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Capital and Culture
Capital and Culture An Investigation into New Labour cultural policy and the European Capital of Culture 2008. Mark Connolly Presented in fulfilment o f the requirements for the degree o f Doctor o f Philosophy at the University of Wales, Cardiff. December 2007 UMI Number: U584278 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U584278 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Statements of Declaration This work has not previously been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. Signed .. ...............(candidate) Date ........... STATEMENT 1 This thesis is being submitted in partial fulfillment of the requirements for the degree of PhD (insert MCh, MD, MPhil, PhD etc, as appropriate) Signed .. (candidate) Date M .U/L/.firk. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sourcesurces are acknowledged by explicit references. Signed (candidate) Date ....?. 9. /. I A./.^. STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. -
1 Sport Mega-Events and a Legacy of Increased
SPORT MEGA-EVENTS AND A LEGACY OF INCREASED SPORT PARTICIPATION: AN OLYMPIC PROMISE OR AN OLYMPIC DREAM? KATHARINE HELEN HUGHES A thesis submitted in partial fulfilment of the requirements of the Leeds Metropolitan University for the degree of Doctor of Philosophy. JANUARY 2013 1 Contents Acknowledgements ............................................................................................................ 7 Abstract ............................................................................................................................. 8 Student’s declaration ....................................................................................................... 10 List of Tables and Figures ................................................................................................ 11 List of Acronyms .............................................................................................................. 12 Preface ............................................................................................................................ 14 Chapter 1: Context of the study ....................................................................................... 17 1.1 Introduction ........................................................................................................................... 17 1.2 Structure of the thesis ......................................................................................................... 19 1.3 Research aims and questions .......................................................................................... -
Vernacular Revival and Ideology – What’S Left? by Peter Guillery
Vernacular Revival and Ideology – What’s Left? by Peter Guillery This essay derives from a lecture first given at a Vernacular Architecture Group conference on vernacular revivals in 2015, reprised to generally younger audiences at the Bartlett School of Architecture and the University of Westminster. Its retrospection about vernacular architecture, anonymity, revival and left-wing ideologies was prompted primarily by a bemused awareness of recent advances in self-building. It seemed timely to try to get at how and why certain ideas retain traction. Then, coincidentally, young and old were recombining behind Jeremy Corbyn to reinvigorate Labour, and the self-styled design ‘collective’ Assemble won the Turner Prize. John Ruskin, William Morris, the Arts and Crafts Movement and Romanticism will arise (how could they not?), but only in passing, for a revisionist view of what has come since. It is taken as read that a strong commitment to architectural design as being rooted in labour and everyday or subaltern agency tallied with the emergence of socialism and was an important part of architectural thinking and history in late-19th-century England. This is an attempt to relate that history to the present in a new overview for a new framework. It adopts an unconventional or purist definition of what vernacular means that will clash with many preconceptions. Peter Guillery is an architectural historian and editor for the Survey of London, in the Bartlett School of Architecture, University College London. He is the author of The Small House in Eighteenth-Century London (2004), and the editor of Built from Below: British Architecture and the Vernacular (2011), and (with David Kroll) Mobilising Housing Histories: Learning from London’s Past (2016). -
The Architecture of Two Ecologies
