UK Music Festivals Restate Zero Tolerance to Sexual Assault with New ‘Safer Spaces’ Campaign
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Tickets for Troops Annual Review 2016
TICKETS FOR TROOPS ANNUAL REVIEW 2016 The Sun Military Awards Nominees at Number 10 Downing Street: Tickets For Troops was nominated for ‘Support to Armed Forces’ FOREWORD Thanks to the tremendous philanthropy of our supporters and donors from the nation’s live sports and events industry, 2016 was another active year for Tickets For Troops. We worked closely with hundreds of ticketing professionals, agents, box offices, promoters, clubs, teams and many more groups to ensure our servicemen and women continued to enjoy the delights of the sporting, musical, theatrical and entertainment world. This wonderful generosity combined with some beavering away in the Tickets For Troops office ensured that we were able to distribute 152,652 complimentary tickets for 6,291 events to our military members. Half way through the year, we were delighted to welcome on board a new team of regional volunteers known as ambassadors who are responsible for helping to increase the number of donors in their respective regions. The volunteer opportunity attracted a large number of applications from all around the country and the overall standard was exceptionally high. It was humbling for the team to see how many people from within the forces community wanted to give something back to Tickets For Troops. The regional ambassadors are being managed by our newest employee Elisabeth Roberts - recruited on a part-time basis thanks to the Armed Forces Covenant Fund grant. We were sad to lose Anastasia Baker in October, she was a superb asset to the team with her excellent customer service manner and speedy ticket packaging skills - we wish her well for the future. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
The Political Economy of Informal Events, 2030
The Political Economy Of Informal Events, The Political 2030 Economy of Informal Events, 2030 Written and edited by James Woudhuysen AAAW_03.19_001_Cover.indd All Pages 17/05/2019 11:29 The Political Economy Of Informal Events, 2030 AAAW_03.19_002-009_Chapter Zero.indd 2 17/05/2019 11:21 Written and edited by James Woudhuysen Visiting professor, forecasting & innovation, London South Bank University Foreword by Julian Agostini, Mash Media Alan Miller, Night Time Industries Association Nick Morgan, We Are The Fair Published by Access All Areas, in association with the Night Time Industries Association and We Are The Fair Access All Areas, 2nd Floor Applemarket House, 17 Union Street, Kingston-Upon-Thames KT1 1RR Advisory team Tom Hall and Paul Colston Graphic design Sean Wyatt-Livesley, Emma Hart, Oscar Spinks, Kateryna Smirnova ISBN 2019: 978-0-9576478-7-9 Please note: Except for the Foreword, and where individuals are quoted at length, the views in this paper – and the errors – are those of the author alone. He thanks everyone who is quoted; Andy Grimsey, solicitor with Poppleston Allen, for help with the legal intricacies of licensing, and Michael Kill, CEO of the NTIA, for work on how the music festival season and particular music festivals relate to UK recorded crime, both national and local. © Copyright Mash Media. All material in this publication is copyright and remains the property of the publishers. They neither necessarily agree with the views expressed by interviewees, nor accept any responsibility for any errors of interpretation in the subject matter of this publication. No part of this publication may be copied or reproduced, stored in a retrieval system, or be transmitted in any form by any means – electronic, mechanical, photocopying, recording or otherwise – without the prior permission of the publishers. -
Using Green Man Festival As a Case Study
An Investigation to identify how festivals promotional techniques have developed over the years – using Green Man Festival as a case study Victoria Curran BA (hons) Events Management Cardiff Metropolitan University April 2018 i Declaration “I declare that this Dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Name: Victoria Curran Signed: ii Abstract This research study was carried out in order to explore the different methods of marketing that Green Man Festival utilises, to discover how successful they are, and whether they have changed and developed throughout the years. The study intended to critically review the literature surrounding festivals and festival marketing theories, in order to provide conclusions supported by theory when evaluating the effectiveness of the promotional strategies. It aimed to discover how modern or digital marketing affected Green Man’s