The Festival Take-Over Tribes Live #22
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ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Parliamentary Debates (Hansard)
Monday Volume 585 8 September 2014 No. 34 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Monday 8 September 2014 £5·00 © Parliamentary Copyright House of Commons 2014 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 633 8 SEPTEMBER 2014 634 The Parliamentary Under-Secretary of State for House of Commons Communities and Local Government (Penny Mordaunt): Since taking office I have had several meetings with the Monday 8 September 2014 Fire Brigades Union, the Retained Firefighters Union, the Fire Officers Association and the women’s committee of the FBU. Further meetings are in the diary. It is only The House met at half-past Two o’clock through such discussions that we will bring the dispute to an end. PRAYERS Jim Fitzpatrick: I welcome the Minister to her post, although I notice that she failed to answer the question— [MR SPEAKER in the Chair] that is a great start to her ministerial career. The Minister has made positive comments during her BUSINESS BEFORE QUESTIONS visits to fire stations throughout the country. The Government commissioned the Williams review on the DEATH OF A MEMBER impact of medical retirements for firefighters aged between 50 and 60, and especially the impact on women. Do the Mr Speaker: It is with great sadness that I have to Government accept the need for minimum fitness standards? announce the sudden death of our colleague Jim Dobbin, Member of Parliament for Heywood and Middleton, while on a Council of Europe trip to Poland. -
Executive of the Week: Columbia Records Senior VP
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 9, 2021 Page 1 of 18 INSIDE Executive of the Week: • Inside Track: How the Music Business Columbia Records Senior VP Is Preparing to Return to the Office Marketing Jay Schumer • Health Professionals on the Mental Toll of BY DAN RYS Returning to Shows Mid-Pandemic yler, The Creator’s sixth album, CALL ME extensively, and how marketing has changed over the • Shamrock Capital, IF YOU GET LOST, was a smash hit upon course of his career. “Fans have a lot of things they After Buying Taylor its release: 169,000 equivalent album units, could be doing at any given moment,” he says, “so you Swift’s Catalog, the single week highest of his career; a better be giving them a really good reason to give you Raises $200M to Tsecond straight No. 1 on the Billboard 200, and sixth their attention.” Loan to Creators straight top five; and a promotional campaign that in- Tyler, The Creator’s CALL ME IF YOU GET • For the First Time, cluded a performance at the BET Awards and several LOST debuted at No. 1 on the Billboard 200 this People of Color well-received music videos. week with 169,000 equivalent album units, the Dominate Recording It also was another release from the artist that came highest mark of his career. What key decisions did Academy Board of bundled with an innovative marketing plan, helped you make to help make that happen? Trustees: Exclusive by a rollout featuring a phone number that fans could The success of this album comes first and foremost • Taylor Swift, call to receive personalized messages from Tyler, from having an artist like Tyler who is one-of-a-kind Jack Antonoff & which followed the VOTE IGOR campaign that Tyler and has continued to grow with every release. -
Using Green Man Festival As a Case Study
An Investigation to identify how festivals promotional techniques have developed over the years – using Green Man Festival as a case study Victoria Curran BA (hons) Events Management Cardiff Metropolitan University April 2018 i Declaration “I declare that this Dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Name: Victoria Curran Signed: ii Abstract This research study was carried out in order to explore the different methods of marketing that Green Man Festival utilises, to discover how successful they are, and whether they have changed and developed throughout the years. The study intended to critically review the literature surrounding festivals and festival marketing theories, in order to provide conclusions supported by theory when evaluating the effectiveness of the promotional strategies. It aimed to discover how modern or digital marketing affected Green Man’s promotional techniques, to assess any identified promotional techniques and identify any connections with marketing theory, to investigate how they promote the festival towards their target market, and to finally provide recommendations for futuristic methods of promotion. The dissertation was presented coherently, consisting of five chapters. The first chapter was the introduction, providing a basic insight into the topics involved. The second contains a critical literature review where key themes were identified; the third chapter discussed the methodology used whilst the fourth chapter presents the results that were discovered, providing an analysis and discussion. The final chapter summarises the study, giving recommendations and identifying any limitations of the study. -
