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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University M crct. rrs it'terrjt onai A Be" 4 Howe1 ir”?r'"a! Cor"ear-, J00 Norte CeeD Road App Artjor mi 4 6 ‘Og ' 346 USA 3 13 761-4’00 600 sC -0600 Order Number 9238197 Selected literary letters of Sophia Peabody Hawthorne, 1842-1853 Hurst, Nancy Luanne Jenkins, Ph.D. -
Copyright (C) 2005 Fruitlands Museum, Harvard, Massachusetts Permission to Publish from This Material Should Be Discussed with the Museum Curator
Guide to the Transcendentalist Manuscript Collection, Fruitlands Museum, Harvard, Massachusetts www.fruitlands.org REGISTER MS T.1 S. Margaret Fuller Ossoli (1810-1850) Papers, ca 1836-1850 Size: 2 Linear inches Acquisition: Materials were purchased from The Goodspeed Book Shop by Clara Endicott Sears BIOGRAPHICAL SKETCH S. Margaret Fuller Ossoli (May 23, 1810-July 19, 1850) was a well known author, lecturer, and Transcendentalist in the Nineteenth Century. She is often called a "bluestocking", because of her feminist beliefs and unconventional life. She was born Sarah Margaret Fuller, the first of nine children of Timothy and Margaret Fuller of Cambridgeport, Massachusetts. Her father was determined to give her a masculine education according to the classical curriculum of the day. The exacting and regimental education began at a very young age and was to take a great toll on her health. But it also gave her abroad knowledge of literature and languages. Following the completion of her formal studies, Margaret gained entrance into the intellectual circles of Cambridge and Harvard. Here she formed lasting friendships with many New England intellectuals. In 1836, Margaret Fuller was hired to teach languages at Bronson Alcott's Temple School. She stayed only a year, but continued her teaching career in Providence Rhode Island at the Greene Street School. In 1839, she returned to Massachusetts and began conducting "Conversations" for society women and others in Boston. At this time, Margaret Fuller also became an integral part of the Transcendentalist Movement. From 1840 to 1842 she edited and contributed to the Transcendentalist journal, The Dial. In 1845, she published her feminist work, Woman in the Nineteenth Century. -
The Boston Police Strike in the Context of American Labor
Nineteen Nineteen: The Boston Police Strike in the Context of American Labor An Essay Presented by Zachary Moses Schrag to The Committee on Degrees in Social Studies in partial fulfillment of the requirements for a degree with honors of Bachelor of Arts Harvard College March 1992 Author’s note, 2002 This portion of my website presents "Nineteen Nineteen: The Boston Police Strike in the Context of American Labor." I wrote this essay in the spring of 1992 as my undergraduate honors thesis. I hope that the intervening ten years and my graduate education have helped me produce more sophisticated, better written works of history. But since I posted this thesis on-line several years ago, several websites have linked to the essay as a useful resource on the strike, labor history, and Calvin Coolidge. I therefore intend to keep it on the Web indefinitely. Aside from some minor corrections, this version is identical to the one I submitted, now on file at the Harvard Depository. The suggested citation is, Zachary Moses Schrag, “Nineteen Nineteen: The Boston Police Strike in the Context of American Labor” (A.B. thesis, Harvard University, 1992). Author’s note, March 2012 In the spring of 2011, my website, www.schrag.info, was maliciously hacked, leading me to reorganize that site as historyprofessor.org and zacharyschrag.com. As part of the reorganization, and in honor of the twentieth anniversary of this document’s completion, I have replaced the HTML version of the thesis—created in 1997—with the PDF you are now reading, which I hope is a more convenient format. -
Bibliography of American Newspapers, 1690-1820
