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South Asia Multidisciplinary Academic Journal, 9 | 2014 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl
South Asia Multidisciplinary Academic Journal 9 | 2014 Imagining Bangladesh: Contested Narratives Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Electronic version URL: https://journals.openedition.org/samaj/3725 DOI: 10.4000/samaj.3725 ISSN: 1960-6060 Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic reference Lala Rukh Selim, “Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization”, South Asia Multidisciplinary Academic Journal [Online], 9 | 2014, Online since 22 July 2014, connection on 21 September 2021. URL: http://journals.openedition.org/samaj/3725 ; DOI: https://doi.org/10.4000/samaj.3725 This text was automatically generated on 21 September 2021. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl... 1 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Introduction 1 The art of Bangladesh embodies the social and political changes that have transformed the country/region through history. What was once a united state of Bengal is now divided into two parts, the sovereign country of Bangladesh and the state of West Bengal in India. The predominant religion in Bangladesh is Islam and that of West Bengal is Hinduism. Throughout history, ideas and identifications of certain elements of culture as ‘tradition’ have played an important role in the construction of notions of identity in this region, where multiple cultures continue to meet. The celebrated pedagogue, writer and artist K. -
YOUR DHAKA ART SUMMIT “Dhaka Art Summit Has Set the Gold Standard for the Visual Arts in South Asia.” -Bunty Chand, Director of Asia Society, India CONTENTS
YOUR DHAKA ART SUMMIT “Dhaka art summit has set the gold standard for the visual arts in South Asia.” -Bunty Chand, Director of Asia Society, India CONTENTS ABOUT DAS ........................................................................ 6 PROGRAMME ..................................................................... 8 SCHEDULE ........................................................................ 25 VENUE MAP ...................................................................... 54 DHAKA ............................................................................... 56 OUR PARTNERS ................................................................ 60 Front Cover: Louis Kahn, National Parliament Building, Dhaka. Image credit: Randhir Singh 2 3 The Missing One installation view. Photo courtesy of the Dhaka Art Summit and Samdani Art Foundation. Photo credit: Jenni Carter DHAKA ART SUMMIT 2018 “I have never experienced something as art focused, open and inclusive as I just did at Dhaka Art Summit. The calibre of the conversations was a rare happening in our region.¨ -Dayanita Singh, DAS 2016 Participating Artist 5 The Dhaka Art Summit (DAS) is an international, non-commercial research and exhibition platform for art and architecture connected to South Asia. With a core focus on Bangladesh, DAS re-examines how we think about these forms of art in both a regional and an international context. Founded in 2012 by the Samdani Art Foundation, DAS is held every two years in a public- private partnership with the Bangladesh Shilpakala Academy, with the support of the Ministry of Cultural Affairs and Ministry of Information of the People’s Republic of Bangladesh, the National Tourism Board, Bangladesh Investment Development Authority (BIDA), and in association with the Bangladesh National Museum. Rejecting the traditional biennale format to create a more generative space for art and exchange, DAS’s interdisciplinary programme concentrates its endeavours towards the advancement and promotion of South Asia’s contemporary and historic creative communities. -
