1995 –1996 –1997 –1998 –2000 –2001 –2002 – 2003 –2004 –2005 –2006 –2007 –2008 –References 1 List of awardees The following people have received the Independence Day Award since its inception.
    [Show full text]