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Antiquarian Books & Prints Guaranteed to Be Over 100 Year Old

Antiquarian Books & Prints Guaranteed to Be Over 100 Year Old

Antiquarian Books & Prints FREE 14 Page Sample eBook History of on Paper 200 Photostat and rectigraph 1907 1040 1910 c. 1440 FREE SAMPLE 14 Page eBook 1923 c. 1515 Antiquarian Books & Prints 1938 1642 on Paper 1949 1772 1951 1796 © Mumfordbooks.com 2016 Dye-sublimation 1957 1837 Dot printing 1968 Rotary press 1843 1969 1869 c.1972 1875 DNA printing c.1972 Hot metal 1884 1984 1886 FREE Valuation 1st Book 1991 FREE Advice about Selling

© Mumfordbooks.com 2016 1 Antiquarian Books & Prints Guaranteed to be over 100 years old, not a Facsimile FREE INTRODUCTION SAMPLE eBOOK DOWNLOADS

Here at Mumfordbooks we buy and sell Quality Books & Prints, hard-to-find, first editions, many with illustrations and fine leather bindings. Old books with missing or damage pages we advise professional repair. We aim to restore books leaving as much original as possible, to Study and Educate. FREE SAMPLE 14 Page eBook Missing pages are replaced with digital copies images or text, we will restore with facsimiles printed on paper nearest to original, all facsimiles clearly marked as such. Antiquarian Books & Prints We will publish re-constructed old books with missing pages into reHistory of Printing on Paper -stored or new eBooks made up as complete as possible from original book pages (So called “Prints”) or with digital facsimiles. © Mumfordbooks.com 2016 All our eBooks will contain a mixture of both original or new marked facsimiles. In this digital world we can now “dip into pots” like a single book or print, public or private. Knowledge is everywhere, so tap into it, make knowledge a power for good. Enjoy the hunting, nothing is easy, try and make the world a better place. Your first book valuation is FREE. Due to demand, we have to charge a small fee for multiple requests. Bargain package: will value up to 25 books and give you two UK addresses of booksellers in your area, for a £25 valuation fee. We do buy selected quality books for re-sale, only if items compliment our category range. https://www.mumfordbooks.com/cat.asp?CatID=12

© Mumfordbooks.com 2016 2 Good Condition is key to High Value This important guide would include:

• Good: Books & Prints without cuts, stains, or wear • Average: some wear, cuts, iron or mold stains • Poor: has major defects, pages missing, pen or pencil marks. FREE SAMPLE 14 Page eBook • Valuation is given as a “Wholesale AntiquarianPrice Books”, that is the price to the shop keeper. & Prints Fill in Blue Tag “Contact Me” Valuations a quick check list for first time customers, a one off is FREE valuation & advice History ofpage. PrintingBecause of a high demand for free on Paper valuations, I cannot answer all requests. Please remember this is a personal © Mumfordbooks.com 2016 service for old quality books printed before 1970. • (Not all my books are 100 years old, only a few special old or new 1st editions). • My quick guide, list title, author, publisher, date & edition, condition. • A true 1st first edition, good condition and rarity will produce the best value. • https://www.mumfordbooks.com/valuations

© Mumfordbooks.com 2016 3 The 1st Pages Removed & Converted, now Digitized Ready to be collected and re-assembled were possible back into a whole Bible worth reading • 13Th 14th Century Bible Manuscripts Pages taken from Bibles for sale • FREE SAMPLECountry of Origin: Western Armenia, 14 Page eBook AntiquarianYerzynka Books &: AvagvankPrints Monastery History• of Printing on Paper © Mumfordbooks.comMaterial & Size: Parchment 2016 70.5 x 55 cm • Whole Bibles and Rare Books Broken up and sold to collectors, many now in museum archives, waiting to be put back together where possible.

