Transcendentalist Circle Papers 1849-1856
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University M crct. rrs it'terrjt onai A Be" 4 Howe1 ir”?r'"a! Cor"ear-, J00 Norte CeeD Road App Artjor mi 4 6 ‘Og ' 346 USA 3 13 761-4’00 600 sC -0600 Order Number 9238197 Selected literary letters of Sophia Peabody Hawthorne, 1842-1853 Hurst, Nancy Luanne Jenkins, Ph.D. -
Copyright (C) 2005 Fruitlands Museum, Harvard, Massachusetts Permission to Publish from This Material Should Be Discussed with the Museum Curator
Guide to the Transcendentalist Manuscript Collection, Fruitlands Museum, Harvard, Massachusetts www.fruitlands.org REGISTER MS T.1 S. Margaret Fuller Ossoli (1810-1850) Papers, ca 1836-1850 Size: 2 Linear inches Acquisition: Materials were purchased from The Goodspeed Book Shop by Clara Endicott Sears BIOGRAPHICAL SKETCH S. Margaret Fuller Ossoli (May 23, 1810-July 19, 1850) was a well known author, lecturer, and Transcendentalist in the Nineteenth Century. She is often called a "bluestocking", because of her feminist beliefs and unconventional life. She was born Sarah Margaret Fuller, the first of nine children of Timothy and Margaret Fuller of Cambridgeport, Massachusetts. Her father was determined to give her a masculine education according to the classical curriculum of the day. The exacting and regimental education began at a very young age and was to take a great toll on her health. But it also gave her abroad knowledge of literature and languages. Following the completion of her formal studies, Margaret gained entrance into the intellectual circles of Cambridge and Harvard. Here she formed lasting friendships with many New England intellectuals. In 1836, Margaret Fuller was hired to teach languages at Bronson Alcott's Temple School. She stayed only a year, but continued her teaching career in Providence Rhode Island at the Greene Street School. In 1839, she returned to Massachusetts and began conducting "Conversations" for society women and others in Boston. At this time, Margaret Fuller also became an integral part of the Transcendentalist Movement. From 1840 to 1842 she edited and contributed to the Transcendentalist journal, The Dial. In 1845, she published her feminist work, Woman in the Nineteenth Century. -
John Adams, Political Moderation, and the 1820 Massachusetts Constitutional Convention: a Reappraisal.”
The Historical Journal of Massachusetts “John Adams, Political Moderation, and the 1820 Massachusetts Constitutional Convention: A Reappraisal.” Author: Arthur Scherr Source: Historical Journal of Massachusetts, Volume 46, No. 1, Winter 2018, pp. 114-159. Published by: Institute for Massachusetts Studies and Westfield State University You may use content in this archive for your personal, non-commercial use. Please contact the Historical Journal of Massachusetts regarding any further use of this work: [email protected] Funding for digitization of issues was provided through a generous grant from MassHumanities. Some digitized versions of the articles have been reformatted from their original, published appearance. When citing, please give the original print source (volume/number/date) but add "retrieved from HJM's online archive at http://www.westfield.ma.edu/historical-journal/. 114 Historical Journal of Massachusetts • Winter 2018 John Adams Portrait by Gilbert Stuart, c. 1815 115 John Adams, Political Moderation, and the 1820 Massachusetts Constitutional Convention: A Reappraisal ARTHUR SCHERR Editor's Introduction: The history of religious freedom in Massachusetts is long and contentious. In 1833, Massachusetts was the last state in the nation to “disestablish” taxation and state support for churches.1 What, if any, impact did John Adams have on this process of liberalization? What were Adams’ views on religious freedom and how did they change over time? In this intriguing article Dr. Arthur Scherr traces the evolution, or lack thereof, in Adams’ views on religious freedom from the writing of the original 1780 Massachusetts Constitution to its revision in 1820. He carefully examines contradictory primary and secondary sources and seeks to set the record straight, arguing that there are many unsupported myths and misconceptions about Adams’ role at the 1820 convention. -
Role of Emerson in Shaping Thoreau's Literary Career
