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Autumn 2019 Catalogue Reflects the Ground-Plan of Our Imprints
HEAD OF ZEUS NEW TITLES JULY–DECEMBER 2019 The Summer of 2019 marks the 7th anniversary of Head of Zeus. For us it also marks the watershed between a hopeful start-up in a Covent Garden garret and our coming of age as an established independent with a clear sense of identity and purpose. Head of Zeus now comprises a portfolio of six imprints. Each is tasked with a distinctive mission in different markets, categories and genres. Our aim is to develop these as centres of excellence where we aspire to innovate and lead rather than imitate others and follow the field. APOLLO is a non-fiction imprint devoted to History, Science and Civilization. It features a number of series: The Great Lives (historical biography), Chronicles (empires, dynasties and revolutions), Landmarks (the footprints of civilization) and Cosmos (the frontiers of science). ANIMA addresses the quality, diversity and opportunities of life in our times: health and mental healing, nature and the environment, inspiration and aspiration. HoZ FICTION publishes General and Literary novels alongside a strong presence in the hardy perennials of Genre Fiction: Crime & Thrillers, Science Fiction & Fantasy, Historical Fiction & Adventure, Sagas & Contemporary Women’s Fiction. Our fiction list also features a range of short story anthologies that now offers more than a thousand stories. ARIA and ARES are our twin e-book specialists, delivering genre fiction to a mass-market readership. ZEPHYR is our children’s imprint. Our authors create make-believe worlds for children of all ages. The Autumn 2019 catalogue reflects the ground-plan of our imprints. It is our strongest and most ambitious list to date. -
'Opposition-Craft': an Evaluative Framework for Official Opposition Parties in the United Kingdom Edward Henry Lack Submitte
‘Opposition-Craft’: An Evaluative Framework for Official Opposition Parties in the United Kingdom Edward Henry Lack Submitted in accordance with the requirements for the degree of PhD The University of Leeds, School of Politics and International Studies May, 2020 1 Intellectual Property and Publications Statements The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. ©2020 The University of Leeds and Edward Henry Lack The right of Edward Henry Lack to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 2 Acknowledgements Page I would like to thank Dr Victoria Honeyman and Dr Timothy Heppell of the School of Politics and International Studies, The University of Leeds, for their support and guidance in the production of this work. I would also like to thank my partner, Dr Ben Ramm and my parents, David and Linden Lack, for their encouragement and belief in my efforts to undertake this project. Finally, I would like to acknowledge those who took part in the research for this PhD thesis: Lord David Steel, Lord David Owen, Lord Chris Smith, Lord Andrew Adonis, Lord David Blunkett and Dame Caroline Spelman. 3 Abstract This thesis offers a distinctive and innovative framework for the study of effective official opposition politics in the United Kingdom. -
CA Prize-Winner 2020: Daisy Dunn
CA Prize-winner 2020: Daisy Dunn The Classical Association Prize is awarded annually in recognition of work that has raised the profile of Classics in the public eye. Our 2020 winner is the acclaimed author, classicist and cultural critic Dr Daisy Dunn. Daisy’s interests in the history of the late Roman Republic and early Empire, classical literature, and the art of Renaissance Italy underpin a large part of her work. Having read Classics at St Hilda’s, Oxford, before completing a Master’s in the History of Art at the Courtauld Institute, she completed a doctorate on Classics and Art History at University College London where she was awarded an AHRC doctoral award, the Gay Clifford Award for Outstanding Women Scholars, and an Italian Cultural Society scholarship. Daisy’s earliest publications included Catullus’ Bedspread: The Life of Rome’s Most Erotic Poet (2016), a biography of the poet that takes its name from Poem 64, the description of a wedding coverlet featuring Theseus and Ariadne that first captured Daisy’s imagination as a schoolgirl and inspired her work on Catullus. The biography was written to coincide with the publication of her translation of the poems of Catullus, which sought to be true to the text while translating it for a modern audience. Daisy noted in the introduction that the poems offer a rare and highly personal window into the life of Catullus and his times, while showing us that ‘the people of his world were not always so very different from us’. Highlighting the familiarity between the ancient world and our own has become the hallmark of Daisy’s work. -
By Gwyn Conger Steinbeck the Story
