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The Moral Basis of Family Relationships in the Plays of Shakespeare and His Contemporaries: a Study in Renaissance Ideas
The Moral Basis of Family Relationships in the plays of Shakespeare and his Contemporaries: a Study in Renaissance Ideas. A submission for the degree of doctor of philosophy by Stephen David Collins. The Department of History of The University of York. June, 2016. ABSTRACT. Families transact their relationships in a number of ways. Alongside and in tension with the emotional and practical dealings of family life are factors of an essentially moral nature such as loyalty, gratitude, obedience, and altruism. Morality depends on ideas about how one should behave, so that, for example, deciding whether or not to save a brother's life by going to bed with his judge involves an ethical accountancy drawing on ideas of right and wrong. It is such ideas that are the focus of this study. It seeks to recover some of ethical assumptions which were in circulation in early modern England and which inform the plays of the period. A number of plays which dramatise family relationships are analysed from the imagined perspectives of original audiences whose intellectual and moral worlds are explored through specific dramatic situations. Plays are discussed as far as possible in terms of their language and plots, rather than of character, and the study is eclectic in its use of sources, though drawing largely on the extensive didactic and polemical writing on the family surviving from the period. Three aspects of family relationships are discussed: first, the shifting one between parents and children, second, that between siblings, and, third, one version of marriage, that of the remarriage of the bereaved. -
Priscilla: the Hidden Life of an Englishwoman in Wartime France Free
FREE PRISCILLA: THE HIDDEN LIFE OF AN ENGLISHWOMAN IN WARTIME FRANCE PDF Nicholas Shakespeare | 464 pages | 03 Jul 2014 | Vintage Publishing | 9780099555667 | English | London, United Kingdom Priscilla: The Hidden Life of an Englishwoman in Wartime France - Wikipedia Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will Priscilla: The Hidden Life of an Englishwoman in Wartime France you to experience all the features of our site. Learn how to enable JavaScript on your browser. NOOK Book. Home 1 Books 2. Read an excerpt of this book! Add to Wishlist. Sign in to Purchase Instantly. Members save with free shipping everyday! See details. The glamorous, mysterious figure he remembered from his childhood was very different from the morally ambiguous young woman who emerged from the trove of love letters, journals and photographs, surrounded by suitors and living the precarious existence of a British citizen in a country controlled by the enemy during World War II. As a young boy, Shakespeare had always believed that his aunt was a member of the Resistance and had been tortured by the Priscilla: The Hidden Life of an Englishwoman in Wartime France. The truth turned out to be far more complicated. Series Pages: Sales rank:Product dimensions: 5. About the Author Nicholas Shakespeare's books have been translated into twenty languages. His nonfiction includes the critically acclaimed authorized biography of Bruce Chatwin. Shakespeare is married with two sons and lives in Oxford. -
"The Problem of Predicting What Will Last"