ROLE OF EMERSON IN SHAPING THOREAU’S LITERARY CAREER N. ANKANNA Assistant Professor, Department of English, Yogi Vemana University, Kadapa (AP) INDIA Thoreau’s friendship with Emerson played a pivotal role in his life. Though Henry David Thoreau, fourteen years junior to Emerson, they would become close friends and their intimacy continued almost 25 years until his death. Emerson had already published Nature when Thoreau introduced it to Emerson. Emerson recognized his potential as a writer, although young Thoreau produced few immature poems. Without Emerson’s intellectual guidance and financial assistance Thoreau couldn’t have become one of the major writers in American Literature. Emerson influenced Thoreau towards Transcendentalism, very soon he became the most uncompromised and rugged transcendentalist. Later Emerson allowed him to construct a cabin near Walden Pond to experience and to teach the transcendental values. Emerson is the thinker Thoreau is the doer. Key Words: friendship, intellectual guidance and transcendental values . INTRODUCTION In 1837, Thoreau was introduced to Emerson and from that onwards they started meeting occasionally. Once Emerson had delivered ten lectures in Boston entitled „Human Culture,’ it was a revolutionary advice to the young minds of New England. He shared a pessimistic note on Calvinism and the Rationalism that suppressed the Unitarian thought. Emerson explained Kant's belief that man has innate knowledge to see beyond mere senses to arrive at truth, in other words to transcend it. Youth of New England was captivated by Emerson‟s message but no one tried to live up to the full extent of it except Thoreau, he took these words to heart. -
Ask the Horseman, the Dog Fancier And
[Reprinted from THE POPULAR SCIENCE MONTHLY, May, 1913.] HEREDITY AND THE HALL OF FAME BY FREDERICK ADAMS WOODS, M.D. LECTURER ON EUGENICS IN THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY HAT is there in heredity ? Ask the horseman, the dog fancier W and the horticulturalist, and you will find that a belief in heredity is the cardinal point of all their work. Among animals and plants nothing is more obvious than the general resemblance of off spring to parents and the stock from which they come. With the high est-priced Jersey, the blue ribbon horse or a prize-winning dog, goes al ways the pedigree as the essential guarantee of worth. So in the general bodily features of human beings, no one questions the great force of inheritance or is surprised because those close of kin look very much alike. Similarities in eyes, nose, mouth, complexion, gestures or physique are accepted as a matter of course, and we never stop to wonder at what is in reality one of the greatest of all mysteries, the substantial repetition of the same sort of beings generation after generation. If heredity does so much in moulding the physical form, may it not do as much in determining the shape and quality of the brain, in short, the mental and moral man in his highest manifesta tion of genius-indeed the ego itself? Here we find differences of opinion, for man usually thinks of him self as in part at least a spiritual being, free to act according to his own will, unsubject to the laws of matter. -
Bible Matters: the Scriptural Origins of American Unitarianism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Vanderbilt Electronic Thesis and Dissertation Archive BIBLE MATTERS: THE SCRIPTURAL ORIGINS OF AMERICAN UNITARIANISM By LYDIA WILLSKY Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY In Religion May, 2013 Nashville, Tennessee Approved: Professor James P. Byrd Professor James Hudnut-Beumler Professor Kathleen Flake Professor Paul Lim Professor Paul Conkin TABLE OF CONTENTS INTRODUCTION……………………………………………………………………………3 CHAPTER 1: WILLIAM ELLERY CHANNING AND THE PASTORAL ROOTS OF UNITARIAN BIBLICISM………………………………………………………………………………..29 CHAPTER 2: WHAT’S “GOSPEL” IN THE BIBLE? ANDREWS NORTON AND THE LANGUAGE OF BIBLICAL TRUTH………………………………………...................................................77 CHAPTER 3: A PRACTICAL SPIRIT: FREDERIC HENRY HEDGE, THE BIBLE AND THE UNIVERSAL CHURCH…………………………………………………………………...124 CHAPTER 4: THE OPENING OF THE CANON: THEODORE PARKER AND THE TRANSFORMATION OF BIBLICAL AUTHORITY…………………………………………..168 CONCLUSION…………………………………………………………...........................205 BIBLIOGRAPHY…………………………………………………………………………213 INTRODUCTION The New England Unitarians were a biblical people. They were not biblical in the way of their Puritan ancestors, who emulated the early apostolic Church and treated the Bible as a model for right living. They were a biblical people in the way almost every Protestant denomination of the nineteenth century -
William Ellery Channing His Relious and Social Thought
