STONES the SWINGING BLUE JEANS Are Currently Doing Fantastic Business All Over the IT's out This Week! - the Long-Awaited Firstl.P

Total Page:16

File Type:pdf, Size:1020Kb

STONES the SWINGING BLUE JEANS Are Currently Doing Fantastic Business All Over the IT's out This Week! - the Long-Awaited Firstl.P Record Mirror No. 162 Week ending April 18, 1964 Every Thursday 6d.Registered at the G.P.O. as a newspaper GREAT NEW 1-13 FROM STONES THE SWINGING BLUE JEANS are currently doing fantastic business all over the IT'S out this week! - The long-awaited firstL.P. by the Rolling -L Stones. No title on the sleeve, just a collection of twelve R & B -style world. Their "Hippy Hippy Shake" is high in the U.S. charts, while they have been numbers, in typical Stones' tradition. And a racing certainty for the invited to tour Russia. best-selling lists-it,could even push the Beatles off the top. Odd people turned up for the vari- beat.Thisis ous sessions . the Stones have an old Jimmy ReedChuck Berry composition, and it's ato the rest of the set. Nevertheless, worked on this album for at leastnumber, whose material the Stonesdriving,poundingandextremely theblues come throughstrongly. three months. You can hear theirperform very competently. well -performed number with plenty And this may be more popular Than road manager, Ian Stewart, on piano "I Need You Baby" - otherwiseof tune and excellent guitar work. several of the more beaty tracks. on some tracks; Gene Pitney is at the "Mona" - has a heavy Bo DiddleyMick is on top vocal form on this "Walking the Dog"isthelast keyboard on others; and recording beatrunningthroughit,andis one. track. This Rufus Thomas number "genius" Phil Spector turns up on similartotheStones'"Not Fade was mimed to by the boys at the some others on maraccas. The Spec- Away." A throbbing, exciting number PLAINTIVE TUNE "Mods' Ball"atthe Empire Pool, tor influence is there on some of thewhich contrasts well with the next Wembley, where on Wednesday last sound -tracks. track - "Now I've Got a Witness." "Tell Me" was written by Mick and week they received fantastic acclaim. This is an instrumental answer discKeith Richard and is a slowish, plain-Afterwards, they said: "We were very MOST POPULAR to "Can I Get a Witness," and thetive melody which is rather reminis-frightened. But it was great." So is boys' pay label credit to "Uncle" Philcent of several Buddy Holly tunes.this curtain -closer on their album! Here's an item -by -item breakdown and "Uncle" Gene. Ian Stewart playsThe longest number on the L.P.,it There itis, then. A debut L.P. of on the disc. "Route 66," the old stan- organ on this one. has plenty of blues flavour and isguaranteed appeal. And thegreat dard, gets a fast, exciting treatment, Side One closer is "Little by Little,"probably the best of the slow tracks.thing is that the Stones themselves, obviously inspired by Chuck Berry's the flip on "Not Fade Away." Rather Then: "Can I Get a Witness," thenormally very critical of their own version. One ofthe most populara surprising move, we think, to in-Marvin Gaye R and B standard. Great numbers in the Stones' stage act. work,areverypleasedwiththe cludethisJimmyReed -flavoured set of lyrics and once more a fan-result. A final word ofpraiseto "I Just Wanna Make Love To You" original. Guitar and Harmonica andtastic beat is set up. There's some-Andrew Loog Oldham, who recorded was written by WillieDixon and a subtle Mick Jagger vocal. thing compulsive about the Stones'the sessions - he's living up to his turned into a hit by Muddy Waters Then comes "I'm a King Bee," theversion ofthis song andit would"boast" thlt he'd be the top indepen- several years ago. But the Stones oldSlim Harpo song.Thisisan probably have made a good singledent recording manager inBritain change the tempo and giveitan atmospheric piece, with some prettyfor them. by November this year! individualsound.Plentyofhar- suggestivelyrics-cleverones,too. Gene Allison's "You Can Make It monica. On to "Honest I Do," slowNext track is probably the best fastIf You Try" is a slow, almost tortuous NORMAN JOPLING and PETER and Bluesy, with a compulsive dance - track on theL.P.It's"Carol," thenumber that is in complete contrast JONES MICK JAGGER INSIDE PAGE SEVEN-EXCLUSIVE MANFRED MANN STORY and BRIAN JONES DO IF 459 AROUND 2 RECORD MIRROR, Week ending April 18, 1964 YOUR PAGE..send us your letters, and your views WHY NOT RELEASE : Record Mirror THE ELVIS ORIGINALS? EVERY THURSDAY IN the States, Terry Stafford hashit the top ten with 116 Shaftesbury Avenue, London W.I. -11- "Suspicion". In Britain, thereis a version by Millicent Telephones GERrard 7942/3/4 Martin. She said she recorded it because she liked the latest trends and wanted to get in with it. But what people don't realise is that these two versions are merely covers of the original ELVIS "Suspicion", on his "Pct Luck" L.P. It would II be a good idea if RCA issued the original Elvis as the title track of an EP.-Russell Carey, 4 Whitelands Road, Ciren- cester, Gloucs. L.P. winner. HOLLY C & W CHANCE WILSON NEGLECT IWAS interestedtoreadKarl thecurrent R and B Denver'sviewthatC and W DURINGcraze, recognition of the sing- musicwill happen here. The ingabilityofJackieWilson, big beat cannot lastfor ever and anall-time greatinthistypeof DISCS? whenitisfinally over Ihope to music,has been sorelyneglected. see such names as Hank Locklin, For five years,he. has topped the WITH thereleaseof"Brown - Marty Robbins, Ned Miller, Johnny Americancharts,earninghimself EyedHandsomeMan"last Cashinthe top spots.But surely astringofGoldDiscs. I think Year, Buddy Holly discs have Jim Reeves hasthebest chance. many fans would enjoy his records beenissuedatregularintervals. Hehasalreadyestablishedhim- if he was given proper publicity.- Butthequestionremains:just self over here with pop ballads.- MichaelMcGimpsey. 21 Laurel - how long can original Holly tracks Michael A'Bear. 163 Moorgate bankAvenue,Newtonwards, Co. last out? Over the years, varying NHL Belford, Notts. Down. numbersofunissuedtrackshave been given(accordingtoNorman PettyandMrs.Holley)-varying from41,25,32,and"very few". R. & B. RECORDS R & B REASON Can we haveadefiniteanswer? Perhaps Buddy'smother knows CHUCK TRUTH American imported thetrueanswer.-J.Craske, 17 WHY don'ttherealAmerican Park Road, Gosport, Hants. Ella James, Jimmy Reed, R and B artistes getin our 'm disgusted.Inanother record James Brown,cut-price. charts?Reasonisthat Gar- IPaper,aboutayearago, I read: "Chuck Berry met LEE'S RECORD STALL netMimms, theImpressionsand ELVISPRESLEY-he had the originalversionofthe soondon'tmakeitbecausein LENNON LAUGH famous blues singer Muddy Waters Earlham Street the main American R and B con- U.S.hit"Suspicion". who encouraged himtovisitthe bossofChessRecords"-andon Cambridge Circus, W.C.2 sistsofwailing females and slow THANKS for the article on John drearygroupvocals . for the back of an EP of Chuck's he example, Freddie Scott. Chuck Lennon's book. But there was