5. Chronological List of Members.Indd
Chronological List of Members SL No. Enrl. No. Name of Members 1 9 Md Jainul Abedin FCA 2 16 Md Muzaffar Ahmed, FCA 3 24 Kamal Ziaul Islam FCA 4 28 Hari Sadhan Dhar FCA 5 30 A K M Rafi qul Islam FCA 6 37 AKM Mosharraf Hossain FCA 7 38 Kazi Aminul Huque FCA 8 39 Nazrul Islam FCA 9 41 Abdul Hafi z Choudhury FCA 10 43 Beg Mohammed Nurul Azim FCA 11 45 Muhammad Abdus Sattar FCA 12 46 ABM Azizuddin FCA 13 48 Abdul Wahab FCA 14 49 Md Obaidur Rahman FCA 15 51 Abdur Rouf Bhuiya FCA 16 53 Anil Chandra Nath FCA 17 56 Amanullah Khan FCA 18 57 Badrul Alam FCA 19 60 Abu Nasar Altaf Hussain Siddiqui FCA 20 61 Md Abu Taleb Talukder FCA 21 63 Syed Fazlul Haque FCA 22 64 Md Abdul Majid FCA 23 66 ASM Ataul Karim FCA 24 68 Kazi Zahirul Kabir FCA 25 69 M Ashraful Haque FCA 26 73 M A Quadir Mollah FCA 27 74 Abul Kashem FCA 28 78 Md Mushtaque Ahmed FCA 29 80 Mainuddin Ahmed FCA 30 84 Md Azharul Islam FCA 31 89 Shahid Uddin Ahmed FCA 32 92 Sultan Ahmed FCA 33 94 Md Abu Taher FCA 34 95 M Idris Ali FCA 35 97 Muhammed Abdul Halim Gaznavi FCA 36 101 Abu Khaled Mohammad Akhtaruzzaman FCA 37 103 Md Zahirul Islam FCA 38 104 AKM Golam Mostafa FCA 39 105 Howlader Mahfel Huq FCA 40 107 AHM Mustafa Kamal FCA 41 110 Sheikh Abdul Hafi z FCA 42 111 Mohammed Salahuddin FCA 502 MEMBERS AND FIRMS 2019-2020 SL No. -
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A Qualitative Study on Advancement of Scholastic Arts and Its Observances: the Perspective of Bangladesh
Information and Knowledge Management www.iiste.org ISSN 2224-5758 (Paper) ISSN 2224-896X (Online) Vol.6, No.1, 2016 A Qualitative Study on Advancement of Scholastic Arts and its Observances: The Perspective of Bangladesh Arafat Hosen Lecturer, Department of Graphics Design and Multimedia Shanto-Mariam University of Creative Technology, Bangladesh Abstract The study has attempted to provide information how academic system has been initiated in fine art practices in Bangladesh, geographically which was a part of the greater of Bengal in Moghul era and thereafter in British colonial period, was a province of the South Asian Indian sub-continent. The history of art practices in Bangladesh eventually involves the sub continental perspective. Our cultural tradition has an admirable heritage compared to the general identity of Bangladesh in the world map as a country afflicted by poverty and crises. The artists working in various media and cultural workers of this country are earning out the responsibility to keep this honor continuing. It can be said without doubt that our fine artists are playing a visible and leading role in the contemporary world of cultural activities in this country. The tendency to experiment and to accept the context of our country is gradually beginning to be instilled within young artists through various encouraging effort. In the field of sculpture and printmaking, the desire to create has overcome the shortage of materials and is being expressed in many ways. Keywords: Scholastic, Historical Integration, Practices and Scrutinizing, Arts and Culture 1. Prologue Traditional art practices in the past had been mostly patronized by rulers of different era. -
Valied Applicant List.Xlsx