For Immediate Release Lawson Publishing LTD. Discovered--GWYN CONGER STEINBECK. New book relates love and adventures of the "forgotten wife," muse to the Nobel Prizewinning author of American classics MY LIFE WITH JOHN STEINBECK: by Gwyn Conger Steinbeck The Story of John Steinbeck's Forgotten Wife Who was Gwyn Conger Steinbeck? Unlike Steinbeck's first and third wives, she's unmentioned in standard editions of classics, such as The Grapes of Wrath and Of Mice and Men. But that's about to change with the publication of MY LIFE WITH JOHN STEINBECK: by Gwyn Conger Steinbeck, The story of John Steibeck's Forgotten Wife. (Lawson Publishing Ltd. Sept. 6th.). The ms, lost since 1972, was recently discovered in Wales. The book includes her introduction, that of journalist Douglas G. Brown and the acclaimed John Steinbeck biographer, Jay Parini. The book reveals the missing voice of Gwyn, "the forgotten wife," mother of his two sons, during a 6-year marriage that included the tumult of World War 2.. When she met Steinbeck in 1939, Gwyn was a professional singer, working for RKO radio and CBS in L.A. She was an independent young woman, lively and radiant in her love for the great man wooing her--14 years her senior. He was impressed by her beauty and magnetic presence. For women of her era, many of whom had to leave jobs after the war, marriage was considered a woman's true career-- love was life. This journal is her story of that adventure, often "on the road" with a restless Steinbeck, criss-crossing continents and making homes. -
Pevsner's Architectural Glossary
Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 1 PEVSNER’S ARCHITECTURAL GLOSSARY Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 2 Nikolaus and Lola Pevsner, Hampton Court, in the gardens by Wren's east front, probably c. Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 3 PEVSNER’S ARCHITECTURAL GLOSSARY Yale University Press New Haven and London Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 4 Temple Street, New Haven Bedford Square, London www.pevsner.co.uk www.lookingatbuildings.org.uk www.yalebooks.co.uk www.yalebooks.com for Published by Yale University Press Copyright © Yale University, Printed by T.J. International, Padstow Set in Monotype Plantin All rights reserved. This book may not be reproduced in whole or in part, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 5 CONTENTS GLOSSARY Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 6 FOREWORD The first volumes of Nikolaus Pevsner’s Buildings of England series appeared in .The intention was to make available, county by county, a comprehensive guide to the notable architecture of every period from prehistory to the present day. Building types, details and other features that would not necessarily be familiar to the general reader were explained in a compact glossary, which in the first editions extended to some terms. -
The Architecture of Sir Ernest George and His Partners, C. 1860-1922
The Architecture of Sir Ernest George and His Partners, C. 1860-1922 Volume II Hilary Joyce Grainger Submitted in fulfilment of the requirements for the degree of Ph. D. The University of Leeds Department of Fine Art January 1985 TABLE OF CONTENTS Notes to Chapters 1- 10 432 Bibliography 487 Catalogue of Executed Works 513 432 Notes to the Text Preface 1 Joseph William Gleeson-White, 'Revival of English Domestic Architecture III: The Work of Mr Ernest George', The Studio, 1896 pp. 147-58; 'The Revival of English Domestic Architecture IV: The Work of Mr Ernest George', The Studio, 1896 pp. 27-33 and 'The Revival of English Domestic Architecture V: The Work of Messrs George and Peto', The Studio, 1896 pp. 204-15. 2 Immediately after the dissolution of partnership with Harold Peto on 31 October 1892, George entered partnership with Alfred Yeates, and so at the time of Gleeson-White's articles, the partnership was only four years old. 3 Gleeson-White, 'The Revival of English Architecture III', op. cit., p. 147. 4 Ibid. 5 Sir ReginaldýBlomfield, Richard Norman Shaw, RA, Architect, 1831-1912: A Study (London, 1940). 6 Andrew Saint, Richard Norman Shaw (London, 1976). 7 Harold Faulkner, 'The Creator of 'Modern Queen Anne': The Architecture of Norman Shaw', Country Life, 15 March 1941 pp. 232-35, p. 232. 8 Saint, op. cit., p. 274. 9 Hermann Muthesius, Das Englische Haus (Berlin 1904-05), 3 vols. 10 Hermann Muthesius, Die Englische Bankunst Der Gerenwart (Leipzig. 1900). 11 Hermann Muthesius, The English House, edited by Dennis Sharp, translated by Janet Seligman London, 1979) p. -
11 — 27 August 2018 See P91—137 — See Children’S Programme Gifford Baillie Thanks to All Our Sponsors and Supporters