59˚ 42 Issue Four
issue four 59˚ 42 14 12 03 Editor’s Letter 22 04 Disposed Media Gaming 06 Rev Says... 07 Wishlist 08 Gamer’s Diary 09 BigLime 10 News: wii 11 Freeware 12 User Created Gaming 14 Shadow Of The Colossus 16 Monkey Island 17 Game Reviews Music 19 Festivals 21 Good/Bad: The New Emo 26 22 Mogwai 23 DoorMat 24 Music Reviews Films 26 Six Feet Under 28 Silent Hill 30 U-Turn 31 Film Reviews Comics 33 Marvel’s Ultimates Line 35 Scott Pilgrim 36 Wolverine 37 Comic Reviews Gallery 33 42 Next Issue... Publisher Tim Cheesman Editors Andrew Revell/Ian Moreno-Melgar Art Director Andrew Campbell Contributors Dan Gassis/Jason Brown/Jason Robbins/Adam Parker/Robert Florence/Keith Andrew /Jamie Thomson/Danny Badger Designers Peter Wright/Rachel Wild Cover-art Melanie Caine [© Disposable Media 2006. // All images and characters are retained by original company holding.] DM4/EDITOR’S LETTER So we’ve changed. We’ve CHANGE IS GOOD.not been around long, but we’re doing ok. We think. But we’ve changed as we promised we would in issue 1 to reflect both what you asked for, and also what we want to do. It’s all part of a long term goal for the magazine which means there’ll be more issues more often, as well as the new look and new content. You might have noticed we’ve got a new website as well; it’ll be worth checking on a very frequent basis as we update it with DM news, and opinion. We’ve also gone and done the ‘scene’ thing and set up a MySpace page. -
Sponsorship Packages
SPONSORSHIP PACKAGES 6 DECEMBER - TROXY, LONDON WWW.FESTIVALAWARDS.COM Annual Celebration of the UK Festival Industry THE EVENT An awards ceremony that will leave UK festival organisers feeling celebrated, indulged and inspired. A highlight of the UK Festivals Calendar, the UKFA was founded in 2002 and is now celebrating its 15th year. With over 650 festival organisers, music agents and trade suppliers in attendance, the evening brings together the UK Festival scene’s key players for a night of entertainment, networking, street food, innovative cocktails and an exclusive after party – all held at the historic Troxy in London. Recognising the festival industries’ brightest and best, previous award winners include Michael Eavis (Glastonbury Festival), Peter Gabriel (WOMAD), Download Festival, Latitude and TRNSMT. We look forward to celebrating 2018’s triumphs with this year proving to be bigger and better than ever. THE BENEFITS The Awards offer sponsors the opportunity to network with the UK’s leading festival influencers and gain extensive exposure: EXCLUSIVE NETWORKING OPPORTUNITIES With the UK festival industry’s key players in attendance, the Awards offers unparalleled opportunity to network and engage one-on-one with decision makers. POSITION YOUR BRAND IN FRONT OF THE UK’S TOP FESTIVAL ORGANISERS Last year’s shortlisted festivals are the most influential, established and recognisable in the country. The UK’s greatest influencers will be attending the event and sponsors will have the opportunity to showcase products and services to a broad prospect base. UK FESTIVAL AWARDS 2017 SPONSORS & SUPPORTERS SPONSORSHIP OPPORTUNITIES HEADLINE PARTNER SPONSORSHIP Bespoke Sponsor Packages £20,000 If you are looking for a more unique package, contact us for The Headline Partner package is designed to offer your brand details about bespoke sponsorship packages. -
Dance to the Music.Docx
Dance To The Music: Fans and Socialites in the festival audience Dr Stephen Henderson Senior Lecturer UK Centre for Events Management Leeds Metropolitan University Telephone: 0113 812 5514 Email: [email protected] Autobiographical note Stephen Henderson is a Senior Lecturer in the UK Centre for Events Management at Leeds Metropolitan University where he teaches marketing and indulges his passion for music and sport events. Over the years, he has promoted gigs with Elvis Costello, The Clash, The Ramones, Tony Benn and Roy Bailey, Iggy Pop, Richard Thompson, Ian Dury and many more. Initially, he followed the gaining of BSc, MSc and PhD degrees from the University of Leeds with an MBA from the University of Warwick. Then, he spent over twenty years in industry before consulting to a wide