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Douglas Head Conservation Area
Douglas Head Proposal for Designation as a Conservation Area Submission to the Cabinet Office David Wertheim Charles Guard August 2018 Revised January 2019 With Addendum June 2021 Douglas Head - Proposal for Designation as a Conservation Area Submission to the Cabinet Office TABLE OF CONTENTS: 1. Introduction . .2 2. Historical Context . .2 3. Description of Proposed Boundaries . .4 4. Isle of Man Planning Considerations . .5 A. Draft Area Plan for the East – The Written Statement . .5 B. The Town and Country Planning Act, 1999 . .7 C. The Douglas Local Plan 1998 – Written Statement . .7 5. Identification of Special Character . .8 6. The Piers . .14 7. Conclusion . .15 8. References . .16 Addendum, June 2021 . .17 DOUGLAS HEAD: PROPOSED CONSERVATION AREA 1. Introduction: The authors have prepared this submission in the belief that Douglas Head represents a unique area in the Isle of Man and presents an unparalleled planning opportunity through designation as a Conservation Area. Starting in the 17th century, the development of Douglas Head has included an unusually rich and diverse range of human activities and uses. These include residential, recreational, entertainment, industrial and defensive use, each component of which has left its mark and for the most part still endures today. Bounded on the north by Douglas Harbour and Douglas Bay, on the east by the cliffs rising steeply from the Irish Sea and to the west covered in the characteristic gorse and bramble of the Manx countryside, Douglas Head embodies a uniquely diverse and vibrant slice of Manx history, heritage, culture and environment that justifies the full and proper protection afforded by Conservation Area status. -
Celts and Celticists in Howard Brenton's the Romans in Britain
Spring 1998 69 Celts and Celticists in Howard Brenton's The Romans in Britain Meenakshi Ponnuswami The Irish Question is really the English Question, and vice- versa. The Irish are accused of never forgetting, but that is because the English never remember. The Irish are accused of endlessly repeating their past, but they are forced to do so precisely because the English have failed to learn from theirs. —Declan Kiberd Much of the controversy generated by Howard Brenton's infamous representation of British colonial history in The Romans in Britain can in retrospect be attributed to familiar political causes. As a result of right-wing indignation, ostensibly prompted by the spectacle of on-stage homosexual rape, the vigorous debate which followed the play's first performances in 1980 concentrated on questions of artistic subsidy and censorship. But it now seems evident that opposition to Brenton's new play had less to do with questions of obscenity or subsidy than with the emerging New Right's need to reshape contemporary political discourse. Brenton, who had challenged the political establishment repeatedly in his earlier plays, had The Romans produced with state subsidy, at nothing less than the National Theatre, shortly after Margaret Thatcher became Prime Minister. As Richard Boon has persuasively argued, "the play became a useful stalking-horse for a number of figures, inside and outside government, who wished both to test and to reinforce the new 'moral climate' of the early eighties."1 Because critical discussion of the play has often been framed by the terms of the initial debate, little attention has been devoted during the last fifteen years to the political and methodological implications of Brenton's reworking of the history of British imperialism. -
The 'Isle of Vice'? Youth, Class and the Post-War Holiday on the Isle of Man
The 'Isle of Vice'? Youth, class and the post-war holiday on the Isle of Man Hodson, P. (2018). The 'Isle of Vice'? Youth, class and the post-war holiday on the Isle of Man. cultural and social history. https://doi.org/10.1080/14780038.2018.1492789 Published in: cultural and social history Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Copyright 2018 the author. This is an open access article published under a Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:01. Oct. 2021 Cultural and Social History The Journal of the Social History Society ISSN: 1478-0038 (Print) 1478-0046 (Online) Journal homepage: http://www.tandfonline.com/loi/rfcs20 The ‘Isle of Vice’? Youth, class and the post-war holiday on the Isle of Man Pete Hodson To cite this article: Pete Hodson (2018): The ‘Isle of Vice’? Youth, class and the post-war holiday on the Isle of Man, Cultural and Social History To link to this article: https://doi.org/10.1080/14780038.2018.1492789 © 2018 The Author(s). -