Birmingham: The Architecture of Two Ecologies Tom Keeley Contents List of Illustrations 5 Views of Birmingham 7 1. In the Rear-view Mirror 9 2. Los Angeles 23 3. Birmingham 41 4. An Ecology for Banham 63 5. An Ecology for Birmingham 73 Bibliography 81 Notes and references 87 4! ! List of Illustrations 1. Arroyo Seco Parkway, 1939 (photograph: Baron Wolman) 2. The view south from Griffith Park (photograph: Ted Organ) 3. Commercial non-plan on Sepulveda Boulevard 4. Freeway signs (photograph: Baron Wolman) 5. Mission San Fernando as it is now 6. Ontario: Euclid Avenue in 1883 (photograph: Security Pacific National Bank, Historical Collection) 7. Freeway-scape, drivers’ eye view (photograph: William Bronson) 8. Intersection of Santa Monica and San Diego freeways (photograph: Julius Shulman) 9. Townscape of freeway-land 10. Townscape in Bel Air 11. Chaos on Echo Park 12. Dingbat architecture of freeway-land 13. Townscape in Watts 14. Eames House, Pacific Palisades, 1949, Charles Eames, architect (photograph: Julius Shulman) 15. Intersection of Santa Monica and San Diego freeways (photograph: California Division of Highways) 16. Transportation fantasy, Disneyland ! 5! 17. Commercial non-plan on Lichfield Road 18. Aston as it is now 19. Intersection of A38(M) Aston Expressway and M6 motorway 20. Chaos on Salford Park 6! ! Views of Birmingham1 On my first visit to [Birmingham] I was conventionally prepared for almost anything except for what it really looked like – a quite beautiful place. Nathan Silver: New Statesman, 28 March 1969 Now I know subjective opinions can vary, but personally I reckon [Birmingham] as the noisiest, smelliest, the most uncomfortable, and most uncivilized major city in the [United Kingdom]. -
Introduction
Notes Introduction 1. Tribune, December 3, 1943, in Paul Anderson ed. Orwell in Tribune (London: Politico’s, 2006), 57. 2. Margaret Tapster, WW2 People’s War, an online archive of wartime memories con- tributed by members of the public and gathered by the BBC. The archive can be found at bbc.co.uk/ww2peopleswar. http://www.bbc.co.uk/history/ww2peopleswar/stories/ 65/a5827665.shtml Accessed May 30, 2013. 3. Paul Addison, No Turning Back: The Peacetime Revolutions of Post-War Britain (Oxford and New York: Oxford University Press, 2010); Peter Hennessy, Having It So Good: Britain in the Fifties (London: Allen Lane, 2006); David Kynaston Aus- terity Britain, 1945–51 (London, Berlin and New York: Bloomsbury, 2007); David Kynaston, Family Britain, 1951–1957 (London, Berlin, New York: Bloomsbury, 2009); Mark Donnelly, Sixties Britain: Culture, Society and Politics (Harlow: Pearson, 2005); Alwyn W. Turner, Crisis? What Crisis? Britain in the 1970s (London: Aurum Press, 2008); Andy Beckett, When the Lights Went Out: Britain in the Seventies (London: Faber and Faber, 2009); Dominic Sandbrook, Seasons in the Sun: The Battle for Britain, 1974–1979 (London: Allen Lane, 2012); Alwyn W. Turner, Rejoice! Rejoice! Britain in the 1980s (London: Aurum, 2010) and Andy McSmith, No Such Thing as Society: A History of Britain in the 1980s (London: Constable, 2011). 4. British and European resistance to American culture is expounded by Dick Hebdige, Subculture: The Meaning of Style (London and New York: Routledge, 1979); Rob Kroes et al. Cultural Transmissions and Receptions: American Mass Culture in Europe (Amsterdam: VU University Press, 1993) and Rob Kroes, If You’ve Seen One, You’ve Seen the Mall: Europeans and American Mass Culture (Urbana, IL: University of Illinois Press, 1996). -
September 2014
Salisbury Civic Society - September 2014 Next year is the 800th anniversary of the Magna Carta’s acceptance at Runnymede. Part of the celebration will be all four surviving copies being brought together in London. There will be many events in Salisbury. Some information is to be found on pages 12-15. Contents Magna Carta . 1, 12-15 The Programme . 3 Heritage Open Days . 4 Jonathan Meades . 5-8 The Chairman’s report . 10-11 The Golden Ratio & Fibonacci 16-18 www.salisburycivicsociety.org.uk e-mail [email protected] 2 To promote high standards of planning and architecture To educate in the architecture, history and geography of the area To secure the preservation, development and improvement of features of public interest within the former Salisbury District · The Salisbury Civic Society, which was founded in 1960 as the Salisbury & District Preservation Trust, is involved with the past, present and future of the City and its district. This generates a substantial amount of work which is carried out largely by the Development Committee. · Its meetings are monthly. New planning applications are examined where they concern listed buildings or conservation areas. Other applications are also looked at where they have special relevance to the future of the city and district. The remit is both ancient and modern. Opinions are formed and comments made where appropriate by this committee the members of which are a mix of both lay and professionally qualified, including architects. · The Society keeps its members well informed and arranges a very active social calendar. Interesting visits are arranged as well as an exceptional programme of lectures. -
ARCHITECTURE of AFFECT Conceptions of Concrete in Brutalist Buildings