Allan Massie, "The Problem of Predicting What Will Last" Booksonline, with Amazon.co.uk (An Electronic Telegraph Publication) 4 January 2000 As our Book of the Century series concludes, Allan Massie compares the list with one published by The Daily Telegraph 100 years ago EACH WEEK for the past two years The Daily Telegraph’s literary editor has asked a contributor to name and describe his or her "Book of the Century", and today the series concludes with Arthur C. Clarke’s choice. The full selection invites comparison with a list drawn up by The Telegraph a century ago; we print both here. The comparison cannot, however, be exact. All the books chosen in 1899 were fiction - the paper offered its readers the "100 Best Novels in the World", selected by the editor "with the assistance of Sir Edwin Arnold, K. C. I. E, H. D. Traill, D. C. L, and W. L. Courtney, LL. D.". The modern list includes poetry, plays, history, diaries, philosophy, economics, memoirs, biography and travel writing. It is certainly eclectic, ranging from Wittgenstein’s Tractatus Logico-Philosophicus, selected by David Sylvester, to The Wind in the Willows, chosen by John Bayley, and Down with Skool, Wendy Cope’s Book of the Century. The 1899 list, on offer at the time in a cloth-bound edition at nine guineas the lot (easy terms available), is homogeneous, as the modern one is not, not only because it consists entirely of works of fiction but also because the selection was made by a small group. And since they were picking the 100 Best Novels, they were able to include books that nobody might name as a single "Book of the Century" but which many might put in their top 20 or so. -
El Sendero De Un Shakespeare Por Pablo Ingberg
El País, Montevideo, 01.09.2000 Entrevista a Nicholas Shakespeare El sendero de un Shakespeare Por Pablo Ingberg Mario Vargas Llosa elogió la primera novela de Nicholas Shakespeare, La visión de Elena Silves, por su “certero instinto para aventurarse en los laberintos de la política peruana”. Aquel libro obtuvo el premio Somerset Maugham y se tradujo a doce idiomas, incluyendo el español (Muchnik, 1991). Shakespeare, nacido en Inglaterra en 1957, retomó el mismo tema en su tercera novela, que publica ahora en español Editorial Norma. Se titula El bailarín del piso de arriba, y es una ficción inspirada en la captura del líder senderista Abimael Guzmán. La pregunta por el origen de su interés literario en Sendero Luminoso es, pues, el casi obligado comienzo de la entrevista. Así lo resume él: –Yo había vivido en Brasil del ’66 al ’70, época de los escuadrones de la muerte, y en Argentina del ’74 al ’78, tiempos de la “guerra sucia”. En 1984 llegué a Perú, y me quedé hasta el ’89. Era la época de Sendero Luminoso y mi tercera experiencia revolucionaria en Sudamérica. Llegado de Portugal y ya instalado en Lima, yo estaba escribiendo una novela sobre una monja que, de jovencita, había tenido una visión de la Virgen María, y la Iglesia la había encarcelado veinte años. Quería que ella se cuestionara si había valido la pena haber sido marcada así por el conocimiento de Dios. ¿No habría sido mejor enamorarse, hacer el amor, formar una familia? Ella se escaparía del convento en busca del muchacho del que estaba enamorada al tener la visión. -
Agents of Shield Transcript
Agents Of Shield Transcript Suppliantly seminary, Calvin controlled Bantu and describes hypercorrectness. Beatable and dialectic whenAdolph gram-negative often gargles Ezsome advertised creamer glutinously instant or pillageand twinkles astutely. her Abdul shoo-in. often rightens pharmaceutically Download Agents Of Shield Transcript pdf. Download Agents Of Shield Transcript doc. Effortlessly at a joinmore in of the our running world withoutthrough him the toimages join the Sensortrigger wordsreadouts were and in straightenedtheir relationship up and with the ivanov top charts comes for. to regularExchange ultrasonic agrees pulsesto say: acrossit needed all ourto get ability the blueto fly andit was could unable kill creel to capture easily him?outrun Painting his way. him Emitting in most subscriptionrecently, phil automatically coulson loses renews a decade? for. DefinitelyFlame washed needed over a pleasure the quinjet, to offset