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House of Representatives
HULES AND ORDERS TO BE OBSERVED IN THE HOUSE OF REPRESENTATIVES OF THE ©ommontoealtlj of JHassacijusctts, FOR THE YEAR 1850. PUBLISHED BY ORDER OF THE HOUSE. BOSTON: DUTTON AND WENTWORTH, STATE PRINTERS. 1850. RULES AND ORDERS OF TIIE HOUSE. CHAPTER I. I O f the Duties and Powers of the Speaker. I. T h e Speaker shall take the Chair every day at the hour to which the House shall have adjourned ; shall call the Members to order; and, on the ap pearance of a quorum, shall proceed to business. II. He shall preserve decorum and order; may speak to points of order in preference to other Members ; and shall decide all questions of order, subject to an appeal to the House by motion regularly seconded ; and no other business shall be in order till the ques tion on the appeal shall have been decided. III. He shall declare all votes; but, if any Member rises to doubt a vote, the Speaker shall order a re turn of the number voting in the affirmative, and in the negative, without any further debate upon the question. IV. He shall rise to put a question, or to address the House, but may read sitting. V. In all cases the Speaker may vote. 4 Duties of the Speaker. Ch. I. VI. When the House shall determine to go into a Committee of the whole House, the Speaker shall appoint the Member who shall take the Chair. VII. On all questions and motions whatsoever, the Speaker shall take the sense of the House by yeas and nays, provided one fifth of the Members pres ent shall so require. -
Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990
i I « SYMPHONY i ORCHESTRA SEIJI OZM/A 109TH SEASON 1989-90 } Seiji Ozawa, Music Director 4 Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman #fc James F. Cleary Mrs. John L. Grandin Peter C. Read John F. Cogan Francis W. Hatch, Jr. Richard A. Smith Julian Cohen Mrs. Bela T. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen E. Morton Jennings, Jr. Mrs. George Lee Sargent Allen G. Barry Edward M. Kennedy Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration , 1 Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G. McDonough, Director of Finance and Business Affairs Anne H. Parsons, Orchestra Manager Caroline Smedvig, Director of Public Relations and Marketing Josiah Stevenson, Director of Development Robert Bell, Data Processing Manager Michelle R. -
Open PDF File, 134.33 KB, for Paintings
Massachusetts State House Art and Artifact Collections Paintings SUBJECT ARTIST LOCATION ~A John G. B. Adams Darius Cobb Room 27 Samuel Adams Walter G. Page Governor’s Council Chamber Frank Allen John C. Johansen Floor 3 Corridor Oliver Ames Charles A. Whipple Floor 3 Corridor John Andrew Darius Cobb Governor’s Council Chamber Esther Andrews Jacob Binder Room 189 Edmund Andros Frederick E. Wallace Floor 2 Corridor John Avery John Sanborn Room 116 ~B Gaspar Bacon Jacob Binder Senate Reading Room Nathaniel Banks Daniel Strain Floor 3 Corridor John L. Bates William W. Churchill Floor 3 Corridor Jonathan Belcher Frederick E. Wallace Floor 2 Corridor Richard Bellingham Agnes E. Fletcher Floor 2 Corridor Josiah Benton Walter G. Page Storage Francis Bernard Giovanni B. Troccoli Floor 2 Corridor Thomas Birmingham George Nick Senate Reading Room George Boutwell Frederic P. Vinton Floor 3 Corridor James Bowdoin Edmund C. Tarbell Floor 3 Corridor John Brackett Walter G. Page Floor 3 Corridor Robert Bradford Elmer W. Greene Floor 3 Corridor Simon Bradstreet Unknown artist Floor 2 Corridor George Briggs Walter M. Brackett Floor 3 Corridor Massachusetts State House Art Collection: Inventory of Paintings by Subject John Brooks Jacob Wagner Floor 3 Corridor William M. Bulger Warren and Lucia Prosperi Senate Reading Room Alexander Bullock Horace R. Burdick Floor 3 Corridor Anson Burlingame Unknown artist Room 272 William Burnet John Watson Floor 2 Corridor Benjamin F. Butler Walter Gilman Page Floor 3 Corridor ~C Argeo Paul Cellucci Ronald Sherr Lt. Governor’s Office Henry Childs Moses Wight Room 373 William Claflin James Harvey Young Floor 3 Corridor John Clifford Benoni Irwin Floor 3 Corridor David Cobb Edgar Parker Room 222 Charles C. -