range of international blue chip clients. During this period, he worked on the MBA courses at the Universities of Warwick, Durham, Surrey, Bradford and The Open University prior to taking up his current position. and Dr Emma Harriet Wood Reader Leeds Metropolitan University UK Centre for Events Management Telephone: 0113 812 3963 Email: [email protected] Autobiographical note Emma Wood is Reader in Festivals and Event Marketing. Originally from a marketing and market research background Emma’s current research interests are in the areas of event/experience marketing and evaluation of the impacts of community festivals. She has co-authored books on Innovative Marketing Communication published by Elsevier and a European Edition of Hoffman and Bateson’s Services Marketing text, published by Cengage in 2009. Emma is Research Awards Coordinator and joint editor of the Journal of Policy Research in Tourism, Leisure and Events. -
From Glyndebourne to Glastonbury: the Impact of British Music Festivals
An Arts and Humanities Research Council- funded literature review FROM GLYNDEBOURNE TO GLASTONBURY: THE IMPACT OF BRITISH MUSIC FESTIVALS Emma Webster and George McKay 1 CONTENTS EXECUTIVE 4 INTRODUCTION 6 THE IMPACT OF FESTIVALS: A SURVEY OF THE FIELD(S) 7 ECONOMY AND CHARITY SUMMARY 8 POLITICS AND POWER 10 TEMPORALITY AND TRANSFORMATION Festivals are at the heart of British music and at the heart 12 CREATIVITY: MUSIC of the British music industry. They form an essential part of AND MUSICIANS the worlds of rock, classical, folk and jazz, forming regularly 14 PLACE-MAKING AND TOURISM occurring pivot points around which musicians, audiences, 16 MEDIATION AND DISCOURSE and festival organisers plan their lives. 18 HEALTH AND WELL-BEING 19 ENVIRONMENT: Funded by the Arts and Humanities Research Council, the LOCAL AND GLOBAL purpose of this report is to chart and critically examine 20 THE IMPACT OF ACADEMIC available writing about the impact of British music festivals, RESEARCH ON MUSIC drawing on both academic and ‘grey’/cultural policy FESTIVALS literature in the field. The review presents research findings 21 RECOMMENDATIONS FOR under the headings of: FUTURE RESEARCH 22 APPENDIX 1. NOTE ON • economy and charity; METHODOLOGY • politics and power; 23 APPENDIX 2. ECONOMIC • temporality and transformation; IMPACT ASSESSMENTS • creativity: music and musicians; 26 APPENDIX 3. TABLE OF ECONOMIC IMPACT OF • place-making and tourism; MUSIC FESTIVALS BY UK • mediation and discourse; REGION IN 2014 • health and well-being; and 27 BIBLIOGRAPHY • environment: local and global. 31 ACKNOWLEDGEMENTS It concludes with observations on the impact of academic research on festivals as well as a set of recommendations for future research. -
R on the Application of the Friends of Finsbury Park -V- Haringey London Borough Council and Others Summary
Press Summary R (Friends of Finsbury Park) v Haringey London Borough Council [2017] EWCA Civ 1831 (16 November 2017) (on appeal from the Order of Mr Justice Supperstone in the Planning Court [2016] EWHC 1454 (Admin)) Judges: Lord Justices Treacy, Hickinbottom and Singh Background This appeal concerns the powers of London boroughs to hire out public parks for music festivals. It does not concern Royal Parks. The Wireless Festival is an annual music festival held in Finsbury Park. The Friends of Finsbury Park sought to challenge the decision of Haringey London Borough Council (who are responsible for the Park) to hire part of the Park to Festival Republic, the company which organised the festival in 2016. This decision involved closing approximately a quarter of the park for just over two weeks. The Friends challenged the decision by way of judicial review, which was heard by Mr Justice Supperstone on 9 June 2016. He refused the substantive claim in a judgment on 22 June 2016, shortly before the relevant part of the Park was closed to prepare for Wireless Festival on 30 June 2016. The Festival went ahead; but the Friends were granted permission to appeal to resolve the issue for future festivals. The companies which run the Wireless Festival appeared as Interested Parties at the appeal, and the Open Spaces Society appeared as an Intervener. Arguments The Friends, with the support of the Open Spaces Society, submitted that the Council did not have the power to enclose such a large portion of the Park for such a long time and exclude members of the public who had not purchased tickets. -
Wireless Festival: Finsbury Park: July 2016 – Application No: ‘Hgy02419’