promotional techniques, to assess any identified promotional techniques and identify any connections with marketing theory, to investigate how they promote the festival towards their target market, and to finally provide recommendations for futuristic methods of promotion. The dissertation was presented coherently, consisting of five chapters. The first chapter was the introduction, providing a basic insight into the topics involved. The second contains a critical literature review where key themes were identified; the third chapter discussed the methodology used whilst the fourth chapter presents the results that were discovered, providing an analysis and discussion. The final chapter summarises the study, giving recommendations and identifying any limitations of the study. -
NOEA Yearbook2018
CREATE / COLLABORATE / CONTROL 2019 YEARBOOK CELEBRATING 40 YEARS National Outdoor Events Association AS THE UK’S LEADING OUTDOOR TRADE www.noea.org.uk ASSOCIATION NATIONAL OUTDOOR EVENTS ASSOCIATION 2019 YEARBOOK 3 CONTENTS An Introduction to the National Outdoor Events Association 5 Code of Professional Practice | Legal AdVice | Insurance Panel 6 Message from the President and Vice President 8-9 UniVersitY of DerbY – Event SafetY Diploma 9 NOEA – Values and Goals 10-11 CEO’s Report 12 NOEA Scotland 13 General Council Members 2018/2019 Picture GallerY 14 General Council Members 2018/2019 Contact Details 15 NeW Council Members 16 Events IndustrY Forum 17 So Where Did It Go Wrong – A Suppliers PerspectiVe 18 40th AnniVersarY of NOEA 18-19 Business Visits & Events Partnership Working With VisitBritain 20 Special Memberships and Affiliations 21 Event Solutions NOEA 16th Annual Convention and AWards Dinner 21 2018 AWard Winners Pictures 22 Judges for the AWards 23 NOEA 2018 AWard Winners 24-25 Recording Breaking Convention 25 NOEA AWard Sponsors Logos 25 Futures Sponsors 26 AWards Sponsors 27-28 Media Partner 28 2Can Productions Members NeWs 29-38 Front cover photographs: Annual Convention and AWards Dinner Packages 42-43 Stage Lighting SerVices, Tintern AbbeY List of NOEA Members – Full details 44-67 Bournemouth 7s, SomersbY Cider Garden Classified Headings IndeX 68-76 We Are the Fair, El Dorado FestiVal Richmond Event Management Ltd, The opinions expressed by contributors to this publication are not Bristol Balloon Fiesta always a reflection of the opinions or the policy of the Association National Outdoor Events Association, PO BoX 4495, Wells BA5 9AS Tel. -
Sponsorship Packages
SPONSORSHIP PACKAGES 6 DECEMBER - TROXY, LONDON WWW.FESTIVALAWARDS.COM Annual Celebration of the UK Festival Industry THE EVENT An awards ceremony that will leave UK festival organisers feeling celebrated, indulged and inspired. A highlight of the UK Festivals Calendar, the UKFA was founded in 2002 and is now celebrating its 15th year. With over 650 festival organisers, music agents and trade suppliers in attendance, the evening brings together the UK Festival scene’s key players for a night of entertainment, networking, street food, innovative cocktails and an exclusive after party – all held at the historic Troxy in London. Recognising the festival industries’ brightest and best, previous award winners include Michael Eavis (Glastonbury Festival), Peter Gabriel (WOMAD), Download Festival, Latitude and TRNSMT. We look forward to celebrating 2018’s triumphs with this year proving to be bigger and better than ever. THE BENEFITS The Awards offer sponsors the opportunity to network with the UK’s leading festival influencers and gain extensive exposure: EXCLUSIVE NETWORKING OPPORTUNITIES With the UK festival industry’s key players in attendance, the Awards offers unparalleled opportunity to network and engage one-on-one with decision makers. POSITION YOUR BRAND IN FRONT OF THE UK’S TOP FESTIVAL ORGANISERS Last year’s shortlisted festivals are the most influential, established and recognisable in the country. The UK’s greatest influencers will be attending the event and sponsors will have the opportunity to showcase products and services to a broad prospect base. UK FESTIVAL AWARDS 2017 SPONSORS & SUPPORTERS SPONSORSHIP OPPORTUNITIES HEADLINE PARTNER SPONSORSHIP Bespoke Sponsor Packages £20,000 If you are looking for a more unique package, contact us for The Headline Partner package is designed to offer your brand details about bespoke sponsorship packages. -
Terror Fried Brains