HERAMBA CHANDRA COLLEGE Consolidated List of Online Application [ALL Candidates - Application No. wise] From 10/08/2020 to 20/08/2020 Social Sl. No. Appl. No. Full Name Course applied Gender Merit Category 1 202000001 MEGHDEEPA CHOUDHURY B.A English Honours - ENGA-EDCG-ECOG General Female 297 2 202000002 REETAM DATTA B. Com Hons Accounting & Finance General Male 328 3 202000003 ARITRA CHAKRABARTI B.A History Honours - HISA-PLSG-GEOG General Male 380 4 202000004 GOLLURU SUHASINY B. Com Hons Accounting & Finance SC Female 363 5 202000005 TONIMA BANERJEE B. Com Hons Accounting & Finance General Female 321 6 202000006AKASH MAJUMDER B.Com General General Male 218 7 202000007 ANKITA SHOME B. Com Hons Accounting & Finance General Female 285 8 202000008 ANKITA SHOME B.A English Honours - ENGA-HISG-PLSG General Female 285 9 202000009 SOHOM SAHA B. Com Hons Accounting & Finance General Male 350 10 202000010 REETAM DATTA B. Com Hons Accounting & Finance General Male 328 11 202000011 BEDANTO SAHA B. Com Hons Accounting & Finance General Male 332 12 202000012 MONEERA KHAN B. Com Hons Accounting & Finance General Female 327 13 202000013 SWARNAVA ADDYA B. Com Hons Accounting & Finance General Male 318 14 202000014 DIPTO DEEP NATH B. Com Hons Accounting & Finance OBC-B Male 290 15 202000015 DEBAROTI MULLICK B. Com Hons Accounting & Finance General Female 326 16 202000016 SANKHA BANDYOPADHYAY B.Sc Economics Honours - ECOA-MTMG-STSG General Male 299 17 202000017 SWAGATO DAS B. Com Hons Accounting & Finance General Male 330 18 202000018 SANKHA BANDYOPADHYAY B. Com Hons Accounting & Finance General Male 299 19 202000019 RAJRANI SADHU B.A English Honours - ENGA-EDCG-HISG General Female 309 20 202000021 ARITTRA RAJ NASKAR B. -
Unclaimed Divident
Unclaimed Dividend - 2014 SL Warrant Index/BO Name of Shareholders Address 1 0000003 A-0025 Dil Afroz 66, Motijheel C/A, Dhaka 2 0000004 A-0048 Mr Taslim Uddin Ahmed 40, Abdul Hadi Lane Dhaka-2 3 0000005 A-0053 Mr Khondker Mahtab Uddin Ahmed 67, Motijheel C/A. Dhaka 4 0000006 A-0054 Mr Khondker Raisuddin Ahmed 67, Motijheel C/A. Dhaka 5 0000007 A-0055 Mr Khondker Raziuddin Ahmed 67, Motijheel C/A. Dhaka 6 0000008 A-0056 Mr Khondker Giasuddin Ahmed 67, Motijheel C/A. Dhaka 7 0000009 A-0074 Mr Murad Ahmed Hetem Khan Ghoramara Rajshahi 8 0000010 A-0011 Mr Md Nurul Absar 46, Court Road, Chittagong. 9 0000014 A-0104 Mr Rashiduddin Ahmed F-130,Sher-e-Bangla Nagar Dhaka 10 0000015 A-0105 Mr Abul Kasem Ahmadullah 34, Abdul Hadi Lane Ramna Dhaka-2 Haji Mohiuddin, 56 KiminiVushan Rudduru 11 0000016 A-0106 Mr Noor-E-Ahameda Road Dhaka 12 0000017 A-0107 Mr Masihuddin Ahmed 193, Santibagh Dhaka-17 13 0000018 A-0121 Mr Anwar Ahmed 3/1 Purana Paltan Dhaka 14 0000019 A-0122 Mr Rahimuddin Ahmed 124, Shanti Nagar Dhaka-17 15 0000020 A-0123 Mr A T M Mansur Ahmed 132, Nayatola, Mogh Bazar Dhaka Ahmad Trading Corpn. Ltd. 1, WAPDA 16 0000022 A-0136 Mr Sultanuddin Ahmed Building Motijheel Dhaka 17 0000023 A-0141 Mr Nazir Ahmed 48,Nasiruddin Sardar Lane Dhaka-1 C/O. Fazlul Haque Farajee North 18 0000024 A-0146 Mr Md Nasir Ahmed (Bachu) Mithakali, Mathbaria Pirojpur 19 0000025 A-0147 Mr Saijuddin Ahmed Mathbaria Pirojpur 20 0000026 A-0151 Dr Monsur Ahmed Doctors Lodge Kalibari Road Bhola 21/I, Dhaka University Quarters, Nilkhet 21 0000027 A-0153 Mr Syed Istiaq Ahmad Dhaka-2 Paduka Taijash & Louha Bitan, Chotta 22 0000028 A-0156 Mr Md Arif Ahmed Bazar Netrokona Vill. -
Exhibition Catalogue
53 GRAPHICS from Bangladesh & India 21st September till 5th October 2018 Exhibition sponsor Published on the occasion of a group art exhibition titled "53 Graphics from Bangladesh & India" ©Galleri Kaya, Dhaka Photography: Khaled Design: Karukrit Published by: Director, Galleri Kaya, Dhaka. Contact: Galleri Kaya House 20 Road 16 Sector 4 Uttara Dhaka 1230 Bangladesh. Mobile: +88 01752 684 900 Tel: 88-02- 58956902 E-mail [email protected] www.facebook.com/gallerikaya Printed in Bangladesh M.F. Husain-1915-2011 Haren Das-1921-1993 Somnath Hore-1921-2006 Safiuddin Ahmed-1922-2012 K.G. Subramanyan-1924-2016 Amitabha Banerjee-1928-2013 Mohammad Kibria-1929-2011 Murtaja