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Printing Presses in the Graphic Arts Collection
Printing Presses in the Graphic Arts Collection THE NATIONAL MUSEUM OF AMERICAN HISTORY 1996 This page blank Printing Presses in the Graphic Arts Collection PRINTING, EMBOSSING, STAMPING AND DUPLICATING DEVICES Elizabeth M. Harris THE NATIONAL MUSEUM OF AMERICAN HISTORY, SMITHSONIAN INSTITUTION WASHINGTON D.C. 1996 Copies of this catalog may be obtained from the Graphic Arts Office, NMAH 5703, Smithsonian Institution, Washington D.C. 20560 Contents Type presses wooden hand presses 7 iron hand presses 18 platen jobbers 29 card and tabletop presses 37 galley proof and hand cylinder presses 47 printing machines 50 Lithographic presses 55 Copperplate presses 61 Braille printers 64 Copying devices, stamps 68 Index 75 This page blank Introduction This catalog covers printing apparatus from presses to rubber stamps, as well as some documentary material relating to presses, in the Graphic Arts Collection of the National Museum of American History. Not listed here are presses outside the accessioned collections, such as two Vandercook proof presses (a Model 4T and a Universal III) that are now earning an honest living in the office printing shop. At some future time, no doubt, they too will be retired into the collections. The Division of Graphic Arts was established in 1886 as a special kind of print collection with the purpose of representing “art as an industry.” For many years collecting was centered around prints, together with the plates and tools that made them. Not until the middle of the twentieth century did the Division begin to collect printing presses systematically. Even more recently, the scope of collecting has been broadened to include printing type and type-making apparatus. -
Progress in Printing and the Graphic Arts During the Victorian
CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Ik Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924032192373 Sir G. Hayter, R./l. Bet* Majesty Queen Tictorta in Coronation Robes. : progress in printing and the 6raphic Hrts during the Victorian Gra. "i BY John Southward, Author of "Practical Printing"; "Modern Printing"; "The Principles and Progress of Printing Machinery"; the Treatise on "Modern Typography" in the " EncyclopEedia Britannica" Cgtii Edition); "Printing" and "Types" in "Chambers's Encyclopaedia" (New Edition); "Printing" in "Cassell's Storehouse of General Information"; "Lessons on Printing" in Cassell's New Technical Educator," &c. &c. LONDON SiMPKiN, Marshall, Hamilton, Kent & Co. Ltd. 1897. X^he whole of the Roman Cypc in tbta Booh has been set up by the Linotj^pe Composing Machine, and machined direct from the Linotj'pc Bars by 6eo. CH. loncs, Saint Bride Rouse, Dean Street, fetter Lane, London, e.C. ^ ^ ^ ^ ^ ^ ^ W Contents. ^^ Progress in Jobbing Printing Chapter I. Progress in Newspaper Printing Chapter II. Progress in Book Printing - Chapter III. Printing by Hand Press Chapter IV. Printing by Power Press Chapter V. The Art of the Compositor Chapter VI. Type-Founding Chapter VII. Stereotyping and Electrotyping Chapter VIII. Process Blocks Chapter IX. Ink Manufacture Chapter X. Paper-Making Chapter XI. Description of the Illustrations Chapter XII. ^pj progress in printing peculiarity about it It is not paid for by the person who is to become its possessor. -
Lahor and Technology in the Book Trades
The Quest for Autonomy and Discipline: Lahor and Technology in the Book Trades WILLIAM S. PRETZER JLHERE IS MUCH to be learned about the history of labor and technology in the book trades. There is also much to be learned/rom the history of labor and technology in the book trades. Understanding the production of printed goods and their components will not only help us understand the changing nature of demand, distribution, circulation, and impact of print, but these investigations will also increase our knowledge of general aspects of the American Industrial Revolution. Indeed, the history of the book trades should be seen as part of the larger history of American labor and technology. Much of this larger history is composed of the evolving character of conflict and conciliation in the workplace. And while the role of the plebeian classes as participants in the cul- ture of the printed word is a topic well worth exploring, the focus here is on the role of the producers of printed culture. Continuing through the third quarter of the nineteenth century, two themes stand out in this history. First is the quest for autonomy pursued by master artisans and capitalist employers in terms of their control over raw materials, product markets. This is a revised version of a paper presented at a needs-and-opportunities conference on the history of the book in American culture held at the American Antiquarian Society, November 1-3, 1984. I am grateful to Rollo G. Silver and Steven Rosswurm for their comments and to Kevin S. Baldwin for his research assistance. -
Book of Mormon Editions