creditsMuddy withhisrecording Berry does getinthe chartsbe- BRITONS ABROAD IMPUDENCE onemistake.KennethAlison success, too. Now, in Record cause he sings a commercial form asked John what made him laugh. Mirror,from Chuck's own mouth of R and B that enables record LOUISE CORDET is _nothingif Hereplied,amongotherthings, come the words:"I came up to CUITAINZsuatk LTISTORY wasmade.recently, not 'opportunistbyrecording "NickMcCutt". ..,Heactuallysaid buyerstorememberthetuneof theRecordMirrorcharts. Chicagoin 1955togetmyselfa PRICE SLASHED TO the song.-DerekHitchings,The II in anoriginalbyDionneWar- "Nicky Cuff",a person who does contractand Chesssignedme TherewereelevenAmerican wick. As Cilia Black found to her exist. He used to be a friendof Bungalow, Green and Silley Snorts recordsintheBritishTop Fifty: almost immediately." Are the first Ground,BlakeHall Road, Wan - Profit,copying other people's discs John'satcollegeand I believe quotes Imentioned just someone's but intheAmericanTopFifty is a very successful vice in he is now performing in Liverpool 6 Gns stead, London,E.11. TWELVE.Thefirst idea of earning money? Or is it that therewere Britain.ButforLouisetocover clubs,usingabrandof humour now Chuckistryingtogetall Nove,Dasyr time suchasituationhasarisen. Mary Wells' "Two Lovers" on the which John particularly appre- the credit-which he really doesn't YeteightoftheBritishrecords flipadds,ifitwere possible,to ciates.-MissBarbaraMill,Vent need. - David Dormand, 50 Don- were by the same group, one was herimpudence.-DavidGodin,139 nor, 9 BlacklowBrow,Huyton, casterGardens,Northoit,Middle. PAT OUR BACKS by astrangertothehitparade Church Road, Bexleyheath. Kent. Liverpool. sex. p and one byagroup with shaky talent. Why havesuchtalented READERS suggest reasons why artistesasGerry andthePace- R and B has caused renewed makers, Freddie and the Dreamers, Send 5/- p. & interest.Ifeelallcreditfor P. for 14 Billy J. Kramer, The Hollies, Roll- days f re e this should go to theRecord ing Stones, Kathy Kirby, Bachelors trial,bal. 22 Mirror.InApril.1963,thepaper etc.,notbeenproperlylaunched folly pyts72. featuredarticlesonBoDiddley, in the States. When I say launched CLASSIFIED ADVERTISEMENTS Cash £6.6.0p. & BenE.King.CyrilDaviesand p.5/-.Sent free -I mean backed by thepublicity with guitar-Sash Chuck Berry, and followed up with thatthe Beatles and Dave Clarke and easy playing discographiesofChuckandBo. have had?-R. C. Taylor, 38 May- system - Strum Before anyhitR and B singles field Road, Farmoor, near Oxford. records for sale fan clubs records wanted immediately! appearedinthecharts,the RM Limitedquantity.Genuinefull-size 6 - RECORDS BOUGHT, 45s, EPs, string models. Get that 'Mersey Sound'! columnistsstuckouttheirnecks LPs.-Fowler, 284 Vauxhall Bridge Perfect for any music-solo or band. and said "The odds could R. & B. OLDIES BUT GOODIES. Road, S.W.1.(Callers only.) 529 Super treble and bass. warm responses. even be that Chuck becomes more TRANSAT comes to town, now at THE OFFICIAL Handsomely poliShed or two-tone PopularinBritainthanheever "RECORDS BOUGHT" Singles 1/6- seasoned wood. Beautifully made. they, were! And INSTRUMENTALS 27LisleStreet,behindEmpire, ANIMALS FAN CLUB 2/-, EPs 4/6, LPs 12/6 in good con- Electric pick-up £2 extra and carrying was." Row right LeicesterSquare.Visitour Rat dition. - Details to 'Pop Parlour', case 27/6extra-sent onapproval. the RM has always beenfirstto InfestedShowroomson SATUR- Send S.A.E.forfulldetailsto: Refund guarantee.
