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Progress in Printing and the Graphic Arts During the Victorian
CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Ik Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924032192373 Sir G. Hayter, R./l. Bet* Majesty Queen Tictorta in Coronation Robes. : progress in printing and the 6raphic Hrts during the Victorian Gra. "i BY John Southward, Author of "Practical Printing"; "Modern Printing"; "The Principles and Progress of Printing Machinery"; the Treatise on "Modern Typography" in the " EncyclopEedia Britannica" Cgtii Edition); "Printing" and "Types" in "Chambers's Encyclopaedia" (New Edition); "Printing" in "Cassell's Storehouse of General Information"; "Lessons on Printing" in Cassell's New Technical Educator," &c. &c. LONDON SiMPKiN, Marshall, Hamilton, Kent & Co. Ltd. 1897. X^he whole of the Roman Cypc in tbta Booh has been set up by the Linotj^pe Composing Machine, and machined direct from the Linotj'pc Bars by 6eo. CH. loncs, Saint Bride Rouse, Dean Street, fetter Lane, London, e.C. ^ ^ ^ ^ ^ ^ ^ W Contents. ^^ Progress in Jobbing Printing Chapter I. Progress in Newspaper Printing Chapter II. Progress in Book Printing - Chapter III. Printing by Hand Press Chapter IV. Printing by Power Press Chapter V. The Art of the Compositor Chapter VI. Type-Founding Chapter VII. Stereotyping and Electrotyping Chapter VIII. Process Blocks Chapter IX. Ink Manufacture Chapter X. Paper-Making Chapter XI. Description of the Illustrations Chapter XII. ^pj progress in printing peculiarity about it It is not paid for by the person who is to become its possessor. -
An Access-Dictionary of Internationalist High Tech Latinate English
An Access-Dictionary of Internationalist High Tech Latinate English Excerpted from Word Power, Public Speaking Confidence, and Dictionary-Based Learning, Copyright © 2007 by Robert Oliphant, columnist, Education News Author of The Latin-Old English Glossary in British Museum MS 3376 (Mouton, 1966) and A Piano for Mrs. Cimino (Prentice Hall, 1980) INTRODUCTION Strictly speaking, this is simply a list of technical terms: 30,680 of them presented in an alphabetical sequence of 52 professional subject fields ranging from Aeronautics to Zoology. Practically considered, though, every item on the list can be quickly accessed in the Random House Webster’s Unabridged Dictionary (RHU), updated second edition of 2007, or in its CD – ROM WordGenius® version. So what’s here is actually an in-depth learning tool for mastering the basic vocabularies of what today can fairly be called American-Pronunciation Internationalist High Tech Latinate English. Dictionary authority. This list, by virtue of its dictionary link, has far more authority than a conventional professional-subject glossary, even the one offered online by the University of Maryland Medical Center. American dictionaries, after all, have always assigned their technical terms to professional experts in specific fields, identified those experts in print, and in effect held them responsible for the accuracy and comprehensiveness of each entry. Even more important, the entries themselves offer learners a complete sketch of each target word (headword). Memorization. For professionals, memorization is a basic career requirement. Any physician will tell you how much of it is called for in medical school and how hard it is, thanks to thousands of strange, exotic shapes like <myocardium> that have to be taken apart in the mind and reassembled like pieces of an unpronounceable jigsaw puzzle. -
Printmaking Tips and Hints
Printmaking Tips and Hints 1. “Inking chips” (cardboard) can be used to remove ink from a can, to spread ink over a plate for printing, and can be used to mix small amounts of ink or to spread ink out to be rolled with a brayer. Never take a chip from the “chip box” if your hands are dirty or inky, use clean hands only (the ink will spread to another chip and ruin someone else’s ink.) 2. If you have trouble removing the lid from an ink can you can bet the next person will have trouble also. Help yourself and your classmates by cleaning the lid and can edge and applying a little Vaseline to the edge of the can (this helps seal the can, as well as making it easier to open next time.) 3. Do not dig ink out of a can, it makes a greater surface area on the ink and makes the ink dry out faster. Skim ink from the top and spray the ink with a little light oil (also called Overnight, or Anti-Skin, Spray) before closing the can. 4. The best way to protect your hands, and to make cleaning them easier and more complete, is to rub some water-soluble hand lotion into your cuticles, fingernails, and hands before getting oil-based ink on them. Then, when you clean your hands, all the ink will just slide off leaving little or no residue. 5. Keep all your “edged” Printmaking tools sharp. A dull tool is more dangerous, is harder to work with and requires more physical effort, and will make a more ragged, uncontrolled, line than a sharp tool. -