128 American Antiquarian Society. [April, BIBLIOGRAPHY OF AMERICAN NEWSPAPERS, 1690-1820 PART III ' MARYLAND TO MASSACHUSETTS (BOSTON) COMPILED BY CLARENCE S. BRIGHAM The following bibliography attempts, first, to present a historical sketch of every newspaper printed in the United States from 1690 to 1820; secondly, to locate all files found in the various libraries of the country; and thirdly, to give a complete check list of the issues in the library of the American Antiquarian Society. The historical sketch of each paper gives the title, the date of establishment, the name of the editor or publisher, the fre- quency of issue and the date of discontinuance. It also attempts to give the exact date of issue when a change in title or name of publisher or frequency of publication occurs. In locating the files to be found in various libraries, no at- tempt is made to list every issue. In the case of common news- papers which are to be found in many libraries, only the longer files are noted, with a description of their completeness. Rare newspapers, which are known by only a few scattered issues, are minutely listed. The check list of the issues in the library of the American Antiquarian Society follows the style of the Library of Con- gress "Check List of Eighteenth Century Newspapers," and records all supplements, missing issues and mutilations. The arrangement is alphabetical by states and towns. Towns are placed according to their present State location. For convenience of alphabetization, the initial "The" in the titles of papers is disregarded. Papers are considered to be of folio size, unless otherwise stated. -
Mary Kellogg: Aesthetic Dance Visionary
Posted at www.winchester.us/480/Winchester-History-Online Follow the link to read the article in context and learn about the project. MARY KELLOGG: AESTHETIC DANCE VISIONARY By Ellen Knight1 When Winchester’s Mary Kellogg danced, all the Boston papers agreed, she was a vision of exquisite elegance and grace. When Kellogg designed a dance production, her audiences were transported to lands of poetry, myth, and legend. Virtually forgotten today, Kellogg held a remarkable place in American dance history. She not only enlisted Boston and New York society leaders–and those in Winchester as well–as patrons for her dances but also got the younger generations onto the stage, popularizing aesthetic dance as perhaps none of her predecessors had. Kellogg was not the first exponent of modern dance. Before her were Isadora Duncan, Loie Fuller, Ruth St. Denis, and Genevieve Stebbins (with whom she was reportedly most often compared) who espoused fluid, free-form, natural movements and the wearing of flowing Grecian and exotic dance costumes, but they were rarely seen in Boston. Staging her productions locally and working with local talent, Kellogg was unusually admired in Boston. She made headlines for her dances,2 using her art not only to charm audiences but also to support humanitarian causes. And it all began in Winchester, giving the town its own place in American dance history. THE MUSICIAN Mary Kellogg (1881-1952) about 1911 Kellogg was three years old when her family moved to Winchester, taking up residence at 86 Church St. Her banker-broker father, George G. Kellogg, was among the originators of the Winchester Golf Club and the Country Club, and it was as a golfer that Kellogg’s name first appeared in the local newspaper.3 But that soon changed. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Appendix File 1960 Pre-Post Study (1960.T)
app1960.txt Version 01 Codebook ------------------- CODEBOOK APPENDIX FILE 1960 PRE-POST STUDY (1960.T) >> 1960 PARTY MASTER CODE THIS CODE USED IN CONJUNCTION WITH REF.NOS. 20,21,22,23,24,25, 26,27,38,39,40,41,102,105,202, AND 207. PRO DEMOCRATIC PARTY LIKES PEOPLE WITHIN PARTY 1010. JOHNSON 1020. KENNEDY 1030. TRUMAN 1040. ROOSEVELT 1050. STEVENSON 1071. OTHER NATIONAL DEMOCRATS (SENATORS, CONGRESSMEN, ETC.) 1072. LOCAL DEMOCRAT(S) (CITY, STATE, ETC.) 1080. DEMOCRATS HAVE (HAVE ALWAYS HAD) GOOD LEADERS, YOUNG LEADERS, EXPERIENCED LEADERS, GOOD MEN, LIKE WHOLE TICKET 1090. OTHER <PEOPLE IN PARTY LIKED> GOVERNMENT MANAGEMENT 1100. WOULD GIVE AN EFFICIENT ADMINISTRATION. BUSINESS-LIKE ADMINISTRATION, GOOD ADMINISTRATION, GOOD GOVERNMENT (DOMESTIC OR NA WHETHER DOMESTIC OR FOREIGN) (SEE ALSO 1210) 1110. WOULD GIVE US HONEST GOVERNMENT. MORE HONEST THAN REPUBLICANS. REFERENCE TO 'MESS IN WASHINGTON'. WON'T PLAY POLITICS IN RUNNING THE GOVERNMENT. PATRONAGE. 