Recommended publications
  • The Alan Bown
    Garageland 1-176 COR:Mise en page 1 11/03/09 18:32 Page 1 GARAGELANDMOD, FREAKBEAT, R&B et POP 1964-1968 : LA NAISSANCE DU COOL Garageland 1-176 COR:Mise en page 1 12/03/09 17:44 Page 2 DU MÊME AUTEUR THE SEX PISTOLS, Albin Michel, 1996 OASIS, Venice, 1998 DAVID BOWIE, Librio, 1999 IGGY POP, Librio, 2002 A NikolaAcin, always on my mind Un livre édité par Hervé Desinge Coordination : Annie Pastor © 2009, Éditions Hoëbeke, Paris www.hoebeke.fr Dépôt légal : mai 2009 ISBN : 9782-84230-351-8 Imprimé en Italie Garageland 1-176 COR:Mise en page 1 11/03/09 18:32 Page 3 MOD,GARAGELAND FREAKBEAT, R&B et POP 1964-1968 : LA NAISSANCE DU COOL NICOLAS UNGEMUTH # Garageland 1-176 COR:Mise en page 1 11/03/09 18:32 Page 4 Garageland 1-176 COR:Mise en page 1 11/03/09 18:32 Page 5 Préface parAndrew LoogOldham LES SIXTIES,ou d’ailleurs la fin des années 1940 et les années 1950 apparence profonde et préoccupée par son temps,il n’en était rien : qui les ont inspirées,sont loin d’être achevées.Elles continuent de elle était plus préoccupée par l’argent.L’histoire et en particulier ces miner,déterminer et servir de modèle visuel et sonore à presque tout périodes dominées par le multimédia tout-puissant nous montrent ce qui vaut la peine d’être salué par nos yeux,oreilles,cœur, que (désolé John etYoko) la guerre est loin d’être finie et que troisième œil et cerveau aujourd’hui.Et tout est dans la musique.
    [Show full text]
  • Neil Foster Carries on Hating Keith Listens To
    April 2017 April 96 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Chuck Berry, Capital Radio Jazzfest, Alexandra Palace, London, 21-07-79, © Paul Harris Neil Foster carries on hating Keith listens to John Broven The Frogman's Surprise Birthday Party We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more.... 1 2 An unidentified man spotted by Bill Haynes stuffing a pie into his face outside Wilton’s Music Hall mumbles: “ HOLD THE THIRD PAGE! ” Hi Gang, Trust you are all well and as fluffy as little bunnies for our spring edition of Tales From The Woods Magazine. WOW, what a night!! I'm talking about Sunday 19th March at Soho's Spice Of Life venue. Charlie Gracie and the TFTW Band put on a show to remember, Yes, another triumph for us, just take a look at the photo of Charlie on stage at the Spice, you can see he was having a ball, enjoying the appreciation of the audience as much as they were enjoying him. You can read a review elsewhere within these pages, so I won’t labour the point here, except to offer gratitude to Charlie and the Tales From The Woods Band for making the evening so special, in no small part made possible by David the excellent sound engineer whom we request by name for our shows. As many of you have experienced at Rock’n’Roll shows, many a potentially brilliant set has been ruined by poor © Paul Harris sound, or literally having little idea how to sound up a vintage Rock’n’Roll gig.
    [Show full text]
  • George Harrison
    COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they
    [Show full text]
  • Freak Emporium
    Search: go By Artist By Album Title More Options... Home | Search | My Freak Emporium | View Basket | Checkout | Help | Links | Contact | Log In Bands & Artists: a b c d e f g h i j k l m n o p q r s t u v w x y z | What's New | DVDs | Books | Top Sellers Browse Over 120 Genres: Select a genre... 60's & 70's Compilations - Blues (9 Email Me about new products in this genre | More Genres products) > LIST ALL | New See Also: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Year Offer 60's & 70's Euro Folk Rock 60's & 70's UK Folk Rock 60's & 70's Japanese / Korean / Asian Rock and Pop 60's & 70's Compilations - Pop & Rock Search 60's & 70's Compilations - Blues : go! 60's & 70's Acid Folk & Singer/Songwriter Search Entire Catalogue > 60's & 70's Compilations - Psychedelia 60's & 70's Psychedelia 60's & 70's Compilations - Garage, Beat, Freakbeat, Surf, R&B 60's & 70's Prog Rock 60s Texan Psych And Garage Mod / Freakbeat Latest additions & updates to our catalogue: Paint It Black - Various. CD, £12.00 Blues For Dotsie - Various. CD, £12.00 (Label: EMI, Cat.No: 367 2502) (Label: Ace, Cat.No: CDCHD 1115) Fascinating twenty track Everything from Jump to Down Home to Boogie compilation CD of Rolling Stones Woogie babes on this collection of West Coast covers by some of the greatest Blues cut for and by Dootsie Williams.