RESPONSE TO THE GENERAL CONSULTATION FOR APPLICATION - WIRELESS FESTIVAL: FINSBURY PARK: JULY 2016 – APPLICATION NO: ‘HGY02419’ The Friends of Finsbury Park is a charity that was formed in 1986 by people who care about Finsbury Park – its past, present and future. We support the use of Finsbury Park for the benefit of all local residents and park users, with events organised that are accessible to all who want to use the Park. We do not support the use of the Park for major events such as Wireless Festival which are simply too big, too noisy, unmanageable, unsafe and prevent local people and residents from enjoying the park. The Friends of Finsbury Park (FoFP) object to this application on the following grounds: Lack of Information: We believe that the information supplied on the event application is wholly inadequate and does not allow us to make an informed and meaningful response. Our request to see crucial information such as a Risk Assessment, Noise Management Plan, Green policy, Event Management Plan and a site map of the event has been refused, and detail about the vaunted community event is non-existent. We are not reassured by the promises given to improve control and management of the 2016 events. Such reassurances ring hollow as similar undertakings were given last year and then broken. Movement of heavy vehicles was neither effectively monitored or observed. Speeding heavy vehicles on the carriageway were regularly unaccompanied by buggies, particularly in the final days when Live Nation were ‘racing’ to leave site on time and avoid the incurrence of ‘overstaying’ charges. -
Twitter and Health Moses Flash.Pdf
Twitter and Health Moses Flash, Williams College ’15 SUMR, LDI Program Summer 2014 Raina Merchant, MD MSHP Outline • Introduction • Research Question • Methodology • Results/Discussion • Questions Introduction: What is Twitter? • Created and made public in 2006 • 140 character microblogs • 271 million active users – 500 million tweets per day – 35+ languages – 77% outside US • “To give everyone the power to create and share ideas and information instantly, without barriers”. • Source: https://about.twitter.com/company Research Question • Prior work has identified that Twitter is being used for detecting outbreaks earlier than the CDC, tracking policy implementation, sentiment regarding the ACA, identifying variability in language use by region, and monitoring human behavior. • We sought to identify peer-reviewed publications using Twitter as a database to answer health and health care related questions. • Evaluating use of Twitter as a research tool can help health scientists better understand the opportunities and limitations of this social data Methodology • Databases: PubMed and Web of Science • Keywords “Twitter and health” • Exclusion: publications/studies that weren’t twitter/health related, or were either an editorial, perspective review, case study. • Inclusion: studies that used twitter as a tool to analyze or obtain data on a health-related topic. Methodology • Data extracted from each article: – Author, year, title, journal, research field, methodology, use of Twitter, tweets analyzed, objective, outcomes, time frame of study -
Demi-Goddess XCLUSIVE What Makes Demi an LGBTQA+ Icon?
guide ® whatson.guide Issue 351Pink Pink 2020 Skye Sweetnam Demi Lovato whatsOn Quiz Stonewall WIN Prizes + FREE Year Planner + LGBTQA+ Special Demi-Goddess XCLUSIVE What makes Demi an LGBTQA+ icon? 01 XCLUSIVEON 005 Agenda> NewsOn 007 Live> Nugen 009 FashOn> LGBTQA+ 011 Issue> 5 Ways 013 Interview> Skye Sweetnam 015 Report> Stonewall 017 Xclusive> Demi Lovato 02 WHATSON 019 Best Of> 2019 Reviews 023 Annual> Jan & Feb 025 Annual> March & April 027 Annual> May & June 029 Annual> July & Aug 031 Annual> Sept & Oct 033 Annual> Nov & Dec 03 GUIDEON 037 Best Picks> Briefing LIL NAS X Jobs Since coming out as gay 053 Classified> last year, 20-year-old 063 SceneOn> Reviews Montero Lamar Hill, known as Lil Nas X, has continued 065 Take10> LGBT Workplace to challenge perceptions of rap and hip hop stars. He’s 066 WinOn> PlayOn broken the record-books, scoring the longest-running number 1 in American chart history, and is up for 6 Grammys. Ads> T +44(0)121 655 1122 [email protected] Editorial> [email protected] About> WhatsOn: Progressive global local guide. Values> Diversity, Equality, Participation, Solidarity. Team WhatsOn> Managing Director Sam Alim Creative Director Setsu Adachi Assistant Editor Judith Hawkins Editorial Assistants Juthy Saha, Puza Snigdha, Dipto Paul Interns Shayan Shakir, George Biggs Books Editor Naomi Round Clubs Editor Nicole Lowe Film Editor Mark Goddard Music Editor Gary Trueman TV Mar Martínez Graphic Designer Promod Chakma, Rashed Hassan UX Designer Suvro Khan IT & Web Fazleh Rabbee, Laila Arzuman Communications