The Passion of Communism
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Avanessian – Xenoarchitecture (Draft) 1 Introduction Armen Avanessian
avanessian – xenoarchitecture (draft) Introduction Armen Avanessian “Man’s desire is the desire of the Other,” Lacan, Seminar XI, p. 235 Following Lacan’s infamous dictum, according to which desire is defined as the desire of the Other, we could ask ourselves what a correlate methodology would look like for the humanities (or should we say “the inhumanities”?). Obviously, the structure of the phrase is ambiguous, or even tautological if taken as a predicative proposition. Instead, I propose to read it as a speculative proposition: we do not simply desire what the other has or hasn’t got, but we desire the state of being an Other, an othering, becoming a stranger to oneself and others—literally alienating them as well as “ourselves.” A desire for the xeno? This transformation has at least three central aspects: alienation (the negative mirroring of a given reality), negation (the construction of an asymmetry that initiates an annihilation of the positively given), and a recursion of alienation and negation through speculation.1 It is a poietic qua productive and creative transformation in the sense that it increases the scope of navigation and liberation by means of manipulation. Together with others, I have thought, experimented, and written a lot about questions of othering and “matching” experimental settings2 for the production of knowledge, tactical spaces in the sense of Michel de Certeau, xeno-spaces that are defined by “a calculated action determined by the absence of a proper locus. No delimitation of an exteriority, then, provides it with the condition necessary for autonomy. The space of a tactic is the space of the Other. -
Apocalypse and Survival
APOCALYPSE AND SURVIVAL FRANCESCO SANTINI JULY 1994 FOREWORD !e publication of the Opere complete [Complete Works] of Giorgio Cesa- rano, which commenced in the summer of 1993 with the publication of the "rst comprehensive edition of Critica dell’utopia capitale [Critique of the uto- pia of capital], is the fruit of the activity of a group of individuals who were directly inspired by the radical critique of which Cesarano was one of the pioneers. In 1983, a group of comrades who came from the “radical current” founded the Accademia dei Testardi [Academy of the Obstinate], which published, among other things, three issues of the journal, Maelström. !is core group, which still exists, drew up a balance sheet of its own revolution- ary experience (which has only been partially completed), thus elaborating a preliminary dra# of our activity, with the republication of the work of Gior- gio Cesarano in addition to the discussion stimulated by the interventions collected in this text.$ In this work we shall seek to situate Cesarano’s activity within its his- torical context, contributing to a critical delimitation of the collective envi- ronment of which he formed a part. We shall do this for the purpose of more e%ectively situating ourselves in the present by clarifying our relation with the revolutionary experience of the immediate past. !is is a necessary theoret- ical weapon for confronting the situation in which we "nd ourselves today, which requires the ability to resist and endure in totally hostile conditions, similar in some respects to those that revolutionaries had to face at the begin- ning of the seventies. -
New Books Catalogue 2017-18
PHILOSOPHY, PAGE 2 THEOLOGY, BIBLICAL STUDIES& PAGE 29 RELIGIOUS STUDIES PAGE 41 NEW BOOKS CATALOGUE 2017-18 PAGE 50 9 781350 057005 PhilTheoBib_FINAL.indd 1-2 03/08/2017 11:19 TM Instant digital access to more than 6,000 eBooks across the social sciences and humanities, including titles from The Arden Shakespeare, Continuum, Bristol Classical Press, and Berg. Subjects covered include: Anthropology • Biblical Studies • Classical Studies & Archaeology • Education • Film & Media • History • Law • Linguistics • Literary Studies • Philosophy • Religious Studies • Theology CONTENT HIGHLIGHTS FEATURES • 125 Collections, expanded annually by subject discipline • Advanced and full text search across all content. • Archive Collections in key subject areas such as ancient • Filter results by subject, series, or collection history, Christology, continental philosophy, and more • Pagination matches print exactly • Special Collections such as International Critical • Personalization features: save searches, export citations Commentary, Ancient Commentators on Aristotle, and and favorite, download, or print documents Education Around the World series • Footnotes, endnotes, and bibliographic references are hyperlinked To register your interest for a free institutional trial, or for further information email: Americas: [email protected] UK, Europe, Middle East, Africa, Asia: [email protected] Australia and New Zealand: [email protected] www.bloomsburycollections.com Collections_advert_2.indd 1 19/07/2017 08:52 Contents -
The Regulation of the Subject by the Technology of Time Maxwell Kennel [1]