    [Show full text]
  • Keith Richards Wrote Satisfaction in His Sleep
    Keith Richards Wrote Satisfaction In His Sleep Bicipital and incompetent Antonino always ebonising possessively and converts his mythiciser. Referable and prothoracic Peyter alight almost bareknuckle, though Dante distills his Zachariah sawders. Unacademic Rudolph sometimes scrimshaws any contemporariness kidnapping increasingly. The heart of society in. But it also came from keith richards wrote in his satisfaction sleep one place for all your rss feed has to. Can you answer the following question? Crawdaddy or Zurich a few weeks ago, that feeling is fairly constant and consistent. Many top chord shapes and sounds are pale with open D tuning. What saved the riff is awesome fact however was, plus the snoring, all damage on tape. Keith Richards wrote Satisfaction in aggregate sleep and recorded a rough version of the riff on a Philips. Now you know the back story, turn up the volume and shake off those Monday blues. Keith richards memoir, graham is satisfaction in his sleep immediately agreed to. Study ancient art college of gibson maestro fuzzbox adding an email from their first no one of sleep immediately at an example. This picture would show whenever you gonna a comment. See more on it is no sleep one place for keith wrote in all your mother works for himself to your monthly limit of aerosmith over from keith richards wrote in his satisfaction sleep! How keith richards awoke one that keith richards wrote in his satisfaction sleep that. American tour for some reason i love letter to clean, who have more about time, big crinkly smile. That you albums, and mescaline and richards says he sings soul to life and subsequent arrest a keith richards wrote satisfaction in his sleep and hone your interests.
    [Show full text]
  • Put on Your Boots and Harrington!': the Ordinariness of 1970S UK Punk
    Citation for the published version: Weiner, N 2018, '‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress' Punk & Post-Punk, vol 7, no. 2, pp. 181-202. DOI: 10.1386/punk.7.2.181_1 Document Version: Accepted Version Link to the final published version available at the publisher: https://doi.org/10.1386/punk.7.2.181_1 ©Intellect 2018. All rights reserved. General rights Copyright© and Moral Rights for the publications made accessible on this site are retained by the individual authors and/or other copyright owners. Please check the manuscript for details of any other licences that may have been applied and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. You may not engage in further distribution of the material for any profitmaking activities or any commercial gain. You may freely distribute both the url (http://uhra.herts.ac.uk/) and the content of this paper for research or private study, educational, or not-for-profit purposes without prior permission or charge. Take down policy If you believe that this document breaches copyright please contact us providing details, any such items will be temporarily removed from the repository pending investigation. Enquiries Please contact University of Hertfordshire Research & Scholarly Communications for any enquiries at [email protected] 1 ‘Put on Your Boots and Harrington!’: The ordinariness of 1970s UK punk dress Nathaniel Weiner, University of the Arts London Abstract In 2013, the Metropolitan Museum hosted an exhibition of punk-inspired fashion entitled Punk: Chaos to Couture.