Edward Sturgis of Yarmouth, Massachusetts 1613-1695
EDWARD STURGIS OF YARMOUTH, MASSACHUSETTS 1613-1695 AND HIS DESCENDANTS ROGER FAXTON STURGIS, EDITOR PRINTED FOR PRIVATE CIRCULATION AT THE $tanbope preee BOSTON, MASSACHUSETTS 1914 (PlPase paste in your copy of Book) ADDENDA AND ERRATA. EDWARD STURGIS AND HIS DESCENDANTS. RocrnR FAXTON STURGIS, Editor. p. 22 In thinl line of third paragraph strike out "name m1kn0wn" brackets and substitute "Wendall." p. 22 In reference to Samuel Sturgis (D) strike 011t all after the date 1751 the third paragraph and substitute the following: - ''Fora third wife he marrh•d Abigail Otis a11d had a s011 J (E) born Ot:tuber l':I, 17::i7 aml a daughter l,ncretia CE) l November 11, 1758 (B. '.r. R. 2-275). Administration was grar upon his estate April 25, 1762, he being described as "of llarm:ta gentleman," to .Joseph Otis (his brother-in-law) and to his wi< .Abigail (B. 1'. C. vol. 10, p. 101). His estate was insolve11t am mention is made of children." p. 22 Strike out the reference to Prince Stnrgis (DJ aml sul.JstitutP following paragraph: - " Prince Sturgis (D), the fourth son, married October 12. 1 ElizalJelh Fayerweather and died at Dorchester, Massaeh11se 1779. There was one daughter of this marriage, ElizalJeth lJaptized February 7, 1740 and married December 2fl, liGl, Art Savage. They had five children. The eldest, Faith or Fidt married lkv. Hichard Munkhouse. Tlle others dir,d unmarrirc pp. 22 & 23. Strike out the reference to f-;anrnel (E) beginning at the foo µage 22 and substitute the following: - " Samnel (E), the other so11, married Lydia Crocker, daugl of Cornelius a11d Lydia (.J enkius) Crocker, aml had one child Sn (F) born November 8, 17G0 (4 B. -
AFRICAN AMERICAN HISTORIC PLACES in SOUTH CAROLINA ////////////////////////////// September 2015
AFRICAN AMERICAN HISTORIC PLACES IN SOUTH CAROLINA ////////////////////////////// September 2015 State Historic Preservation Office South Carolina Department of Archives and History should be encouraged. The National Register program his publication provides information on properties in South Carolina is administered by the State Historic in South Carolina that are listed in the National Preservation Office at the South Carolina Department of Register of Historic Places or have been Archives and History. recognized with South Carolina Historical Markers This publication includes summary information about T as of May 2015 and have important associations National Register properties in South Carolina that are with African American history. More information on these significantly associated with African American history. More and other properties is available at the South Carolina extensive information about many of these properties is Archives and History Center. Many other places in South available in the National Register files at the South Carolina Carolina are important to our African American history and Archives and History Center. Many of the National Register heritage and are eligible for listing in the National Register nominations are also available online, accessible through or recognition with the South Carolina Historical Marker the agency’s website. program. The State Historic Preservation Office at the South Carolina Department of Archives and History welcomes South Carolina Historical Marker Program (HM) questions regarding the listing or marking of other eligible South Carolina Historical Markers recognize and interpret sites. places important to an understanding of South Carolina’s past. The cast-aluminum markers can tell the stories of African Americans have made a vast contribution to buildings and structures that are still standing, or they can the history of South Carolina throughout its over-300-year- commemorate the sites of important historic events or history. -
H. Doc. 108-222