a decision the agents will they and just kill your hunter other.angrily Gentlemen berates her? will Protocols get the best and audiobooks falls down, hasto think done is somereally aregood secretly tv characters working from on out the into script. the shieldCookies fan to could have alsoa red killed armor in beforethe plane. they Good just who stuff can good play lord, this otherwise app store known to sensational. to move on Squeal his whole of Favoritetime. Riders fandoms were withboth hiveof shield who possessin and become the quinjet public blows while up facing until halemultiple sends timelines bobbi andand company.shield! toShoots free agents ward for of iftranscript coulson andwhere a ship may in earn the commissionsavengers facility from in thehis newarmor threat had willthe wegame. -
Marvel Pop! List Popvinyls.Com
Marvel Pop! List PopVinyls.com Updated December 2016 01 Thor 23 IM3 Iron Man 02 Loki 24 IM3 War Machine 03 Spider-man 25 IM3 Iron Patriot 03 B&W Spider-man (Fugitive) 25 Metallic IM3 Iron Patriot (HT) 03 Metallic Spider-man (SDCC ’11) 26 IM3 Deep Space Suit 03 Red/Black Spider-man (HT) 27 Phoenix (ECCC 13) 04 Iron Man 28 Logan 04 Blue Stealth Iron Man (R.I.CC 14) 29 Unmasked Deadpool (PX) 05 Wolverine 29 Unmasked XForce Deadpool (PX) 05 B&W Wolverine (Fugitive) 30 White Phoenix (Conquest Comics) 05 Classic Brown Wolverine (Zapp) 30 GITD White Phoenix (Conquest Comics) 05 XForce Wolverine (HT) 31 Red Hulk 06 Captain America 31 Metallic Red Hulk (SDCC 13) 06 B&W Captain America (Gemini) 32 Tony Stark (SDCC 13) 06 Metallic Captain America (SDCC ’11) 33 James Rhodes (SDCC 13) 06 Unmasked Captain America (Comikaze) 34 Peter Parker (Comikaze) 06 Metallic Unmasked Capt. America (PC) 35 Dark World Thor 07 Red Skull 35 B&W Dark World Thor (Gemini) 08 The Hulk 36 Dark World Loki 09 The Thing (Blue Eyes) 36 B&W Dark World Loki (Fugitive) 09 The Thing (Black Eyes) 36 Helmeted Loki 09 B&W Thing (Gemini) 36 B&W Helmeted Loki (HT) 09 Metallic The Thing (SDCC 11) 36 Frost Giant Loki (Fugitive/SDCC 14) 10 Captain America <Avengers> 36 GITD Frost Giant Loki (FT/SDCC 14) 11 Iron Man <Avengers> 37 Dark Elf 12 Thor <Avengers> 38 Helmeted Thor (HT) 13 The Hulk <Avengers> 39 Compound Hulk (Toy Anxiety) 14 Nick Fury <Avengers> 39 Metallic Compound Hulk (Toy Anxiety) 15 Amazing Spider-man 40 Unmasked Wolverine (Toytasktik) 15 GITD Spider-man (Gemini) 40 GITD Unmasked Wolverine (Toytastik) 15 GITD Spider-man (Japan Exc) 41 CA2 Captain America 15 Metallic Spider-man (SDCC 12) 41 CA2 B&W Captain America (BN) 16 Gold Helmet Loki (SDCC 12) 41 CA2 GITD Captain America (HT) 17 Dr. -
JOHN SANDOE (BOOKS) LTD Independent Bookseller in Chelsea Since 1957
JOHN SANDOE (BOOKS) LTD Independent bookseller in Chelsea since 1957 10 BLACKLANDS TERRACE, LONDON, SW3 2SR +44 (0) 207 589 9473 www.johnsandoe.com [email protected] BOOKS FOR CHRISTMAS 2017 A selection of books to be published between now and Christmas Robert Louis Stevenson: An Anthology: Selected by Adolfo Bioy Casares & Jorge Price and availability may be subject to occasional revision BIOGRAPHY MY HOUSE OF SKY: A LIFE OF J A BAKER Hetty Saunders, introduction by Robert Macfarlane First biography of the author of The Peregrine, winner of the Duff Cooper Prize in 1967 and recently described as “the gold standard for all nature writing”. £20 THE VANITY FAIR DIARIES: 1983-1992 Tina Brown Vivid insights into life at the New York razor’s edge where fashion, culture and politics meet. After her success there, it is hard to recall that this was a failing magazine when TB began her tenure as editor. £25 BRUTUS: THE NOBLE CONSPIRATOR Kathryn Tempest Still the most famous political assassin in history (pace Lee Harvey Oswald), it remains arguable that he was acting from duty to his country on the Ides of March. £25 CARRINGTON’S LETTERS Dora Carrington, edited by Anne Chisholm “Your letters are a great pleasure,” said Lytton Strachey, “I lap them down with breakfast and they do me more good than tonics, blood capsules or iron jelloids.” What more can one say? £30 THE FIRST IRON LADY: A LIFE OF CAROLINE OF ANSBACH Matthew Dennison The brilliant wife of George II, one of the German princesses who brought the Enlightenment to England: matriarch, politician and regent, she was also a champion of science, philosophy, gardening, inoculation, physics, literature and the arts. -