    [Show full text]
  • Injustice Runs Deep Christopher Gordon Nicole Hayes the Goals of a Higher Education Usually Entail the Creation, Testing, and Implementation of New Ideas
    Winner of Nine Collegiate Excellence in Journalism Awards fromo Our college. Our news. Our voice. Naugatuck Valley Community College November 1, 2016 Waterbury, Connecticut Vol. 60, Iss. 7 Embracing Ideas Injustice Runs Deep Christopher Gordon Nicole Hayes The goals of a higher education usually entail the creation, testing, and implementation of new ideas. In some colleges across America, Illinois, it could also affect those who rely on though, this concept is undergoing a radical the Mississippi River as a viable resource. shift. Students are being denied the ability to In direct violation of the National explore the wide world of free thought with Preservation Act of 1966, the Bakken Pipeline the execution of “safe spaces.” has already damaged burial sites belonging The creation of places of refuge comes to the Standing Rock Sioux. On September 3, from a position of caring. Sometimes, ideas construction workers began bulldozing along- are perceived as dangerous or dismissed as side the reservation, near historical burial sites. too ridiculous to be taken seriously. These As protesters attempted to peacefully block reactions may come in response to bigotry, the bulldozers, several people were bitten by sexism, and mockery. To give people a sanc- security dogs, and as many as thirty protes- tuary in which to develop an idea without tors were doused with pepper-spray. Several fear is laudable. However, a problem arises were arrested. A tribal chairman stated, “In when such refuges become havens of the one day, our sacred land has been turned into same sorts of bigotry, sexism, and mock- hollow ground.” Although the pipeline is not ery.
    [Show full text]
  • Linn Lounge Presents... the Rolling Stones
    Linn Lounge Presents... The Rolling Stones Welcome to Linn Lounge presents… ‘The Rolling Stones’ Tonight’s album, ‘Grr’ tells the fascinating ongoing story of the Greatest Rock'n'Roll Band In The World. It features re-masters of some of the ‘Stones’ iconic recordings. It also contains 2 brand new tracks which constitute the first time Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood have all been together in the recording studio since 2005. This album will be played in Studio Master - the highest quality download available anywhere, letting you hear the recording exactly as it left the studio. So sit back, relax and enjoy as you embark on a voyage through tonight’s musical journey. MUSIC – Muddy Waters, Rollin’ Stone via Spotify (Play 30secs then turn down) It all started with Muddy Waters. A chance meeting between 2 old friends at Dartford railway station marked the beginning of 50 years of rock and roll. In the early 1950s, Keith Richards and Mick Jagger were childhood friends and classmates at Wentworth Primary School in Kent until their families moved apart.[8] In 1960, the pair met again on their way to college at Dartford railway station. The Chuck Berry and Muddy Waters records that Jagger carried revealed a mutual interest. They began forming a band with Dick Taylor and Brian Jones from Blues Incorporated. This band also contained two other future members of the Rolling Stones: Ian Stewart and Charlie Watts.[11] So how did the name come about? Well according to Richards, Jones christened the band during a phone call to Jazz News.
    [Show full text]
  • When the War Ended in 1945, Europe Turned to the Task of Rebuilding, and Americans Once Again Looked West for Inspiration
    When the war ended in 1945, Europe turned to the task of rebuilding, and Americans once again looked west for inspiration. The swagger of the cowboy fitted the victorious mood of the country. Dude ranches were now a destination for even the middle class. Hopalong Cassidy and the puppet cowboy Howdy Doody kept children glued to their televisions, and Nashville’s country music industry produced one ‘rhinestone cowboy’ after another. Westerns were also one of the most popular film genres. As the movie director Dore Schary noted, ‘the American movie screen was dominated by strong, rugged males – the “one punch, one [gun] shot variety”.’43 In this milieu, cowboy boots became increasingly glamorous. Exagger- atedly pointed toes, high-keyed coloured leathers, elaborate appliqué and even actual rhinestone embellishments were not considered excessive. This period has been called the golden age of cowboy boots, and the artistry and imagination expressed in late 1940s and 1950s boot-making is staggering. The cowboy boot was becoming part of costume, a means of dressing up, of playing type. This point was made clear by the popularity of dress-up cowboy clothes, including boots, for children. Indeed, this transformation into costume was becoming the fate of many boots in fashion. Although most boot styles fell out of fashion in the 1950s, in the immediate post-war period a particular form of military footwear did pass into men’s stylish casual dress: the chukka boot, said to have come from India, and its variant, the desert boot. Designed as a low ankle boot with a two to three eyelet closure, chukkas were said to have been worn for comfort by British polo players both on and off the field in India.44 The simple desert boot was based on the traditional chukka but in Cairo during the war it was given a crepe sole and soft suede upper.