1121. DEMOCRATS WOULD SPEND LESS MONEY THAN REPUBLICANS. DEMOCRATS ECONOMY-MINDED. 1130. DEMOCRATS WOULD SPEND MORE MONEY THAN REPUBLICANS. GOVERNMENT SPENDING IS GOOD FOR NATIONAL ECONOMY (SUCH AS DURING DEPRESSION). 1140. DIGNIFIED GOVERNMENT, GO AT THINGS WITHOUT FUSS. ACT QUIETLY, CONFIDENTLY. 1150. DEMOCRATS WOULD KEEP BIG BUSINESS OUT OF THE Page 1 app1960.txt ADMINISTRATION (GOVERNMENT) 1160. THEY DO (HAVE DONE) A GOOD JOB (WITHOUT OTHER SPECIFICATION) 1190. OTHER <GOVERNMENT MANAGEMENT> GOVERNMENT ACTIVITY, GOVERNMENT PHILOSOPHY 1200. LIKE THEIR IDEAS. LIKE THEIR POLICIES (UNSPECIFIED), THEIR DOMESTIC POLICIES (UNSPECI- FIED) LIKE THE WAY THEY TAKE STAND ON THINGS (UNSPECIFIED) 1210. FOR GOVERNMENT ECONOMIC CONTROLS. NEED SOME PLANNED ECONOMY. NEED SOME CONTROL OF PRIVATE ENTERPRISE 1220. FOR GOVERNMENT ECONOMIC AND SOCIAL WELFARE ACTIVITY 1230. -
Clippings Scrapbook II
Clippings Scrapbook II Items without a page number were inserted between pages. Genealogy of the Wehle Family of Prague “Brandeis—The Old Story of the Prophet” Boston American 6/4/1931 p.1‐3 Remarks by C.N. Jones October 1908 p.4‐5 “Former Louisville Man Leading Fight for the People’s Rights” Louisville Herald 6/1/1908 p.6‐7 “Stories of Success” Boston American 10/4/1908 p.8 “Louis Brandeis, Kentuckian, is Famed Fighter for People’s Rights” Louisville Herald 2/8/1910 p.9‐11 “Brandeis Sherlock Holmes’ Rival; Deductive Powers Amaze Enemies” Boston Traveler 6/10/1910 p.12‐13 “Personalities” Hampton Magazine June 1910 p.14‐19 “Brandeis, Teacher of Business Economy” New York Times 12/4/1910 p.20 12/5/1910 letter to New York Times from William F. Peters p.21 “An Attorney for the People” Outlook 12/24/1910 p.22‐24 “A Great American” Philadelphia North American 2/11/1911 p. 25 “Brandeis Refused Pay for Subway Lease Work” Boston Journal 2/25/1911 p.26 “’Citizen’ Brandeis” Boston Post 2/25/1911 p.27 “Louis Brandeis” The Electrical Worker February 1911 p.28 ? The World Today February 1911 p.29‐31 “Players in the Great Game” System February 1911 P.32‐37 “Who is This Man Brandeis?” Human Life February 1911 7/28/1880 letter from (Annie Fields ?) 8(?)/2/1880 letter from Charles Smith Bradley 1/26/1882 letter from J.O. Shaw Jr. (Union Boat Club) p.38‐50 “Brandeis” American Magazine February 1911 12/14/1883 letter from illegible 5/8/1884 letter from George H. -
2009 Annual Awards Publication
ANNUAL AWARDS PUBLICATION ANNUAL AWARDS 2009 ✦✦✦✦✦✦✦✦✦✦✦ ✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦ ✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦ ✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦ ✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦ ✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦ ✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦ ✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦ ✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦ ✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦ ✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦ ✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ ✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻✻ -
Transcendentalist Circle Papers 1849-1856
The Trustees of Reservations – www.thetrustees.org THE TRUSTEES OF RESERVATIONS ARCHIVES & RESEARCH CENTER Guide to Transcendentalist Circle Papers 1849-1856 FM.MS.11 by Jane E. Ward Date: May 2019 Archives & Research Center 27 Everett Street, Sharon, MA 02067 www.thetrustees.org [email protected] 781-784-8200 The Trustees of Reservations – www.thetrustees.org Folder Item Contents Date Extent: 1 folder (4 items) Copyright © 2019 The Trustees of Reservations ADMINISTRATIVE INFORMATION PROVENANCE Transcendental manuscript materials were first acquired by Clara Endicott Sears beginning in 1914 for her Fruitlands Museum in Harvard, Massachusetts. Sears became interested in the Transcendentalists after acquiring land in Harvard and restoring the Fruitlands Farmhouse. Materials continued to be collected by the museum throughout the 20th century. In 2016, Fruitlands Museum became The Trustees’ 116th reservation, and these manuscript materials were relocated to the Archives & Research Center in Sharon, Massachusetts. In Harvard, the Fruitlands Museum site continues to display