wake up! wake up! it’s yer sunny side up Summer Solstice 2003 Free/Donation Issue 411/412 TERROR FRIED BRAINS “Every ten years or so, the United States Poached Rights needs to pick up some small crappy little Switch on the news and you hear about CRAP ARREST OF THE WEEK country and throw it against the wall, just to more terrorists being arrested. But who For reading the paper! show the world we mean business.”-Michael are they? In December, five Turks and a An American anti-war prisoner serving time Ledden, holder of the ‘Freedom Chair’ at Briton were charged under the Terrorism for protesting at a military base was put the American Enterprise Institute. Act 2000 for supporting the Turkish into solitary confinement for eight days af- Last week a poll revealed that a third Revolutionary People’s Liberation Party- ter he got sent and distributed anti-war ar- of Americans believe that weapons of mass Front, or DHKP-C. They were nicked be- ticles from such radical publications as the destruction have been found in Iraq, while New York Times, Readers’ Digest, cause DHKP-C has been banned by the Newsweek, and The Guardian! Better not 22 per cent reckon Iraq actually used UK government and the six arrestees were send him this weeks SchNEWS then. them! Even before the war, half of those supposedly “facilitating the retention or www.naplesnews.com/03/06/florida/ polled said the Iraq regime was responsi- control of terrorist property.” Guns? d939395a.htm ble for September 11th. But no one’s found Bombs? Er, no, the people arrested were any weapons of mass destruction let alone simply in possession of magazines, vid- handcuffed at gunpoint and driven to Govan used them (well apart from the Americans eos and posters that supported the Police Station. -
2020-21 Parent-Student Handbook
LIGHTHOUSE CHRISTIAN SCHOOL www.lcschool.org 3008 – 36th St. NW, Gig Harbor, WA 98335 Ph. 253-858-5962 Fax 253-858-8911 PARENT-STUDENT HANDBOOK For 2020-2021 Let your light shine before men…. Matthew 5:16 LCS Parent/Student Handbook 2020-21 - 1 Table of Contents SECTION 1: ABOUT LIGHTHOUSE CHRISTIAN SCHOOL .................................................................. 4 WELCOME! .................................................................................................................................................. 4 OUR MISSION .............................................................................................................................................. 4 STATEMENT OF FAITH ............................................................................................................................... 4 OUR CORE VALUES ................................................................................................................................... 5 PHILOSOPHY OF EDUCATION .................................................................................................................. 5 EDUCATIONAL AFFILIATIONS ................................................................................................................... 6 SECTION 2: SCHOOL LEADERSHIP ..................................................................................................... 7 SCHOOL BOARD ......................................................................................................................................... 7 -
Twitter and Health Moses Flash.Pdf
Twitter and Health Moses Flash, Williams College ’15 SUMR, LDI Program Summer 2014 Raina Merchant, MD MSHP Outline • Introduction • Research Question • Methodology • Results/Discussion • Questions Introduction: What is Twitter? • Created and made public in 2006 • 140 character microblogs • 271 million active users – 500 million tweets per day – 35+ languages – 77% outside US • “To give everyone the power to create and share ideas and information instantly, without barriers”. • Source: https://about.twitter.com/company Research Question • Prior work has identified that Twitter is being used for detecting outbreaks earlier than the CDC, tracking policy implementation, sentiment regarding the ACA, identifying variability in language use by region, and monitoring human behavior. • We sought to identify peer-reviewed publications using Twitter as a database to answer health and health care related questions. • Evaluating use of Twitter as a research tool can help health scientists better understand the opportunities and limitations of this social data Methodology • Databases: PubMed and Web of Science • Keywords “Twitter and health” • Exclusion: publications/studies that weren’t twitter/health related, or were either an editorial, perspective review, case study. • Inclusion: studies that used twitter as a tool to analyze or obtain data on a health-related topic. Methodology • Data extracted from each article: – Author, year, title, journal, research field, methodology, use of Twitter, tweets analyzed, objective, outcomes, time frame of study -
Why Have Independent Boutique Arts and Music Festivals in England Become So Popular?