Gaelic Scotland in the Colonial Imagination
Gaelic Scotland in the Colonial Imagination Gaelic Scotland in the Colonial Imagination Anglophone Writing from 1600 to 1900 Silke Stroh northwestern university press evanston, illinois Northwestern University Press www .nupress.northwestern .edu Copyright © 2017 by Northwestern University Press. Published 2017. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication data are available from the Library of Congress. Except where otherwise noted, this book is licensed under a Creative Commons At- tribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Stroh, Silke. Gaelic Scotland in the Colonial Imagination: Anglophone Writing from 1600 to 1900. Evanston, Ill.: Northwestern University Press, 2017. For permissions beyond the scope of this license, visit www.nupress.northwestern.edu An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org Contents Acknowledgments vii Introduction 3 Chapter 1 The Modern Nation- State and Its Others: Civilizing Missions at Home and Abroad, ca. 1600 to 1800 33 Chapter 2 Anglophone Literature of Civilization and the Hybridized Gaelic Subject: Martin Martin’s Travel Writings 77 Chapter 3 The Reemergence of the Primitive Other? Noble Savagery and the Romantic Age 113 Chapter 4 From Flirtations with Romantic Otherness to a More Integrated National Synthesis: “Gentleman Savages” in Walter Scott’s Novel Waverley 141 Chapter 5 Of Celts and Teutons: Racial Biology and Anti- Gaelic Discourse, ca. -
Manx Farming Communities and Traditions. an Examination of Manx Farming Between 1750 and 1900
115 Manx Farming Communities and Traditions. An examination of Manx farming between 1750 and 1900 CJ Page Introduction Set in the middle of the Irish Sea, the Isle of Man was far from being an isolated community. Being over 33 miles long by 13 miles wide, with a central mountainous land mass, meant that most of the cultivated area was not that far from the shore and the influence of the sea. Until recent years the Irish Sea was an extremely busy stretch of water, and the island greatly benefited from the trade passing through it. Manxmen had long been involved with the sea and were found around the world as members of the British merchant fleet and also in the British navy. Such people as Fletcher Christian from HMAV Bounty, (even its captain, Lieutenant Bligh was married in Onchan, near Douglas), and also John Quilliam who was First Lieutenant on Nelson's Victory during the Battle of Trafalgar, are some of the more notable examples. However, it was fishing that employed many Manxmen, and most of these fishermen were also farmers, dividing their time between the two occupations (Kinvig 1975, 144). Fishing generally proved very lucrative, especially when it was combined with the other aspect of the sea - smuggling. Smuggling involved both the larger merchant ships and also the smaller fishing vessels, including the inshore craft. Such was the extent of this activity that by the mid- I 8th century it was costing the British and Irish Governments £350,000 in lost revenue, plus a further loss to the Irish administration of £200,000 (Moore 1900, 438). -
Brae Lochaber Gaelic Oral Tradition and the Repertoire of John Macdonald, Highbridge
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] BRAE LOCHABER GAELIC ORAL TRADITION AND THE REPERTOIRE OF JOHN MACDONALD, HIGHBRIDGE Andrew Esslemont Macintosh Wiseman A thesis submitted in fulfilment of the requirements for the degree of Master of Philosophy Celtic Department Faculty of Arts The University of Glasgow October 1996 © A.E.M. Wiseman 1996 ProQuest Number: 10992213 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10992213 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. -
Chaotic Descriptor Table
Castle Oldskull Supplement CDT1: Chaotic Descriptor Table These ideas would require a few hours’ the players back to the temple of the more development to become truly useful, serpent people, I decide that she has some but I like the direction that things are going backstory. She’s an old jester-bard so I’d probably run with it. Maybe I’d even treasure hunter who got to the island by redesign dungeon level 4 to feature some magical means. This is simply because old gnome vaults and some deep gnome she’s so far from land and trade routes that lore too. I might even tie the whole it’s hard to justify any other reason for her situation to the gnome caves of C. S. Lewis, to be marooned here. She was captured by or the Nome King from L. Frank Baum’s the serpent people, who treated her as Ozma of Oz. Who knows? chattel, but she barely escaped. She’s delirious, trying to keep herself fed while she struggles to remember the command Example #13: word for her magical carpet. Malamhin of the Smooth Brow has some NPC in the Wilderness magical treasures, including a carpet of flying, a sword, some protection from serpents thingies (scrolls, amulets?) and a The PCs land on a deadly magical island of few other cool things. Talking to the PCs the serpent people, which they were meant and seeing their map will slowly bring her to explore years ago and the GM promptly back to her senses … and she wants forgot about it. -