the objects that Sears collected. The museum features four separate collections of significant Shaker, Native American, Transcendentalist, and American art and artifacts. The property features a late 18th century farmhouse that was once home to the writer Louisa May Alcott and her family. Today it is a National Historic Landmark. The following is known about this collection’s materials: • The William Ellery Channing Papers were acquired for the Fruitlands Museum by Clara Endicott Sears. • The Elizabeth Barrett Browning Letter was purchased by Fruitlands Museum prior to 1960. • The origin of the Henry Wadsworth Longfellow photograph is unknown. • The origin of the Franklin B. Sanborn photographs is unknown. -
Ellen Sturgis Hooper
PEOPLE MENTIONED IN WALDEN QUOTED IN WALDEN: ELLEN STURGIS HOOPER “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project People of Walden: Ellen Sturgis Hooper HDT WHAT? INDEX THE PEOPLE OF WALDEN: ELLEN STURGIS HOOPER PEOPLE MENTIONED IN WALDEN WALDEN: The next winter I used a small cooking-stove for economy, PEOPLE OF since I did not own the forest; but it did not keep fire so well as the open fire-place. Cooking was then, for the most part, no WALDEN longer a poetic, but merely a chemic process. It will soon be forgotten, in these days of stoves, that we used to roast potatoes in the ashes, after the Indian fashion. The stove not only took up room and scented the house, but it concealed the fire, and felt as if I had lost a companion. You can always see a face in the fire. The laborer, looking into it at evening, purifies his thoughts of the dross and earthiness which they have accumulated during the day. But I could no longer sit and look into the fire, and the pertinent words of a poet recurred to me with new force.– “Never, bright flame, may be denied to me Thy dear, life imaging, close sympathy. What but my hopes shot upward e’er so bright? What by my fortunes sunk so low in night? Why art thou banished from our hearth and hall, Thou who art welcomed and beloved by all? Was thy existence then too fanciful For our life’s common light, who are so dull? Did thy bright gleam mysterious converse hold With our congenial souls? secrets too bold? Well, we are safe and strong, for now we sit Beside a hearth where no dim shadows flit, Where nothing cheers nor saddens, but a fire Warms feet and hands – nor does to more aspire By whose compact utilitarian heap The present may sit down and go to sleep, Nor fear the ghosts who from the dim past walked, And with us by the unequal light of the old wood fire talked.” Mrs. -
Boston Herald Photographs, 1924-1997
Boston Herald Photographs, 1924-1997 This finding aid was produced using ArchivesSpace on September 01, 2015. English Describing Archives: A Content Standard Cambridge Public Library Archives and Special Collections Cambridge Public Library 449 Broadway Cambridge, MA 02138 617-349-7757 [email protected] Boston Herald Photographs, 1924-1997 Table of Contents Summary Information .................................................................................................................................... 3 History ............................................................................................................................................................ 3 Collection Overview ...................................................................................................................................... 4 Organization of Collection ............................................................................................................................. 4 Administrative Information ............................................................................................................................ 5 Related Materials ........................................................................................................................................... 6 Controlled Access Headings .......................................................................................................................... 6 Collection Inventory ......................................................................................................................................