Redefining the Responsibility of Pre-Press File Management Within Graphic How Printing Technology Impacts Our Design Development
Rochester Institute of Technology RIT Scholar Works Theses 5-2006 Redefining the esponsibilityr of pre-press file management within graphic design: How printing technology impacts our design development Meredith A. Bielaska Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Bielaska, Meredith A., "Redefining the esponsibilityr of pre-press file management within graphic design: How printing technology impacts our design development" (2006). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Thesis Documentation for the Master of Fine Arts Degree Graduate Graphic Design MFA Program School of Design College of Imaging Arts and Sciences Rochester Institute of Technology May 2006 Design Thesis Title Redefining the Responsibility of Pre-Press File Management within Graphic How Printing Technology Impacts Our Design Development Meredith A. Bielaska Redefining the Responsibility of Pre-Press File Management within Graphic Design How Printing Technology Impacts Our Design Development A thesis submitted to the Faculty of the College of Imaging Arts and Sciences in candidacy for the degree of Master of Fine Arts Submitted by Meredith A. Bielaska May 2006 Rochester Institute of Technology College of Imaging Arts and Sciences, School of Design Graduate Graphic Design MFA Program Approvals Bruce Ian Meader Chief Advisor Bmce Ian Meader Date Associate Professo r, Graphic Des ign Sc hool of De sign , Coll ege of Imag in g Art s and Sc iences Charles R. -
Proofreading
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. http://books.google.com Transferred to the TYPOGRAPHIC TECHNICAL SERIES FOR APPRENTICES PART VI, NO. 39 PROOFREADING THE TECHNICAL PHASES OF THE PROOF READER'S WORK; READING, MARKING, REVISING, ETC.; METHODS OF HANDLING PROOFS AND COPY BY ARNOLD LEVITAS INSTRUCTOR OP PROOFREADING AND TYPOGRAPHY STUYVESANT EVENING TRADE SCHOOL INSTRUCTOR OP PRINTING AT PUBLIC SCHOOL NO. 28 THE BRONX, NEW YORK PUBLISHED BY THE COMMITTEE ON EDUCATION UNITED TYPOTHETAE OE AMERICA 1918 Copyright, 1918 United Typothctae of America Chicago, 111. Composition and electrotypes contributed by The Pattkson Press New York fWAY 1 1919 Iwv. 3i<n 2'l PREFACE THE usefulness of a treatise upon any line of com mercial endeavor must always be directly propor tional to its practicality. This is especially true of a work on Proofreading; for, while theoretical knowl edge will go far toward making the proficient proof reader, still, unfamiliarity with the practical details of the work, or in other words, the "mechanics of the proofroom," can not but be fatal to success. In other volumes of this series are treated those sub jects, such as punctuation, etc., which are subsidiary to proofreading, and with which the proofreader is pre sumed to be familiar ; for without a good knowledge of these matters practical instruction will be of little value to the embryo "corrector of the press." In the preparation of this work the author has en deavored to compress as much matter as possible into the space at his disposal. -
VISA-A245-001 Book Arts / Letterpress Location: MO 532
VISA-A245-001 Book Arts / Letterpress Location: MO 532 / Printmaking Studio 5th floor Monroe Meeting times: T/R 2:00-4:45 Karoline Schleh, Instructor Email: [email protected] Course Description This course will introduce the student to the essential concepts and techniques of letterpress printmaking as applied to fundamental book art formats and structures. Projects will introduce students to the basics of letterpress printing for the Vandercook proof press including hand typesetting, typography, composition, locking up, printing, and distribution. A variety of book arts formats will be covered ranging from broadsides to hand sewn and bound hardcover books. Course Goals & Grading Each project will introduce the student to a new technique will be accompanied by a concept to explore that process. Each project will be graded on the following elements: *Participation (Includes critiques and ability to work collaboratively within the studio) *Research *Concept *Technical Understanding Students should be able to analyze and evaluate their own work and that of other students through the process of critique using terms and concepts unique to printmaking. Students should also understand the history of printmaking overall as a distinctive form of art production, while keeping in mind the exploration of how these theories and ideas can be used for personal expression within our contemporary culture. Supply List 6” Speedball soft rubber brayer (or similar) 2” Speedball soft rubber brayer (or similar) Yasutomo Bamboo Baren Speedball 4131 Linoleum -