©Mumfordbooks.com 2016 4 1502 Seb BRANT Virgil A&B Requires Fine Pastel Colours A,B & C Single Page Prints: The 4 Colours must be clean, not muddy, must show contrast

FREE SAMPLE 14 Page eBook Antiquarian Books & Prints History of Printing on Paper © Mumfordbooks.com 2016

A B C

© Mumfordbooks.com 2016 5 Examples from 16th Century German Printed Book Hand Colourists, use a light wash of Blue, Red, Brown & Green water-coloured within the last hundred years 1557 AGRICOLA de re Metallica Page taken from large FOLIO Drawn onto the end grain of a block-of- . Text in Printed Gothic German. De re metallica is a book cataloguing the state of the FREE SAMPLE art of mining, refining, and smelting metals ... The 14 Page eBook Antiquarian Booksmost important work in this genre were, however, & Prints History of Printingthe twelve books on Paper De Re Metallica by Georgius © Mumfordbooks.comAgricola, published in 1556. 2016 Agricola had ..... It was published with the German title Vom Translating De Re Metallica – spread and influence of the text. into German. Philip Bechious, a Basel University Professor, translated De Re Metallica into German in 1557, ... Source: G. Richter, 'A few aspects of the public esteem of Agricola', .. https://www.ncm.org.uk/collections/library/de-re-metallica-online-exhibition/translating-de-re-metallica

© Mumfordbooks.com 2016 6 The A,B,C & D of Printing & Hand Colouring 1786 Casting of a NEW BELL Diderot, 1798 Ship Building Sailing Ships by Roding, 1851 Butterflies Moths Hand Coloured by Berge, 1807 Roemuller ANATOMY of Knee

FREE SAMPLE 14 Page eBook Antiquarian Books & Prints History of Printing on Paper © Mumfordbooks.com 2016

A B C D - Woodcut Copper Avoid Dark Colours Lacks Sharpness Fine Detail Extra Fine Detail Copy Nature’s Colours, avoid dark colours, as bright as possible

© Mumfordbooks.com 2016 7 1776 Diderot: The Engraver sitting at table

Woodcut is a technique in . An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the nonFREE-printing parts. SAMPLE 14 Page eBook Areas that the artist cuts away carry no ink, while Antiquarian Books & Prints characters or images at surface level carry the ink History of Printing on Paper to produce the print. The block is cut along the © Mumfordbooks.com 2016 grain of the wood (unlike where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (), leaving ink upon the flat surface but not in the non-printing areas. Sample 3 Colour Wash is enough to highlight picture

© Mumfordbooks.com 2016 8 Great Craft Skills can help the Practical Artist to make the Copper or Steel Plate one-off, multiplied into a production line

• Other terms often used for printed are copper engraving, copper-plate engraving or . Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses FREE SAMPLE 14 Page eBook from about 1790 to the early 20th century, when the technique Antiquarian Books & Prints became less popular, except for banknotes and other forms of security printing. Especially in the past, "engraving" was often History of Printing on Paper used very loosely to cover several printmaking techniques, so © Mumfordbooks.com 2016 that many so-called engravings were in fact produced by totally different techniques, such as etching or mezzotint. "Hand engraving" is a term sometimes used for engraving objects other than printing plates, to inscribe or decorate jewelry, firearms, trophies, knives and other fine metal goods. Traditional engravings in printmaking are also "hand engraved", using just the same techniques to make the lines in the plate. • This includes ceramic transfers, silverware, guns and watches.