ARCHITECTURE OF AFFECT conceptions of concrete in brutalist buildings Marijke de Wal MA Thesis 2017 Supervisor: László Munteán Department of Literary and Cultural Studies Radboud University Nijmegen László, köszönöm hogy hittél bennem 2 CONTENTS PREFACE 04 INTRODUCTION 06 I WORLD OF CONCRETE 10 ubiquitous utopias 12 critical regionalism 15 brutalist sensibility 17 II ARCHITECTURE OF AFFECT 21 concrete aesthetics 26 architectural polemic 27 as found 29 human habitat 33 refrain 36 urban poetry 38 kate wood 39 affective voices 41 nostalgic remembrance 42 refrain 47 radiant city 49 solid darkness 50 the alchemist 53 déjà vu 57 refrain 60 CONCLUSION 62 SAMENVATTING 67 REFERENCES 70 3 PREFACE ‘Het is lente maar beton bloeit niet’. As long as I can remember, this slogan adorns one of the many nearby railway bridges. Tasting the typographical delights of this particular urban art, I believe I was seven years old, must have marked the beginning of my feelings for concrete. Somehow it was able to comfort me—just being there. Only much later I realised that in concrete I recognised the mother I had missed. We both grew older, the railway bridge and me, and my love for concrete gradually developed into an interest in architecture with a preference towards the tactility of genuine building materials. I’ve always preferred touching and laying bare instead of concealing and covering up, which, I guess, is rooted in my perpetual quest for authenticity. And so is this thesis. Marijke de Wal Voorburg, spring 2017 4 It wants to be in touch. It wants to be touched. -
Lesbian Brides: Post-Queer Popular Culture
Lesbian Brides: Post-Queer Popular Culture Dr Kate McNicholas Smith, Lancaster University Department of Sociology Bowland North Lancaster University Lancaster LA1 4YN [email protected] Professor Imogen Tyler, Lancaster University Department of Sociology Bowland North Lancaster University Lancaster LA1 4YN [email protected] Abstract The last decade has witnessed a proliferation of lesbian representations in European and North American popular culture, particularly within television drama and broader celebrity culture. The abundance of ‘positive’ and ‘ordinary’ representations of lesbians is widely celebrated as signifying progress in queer struggles for social equality. Yet, as this article details, the terms of the visibility extended to lesbians within popular culture often affirms ideals of hetero-patriarchal, white femininity. Focusing on the visual and narrative registers within which lesbian romances are mediated within television drama, this article examines the emergence of what we describe as ‘the lesbian normal’. Tracking the ways in which the lesbian normal is anchored in a longer history of “the normal gay” (Warner 2000), it argues that the lesbian normal is indicative of the emergence of a broader post-feminist and post-queer popular culture, in which feminist and queer struggles are imagined as completed and belonging to the past. Post-queer popular culture is depoliticising in its effects, diminishing the critical potential of feminist and queer politics, and silencing the actually existing conditions of inequality, prejudice and stigma that continue to shape lesbian lives. Keywords: Lesbian, Television, Queer, Post-feminist, Romance, Soap-Opera Lesbian Brides: Post-Queer Popular Culture Increasingly…. to have dignity gay people must be seen as normal (Michael Warner 2000, 52) I don't support gay marriage despite being a Conservative. -
Brutalist Architecture ‐ Wikipedia, the Free Encyclopedia Brutalist Architecture from Wikipedia, the Free Encyclopedia
2/16/2016 Brutalist architecture ‐ Wikipedia, the free encyclopedia Brutalist architecture From Wikipedia, the free encyclopedia Brutalist architecture is a movement in architecture that flourished from the 1950s to the mid1970s, descending from the modernist architectural movement of the early 20th century. The term originates from the French word for "raw" in the term used by Le Corbusier to describe his choice of material béton brut (raw concrete).[1][2] British architectural critic Reyner Banham adapted the term into "brutalism" (originally "New Brutalism") to identify the emerging style. Hubert H. Humphrey Building, designed by Marcel Brutalism became popular with governmental and Breuer, headquarters of the U.S. Department of institutional clients, with numerous examples in Health and Human Services, Washington, D. C. Britain, France, Germany, Japan, the United States, Canada, Brazil, the Philippines, Israel and Australia. Examples are typically massive in character (even when not large), fortresslike, with a predominance of exposed concrete construction, or in the case of the "brick brutalists," ruggedly combine detailed brickwork and concrete. There is often an emphasis on graphically expressing in the external elevations and in the wholesite architectural plan the main functions and peopleflows of the buildings. Brutalism became popular for educational buildings (especially university buildings), but was relatively rare for corporate projects. Brutalism became favoured for many government projects, highrise housing, and shopping centres. In its ruggedness and lack of concern to look comfortable or easy, Brutalism can be seen as a reaction by a younger generation to the lightness, optimism, and frivolity of some 1930s and 1940s architecture. -
Postmaster & the Merton Record 2017