6. Master and Manxman: Reciprocal Plagiarism in Tolstoy and Hall Caine1 Muireann Maguire
M Reading Backwards An Advance Retrospective on Russian Literature READING BACKWARDS EDITED BY MUIREANN MAGUIRE AND TIMOTHY LANGEN An Advance Retrospective This book outlines with theoretical and literary historical rigor a highly innovative approach to the writing of Russian literary history and to the reading of canonical Russian texts. on Russian Literature AGUI —William Mills Todd III, Harvard University Russian authors […] were able to draw their ideas from their predecessors, but also from their successors, R testifying to the open-mindedness that characterizes the Slavic soul. This book restores the truth. E AND —Pierre Bayard, University of Paris 8 This edited volume employs the paradoxical notion of ‘anticipatory plagiarism’—developed in the 1960s L by the ‘Oulipo’ group of French writers and thinkers—as a mode for reading Russian literature. Reversing established critical approaches to the canon and literary influence, its contributors ask us to consider how ANGEN reading against linear chronologies can elicit fascinating new patterns and perspectives. Reading Backwards: An Advance Retrospective on Russian Literature re-assesses three major nineteenth- century authors—Gogol, Dostoevsky and Tolstoy—either in terms of previous writers and artists who ( plagiarized them (such as Raphael, Homer, or Hall Caine), or of their own depredations against later writers EDS (from J.M. Coetzee to Liudmila Petrushevskaia). ) R ) Far from suggesting that past authors literally stole from their descendants, these engaging essays, contributed by both early-career and senior scholars of Russian and comparative literature, encourage us to identify the contingent and familiar within classic texts. By moving beyond rigid notions of cultural heritage and literary canons, they demonstrate that inspiration is cyclical, influence can flow in multiple directions, and no idea is ever truly original. -
Gow Ayrn Join In
Gow Ayrn Join in Kiaull Manninagh son Keim 1 & 2 Manx Music for Key Stage 1 & 2 Undinys Eiraght Vannin Manx Heritage Foundation 2008 Acknowledgments Grateful thanks to the Manx Heritage Foundation, Isle of Man Department of Education, The Voices Foundation, Centre for Manx Studies, Mooinjey Veggey and the Manx National Heritage Library. In addition to the musical material recorded especially for this resource, permission to use selected tracks has been granted by individual artistes and ensembles with the proviso that they will only be employed within the classroom and in the Isle of Man. Sincere thanks to all of the musicians who have kindly contributed music from their own albums to this educational resource. Please support these individuals and groups as much as you can. This compilation © Manx Heritage Foundation 2008B [2nd edition] The extracts used remain the copyright of the individual artistes. Dr. Chloë Woolley Manx Music Specialist Oayllee Kiaull Vannin Manx Heritage Foundation PO Box 1986 Douglas, Isle of Man IM99 1SR Website: www.manxheritage.org Or www.manxheritagemusic.org [database] Email: [email protected] Guide to using Gow Ayrn This music resource book and accompanying CD have been designed for use in Manx schools. All of the songs, tunes and dances are related to the Isle of Man and Gow Ayrn has been designed for music coordinators and non-musicians alike for use in the classroom and for extra-curricular activities. · Elements of the QCA National Curriculum for Music Key Stage 1 and 2 have been addressed with particular reference to the philosophies of The Voices Foundation. -
What Lies Beyond an Extended Bestiary for Beyond the Wall and Other Adventures by Colin Chapman