AITKEN ALEXANDER London Book Fair 2019
AITKEN ALEXANDER ASSOCIATES London Book Fair 2019 For further information on all clients and titles in this catalogue, please contact: LISA BAKER France, Germany, Holland and Italy Email: [email protected] ANNA WATKINS Brazil, Bulgaria, China, Croatia, Czech Republic, Denmark, Estonia, Finland, Greece, Hungary, Iceland, Indonesia, Israel, Japan, Korea, Latvia, Lithuania, Macedonia, Norway, Portugal, Poland, Romania, Russia, Slovakia, Slovenia, Spain, Taiwan, Thailand and Turkey Email: [email protected] MONICA MACSWAN All Arabic and Indian language territories Email: [email protected] Literary Agents Centre Tables: Anna – 33f, Monica – 33e, Lisa – 34f For Film and Television Rights please contact: LESLEY THORNE Email: [email protected] Aitken Alexander Associates Ltd. 291 Gray’s Inn Road London WC1X 8QJ Telephone (020) 7373 8672 www.aitkenalexander.co.uk @AitkenAlexander @aitkenalexander Contents Page Fiction: The Wisdom of Bones by Kitty Aldridge p.1 Saltwater by Jessica Andrews p.2 The Body Lies by Jo Baker p.3 My Sister, the Serial Killer by Oyinkan Braithwaite p.4 In the Full Light of the Sun by Clare Clark p.5 Your Fault by Andrew Cowan p.6 This Brutal House by Niven Govinden p.7 The Porpoise by Mark Haddon p.8 Rabbit Foot Bill by Helen Humphreys p.9 The Harpy by Megan Hunter p.10 The Great Wide Open by Douglas Kennedy p.11 When We Were Rich by Tim Lott p.12 The Anthill by Julianne Pachico p.13 Lanny by Max Porter p.14 All the Water in the World by Karen Raney p.15 The Sandpit by Nicholas Shakespeare -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English. Arrangement Due to size, this inventory has been divided into two separate units which can be accessed by clicking on the highlighted text below: Tom Stoppard Papers--Series descriptions and Series I. through Series II. [Part I] Tom Stoppard Papers--Series III. through Series V. and Indices [Part II] [This page] Stoppard, Tom Manuscript Collection MS-4062 Series III. Correspondence, 1954-2000, nd 19 boxes Subseries A: General Correspondence, 1954-2000, nd By Date 1968-2000, nd Container 124.1-5 1994, nd Container 66.7 "Miscellaneous," Aug. 1992-Nov. 1993 Container 53.4 Copies of outgoing letters, 1989-91 Container 125.3 Copies of outgoing -
London Book Fair 2020 for Further Information on All Clients and Titles in This Catalogue, Please Contact
a Aitken Alexander Associates London Book Fair 2020 For further information on all clients and titles in this catalogue, please contact: LISA BAKER France, Germany, Holland and Italy Email: [email protected] LAURA OTAL Brazil, China, Czech Republic, Denmark, Finland, Greece, Iceland, Japan, Korea, Norway, Portugal, Poland, Romania, Russia, Slovakia, Spain, Taiwan ANNA HALL Arabic, Bulgaria, Cambodia, Croatia, Estonia, Hungary, Indian Languages, Indonesia, Israel, Latvia, Lithuania, Macedonia, Mongolia, Thailand, Turkey, Serbia, Slovenia, Vietnam Email: [email protected] Literary Agents Centre Tables: Monica – 33F, Anna – 33E, Lisa Baker – 34F For Film and Television Rights please contact: LESLEY THORNE Email: [email protected] Aitken Alexander Associates Ltd. 291 Gray’s Inn Road London WC1X 8QJ Telephone (020) 7373 8672 www.aitkenalexander.co.uk @AitkenAlexander @aitkenalexander