Letterpress Terms
Letterpress Terms GENERAL TERMS Type High – The height of type from it’s base to it’s printing surface. .918 of an inch or 15/16th. Letterpress – A traditional way of printing, where a plate with the image standing proud Type High Gauge – Tool for measuring if type of the surface is inked and then impressed is at the correct height. onto the paper. Traditionally, it was not correct to indent the paper but it has now become fashionable to do so. Printing Press - A device that applies pressure that transfers ink form a surface to a medium. They revolutionized mass communication, changed the course of history & today call back to simpler times. Put simply, they are magic. Platen Press– A press with a flat plate which is pressed against a medium (paper) to cause an impression. These have an inking disc up top and a large flywheel on one side. Pied Type – Type which is in a jumbled mess. Proofing Press – A press used to prep a print for production. The bed of this press is parallel to the ground and either a roller moves on top of the bed or the entire bed itself can move. Letterpress Terms SETTING A FORM California Job Case – method of organization of the letters in a case. is a kind of type case: a Form – what you set to print, composed of compartmentalized wooden box used to store letters and or images. movable type used in letterpress printing. It was the most popular and accepted of the job case designs in America. -
Bed & Platen Book Printing Machines
BED & PLATEN Book Printing Machines American and British streams of ingenious regression in the quest for print quality A technical study by Douglas W. Charles with a foreword by Stephen O. Saxe PLANE SURFACE PRESS MMXVII BED & PLATEN Book Printing Machines American and British streams of ingenious regression in the quest for print quality A technical study by Douglas W. Charles with a foreword by Stephen O. Saxe PLANE SURFACE PRESS MMXVII A C K N O W L E D G M E N T S In addition to the late William Elligett, whose urging and generosity spurred this study, the following institutions and individuals are owed particular thanks. The author takes credit for all errors of fact or interpretation. Bodleian Library, Staff British Library Quick Information (Patents), Ziaad Khan Compuset Centre of Darjeeling, Bon Pradhan Full Circle Media Arts, Gregg Poppen Historiche Drukkerij Turnhout, Herwig Kempenaers Ketchikan Daily News, Lew Williams III Ketchikan Public Library, Staff Leeds (UK) City Council, Business and Patent Information Services, Staff Oxford University Press (Archives) Dr. Martin Maw, (Library) Staff Radcliffe Science Library,Staff St. Bride Printing Library, Clare Amos, Lyn Arlotte, Robert Richardson Smithsonian Institution, Dr. Elizabeth Harris, Stanley Nelson Hall Anderson Don Charles Mick Elligett Peter Marsh Stephen O. Saxe Dorothee Snoek iii F O R E W O R D The bed and platen printing machine seems to be the “missing link” in the story of the evolution of the printing press. The narrative, as usually presented, begins with Gutenberg’s adaptation of the wine press, followed centuries later by Blaeu’s improvements in the 1620s. -
Getting It Printed: Understanding and Purchasing
DIVISION OF PURCHASING GETTING IT PRINTED Guidelines to Understanding and Purchasing Printing Brad Little, Governor Department of Administration D. Keith Reynolds, Director Division of Purchasing Valerie Bollinger, Administrator P.O. Box 83720 Boise, Idaho 83720-0075 (208) 327-7465 FAX (208) 327-7320 www.purchasing.idaho.gov August 2020 Getting it Printed TABLE OF CONTENTS PAGE 1. INTRODUCTION 1 1.1 The Copy Center 1 2. PROJECT PLANNING 1 3. DEVELOPING SPECIFICATIONS 2 3.1 Specifications List & Instructions 3 4. PURCHASING RULES & METHODS 7 4.1 Printing Less Than $10,000 7 4.2 Printing Over $10,000 and less than $100,000 7 4.3 Printing Over $100,000 8 4.4 Special Bidding & Evaluation Requirements 8 4.5 Idaho Reciprocal Preference Law 8 4.6 Use of Statewide Contracts 9 5. SPECIAL REQUIREMENTS 9 5.1 Printing Information Requirement 9 5.2 State Library Depository Program 9 6. IF YOU HAVE A PROBLEM 10 7. STATE STATUTES 10 APPENDIX A.1 Sample Printing Specifications A-1 A-1.1 Model Printing Specifications A-1 A-1.2 Example of Simple Specifications A-5 A-1.3 Example of Complicated Specifications A-7 A.2 Bindery Selection A-10 A.3 Paper Selection A-11 A.4 Printing Trade Customs A-12 A.5 Glossary of Industry Terms A-13 A.6 Idaho Commission for Libraries Depository Program A-25 A-6.1 It’s the Law A-25 A-6.2 What is a State Document? A-25 A-6.3 Criteria for Deposit A-25 A-6.4 Categories of Publications A-26 A-6.5 Gray Areas A-26 A-6.6 Ask Us! A-27 1. -
Typesetting & Publishing Glossary