WHAT LIES BEYOND AN EXTENDED BESTIARY FOR BEYOND THE WAll AND OTHER ADVENTURES BY COLIN CHAPMAN Amphisbaena for cruelty and a curious nature. Though not physically A venomous desert-dwelling reptile, the amphisbaena strong, their bites are paralyzing, and small bands of is a large serpent with a head at each end of its sinuous these beings delight in observing and tormenting all body, allowing it to swiftly move in either direction or they encounter. attack with a pair of bites. Its lambent green eyes attract insects to it during the hours of darkness, these being Hit Dice: 1d6 (4 HP) its preferred prey, though it will aggressively protect AC: 15 itself from anything it deems a threat. Attack: +1 to hit, 1d4 damage + poison (bite) Alignment: Chaotic Hit Dice: 2d4 (5 HP) XP: 15 AC: 13 Notes: Poisonous (anyone bitten by a attorcroppe Attack: +2 to hit, 1d6 damage + poison (bite) must make a saving throw versus poison or be para- Alignment: Neutral lyzed for 1d4 hours), True Name (attorcroppes have XP: 60 true names which give their foes power over them), Notes: Poisonous (anyone bitten by an amphisbaena Vulnerable to Iron (attorcroppes take double damage must make a saving throw versus poison or suffer an from iron) immediate extra 2 damage), Two-Headed (the amphis- baena may make two bite attacks per round) Black Dog Large faerie hounds with coats the color of coal and Animated Statue eyes that glimmer red, black dogs silently prowl the Animated via sorcerous means, statues serve as the night, haunting old roads and pathways, running with ideal guardians, ever-vigilant, unmoving, and unrecog- the Wild Hunt, and howling at stormy skies. -
Harbours Strategy
GD 2018/0011 Harbours Strategy March 2018 Department of Infrastructure pp1 FOREWORD To the Hon Stephen Rodan, MLC, President of Tynwald, and the Hon Council and Keys in Tynwald assembled. As an Island community, our sea links have been important to us for hundreds of years, and their strategic significance will continue for the foreseeable future. With our dependence upon our sea links and our ports for economic and social wellbeing, we embrace our close connection to the water. As well as enabling the movement of goods and people, our harbours provide opportunities for Island residents to participate in boating activities, with high levels of leisure boat ownership by Island residents. Yet the appeal of our marine leisure assets is not limited to Island residents. With excellent connections to Ireland, Wales, England, and Scotland, together with its numerous small harbours, anchorages and bays, the Island is a destination of choice for leisure cruising. This strategy considers the current facilities and operational challenges at our largest commercial port of Douglas with recommendations of development or improvement, plus consideration of the leisure offer at the Island’s natural harbours, and identifies potential opportunities to develop the marine leisure sector on the Isle of Man. By providing services and modern facilities which meet the needs and demands of the modern leisure boating customer, there is the potential for the Island to grow this sector to the benefit of individuals who participate in marine leisure activities, the individual towns and villages in which our harbours are situated, and the Manx economy as a whole. -
The Adorabyssal Oracle
THE ADORABYSSAL ORACLE The Adorabyssal Oracle is an oracle deck featuring the cutest versions of mythological, supernatural, and cryptozoological creatures from around the world! Thirty-six spooky cuties come with associated elements and themes to help bring some introspection to your day-to-day divinations and meditations. If you’re looking for something a bit more playful, The Adorabyssal Oracle deck doubles as a card game featuring those same cute and spooky creatures. It is meant for 2-4 players and games typically take 5-10 minutes. If you’re interested mainly in the card game rules, you can skip past the next couple of sections. However you choose to use your Adorabyssal Deck, it is my hope that these darkly delightful creatures will bring some fun to your day! WHAT IS AN ORACLE DECK? An Oracle deck is similar to, but different from, a Tarot deck. Where a Tarot deck has specific symbolism, number of cards, and a distinct way of interpreting card meanings, Oracle decks are a bit more free-form and their structures are dependent on their creators. The Adorabyssal Oracle, like many oracle decks, provides general themes accompanying the artwork. The basic and most prominent structure for this deck is the grouping of cards based on elemental associations. My hope is that this deck can provide a simple way to read for new readers and grow in complexity from there. My previous Tarot decks have seen very specific interpretation and symbolism. This Oracle deck opens things up a bit. It can be used for more general or free-form readings, and it makes a delightful addition to your existing decks.