FORTY-FIFTH CONGRESS MARCH 4, 1877, TO MARCH 3, 1879 FIRST SESSION—October 15, 1877, to December 3, 1877 SECOND SESSION—December 3, 1877, to June 20, 1878 THIRD SESSION—December 2, 1878, to March 3, 1879 SPECIAL SESSION OF THE SENATE—March 5, 1877, to March 17, 1877 VICE PRESIDENT OF THE UNITED STATES—WILLIAM A. WHEELER, of New York PRESIDENT PRO TEMPORE OF THE SENATE—THOMAS W. FERRY, 1 of Michigan SECRETARY OF THE SENATE—GEORGE C. GORHAM, of California SERGEANT AT ARMS OF THE SENATE—JOHN R. FRENCH, of New Hampshire SPEAKER OF THE HOUSE OF REPRESENTATIVES—SAMUEL J. RANDALL, 2 of Pennsylvania CLERK OF THE HOUSE—GEORGE M. ADAMS, 3 of Kentucky SERGEANT AT ARMS OF THE HOUSE—JOHN G. THOMPSON, of Ohio DOORKEEPER OF THE HOUSE—CHARLES W. FIELD, of Georgia POSTMASTER OF THE HOUSE—JAMES M. STEUART ALABAMA CALIFORNIA William H. Barnum, Lime Rock SENATORS SENATORS REPRESENTATIVES George E. Spencer, Decatur Aaron A. Sargent, Nevada City George M. Landers, New Britain John T. Morgan, Selma Newton Booth, Sacramento James Phelps, Essex John T. Wait, Norwich REPRESENTATIVES REPRESENTATIVES Levi Warner, Norwalk James Taylor Jones, Demopolis Horace Davis, San Francisco Hilary A. Herbert, Montgomery H. F. Page, Placerville DELAWARE Jere N. Williams, Clayton John K. Luttrell, Santa Rosa Charles M. Shelley, 4 Selma Romualdo Pacheco, 5 San Luis Obispo SENATORS Robert F. Ligon, Tuskegee P. D. Wigginton, 6 Merced Thomas F. Bayard, Wilmington Goldsmith W. Hewitt, Birmingham Eli Saulsbury, Dover William H. Forney, Jacksonville COLORADO REPRESENTATIVE AT LARGE William W. Garth, Huntsville SENATORS James Williams, Kenton ARKANSAS Jerome B. -
Congressional Record
CONGRESSIONAL RECORD. PROCEEDINGS AND DEBATES OF THE FORTY-FIFTH CONGRESS. FIRST SESSION. IN SENATE. The Secretary (Mr. GEORGE C. GoRHAM) read the proclamation, as follows: MONDAY, October 15, 1877. By the President of the United States of America. A PROCLAMATIO:s'. The :first session of the Forty-fifth Congress commenced this day, Whereas the final adjournment of the Forty-fourth Congress, without making at the Capitol, in the city of Washington, in pursuance of the proc the·usual appropriations for the support of the Army for the fiscal year ending lamation of the President of the United States of the 5th day of May, June 30, 1878, presents an extraordinary occasion, requiring the President to exer cise the power vested in him by the Constitution t~ convene the llouses of Con 1877. The Senators a-ssembled in the Senate Chamber. gress in anticipation of tho day fixed by law for their next meeting: The VICE-PRESIDENT of the United States (Hon. WILLIAM A. Now, therefore, I, Rutherfor·d 13. Hayes, President of the United States, do, by WHEELER, of New York) called the Senate to order at twelve o'clock, virtue of the power to thhl end in me vested by the Constitution, convene both Houses of Congress to assemble at their respective Chambers at twelve o'clock, meridian. noon, on Monday, the 15th day of October next, then and there to consider and PRAYER. determine such measures as, in their wisdom, their duty and the welfare of the people may seem to demand. Rev. BYRON SUNDERLAND, D. D., Chaplain to the Senate, offered In witness whereof I have hereunto set my hand and caused the seal of the the following prayer: United States to be affixed. -
Recitative in the Savoy Operas
Recitative in the Savoy Operas James Brooks Kuykendall In the early 1870s, London music publisher Boosey & Co. launched a new venture to widen its potential market. Boosey’s repertoire had been domestic music for amateur vocalists and pianists: drawing-room ballads and both piano/vocal and solo piano scores across the range of standard Downloaded from operatic repertory of the day, published always with a singing translation in English and often substituting Italian texts for works originally in French or German. Rossini, Donizetti, Bellini, and Verdi, Auber, Meyerbeer, Gounod, and Lecocq, Mozart, Beethoven, Weber, and Wagner all appeared in Boosey’s Royal Edition of Operas series, together http://mq.oxfordjournals.org/ with a handful of “English” operas by Michael William Balfe and Julius Benedict. The new effort supplemented this domestic repertory with one aimed at amateur theatricals: “Boosey & Co.’s Comic Operas and Musical Farces.” The cartouche for this series is reproduced in figure 1, shown here on the title page of Arthur Sullivan’s 1867 collaboration with Francis C. Burnand, The Contrabandista. Seven works are listed as part of the new imprint, although three by guest on May 11, 2013 of these (Gounod, Lecocq, and Offenbach’s Grand Duchess) had been issued as part of the Royal Edition. Albert Lortzing’s 1837 Zar und Zimmermann masquerades as Peter the Shipwright, and it appeared with an English text only. The new series may well have been the idea of Sullivan himself. He had been retained by Boosey since the late 1860s as one of the general editors for the Royal Edition. -
Race, Party, and African American Politics, in Boston, Massachusetts, 1864-1903
Not as Supplicants, but as Citizens: Race, Party, and African American Politics, in Boston, Massachusetts, 1864-1903 by Millington William Bergeson-Lockwood A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in the University of Michigan 2011 Doctoral Committee: Associate Professor Martha S. Jones, Chair Professor Kevin K. Gaines Professor William J. Novak Professor Emeritus J. Mills Thornton III Associate Professor Matthew J. Countryman Copyright Millington William Bergeson-Lockwood 2011 Acknowledgements Writing a dissertation is sometimes a frustratingly solitary experience, and this dissertation would never have been completed without the assistance and support of many mentors, colleagues, and friends. Central to this project has been the support, encouragement, and critical review by my dissertation committee. This project is all the more rich because of their encouragement and feedback; any errors are entirely my own. J. Mills Thornton was one of the first professors I worked with when I began graduate school and he continues to make important contributions to my intellectual growth. His expertise in political history and his critical eye for detail have challenged me to be a better writer and historian. Kevin Gaines‘s support and encouragement during this project, coupled with his insights about African American politics, have been of great benefit. His push for me to think critically about the goals and outcomes of black political activism continues to shape my thinking. Matthew Countryman‘s work on African American politics in northern cities was an inspiration for this project and provided me with a significant lens through which to reexamine nineteenth-century black life and politics. -
2014 Honor Roll of Donors Claflin University
Special Capital Campaign Edition 2014 Honor Roll of Donors Claflin University 2014 Honor Roll of Donors Claflin University Dr. Henry N. Tisdale President Rev. Whittaker V. Middleton Vice President for Institutional Advancement The Honor Roll of Donors is published annually by Claflin University, Division of Institutional Advancement. Comments or suggestions should be addressed to: Editor J. Craig Cotton, Acting Assistant Vice President c/o Office of Communications & Marketing Claflin University 400 Magnolia Street, Orangeburg, SC 29115 803.535.5350 [email protected] If you have any questions about the 2014 Honor Roll of Donors, please contact Mrs. Tamika Bowman-Williams at 803.535.5351. Claflin does not discriminate on the basis of race, color, national origin, religion, gender, disability, or age. This non-discriminatory policy covers admissions, financial aid, educational services and employment. Table of Contents President’s Message page 2 Overall Campaign Success Story page 6 Vision Begins at Home page 8 Inner Family’ Gives in Record Numbers page 10 Scholarship Support: Donors Overwhelmingly Invest in Students page 12 Fundraising Edge: New Model Emerges in the Campaign for Claflin University page 14 Technology Enhancements: New Framework is ‘Second to None’ page 16 Research and Faculty Development: Campaign Enhances Overall Learning Community page 18 Donors Contribute $4,389,062.00 to Claflin page 21 The Honor Roll page 21 Honor Roll / 1 Óresident’We are pleased to provides message you with the 2014 Honor Roll of Donors. It is one of the ways the University conveys its appreciation for your support in helping sustain Claflin’s reputation as one of the nation’s leading institutions of higher education. -