ILLIAM ELLE &is"". ,,.s.r;,. $i$py:$;rq * F+~!$:qi?, CHA NN I NG V$$!..,:%; ;,;3* ,, ,-r$ ,*%.? f.. ,# {,-.v>. ,:..-F. .$?2, :&&X;;$' ,::%,%.<2:".t,;;>"." "';>-,.S,. *;;q$i:@;@i$: 1780- 1 842 -*,, * ,a..-< *,Pc- 1 ":' ":' ;. ',.p.A>, ...'? 4 ,$S:,. ,- ,, ,v HicRel igious and Social ~hought l' r $ f,;'~$,..~-~:_"il LONDON .f+.:*+.<i:24?> !?:: THE PRESS , . CINDSEY Ersex Hall, 5 Essex Street, Strand, W,G, WILLIAM ELLERY CHANNING Born 7 April, I780. Died 2 Oct., I 842. LINDSEY PRESS *. '. ESSEX WLL,5 ESSEX STREET, STRAND -- . I I [Frontispiece. 4, * PREFACE i - - little book is written on the occasion of the ten- enary of the death of William Ellery Charming to :ommemorate the great service he rendered a truly atholi~religion by-his emphasis on the moral nature sd paternal character of God and by his belief in the piritual nature of man, and his kinship with the divine. I had hoped to be able to publish an adequate life f Channing, but this hope, like much else, has been sustrated by the present war. A new biography ecessitates recourse to manuscripts and letters in le United States, and from this research I hav-e been ut off. But I put this book forward as an earnest fuller treatment when happSer times come, and as token of my own gratitude for the felicity of growing p in a home dominated by the teaching of Channing nd of his great English disciple, John Hamilton horn. I wish to thank the Rev. Lawrence Redfern for his indness in reading my manuscript, and for his ever- :ady willingness to discuss theological points as they 3ve arisen. -
Finding Aid Washington Allston (1779-1843) Materials, 1798-1966 (Bulk Dates: 1939-1949) As Compiled by H.W.L
Longfellow House - Washington’s Headquarters National Historic Site Finding Aid Washington Allston (1779-1843) Materials, 1798-1966 (bulk dates: 1939-1949) As Compiled by H.W.L. Dana (1881-1950) Edition 4.0 (2019) Collection Catalog No. LONG 20258 DOCUMENT INFORMATION AND VERSION HISTORY Edition Date of Revision Author(s) 1.0 1997 Jonathan Bohan, Northeast Museum Services Center 2.0 1999 D.E.W. Godwin, Northeast Museum Services Center 3.0 September 2007 D.E.W. Godwin, Jonathan Bohan, Ann Marie Dubé, Anita Israel, John J. Prowse, Margaret Welch, Northeast Museum Services Center 4.0 February 2019 Kate Hanson Plass, LONG Figure 1 (cover): Washington Allston, Self-Portrait, ca. 1801. Museum of Fine Arts, Boston. Washington Allston (1779-1843) Materials (LONG 20258), Series VII. Photographs and Negatives. Washington Allston Materials - i CONTENTS List of Illustrations .......................................................................................................................... ii Preface ............................................................................................................................................ iii Copyright and Privacy Restrictions ............................................................................................... iv Introduction ..................................................................................................................................... 5 Part 1: Collection Description ....................................................................................................... -
Ellen Sturgis Hooper
PEOPLE MENTIONED IN WALDEN QUOTED IN WALDEN: ELLEN STURGIS HOOPER “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project People of Walden: Ellen Sturgis Hooper HDT WHAT? INDEX THE PEOPLE OF WALDEN: ELLEN STURGIS HOOPER PEOPLE MENTIONED IN WALDEN WALDEN: The next winter I used a small cooking-stove for economy, PEOPLE OF since I did not own the forest; but it did not keep fire so well as the open fire-place. Cooking was then, for the most part, no WALDEN longer a poetic, but merely a chemic process. It will soon be forgotten, in these days of stoves, that we used to roast potatoes in the ashes, after the Indian fashion. The stove not only took up room and scented the house, but it concealed the fire, and felt as if I had lost a companion. You can always see a face in the fire. The laborer, looking into it at evening, purifies his thoughts of the dross and earthiness which they have accumulated during the day. But I could no longer sit and look into the fire, and the pertinent words of a poet recurred to me with new force.– “Never, bright flame, may be denied to me Thy dear, life imaging, close sympathy. What but my hopes shot upward e’er so bright? What by my fortunes sunk so low in night? Why art thou banished from our hearth and hall, Thou who art welcomed and beloved by all? Was thy existence then too fanciful For our life’s common light, who are so dull? Did thy bright gleam mysterious converse hold With our congenial souls? secrets too bold? Well, we are safe and strong, for now we sit Beside a hearth where no dim shadows flit, Where nothing cheers nor saddens, but a fire Warms feet and hands – nor does to more aspire By whose compact utilitarian heap The present may sit down and go to sleep, Nor fear the ghosts who from the dim past walked, And with us by the unequal light of the old wood fire talked.” Mrs. -
Henry Thoreau's Debt to Society: a Micro Literary History Laura J