Journal of Book of Mormon Studies Volume 11 Number 2 Article 7 2002 Book of Mormon Editions Larry W. Draper Follow this and additional works at: https://scholarsarchive.byu.edu/jbms BYU ScholarsArchive Citation Draper, Larry W. (2002) "Book of Mormon Editions," Journal of Book of Mormon Studies: Vol. 11 : No. 2 , Article 7. Available at: https://scholarsarchive.byu.edu/jbms/vol11/iss2/7 This Feature Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of Book of Mormon Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Title Book of Mormon Editions Author(s) Larry W. Draper Reference M. Gerald Bradford and Alison V. P. Coutts, eds., Uncovering the Original Text of the Book of Mormon: History and Findings of the Critical Text Project, 39–44 (published in lieu of Journal of Book of Mormon Studies 11/2 [2002]). ISBN 0-934893-68-3 Abstract Larry Draper describes his role in providing Royal Skousen with copies of various early editions of the Book of Mormon for use in the critical text project. Draper also describes the printing process of the Book of Mormon, which process was made clearer because of Skousen’s project. Draper explains the stereotyping method of printing that was used for the 1840 Cincinnati/Nauvoo edition and the 1852 Liverpool edition of the Book of Mormon. Book of Mormon Editions l a r ry w. d r a p e r I was employed in the Historical Department of the (2) knowledge of the physical methods of Church of Jesus Christ of Latter-day Saints for 18 years the printing process (in other words, (until 1997). -
WELLS BOOK ARTS SUMMER INSTITUTE 2016 from the Director WELLS BOOK ARTS SUMMER INSTITUTE 2016
WELLS BOOK ARTS SUMMER INSTITUTE 2016 From the Director WELLS BOOK ARTS SUMMER INSTITUTE 2016 he book arts are alive and well in select communities While each week is filled with intensive hands-on instruction Tacross the United States and around the world. The Artists and practice, there is also time to relax and enjoy the spectacular and Craftspeople who work in paper, ink, metal, and leather sunsets over Cayuga Lake or swim or take things at your own often practice their craft in private studios and quite often pace. Of course there are people who want to work on their in blissful solitude. They also tend to be very open to teach projects late into the evening and can do so. their skills to others in order to carry on traditional crafts that have been passed along over centuries. Upstate New York is On the heels of the success of last year’s Summer Institute, we fortunate to have several pockets of activity in the various present several brand new classes that have never been offered book arts. In the center of New York State lies Wells Book in our eleven years of hosting the Institute. We hope you can Arts Center. Most of the year, the Book Arts Center is at the join us for what some call “Summer camp for adults.” service of Wells College as one of the programs of distinction where students can take classes and even major or minor in the We are especially grateful for generous support given to the book arts. Every Summer the Wells campus transforms into Summer Institute by Wells College and The Gladys Krieble the Wells Book Arts Summer Institute. -
An Access-Dictionary of Internationalist High Tech Latinate English
An Access-Dictionary of Internationalist High Tech Latinate English Excerpted from Word Power, Public Speaking Confidence, and Dictionary-Based Learning, Copyright © 2007 by Robert Oliphant, columnist, Education News Author of The Latin-Old English Glossary in British Museum MS 3376 (Mouton, 1966) and A Piano for Mrs. Cimino (Prentice Hall, 1980) INTRODUCTION Strictly speaking, this is simply a list of technical terms: 30,680 of them presented in an alphabetical sequence of 52 professional subject fields ranging from Aeronautics to Zoology. Practically considered, though, every item on the list can be quickly accessed in the Random House Webster’s Unabridged Dictionary (RHU), updated second edition of 2007, or in its CD – ROM WordGenius® version. So what’s here is actually an in-depth learning tool for mastering the basic vocabularies of what today can fairly be called American-Pronunciation Internationalist High Tech Latinate English. Dictionary authority. This list, by virtue of its dictionary link, has far more authority than a conventional professional-subject glossary, even the one offered online by the University of Maryland Medical Center. American dictionaries, after all, have always assigned their technical terms to professional experts in specific fields, identified those experts in print, and in effect held them responsible for the accuracy and comprehensiveness of each entry. Even more important, the entries themselves offer learners a complete sketch of each target word (headword). Memorization. For professionals, memorization is a basic career requirement. Any physician will tell you how much of it is called for in medical school and how hard it is, thanks to thousands of strange, exotic shapes like <myocardium> that have to be taken apart in the mind and reassembled like pieces of an unpronounceable jigsaw puzzle. -