. IZMIR UNIVERSITY OF ECONOMICS FACULTY OF FINE ARTS AND DESIGN Alessandro Segalini, Dept. of Communication Design: alessandro.segalini @ ieu.edu.tr — homes.ieu.edu.tr/~asegalini DESKTOP PUBLISHING GLOSSARY 1/4 A Acetate – a transparent sheet placed over artwork allowing Bromide – a photographic print made on bromide paper. Cross head – a heading set in the body of the text used to the artist to write instructions or indicate where second colour Bronzing – an effect produced by dusting wet ink after print- break it into easily readable sections. is to be placed. See “Overlay”. ing with a metallic powder. Cursive – used to describe typefaces that resemble written Addendum – supplementary material additional to the main Bullet – a large dot preceding text to add emphasis. script. body of a book and printed separately at the start or end of the Cut flush – a method of trimming a book after the cover has text. C been attached to the pages. Air (US) – an amount of white space in a layout. Calendered finish – produced by passing paper through a Cutout – a halftone where the background has been removed Airbrush – a mechanical painting tool producing an adjust- series of metal rollers to give a very smooth surface. to produce a silhouette. able spray of paint driven by compressed air. Used in illustra- Caliper – the thickness of sheet of paper or board expressed tion design and photographic retouching. in microns (millionths of a metre). Also the name of the tool D Align – to line up typeset or other graphic material as speci- used to make the measurement. -
A Catalogue of Printing Machinery
A CATALOGUE OF PRINTING MACHINERY PRINTING PRESSES, PAPER, CUTTERS AND PRINTERS’ TOOLS G GOLDING MANUFACTURING CO. FRANKLIN, MASS., U. S. A. 1908 Introduction for this Facsimile Edition (Third Revision • July 2002) This is a partial reproduction of a 1908 catalogue from Golding Manufactur- ing Company. The original is 85 pages long and includes paper cutters, card cutters, lead & rule cutters, miterers, composing sticks, proof presses, hand rollers, galleys, and many other pieces of equipment used in print shops. Extracted here are pages dealing with Golding’s three lines of printing presses: the Jobber, Pearl, and Official. I’m reproducing the information with the hope that fellow owners of Golding presses will find it as interesting as I did. I have tried to roughly match the original’s page layout, although several changes have been made to match the computer equipment available. Most of the original 6 by 9 inch pages had 55 text lines rather than the 51 used on these 8½ by 11 inch pages. The larger body type in this reproduction should assist the eyesight of the reader. Headings in the original look to be Post Old Style Roman No. 2, a wide and black face represented in this facsimile by Bookman Old Style Bold. I tried not to introduce spelling errors, but followed the copy exactly, even when it contained what look like obvious errors. This edition includes images scanned from the catalog. David M. Tribby 1529 Fantail Court Sunnyvale, CA 94087 [email protected] FOREWORD THE purpose of this Catalog is to present to the printer a briefly ¶ detailed description of every article we manufacture and to prac- tically demonstrate the superior quality of some of our products. -
PIM Glossary
3D Printing (Rapid Prototyping) - Is a manufacturing Access Control - In a network, a means of ensuring the method whereby 3D objects are quickly made on a system’s security by requiring users to supply their reasonably-sized machine connected to a names and passwords each time they log on. computer containing blueprints for the object. The basic principles are like that of a 2D printer - Access Control List - In a network, a database that holds the names of the valid system users and materials cartridges, flexibility of output, notes the level of access that each has been translation of code into a visible pattern. granted. A4 - ISO paper size 210mm x 297mm used for Access Time - The interval between the instant at letterhead. which a call for data is initiated and delivery of the AI - Adobe Illustrator's metafile format, which is data is completed. actually a type of Encapsulated Postscript. Achromatic - Having no color or hue. AM (Amplitude Modulation) Screening - Traditional Actinic Light - Light that exposes a coating or halftone screening, as opposed to FM (Frequency Modulated) screening, has dots of variable size emulsion. with equal spacing between dot centers. Hybrid Additive Color Theory - The mixture of red, green and screen combines AM and FM screening. See blue light, the primary colors of light, to produce halftone. white light. AM/FM Screening - This is an issue to discuss with Adhesive Binding - Applying a glue or another, usually your printer as to which screen option is more hot-melt, substance along the backbone edges of appropriate for your job. The advantage of FM assembled, printed sheets; the book or magazine screening is that moiré patterns are no longer an cover is applied directly on top of the tacky issue.