Baseer-1932 Sanat Kar-1935 Dipak Banerjee-1936 Ganesh Haloi-1936 Lalu Prasad Shaw-1937 Suhas Roy-1936-2016 Manu Parekh-1939 Sunil Das-1939-2015 Niranjan Pradhan-1940 Monirul Islam-1943 Rafiqun Nabi-1943 Mahmudul Haque-1945 Abul Barq Alvi-1949 Shahabuddin Ahmed-1950 Adita Basak-1953 Bimal Kundu-1954 Ratan Mojumder-1954 Manoj Dutta-1956 Atul Dodiya- 1959 Pradip Maitra-1959 Wakilur Rahman-1961 Atin Basak-1966 Rashid Amin-1966 Srikanta Paul-1971 Anisuzzaman-1972 Nagarbasi Barman-1973 Jayanta Naskar-1975 Sheikh Mohammad Rokonuzzaman-1976 Ruhul Amin Tarek-1981 Md. Ariful Islam-1993 Md. Ashraful Alam Rana-1993 Kamrul Khan-1994 The current prints’ show carries a distinct trait because of some high ranking Indian printmakers’ attention-grab- Giants of Indian-Bangladeshi prints under one roof bing works with several Bangladeshi technically advanced printmakers’ works. Takir Hossain Indian Printmakers At the mega show MF Husain’s two prints denote a number of archetypal horses with vigorous movements. -
Sylhet-Board-Results.Pdf
BOARD OF INTERMEDIATE AND SECONDARY EDUCATION SYLHET JUNIOR SCHOOL CERTIFICATE EXAMINATION, 2017 SCHOLARSHIP (According to Roll No) ZILLA : SYLHET , UPAZILLA : BALAGANJ TALENT POOL STIPEND LIST SL NO NAME OF THE CENTRE ROLL NO NAME NAME OF THE INSTITUTION 1 111 - BALAGANJ - 1 515445 MAHBUBA BEGUM MITA TOYRUNNESA GIRLS' HIGH SCHOOL, BALA GANJ 2 111 - BALAGANJ - 1 516331 MD. NAHID AHMOD KALIGONJ M. ELIAS ALI HIGH SCHOOL GENERAL STIPEND LIST SL NO NAME OF THE CENTRE ROLL NO NAME NAME OF THE INSTITUTION 1 111 - BALAGANJ - 1 515446 SAMIRA AKTAR SHAMMI TOYRUNNESA GIRLS' HIGH SCHOOL, BALA GANJ 2 111 - BALAGANJ - 1 515448 ROKAYA AKTER SINTHEYA TOYRUNNESA GIRLS' HIGH SCHOOL, BALA GANJ 3 111 - BALAGANJ - 1 515449 SADIA AKTAR RIPA TOYRUNNESA GIRLS' HIGH SCHOOL, BALA GANJ 4 111 - BALAGANJ - 1 515516 MD. NAZMUS SAKIB BALAGANJ D. N. HIGH SCHOOL, BALAGANJ 5 111 - BALAGANJ - 1 515517 ARGHYO PAUL BALAGANJ D. N. HIGH SCHOOL, BALAGANJ 6 111 - BALAGANJ - 1 515518 RUHED HASAN MAHEDI BALAGANJ D. N. HIGH SCHOOL, BALAGANJ 7 111 - BALAGANJ - 1 515639 SALMA AKTHER BALAGANJ D. N. HIGH SCHOOL, BALAGANJ 8 111 - BALAGANJ - 1 515640 SHEIKH TAHMINA AKTHER LUPA BALAGANJ D. N. HIGH SCHOOL, BALAGANJ 9 111 - BALAGANJ - 1 515641 NABAMITA CHAKROBORTY BALAGANJ D. N. HIGH SCHOOL, BALAGANJ BOALJUR BAZAR HIGH SCHOOL, BOALJUR 10 111 - BALAGANJ - 1 515753 SHEIKH RASEL AHMED BAZAR BOALJUR BAZAR HIGH SCHOOL, BOALJUR 11 111 - BALAGANJ - 1 515804 MUST. SAMIA AKTHER BAZAR BOALJUR BAZAR HIGH SCHOOL, BOALJUR 12 111 - BALAGANJ - 1 515805 SHAMMI AKTHER BAZAR BOALJUR BAZAR HIGH SCHOOL, BOALJUR 13 111 - BALAGANJ - 1 515807 SHUCHANDA DAS THULI BAZAR 3 of 144 SL NO NAME OF THE CENTRE ROLL NO NAME NAME OF THE INSTITUTION 14 111 - BALAGANJ - 1 515967 SHEIKH SAIKAT HUSSAIN MUSLIMABAD IDEAL HIGH SCHOOL. -
Bangladesh Studies O Level (7094) Pilot Textbook Topic 1 (A) Influence of Major Cultural Figures
Bangladesh Studies O Level (7094) Pilot Textbook Topic 1 (a) Influence of major cultural figures Purpose of this chapter This chapter covers Topic 1 of the five History & Culture Topics in the syllabus for the Cambridge GCE Ordinary Level Bangladesh Studies (syllabus 7094, Paper 1). It introduces candidates to: the influence of major cultural figures (Topic 1a) a general background of key developments in Bengali language, literature, art, architecture, folk culture and other cultural practices that shape the culture of Bangladesh (Topic 1b). Teachers should note that the material provided here should form the basis of what is needed to answer the compulsory question in the examination. However, it is hoped that candidates will be able to draw on a wide variety of cultural experiences (by being exposed to