WHY HAVE INDEPENDENT BOUTIQUE ARTS AND MUSIC FESTIVALS IN ENGLAND BECOME SO POPULAR? Ella Naylor B.A. (Hons) Events Management April 2016 Cardiff Metropolitan University (CMU) School of Management WHY HAVE INDEPENDENT BOUTIQUE ARTS AND MUSIC FESTIVALS IN ENGLAND BECOME SO POPULAR? A critical exploration of the rise and success of the independent boutique arts and music festival sector in England, with focus on audience motivations, the event experience and creative festival design. Ella Naylor B.A. (Hons) Events Management April 2016 ii Declaration “I declare that this dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Signed Name Ella Naylor April 2016 iii List of Tables Table 1 – Common Views of Qualitative and Quantitative Research 26 iv List of Figures Figure 1 – The Festival Trajectory Continuum 10 Figure 2 – The Four Realms of an Experience 15 Figure 3 – An Experience Continuum 17 Figure 4 – A Conceptual Model of the Event Experience 18 Figure 5 – The Prism of Event Experience 19 Figure 6 – Conceptual Framework 22 Figure 7 – An Interview Continuum 28 Figure 8 – A New Model of the Contemporary Festival Experience 49 v List of Appendices Appendix A – Approved Ethical Application 65 Appendix B – Example of Participant Information Sheet 83 Appendix C – Signed Participant Consent Forms 84 Appendix D – Turnitin Summary 91 vi Abstract This study critically explored the rise and success of the independent boutique arts and music festival sector in England, with focus on audience motivations, the event experience and creative festival design, in order to accurately determine and model their role in successful contemporary festivals in England. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Ceilidh Trail Cèilidh Air Chuairt
Ceilidh Trail Cèilidh air Chuairt Lively Sessions Outdoor Performances Concerts Live traditional music performances across the country from some of Scotland’s most exciting up and coming artists 16th July – 11th August 2018 nature.scot www.feisrois.org Fèis Rois is a company limited by gurantee registered in Scotland as SC123137 and recognised as Scottish charity SC017647. Fèis Rois ltd, 16/17 High Street, Dingwall, Ross-Shire, IV15 9RU What is the Ceilidh Trail? Ceilidh Trail Listings July 16th – August 11th 2018 The Ceilidh Trail events for 2018 are listed by For additional information, a web address or Thòisich Fèis Rois am prògram soirbheachail againn le Cèilidh air Chuairt ann an Siorrachd Rois ann Ceilidh Trails on pages 3-5, and by regions as telephone number has been included where an 2000. Às dèidh dha mar a shoirbhich leis a’ Chèilidh air Chuairt ann an Siorrachd Rois, thòisich detailed on page 2. Listings include information possible. For any further queries, please contact Fèis Rois Cèilidh Nàiseanta air Chuairt airson Alba ann an 2012. Tha am pròiseact seo air a dhol on the venue, location, start time and ticket Fèis Rois on 01349 862600. bho neart gu neart bhon uair sin, agus tha e a’ toirt chothroman do luchd-ciùil òga bho air feadh prices. Some venues may also charge an Alba a bhith a’ cluich ann an àiteachan fad is farsaing san dùthaich. additional admission fee. Check with the venue All details are correct at time of going to press prior to your arrival. Many Ceilidh Trail events but please keep an eye on our website and Tha tòrr luchd-ciùil a ghabh pàirt sa Chèilidh air Chuairt aig Fèis Rois a-nis ag obair ann an are free.