FREEDOM. 11 — 27 August 2018 Baillie Gifford Programme Children’s — See p91—137 Thanks to all our Sponsors and Supporters Funders Benefactors James & Morag Anderson Jane Attias Geoff & Mary Ball The BEST Trust Binks Trust Lel & Robin Blair Sir Ewan & Lady Brown Lead Sponsor Major Supporter Richard & Catherine Burns Gavin & Kate Gemmell Murray & Carol Grigor Eimear Keenan Richard & Sara Kimberlin Archie McBroom Aitken Professor Alexander & Dr Elizabeth McCall Smith Anne McFarlane Investment managers Ian Rankin & Miranda Harvey Lady Susan Rice Lord Ross Fiona & Ian Russell Major Sponsors The Thomas Family Claire & Mark Urquhart William Zachs & Martin Adam And all those who wish to remain anonymous SINCE Scottish Mortgage Investment Folio Patrons 909 1 Trust PLC Jane & Bernard Nelson Brenda Rennie And all those who wish to remain anonymous Trusts The AEB Charitable Trust Barcapel Foundation Binks Trust The Booker Prize Foundation Sponsors The Castansa Trust John S Cohen Foundation The Crerar Hotels Trust Cruden Foundation The Educational Institute of Scotland The Ettrick Charitable Trust The Hugh Fraser Foundation The Jasmine Macquaker Charitable Fund Margaret Murdoch Charitable Trust New Park Educational Trust Russell Trust The Ryvoan Trust The Turtleton Charitable Trust With thanks The Edinburgh International Book Festival is sited in Charlotte Square Gardens by the kind permission of the Charlotte Square Proprietors. Media Sponsors We would like to thank the publishers who help to make the Festival possible, Essential Edinburgh for their help with our George Street venues, the Friends and Patrons of the Edinburgh International Book Festival and all the Supporters other individuals who have donated to the Book Festival this year. -
October 2019 50P Are You Ready? Brexit Looms
Issue 421 October 2019 50p Are you ready? Brexit looms ... & Chippy looks to the future Parliament is in turmoil and Chipping Norton, with the nation, awaits its fate, as the Mop Magic! Government plans to leave the EU on 31 October – Deal or No Deal. So where next? Is Chippy ready? It’s all now becoming real. Will supplies to Chippy’s shops and health services be disrupted? Will our townsfolk, used to being cut off in the snow, stock up just in case? Will our businesses be affected? Will our EU workers stay and feel secure? The News reports from around Chippy on uncertainty, contingency plans, but also some signs of optimism. Looking to the future – Brexit or not, a positive vision for Chippy awaits if everyone can work together on big growth at Tank Farm – but with the right balance of jobs, housing mix, and environmental sustainability for a 21st century Market town – and of course a solution to those HGV and traffic issues. Chipping Norton Town Council held a lively Town Hall meeting in September, urging the County Council leader, Ian Hudspeth into action to work with them. Lots more on Brexit, HGVs, and all this on pages 2-3. News & Features in this Issue • GCSE Results – Top School celebrates great results • Health update – GPs’ new urgent care & appoint- ment system • Cameron book launch – ‘For the Record’ • Chipping Norton Arts Festival – 5 October The Mop Fair hit town in • Oxfordshire 2050 – how will Chippy fit in? September – with everyone • Climate emergency – local action out having fun, while the traffic Plus all the Arts, Sports, Clubs, Schools and Letters went elsewhere. -
Dijkstra Agency Hot List
DIJKSTRA AGENCY HOT LIST Fall 2017 – Spring 2018 Sandra Dijkstra Elise Capron * Jill Marr * Thao Le Andrea Cavallaro * Roz Foster Jessica Watterson * Suzy Evans Jennifer Kim www.dijkstraagency.com NEW MEMOIR FROM BESTSELLING AUTHOR AMY TAN WHERE THE PAST BEGINS: A Writer’s Memoir Amy Tan (Ecco, October 2017) An exploration of memory, emotion, and the workings of the imagination in the mind of the writer, from the inimitable Amy Tan. Where the Past Begins: A Writer’s Memoir presents Amy Tan, a master of storytelling, offering unparalleled access into her writing process, her fascination with the neurology of creativity, and her exploration of the family histories that led to the creation of indelible characters in beloved works such as The Joy Luck Club and The Valley of Amazement. In these pages, we find hints of trauma in Tan’s past, relationships she has never discussed publicly, and a family mystery that was only solved accidentally, by stumbling on a box of old documents. In evocative descriptions and characteristic humor, this memoir offers us a vivid picture of the author’s childhood in Northern California, the world of her mother and grandmother in China, and her recent forays into plein air sketching. Amy explores how memories, the inspiration of music, and the beauty of the natural world mingle with enigmatic characteristics of the writer’s brain and imaginative capacities to create the magic of a story. Other non-fiction by Amy Tan: THE OPPOSITE OF FATE: Memories of a Writing Life (Putnam, 2003) New York Times bestseller, New York Times notable book “Sharp and invigorating…fertile reading.”— The New York Times Book Review “Wickedly funny and honest.”— O Magazine “A melodramatic, tragic and comedic tale…Tan is refreshingly candid.”— Baltimore Sun Amy Tan is the internationally bestselling author of The Joy Luck Club, The Kitchen God’s Wife, The Hundred Secret Senses, The Bonesetter’s Daughter, The Valley of Amazement, The Opposite of Fate: Memories of a Writing Life, and two children’s books. -