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2013 Henry Thoreau's Debt to Society: A Micro Literary History Laura J. Dwiggins University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the Intellectual History Commons, Literature in English, North America Commons, Social History Commons, and the United States History Commons Dwiggins, Laura J., "Henry Thoreau's Debt to Society: A Micro Literary History" (2013). Masters Theses 1911 - February 2014. 1034. Retrieved from https://scholarworks.umass.edu/theses/1034 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. HENRY THOREAU’S DEBT TO SOCIETY: A MICRO LITERARY HISTORY A Thesis Presented by LAURA JILL DWIGGINS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2013 The University of Massachusetts Amherst Department of History © Copyright by Laura Jill Dwiggins 2013 All Rights Reserved “Henry Thoreau’s Debt to Society: A Micro Literary History” A Thesis Presented By Laura Jill Dwiggins Approved as to style and content by: _______________________________________ Barry Levy, Chair _______________________________________ Marla Miller, Member _______________________________________ John Higginson, Member ____________________________________ Joye Bowman, Chair, History Department DEDICATION To Rachel and Vann. ACKNOWLEDGMENTS For their time and expertise, many thanks are due to my committee members in The University of Massachusetts Amherst Department of History: Barry Levy, Marla Miller, and John Higginson. -
The Social Construction of Thomas Carlyle'^S New England Reputation
The Social Construction of Thomas Carlyle'^s New England Reputation, LEON JACKSON 'One tale-bearer is sufficient to disturb the peace of a neighborhood.' Anon. (1836).' URING the 1830s and 1840s, observers of tbe American literary scene were apt to fall back on disease-based Dmetapbors wben describing tbe rapid spread of an au- tbor's reputation, and in no case was tbis more true tban wben critics spoke of tbe fortunes of the Scottish author Thomas Carlyle. Critics complained of'Germanic infections.'^ According to one, 'The study of German became an epidemic about tbe time Carlyle broke out; tbe two disorders aggravated one anotber.'^ Edgar Allan Poe, reviewing tbe works of William Ellery Chan- ning, wrote that tbe poet 'appears to have been inoculated, at tbe same moment, with virus from Tennyson and from Carlyle,' while A. W. Dillard, in discussing Transcendentalism, recalled that 'Waldo Emerson and others, were infected with the wide-prevail- ing contagion, and by adopting tbe same opaque style, con- l would like to thank Dean Grodzins, Joel Myerson, Ralph Potter, Caroline Sloat, and the anonymous readers of this paper for their encouragement and advice. 1. American Ladies Magazine g {i8^6): ^6Í. 2. 'Germanic [nfections: Dr. Channing,' The Knickerbocker 14 (1839): 90. 3. [Cornelius C. Felton], 'Lowell's Poems,' North American Review 58 (1844): 284-85. LEON JACKSON is a lecturer in the Department of American Thought and Language at Michigan State University. Copyright © 1996 by American Antiquarian Society 165 166 American Antiquarian Society tributed to widen and extend the popularity of Carlyle in America.''* Nor were other authors exempt from such figurative treatment. -
Caroline Sturgis Tappan Hdt What? Index
CAROLINE STURGIS TAPPAN HDT WHAT? INDEX CAROLINE STURGIS CAROLINE STURGIS TAPPAN 1812 February 17, Monday: Ellen Sturgis was born in Boston, daughter of the wealthy China trader William F. Sturgis with Elizabeth Marston Davis Sturgis, daughter of a prominent Boston jurist.1 From her poem “Life a Duty”: I slept, and dreamed that life was Beauty; I woke, and found that life was Duty. Was thy dream then a shadowy lie? Toil on, poor heart, unceasingly; And thou shalt find thy dream to be A truth and noonday light to thee. Friend Stephen Wanton Gould wrote in his journal: 2nd day 17 of 2 Mo// Thos Gould called to see me, & spent Some time in the Shop — In the evening I called at Aunt M Gs a little while ————————————————————————————————————————————————————————————— RELIGIOUS SOCIETY OF FRIENDS NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT 1. Her sister “Cary” [Caroline Sturgis Tappan] would not be born until 1819. HDT WHAT? INDEX CAROLINE STURGIS CAROLINE STURGIS TAPPAN 1840 Early in the year John Adolphus Etzler had returned from the West Indies to New-York. Undoubtedly to meet and suitably impress other reformers, he would there attend the Fourier Society of New York’s annual celebration of the French philosopher-utopist Charles Fourier’s birthday. There he would make the acquaintance of a Fourierist socialist and humanitarian, C.F. Stollmeyer, also a recent German immigrant, who was at that time readying Albert Brisbane’s THE SOCIAL DESTINY OF MAN for publication. Stollmeyer was to become not only the publisher of The New World, but also a primary disciple of Etzler.