poetry, song, dance, drama and local sites of historical interest) and on any other cultural figures to support their answers. Pictures of many cultural figures can be found in: http://banglapedia.search.com.bd Exam guidance Teachers should note that candidates should be familiar with the influence of key figures on the culture of Bangladesh. They may provide information on any key figures (e.g. those suggested in Section 1b) to support their answers, but to restrict demands made on teachers and candidates, the University of Cambridge International Examinations (CIE) has decided that specific questions will only be asked on the following major figures: Alaol Lalon Shah Mir Mosharraf Hossain Rabindranath Tagore Begum Rokeya Kazi Nazrul Islam Jasimuddin Zainul Abedin. Candidates are not expected to have studied the works of such exponents in detail, but should be able to comment on their contribution to developments in, for example, language, literature, drama, dance, music, painting or architecture. -
List of Qualified Students for Written Test
Jagannath University UNIT-3 (BUSINESS STUDIES) Admission Test: 2018-19 List of qualified students for Written Test Application ID Name SSC GPA HSC GPA Total Score 100004 KANIJ FATEMA TULIN 4.83 3.83 23.848 100006 RABBI ISLAM 4.28 4.17 23.616 100010 MIM ISLAM 5 4.5 26.400 100011 HASNA HENA RIFAT 4.72 4.5 25.728 100012 MD. IBRAHIM KHALIL RAJ 4.44 5 26.656 100014 CHOYON PAL 4.5 4.33 24.656 100023 MD. RAHIBUL HASAN 4.72 4.67 26.272 100033 MD. ARIFUL HOQUE 4.67 4.25 24.808 100036 HABIBUR RAHMAN RIDOY 4.22 4.83 25.584 100040 SUBARNA ROY 4.83 4.33 25.448 100042 MD. ESAN SARDER 5 5 28.000 100045 MAHFUZA KHATUN 5 4.92 27.744 100047 PIYA AKTER 4.5 4.42 24.944 100068 MD SHAJIB HOSSEN 5 5 28.000 100073 UCHCHASS SAHA 4.83 4.25 25.192 100080 T.M. SHAHRIA 5 4.75 27.200 100081 SUMAIYA ISLAM 4.11 4 22.664 100086 HRIDOY MIA 4.22 4.17 23.472 100087 REAZ RAHMAN 4 4.25 23.200 100095 MD. TANJIL AHMED RINKU 4.72 4.25 24.928 100117 MD.ABDUR RAHMAN 4.33 4.33 24.248 100121 OITIJJO JOANNA HALDER 4.72 3.83 23.584 100127 ALAMIN 4.94 4.83 27.312 100133 TAHIA ISLAM SRABONI 5 4.58 26.656 100134 ARIFUL HAIDER 4.56 4.75 26.144 100144 KANIZ FATEMA 5 4.5 26.400 100153 MD. -
MORNING GLORY SCHOOL and COLLEGE SAVAR CANTONMENT Class: VII Subject: Arts and Crafts
MORNING GLORY SCHOOL AND COLLEGE SAVAR CANTONMENT Class: VII Subject: Arts and Crafts Theory Part Q/A and MCQ Chapter: 1 Q/A 1. Through which examples did the artist make the government realize the importance of establishing the Government Art Institute? 2. How many students took admission in the first year? Write about them. 3. What are the importance of arts and crafts? 4. Who are the artists that contributed in flourishing culture and fine arts education in the first twelve years by studying art? 5. What was the contribution of the artist during Liberation of Bangladesh? MCQ 1.Who was the chief Directorate of public Instruction (DPI) of the East Pakistan? a. Dr. Kudrat E Khuda c. Dr. Aminul Islam b. Dr. Luttfur Rahman d. Dr.Shiek Moniruddin 2.The Government Art Institute started its journey on- a. 15 Sep 1948 b. 15 Oct 1948 c. 15 Nov 1948 d. 15 Dec 1948 3.Artist Mohammad Kibria was a student of- a. Fine Arts Institute c. Kolkata Art College b. Kolkata Art School d. Dhaka Art Institute 4. The ancient men used to draw pictures on – a. canvas b. walls of caves c. papers d. Roof 5.Who was the principal of Fine Art Institute? a. Monirul Islam c. Syed Shafikul Hossen b. Abu Taher d. Abdul Baset 6. Who is seen in the following picture? a.Quamrul Hassan c. Hashem Khan b. Aminul Islam d. Zainul Abedin 1 7. who was the student of first institution for painting of East Pakistan or present Bangladesh? a. Zainul Abedin c.