Printmaking Tips and Hints
Printmaking Tips and Hints 1. “Inking chips” (cardboard) can be used to remove ink from a can, to spread ink over a plate for printing, and can be used to mix small amounts of ink or to spread ink out to be rolled with a brayer. Never take a chip from the “chip box” if your hands are dirty or inky, use clean hands only (the ink will spread to another chip and ruin someone else’s ink.) 2. If you have trouble removing the lid from an ink can you can bet the next person will have trouble also. Help yourself and your classmates by cleaning the lid and can edge and applying a little Vaseline to the edge of the can (this helps seal the can, as well as making it easier to open next time.) 3. Do not dig ink out of a can, it makes a greater surface area on the ink and makes the ink dry out faster. Skim ink from the top and spray the ink with a little light oil (also called Overnight, or Anti-Skin, Spray) before closing the can. 4. The best way to protect your hands, and to make cleaning them easier and more complete, is to rub some water-soluble hand lotion into your cuticles, fingernails, and hands before getting oil-based ink on them. Then, when you clean your hands, all the ink will just slide off leaving little or no residue. 5. Keep all your “edged” Printmaking tools sharp. A dull tool is more dangerous, is harder to work with and requires more physical effort, and will make a more ragged, uncontrolled, line than a sharp tool. -
Printing History News 31
Printingprinting History history news 31 News 1 The Newsletter of the National Printing Heritage Trust, Printing Historical Society and Friends of St Bride Library Number 31 Summer 2011 PHS Journal Editor and ST BRIDE EVENTS OTHER EVENTS Web-Editor Book History Research John Trevitt will retire as Editor of the Printing Historical Society Journal at Network the next AGM. Catherine Armstrong, who has been reviews editor of the The Book History Research Network Journal since 2007, will also retire will hold twice yearly events. There is shortly. John has edited the journal for information about these and a register four years, and Catherine the reviews of interests on their new website at: for five, and the Society is very grateful Print workshops www.bookhistory.org.uk. Please visit for their excellent work during this the website to register and to sign up St Bride Foundation is bringing letter- for the next free event. period. The PHS is delighted to wel- press printing back to Fleet Street. The come Dr Victoria Gardner as the new exhibition room has been transformed reviews editor to replace Catherine. into a printing workshop, where prac- PRINT NETWORKS However, we are still seeking an Editor tical teaching and hands-on experience for the Journal, and would be most can take place. A series of courses and CONFERENCES grateful for any suggestions or, better workshops is now on offer. Through- still, volunteers. If you would like to out 2011 the range of classes will be Religion and the book trade discuss the role with the current Editor, developed and expanded to include do please contact John Trevitt on kindred trades and techniques, in This, the twenty-ninth Print Networks [email protected]. -
Printing History News 30
Printingprinting History history news 30 News 1 The Newsletter of the National Printing Heritage Trust, Printing Historical Society and Friends of St Bride Library Number 30 Spring 2011 Printing Historical des Beaux-Arts de Rennes. It is suppor- is now on offer. Throughout 2011 the ted by the Royal College of Art, École range of classes will be developed and Society AGM des Beaux-Arts de Rennes and the expanded to include kindred trades Design History Society. For further and techniques, in response to the ideas Notice is hereby given that the 2011 details see www.stbride.org. which this new venture will inspire. Annual General Meeting of the Printing Bookings are currently being taken Historical Society will be held on Tues- Editorial footnote: I wonder when the for a ‘letterpress short course’ (three day 12 April 2011 at 5:30 p.m. at the English term ‘graphic design’ was first hours a week for six weeks), two day St Bride Institute, London. Following used. The earliest example I can find is ‘letterpress intensives’, one day work- the formal business, at or soon after the title of Walter George Raffé’s book shops for linocut and type posters and 6:00 p.m., Professor Ian Rogerson of (Graphic design, London: Chapman make-your-own-greeting-card classes. the John Rylands Institute, University and Hall) first published in 1927. But Group bookings are available and of Manchester, will speak on Book there must be an earlier usage. The these are tailored to meet the needs and illustration: the search for affordable editor of PHN would be most interes- interests of each specific group. -
N E W Slette R