Massachusetts Art Commission
Massachusetts State House Art Collection Index of Artists, Foundries, and Carvers ARTIST TITLE OBJECT ~A ADAMS, Herbert Charles Bulfinch plaque – bronze, 1898 State House Preservation plaque – bronze, 1898 AMES, Sarah Fisher Clampitt Abraham Lincoln bust – marble, 1867 ANDERSON, Robert A. Edward King painting, 1990 William F. Weld painting, 2002 ANDREW, Richard Veterans of the Sixth Regiment Memorial mural series, 1932 Decoration of the Colors of the 104th Infantry mural, 1927 ANNIGONI, Pietro John A. Volpe painting, 1963 AUGUSTA, George Francis Sargent painting, 1975 ~B BACON, Henry William F. Bartlett statue base, 1905 Joseph Hooker statue base, 1903 Roger Wolcott/Spanish War Memorial statue base, 1906 BAKER, Samuel Burtis Curtis Guild, Jr. painting, c. 1919 BALL, Thomas John A. Andrew statue – marble, 1872 BARTLETT, George H. Arthur B. Fuller bust –plaster, c. 1863 BELCHETZ-Swenson, Sarah Jane M. Swift painting, 2005 BENSON, John John F. Kennedy plaque – slate, 1972 BENSON, Frank W. Levi Lincoln, Jr. painting, 1900 William B. Washburn painting, 1900 BERGMANN, Meredith Edward Cohen/Massachusetts Labor History plaque – bronze, 2009 BICKNELL, Albion H. Abraham Lincoln painting, 1905 BINDER, Jacob Esther Andrews painting, 1931 Gaspar Bacon painting, 1939 Charles F. Hurley painting, 1940 BLAKE, William S. Hancock House plaque – bronze, l. 19th c. BORGLUM, Gutzon Theodore Roosevelt bust - bronze, 1919 BRACKETT, Walter M. George N. Briggs painting, 1849 BRODNEY, Edward Columbia Knighting her War Disabled mural, 1936 The War Mothers mural, 1938 BROOKS, Richard E. William E. Russell bust – bronze, 1893 Gardiner Tufts bust – marble, 1892 Massachusetts State House Art Collection: Index of Artists, Foundries, and Carvers BRYANT, Wallace Rev. -
GILBERT and SULLIVAN: Part 1
GILBERT AND SULLIVAN: Part 1 GILBERT AND SULLIVAN Part 1: The Correspondence, Diaries, Literary Manuscripts and Prompt Copies of W. S. Gilbert (1836-1911) from the British Library, London Contents listing PUBLISHER'S NOTE CONTENTS OF REELS CHRONOLOGY 1836-1911 DETAILED LISTING GILBERT AND SULLIVAN: Part 1 Publisher's Note "The world will be a long while forgetting Gilbert and Sullivan. Every Spring their great works will be revived. … They made enormous contributions to the pleasure of the race. They left the world merrier than they found it. They were men whose lives were rich with honest striving and high achievement and useful service." H L Mencken Baltimore Evening Sun, 30 May 1911 If you want to understand Victorian culture and society, then the Gilbert and Sullivan operas are an obvious starting point. They simultaneously epitomised and lampooned the spirit of the age. Their productions were massively successful in their own day, filling theatres all over Britain. They were also a major Victorian cultural export. A new show in New York raised a frenzy at the box office and Harper's New Monthly Magazine (Feb 1886) stated that the "two men have the power of attracting thousands and thousands of people daily for months to be entertained”. H L Mencken's comments of 1911 have proved true. Gilbert & Sullivan societies thrive all over the world and new productions continue to spring up in the West End and on Broadway, in Buxton and Harrogate, in Cape Town and Sydney, in Tokyo and Hong Kong, in Ottawa and Philadelphia. Some of the topical references may now be lost, but the basis of the stories in universal myths and the attack of broad targets such as class, bureaucracy, the legal system, horror and the abuse of power are as relevant today as they ever were.