    [Show full text]
  • Performing Songwriter 70 July/August 2008
    TOOLS OF THE TRADE KEYBOARD CHUCK LEAVELL Keyboard BY RUSSELL HALL Chuck Leavell “Th e most important thing is to do the song justice,” says Chuck Leavell. “It’s not about being fl ashy or trying to set the world on fi re. It’s about contributing to a piece of material CHUCK LEAVELL in the best way possible.” Live in Germany: Green Leaves & Blue Notes Tour 2007 [Evergreen Arts] Th at philosophy—with regards to Stones’ unoffi cial music director. When he’s keyboard playing—has served Leavell not on the road or in the studio, chances DISC 1 In the Wee Wee Hours well for four decades. Dating back to his are he’s busy working his tree farm in rural Route 66 earliest years with the Allman Brothers, the Georgia or rallying support for forestry and Living in a Dream King Grand 55-year-old Macon, Ga., native has graced conservation issues. Honky Tonk Women some of the most memorable recordings of Somehow, in the midst of these activities, Rip This Joint our times. His rollicking contribution to the Leavell has managed to record several Coming Home Down the Road a Piece Allmans’ “Jessica” is oft en cited as one of albums of his own. His latest—a two-CD Alberta, Alberta rock’s best piano solos. At the other extreme, set titled Live in Germany: Green Leaves & DISC 2 the subdued elegance he brought to Eric Blue Notes Tour 2007—employs all facets of Here Comes the Sun Clapton’s Unplugged album helped set the his keyboard skills.
    [Show full text]
  • Youth Activist Toolkit Credits
    YOUTH ACTIVIST TOOLKIT CREDITS Written by: Julia Reticker-Flynn Renee Gasch Director, Youth Organizing & Mobilization Julia Reticker-Flynn Advocates for Youth Contributing writers: Kinjo Kiema Clarissa Brooks Manager of State and Local Campaigns Sydney Kesler Advocates For Youth Madelynn Bovasso Nimrat Brar Locsi Ferra Head of Impact Design & Illustrations: Level Forward Arlene Basillio Contributing Artwork: AMPLIFIER Special thanks to AMPLIFIER, Cleo Barnett, and Alixandra Pimentel for their support and input. This guide was created by Advocates for Youth and Level Forward, and is inspired by the film AMERICAN WOMAN. Advocates for Youth partners with youth leaders, adult allies, and youth-serving organizations to advocate for policies and champion programs that recognize young people’s rights to honest sexual health information; accessible, confidential, and affordable sexual health services; and the resources and opportunities necessary to create sexual health equity for all youth. https://advocatesforyouth.org Level Forward develops, produces and finances entertainment with Oscar, Emmy and Tony-winning producers, working to extend the influence and opportunity of creative excellence and support new voices. We take great responsibility for our work, using film, television, digital and live media to address inequality through story-driven, impact-minded properties. https://www.levelforward.co/ AMERICAN WOMAN is a film that raises questions about power: who has it and who doesn’t, and how best to change that. It challenges us to question the ways people wield power, grapples with the choices presented to both the powerful and the marginalized. The story’s center is a young pacifist whose violent activism has sent her on the run from the law, and who is wrestling with her choices as she joins a cohort of young radicals and their kidnapped convert.
    [Show full text]
  • Songs by Title
    16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
    [Show full text]