OXFORD GUILD OF PRINTERS Chairman Miles Wig‰eld 01285 750662 Vice-Chairmen Colin Cohen 01869 377040 NEW SLETTER Richard Lawrence 01865 424594 Events Secretary Flaming June 2011 Louisa Hare 01608 685924 ¡is month’s editor Paul W. Nash 01608 654349 Treasurer and Membership Secretary Next month’s editor Brian Clarke 01295 738535 Michael Daniell 01865 510378 Meeting recall Guild meetings On Monday 6 June a large contingent of nearly thirty Guild Unless otherwise noted, the members converged on Stonehouse in Gloucestershire to meetings are held at The Bell visit John Grice’s Evergreen Press, Tom Mayo’s printing in Charlbury, at 7:30 for 8:00 oŸce, and Stan Lane’s Gloucester Typesetting. There was p.m. a great deal to see. John showed us his recently-acquired Britannia press, a massive iron hand-press of mid-nineteenth- Monday 4 July, Visit to the century manufacture; he now has six presses of various sizes, Printing Works of the Oxford which he uses to produce work of all sorts, from small cards Times. Meet at Newsquest to thunderous books. His largest recent project, the ‘Sark House, Osney Mead, Oxford Book’, was under wraps on Monday evening, at the publisher’s ox2 0ej at 7:00 p.m. (nearest request (though some members may have seen it on the Fine pub: The Punter). The visit Bindery visit last year). There was much on view, however, will be limited to ten mem- including beautiful work for the Edward Thomas Society bers, so if you would like to (a collection of his poetry illustrated with wood-engravings), attend please contact Louisa for Hilary Paynter (editioned prints of her wood-engravings), Hare on 01608 685924 to a volume of poems by Swami with illustrations printed at the book a place. -
VISA-A245-001 Book Arts / Letterpress Location: MO 532
VISA-A245-001 Book Arts / Letterpress Location: MO 532 / Printmaking Studio 5th floor Monroe Meeting times: T/R 2:00-4:45 Karoline Schleh, Instructor Email: [email protected] Course Description This course will introduce the student to the essential concepts and techniques of letterpress printmaking as applied to fundamental book art formats and structures. Projects will introduce students to the basics of letterpress printing for the Vandercook proof press including hand typesetting, typography, composition, locking up, printing, and distribution. A variety of book arts formats will be covered ranging from broadsides to hand sewn and bound hardcover books. Course Goals & Grading Each project will introduce the student to a new technique will be accompanied by a concept to explore that process. Each project will be graded on the following elements: *Participation (Includes critiques and ability to work collaboratively within the studio) *Research *Concept *Technical Understanding Students should be able to analyze and evaluate their own work and that of other students through the process of critique using terms and concepts unique to printmaking. Students should also understand the history of printmaking overall as a distinctive form of art production, while keeping in mind the exploration of how these theories and ideas can be used for personal expression within our contemporary culture. Supply List 6” Speedball soft rubber brayer (or similar) 2” Speedball soft rubber brayer (or similar) Yasutomo Bamboo Baren Speedball 4131 Linoleum -
Survey of Hygienic Conditions in the Printing Trades : Bulletin of the United States Bureau of Labor Statistics, No
U. S. DEPARTMENT OF LABOR JAMES J. DAVIS, S^ cretary BUREAU OF LABOR STATISTICS ETHELBERT STEWART, Commissioner BULLETIN OF THE UNITED STATES ) BUREAU OF LABOR STATISTICS J No. 392 INDUSTRIAL ACCIDENTS AND HYGIENE SERIES SURVEY OF HYGIENIC CONDITIONS IN THE PRINTING TRADES By S. KJAER Of the United States Bureau of Labor Statistics SEPTEMBER, 1925 WASHINGTON GOVERNMENT PRINTING OFFICE 1925 Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis ADDITIONAL COPIES OF THIS PUBLICATION MAY BE PROCURED FROM THE SUPERINTENDENT OF DOCUMENTS GOVERNMENT PRINTING OFFICE WASHINGTON, D. C. AT rn CENTS PER COPY Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis PREFACE In 1922 the International Joint Conference Council of the Print ing Industry planned an investigation of the hygiene of the printing trades. The general supervision and control of the investigation was placed by the Joint Council in the hands of Dr. Frederick L. Hoffman. The Bureau of Labor Statistics was, from the start, called into these conferences and subsequently agreed to do a definitely outlined part of the work involved in the general survey. Under the agree ment the Bureau of Labor Statistics was to conduct a branch of the work involving the employment of at least one field investigator. Mr. Swen Kj aer was assigned to this field work. The schedules and questionnaires had of course been jointly agreed upon by Doctor Hoffman and the Bureau of Labor Statistics. Special Agent Kjaer began his field work in October, 1922, completing it early in 1924. The present bulletin is the beginning of the publication, of the re sults of the joint survey of the hygiene of the printing trades made by the International Joint Conference Council of the Printing In dustry and the Bureau of Labor Statistics in cooperation.