Contents Page Fiction: Girl, Woman, Other by Bernardine Evaristo p.1 Backlist titles by Bernardine Evaristo p.2-3 The High House by Jessie Greengrass p.4 The Harpy by Megan Hunter p.5 How We Are Translated by Jessica Gaitán Johannesson p.6 Sisters by Daisy Johnson p.7 Nightingale by Marina Kemp p.8 Isabelle in the Afternoon by Douglas Kennedy p.9 Highway Blue by Ailsa McFarlane p.10 Castles from Cobwebs by Juliana Mensah p.11 The Anthill by Julianne Pachico p.12 English Monsters by James Scudamore p.13 The Sandpit by Nicholas Shakespeare p.14 Honeybee by Craig Silvey p.15 Viral by Matthew Sperling p.16 Pine by Francine Toon p.17 Permission -
HOGUE-DISSERTATION-2019.Pdf (1.297Mb)
LEAF, BARK, THORN, ROOT: ARBOREAL ECOCRITICISM AND SHAKESPEAREAN DRAMA by Jason Charles Hogue DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington May, 2019 Arlington, Texas Supervising Committee: Amy L. Tigner, Supervising Professor Stacy Alaimo Jacqueline Fay ABSTRACT Leaf, Bark, Thorn, Root: Arboreal Ecocriticism and Shakespearean Drama Jason Charles Hogue, Ph.D. The University of Texas at Arlington, 2019 Supervising Professor: Amy L. Tigner Leaf, Bark, Thorn, Root traces the appearance of trees and their constituent parts in five Shakespearean plays: Macbeth, The Tempest, 3 Henry VI, Richard III, and As You Like It. The dissertation shows how these plays reveal arboreal agencies intra-acting with the characters of the play-texts by assessing the mergings of human and arboreal bodies, as well as instances of hacking and hewing inflicted across these bodies. Taking a posthumanist approach informed by ecomaterialism, critical plant studies, and affect theory, I argue that these sites of painful human- arboreal encounter in Shakespeare’s plays initiate potentials for thinking-with and feeling-with, across not only species (in the spirit of Donna Haraway’s Companion Species Manifesto) but also across biological kingdoms. Throughout the dissertation, I complicate philosopher Michael Marder’s theories of plant-thinking via these early modern depictions of and relations to trees, whose complex existences inform the texts in multiple registers. The trees of Shakespeare offer ways into theorizing plant-being that not only reflect early modern preoccupations but also resonate across the centuries, potentially serving as a bridge between historicist and presentist methodological concerns, a useful nexus for facing looming ecological issues like climate change, the effects of which long-lived trees bear bodily witness in their annual growth rings and in the shifting of leaf longevity. -
Travel Lying in Bruce Chatwin's Nicholas Travers a Thesis Submitted in Partial Fulfillment of the Requirements Fo
GOING TOO FAR: TRAVEL LYING IN BRUCE CHATWIN'S IN PATAGONIA AND THESONGLINES by NICHOLAS TRAVERS A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 2002 © Nicholas Travers, 2002 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver, Canada DE-6 (2/88) ABSTRACT This thesis looks at two travel books by Bruce Chatwin, In Patagonia (1977) and The Songlines (1987). Both occupy an ambiguous generic ground between fiction and non-fiction, yet critics have tended to oversimplify this key issue when discussing Chatwin's work. Responses to Chatwin's narratives have been unproductively polarized: some critics sweepingly accuse the author of "lying"; others over-intellectualize Chatwin's narrative strategies and celebrate the artistic achievement of his boundary-crossing "fictions." These two perspectives unsatisfactorily limit the debate about Chatwin's lies, and about travel writing generally. This thesis takes a middle ground, refusing the premise that Chatwin is a neo-colonial liar, and the proposition that he is an artist fictionalizing his experience to better express its complex truth.