Postmaster & The Merton Record 2017 Merton College Oxford OX1 4JD Telephone +44 (0)1865 276310 www.merton.ox.ac.uk Contents College News Features Records Edited by Merton in Numbers ...............................................................................4 A long road to a busy year ..............................................................60 The Warden & Fellows 2016-17 .....................................................108 Claire Spence-Parsons, Duncan Barker, The College year in photos Dr Vic James (1992) reflects on her most productive year yet Bethany Pedder and Philippa Logan. Elections, Honours & Appointments ..............................................111 From the Warden ..................................................................................6 Mertonians in… Media ........................................................................64 Six Merton alumni reflect on their careers in the media New Students 2016 ............................................................................ 113 Front cover image Flemish astrolabe in the Upper Library. JCR News .................................................................................................8 Merton Cities: Singapore ...................................................................72 Undergraduate Leavers 2017 ............................................................ 115 Photograph by Claire Spence-Parsons. With MCR News .............................................................................................10 Kenneth Tan (1986) on his -
ND June 21.Pdf
content regulars Vol 24 No 301 June 2021 15 gHOSTLy cOunSEL 3 LEAD STORy 20 Views, reviews & previews AnDy HAWES ‘Rejoice, so highly considers living in a divided church favoured! The Lord is with ART : Exhibitions aer Lock - you’ down, Owen Higgs on 16 LIncOLnSHIRE SPIRES Jonathan Meades Edward Dowler considers the EDITORIAL 18 place of Mary in the Church BOOkS: John Twisleton on e Beekeeper of Aleppo BISHOPS Of THE SOcIETy 35 Simon Walsh on Love’s 5 We need to talk about Mysteries Safeguarding 3 Michael Langrish on 19 THE WAy WE LIVE nOW A teacher offers some reflections Justice and Love cHRISTOPHER SMITH William Davage on falls down a linguistic rabbit hole 6 The Mass of Ages Barbara Pym SIMOn WALSH 30 JunE DIARy on the centrality of the Eucharist 25 On Saints, Relics and THuRIfER Dedications comes out of lockdown 7 news from Tariro A photographic survey A report from Zimbabwe 33 fAITH Of OuR fATHERS 27 Our day of Thanksgiving ARTHuR MIDDLETOn 9 The Eucharistic Sacrifice in OWEn HIggS on life aer lockdown the Anglican Tradition preaches at St Augustine’s Kilburn cOLIn PODMORE 34 TOucHIng PLAcE offers an historical perective 29 All Saints Margaret Stree S. James, Barton-Under-Needwood, Staffs 11 An Archiepiscopal Visit 31 The Angel of the Lord e Archbishop of York visits JOHn gAyfORD Ryhill on the Angelus 13 We have to talk about 35 The clumber chapel Safeguarding 4 A survivor reflects on his experience E R Statue of Our Lady by Martin Travers E G V at St George’s Headstone A O (Photograph by Richard Keeble) M I C Articles are published in New Directions because they are thought likely to be of interest to Mass at Holy Redeemer Clerkenwell to celebrate the readers. -
Macfarlane Chard Associates, Beacon House, 113 Kingsway, London, WC2B 6PP T: +44 (0) 20 7636 7750
Agent: Peter MacFarlane RUSSELL ENGLAND Producer/Director IN PRODUCTION Wine Swipe Films This feature-doc seeks to right a tremendous wrong: to investigate a claim that has remained hidden for over 300 years: who we should be thanking for giving us the world’s finest wines. EP: George Carey. RECENT WORK Who Do You Think You Are Wall to Wall for BBC1 Paralympic sprinter Jonnie Peacock discovers just who to thank for his sporting prowess. The Truth About Carbs Lion TV for BBC1 Self-professed carb lover Dr. X and Van Tulleken, sorts the wheat from the chaff of dietary science about carbohydrates. The Truth About Sleep Lion TV for BBC1 Documentary investigating what happens if we don’t get enough sleep and how do we get more? Henry VIII’s Six Wives with Lucy Worsley Wall to Wall for BBC1 Drama and historical commentary uncovering the lives of Henry VIII’s famous wives from within the Tudor Court. Bletchley Park Arrow Media Documentary exploring the life of Gordon Welchman and his remarkable legacy to the modern world of intelligence gathering. Unhallowed Ground Aviary Films for Metrodome This ‘Heist-Horror’ film is set in a Boys’ Public School. Premiered at the London Independent Film Festival. 24th April 2015. The Secret History of our Streets Century Films for BBC2 Second season for this award-winning series. The story of the longest street in Britain – Duke Street – and how its residents fought to save their homes from being demolished by a misguided council. Graystone Feature Film for Pippa Films World’s Most Extreme Arrow Media MacFarlane Chard Associates, Beacon House, 113 Kingsway, London, WC2B 6PP T: +44 (0) 20 7636 7750 www.macfarlane-chard.co.uk Dogs: Their Secret Lives Arrow Media for Channel 4 Through hidden cameras and a ground-breaking new study from the world’s leading dog scientists this show reveals what dogs get up to while you’re out.