| Oxford Literary Festival
OXFORD literary Saturday 30 March to festival Sunday 7 April 2019 Kazuo Ishiguro Nobel Prize Winner Dr Mary Robinson Robert Harris Darcey Bussell Mary Beard Ranulph Fiennes Lucy Worsley Ben Okri Michael Morpurgo Jo Brand Ma Jian Joanne Harris Venki Ramakrishnan Val McDermid Simon Schama Nobel Prize Winner pocket guide Box Office 0333 666 3366 • www.oxfordliteraryfestival.org Welcome to your pocket guide to the 2019 Ft Weekend oxFord literary Festival Tickets Tickets can be booked up to one hour before the event. Online: www.oxfordliteraryfestival.org In person: Oxford Visitor Information Centre, Broad Street, Oxford, seven days a week.* Telephone box office: 0333 666 3366* Festival box office: The box office in the Blackwell’s marquee will be open during the festival. Immediately before events: Last-minute tickets are available for purchase from the festival box office in the marquee in the hour leading up to each event. You are strongly advised to book in advance as the box office can get busy in the period before events. * An agents’ booking fee of £1.75 will be added to all sales at the visitor information centre and through the telephone box office. This pocket guide was correct at the time of going to press. Venues are sometimes subject to change, and more events will be added to the programme. For all the latest times and venues, check our website at www.oxfordliteraryfestival.org General enquiries: 07444 318986 Email: [email protected] Ticket enquiries: [email protected] colour denotes children’s and young people’s events Blackwell’s bookshop marquee The festival marquee is located next to the Sheldonian Theatre. -
Aitken Alexander Associates
Aitken Alexander Associates Frankfurt Book Fair 2019 For further information on all clients and titles in this catalogue, please contact: LISA BAKER France, Germany, Holland and Italy Email: [email protected] ANNA WATKINS Brazil, China, Czech Republic, Denmark, Finland, Greece, Iceland, Japan, Korea, Norway, Portugal, Poland, Romania, Russia, Slovakia, Spain, Taiwan Email: [email protected] MONICA MACSWAN Arabic, Bulgaria, Cambodia, Croatia, Estonia, Hungary, Indian Languages, Indonesia, Israel, Latvia, Lithuania, Macedonia, Mongolia, Thailand, Turkey, Serbia, Slovenia, Vietnam Email: [email protected] Literary Agents Centre Tables: Anna – 21P, Monica – 21Q, Lisa – 22Q For Film and Television Rights please contact: LESLEY THORNE Email: [email protected] Aitken Alexander Associates Ltd. 291 Gray’s Inn Road London WC1X 8QJ Telephone (020) 7373 8672 www.aitkenalexander.co.uk @AitkenAlexander @aitkenalexander Contents Page Fiction: Saltwater by Jessica Andrews p.1 The Body Lies by Jo Baker p.2 Girl, Woman, Other by Bernardine Evaristo p.3 This Brutal House by Niven Govinden p.4 The Porpoise by Mark Haddon p.5 The Harpy by Megan Hunter p.6 Sisters by Daisy Johnson p.7 Nightingale by Marina Kemp p.8 Isabelle in the Afternoon by Douglas Kennedy p.9 When We Were Rich by Tim Lott p.10 The Anthill by Julianne Pachico p.11 The Inheritance of Solomon Farthing by Mary Paulson-Ellis p.12 Mister Wolf by Chris Petit p.13 All the Water in the World by Karen Raney p.14 English Monsters by James Scudamore p.15 The -
The Moral Basis of Family Relationships in the Plays of Shakespeare and His Contemporaries: a Study in Renaissance Ideas
The Moral Basis of Family Relationships in the plays of Shakespeare and his Contemporaries: a Study in Renaissance Ideas. A submission for the degree of doctor of philosophy by Stephen David Collins. The Department of History of The University of York. June, 2016. ABSTRACT. Families transact their relationships in a number of ways. Alongside and in tension with the emotional and practical dealings of family life are factors of an essentially moral nature such as loyalty, gratitude, obedience, and altruism. Morality depends on ideas about how one should behave, so that, for example, deciding whether or not to save a brother's life by going to bed with his judge involves an ethical accountancy drawing on ideas of right and wrong. It is such ideas that are the focus of this study. It seeks to recover some of ethical assumptions which were in circulation in early modern England and which inform the plays of the period. A number of plays which dramatise family relationships are analysed from the imagined perspectives of original audiences whose intellectual and moral worlds are explored through specific dramatic situations. Plays are discussed as far as possible in terms of their language and plots, rather than of character, and the study is eclectic in its use of sources, though drawing largely on the extensive didactic and polemical writing on the family surviving from the period. Three aspects of family relationships are discussed: first, the shifting one between parents and children, second, that between siblings, and, third, one version of marriage, that of the remarriage of the bereaved.