© Mumfordbooks.com 2016 9 1839 Lithographic Printing Multi-colour introduced using fine grain Limestone • Lithographic limestone is hard limestone that is sufficiently fine-grained, homogeneous and defect free to be used for lithography. Geologists use the term lithographic texture to refer to a grain size under 1/250 mm. • Lithography works because of the mutual repulsion of oil and water. The image is drawn on the surface of the print plate with a fat or oil-based medium (hydrophobic) such as a wax crayon, which may be pigmented to make the drawing visible. A wide range of oil-based media is available, but the durability of the image on the stone depends on the lipid content of the material being used, and its ability to withstand water and acid. After the drawing of the image, an aqueous solution of gum arabic, weakly acidified with nitric acid HNO3 is applied to the stone. FREE SAMPLE 14 Page eBook • The function of this solution is to create a hydrophilic layer of calcium nitrate salt, Ca (NO3), and gum arabic on all non-image surfaces. The gum solution penetrates into the pores of the stone, completely surrounding the original image with a hydrophilAntiquarian Books & Prints ic layer that will not accept the printing ink. Using lithographic turpentine, the then removes any excess of the greasy drawing material, but a hydrophobic molecular film of it remains tightly bonded to the surface of the stone, rejecting the gum History of Printing on Paper arabic and water, but ready to accept the oily ink. © Mumfordbooks.com 2016 • When printing, the stone is kept wet with water. Naturally the water is attracted to the layer of gum and salt created by the acid wash. Printing ink based on drying oils such as linseed oil and varnish loaded with pigment is then rolled over the surface. The water repels the greasy ink but the hydrophobic areas left by the original drawing material accept it. When the hydrophobic image is loaded with ink, the stone and paper are run through a press that applies even pressure over the surface, transferring the ink to the paper and off the stone. • Senefelder had experimented during the early 19th century with multicolor lithography; in his 1819 book, he predicted that the process would eventually be perfected and used to reproduce paintings. Multi- was introduced by a new process developed by Godefroy Engelmann (France) in 1837 known as chromolithography. A separate stone was used for each color, and a print went through the press separately for each stone. The main challenge was to keep the images aligned (in register). This method lent itself to images consisting of large areas of flat color, and resulted in the characteristic poster designs of this period. • "Lithography, or printing from soft stone, largely took the place of engraving in the production of English commercial maps after about 1852. It was a quick, cheap process and had been used to print British army maps during the Peninsula War.

© Mumfordbooks.com 2016 10 Lithography, or printing from soft stone

largely replaced engraving in the production of English commercial maps and British army maps after about 1852.

FREE SAMPLE 14 Page eBook Antiquarian Books & Prints History of Printing on Paper © Mumfordbooks.com 2016

Tab. XXI c. Die Buchdruckerei. (Beschreibung lt. Quelle) Archive of lithographic stones in Munich

© Mumfordbooks.com 2016 11 1890 Judge Cartoon and New MUM18 Cartoon Series 2016 A “Judge” lithograph satirical magazine print published in the United States from 1881 to 1947

FREE SAMPLE 14 Page eBook Antiquarian Books & Prints History of Printing on Paper © Mumfordbooks.com 2016

1890 Judge Silly Senators: Secret Sessions (3-Colour Black, Brown and Blue, Published in America), 2016 MUMFORDBOOKS Britannia Rules-EU Exit: No.18 Cartoon series (Digital Photoshop, Web Site Colours, UK).

© Mumfordbooks.com 12 1909 Judge Cartoon and New MUM19 Cartoon Series 2016 A “Judge” lithograph satirical magazine print published in the United States from 1881 to 1947

FREE SAMPLE 14 Page eBook Antiquarian Books & Prints History of Printing on Paper © Mumfordbooks.com 2016

1909 Judge, The Shadow On The Wall: (4-Colour Black, Brown, Blue & Red, Published in America), 2016 MUM19, Redemption Shadow On Wall: Muslim or Christian and Refugee No.19 Cartoon series (Digital Photoshop, Web Site Colours, UK).

© Mumfordbooks.com 2016 13 Mumfordebooks & Prints Published with Antique Material or where appropriate a Mixture of Antique and New Digital Images The Long History of Printing on Paper

Archive Collections Woodblock printing 200 Photostat and rectigraph 1907 Movable type 1040 Screen printing 1910 14th Century Bible Manuscripts Printing press c. 1440 Spirit duplicator 1923 From 16th Century Books Etching c. 1515 Xerography 1938 Woodcut & EngravedFREE SAMPLE 14Mezzotint 1642 Page eBook Phototypesetting 1949 Classic Oil Paintings Aquatint 1772 Inkjet printing 1951 Antiquarian Books & Prints Dye-sublimation 1957 Newspapers Lithography 1796 History of PrintingChromolithography 1837 on Paper printing 1968 Encyclopedias © Mumfordbooks.comRotary press 1843 2016 Laser printing 1969 Black & White Photographs Hectograph 1869 Thermal printing c.1972 Colourised by Hand Offset printing 1875 DNA printing c.1972 Digital Computerised 1884 3D printing 1984 Mimeograph 1886 Digital printing 1991 Published eBook Downloads

Since the earliest times Humans have printed with their Hands on cave walls, to tell us what they had seen around them. Every few weeks our hands produce NEW eBooks, published for each category window to inspire you for more.

© Mumfordbooks.com 14