Rhizomes: Cultural Studies in Emerging Knowledge: Issue 34 (2018) The Regulation of the Subject by the Technology of Time Maxwell Kennel [1] Abstract: Beginning from the entangled categories of the human and the technological, this exploration surveys thinkers who concern themselves with problems of technology and time, seeking to examine how the confluence of technology and time regulate and condition the formation of subjectivity. Drawing on Bernard Stiegler's work in Technics and Time, Augustine's Confessions, and the myth of Prometheus, the following draws out the technological character of time and makes suggestions about how to reconceptualize these different temporalizing technologies after the critique of capitalism. Surely technology, in its ever-changing form and forms, is a pharmakon that has been with us from the start. Regardless of whether we speak of technology or technologies or the broader field of techne (a practice or craft), it remains that the term ‘technology’ refers to something that, like a double-edged sword, helps us and harms us, something that we use and that uses us, and something that is at once politically charged (often subtly oriented toward particular interests and ends with particular benefactors), yet ambivalent, taking different sides at different times (and therefore available for us to use as means for our own ends).[2] Although it is at our disposal and supposedly outside of ourselves, some have argued that technology is not in fact something extra that is added onto our human nature and experience, but instead something inextricably related to both humanity and history, and indeed something that challenges the legitimacy of these categories. -
Volume 33, Numbers 1-2, Fall 2019-Spring 2020 • Realism Published Twice Yearly, Mediations Is the Journal of the Marxist Literary Group
Volume 33, Numbers 1-2, Fall 2019-Spring 2020 • Realism Published twice yearly, Mediations is the journal of the Marxist Literary Group. We publish dossiers of translated material on special topics and peer-reviewed general issues, usually in alternation. General inquiries and submissions should be directed to [email protected]. We invite scholarly contributions across disciplines on any topic that engages seriously with the Marxist tradition. Manuscripts received will be taken to be original, unpublished work not under consideration elsewhere. Articles should be submitted electronically in a widely-used format. Manuscripts should not exceed reasonable article length, and should be accompanied by an abstract of up to 300 words, including six keywords. Articles will be published in MLA endnote format, and should be submitted with the author’s name and affiliation on a separate cover page to facilitate blind peer review. Photographs, tables, and figures should be sent as separate files in a widely- used format. Written permission to reproduce copyright-protected material must be obtained by the author before submission. Books for review should be sent to: Mediations Department of English (MC 162) 601 South Morgan Street University of Illinois at Chicago Chicago IL 60607-7120 USA Articles published in Mediations may be reproduced for scholarly purposes without express permission, provided the reproduction is accompanied by full citation information. For archives and further information, visit http://www.mediationsjournal.org Cover -
Jacques Camatte Community and Communism in Russia
Jacques Camatte Community and Communism in Russia Chapter I Chapter II Chapter III Chapter I Publishing Bordiga's texts on Russia and writing an introduction to them was rather repugnant to us. The Russian revolution and its involution are indeed some of the greatest events of our century. Thanks to them, a horde of thinkers, writers, and politicians are not unemployed. Among them is the first gang of speculators which asserts that the USSR is communist, the social relations there having been transformed. However, over there men live like us, alienation persists. Transforming the social relations is therefore insufficient. One must change man. Starting from this discovery, each has 'functioned' enclosed in his specialism and set to work to produce his sociological, ecological, biological, psychological etc. solution. Another gang turns the revolution to its account by proving that capitalism can be humanised and adapted to men by reducing growth and proposing an ethic of abstinence to them, contenting them with intellectual and aesthetic productions, restraining their material and affective needs. It sets computers to work to announce the apocalypse if we do not follow the advice of the enlightened capitalist. Finally there is a superseding gang which declares that there is neither capitalism nor socialism in the USSR, but a kind of mixture of the two, a Russian cocktail ! Here again the different sciences are set in motion to place some new goods on the over-saturated market. That is why throwing Bordiga into this activist whirlpool -
Karl Marx and Poetic Form in the Communist Manifesto
FILOZOFIA ___________________________________________________________________________Roč. 71, 2016, č. 4 EPIC OR TRAGEDY? KARL MARX AND POETIC FORM IN THE COMMUNIST MANIFESTO JASON BARKER, Department of British and American Language and Culture, Kyung Hee University, South Korea BARKER, J.: Epic or Tragedy? Karl Marx and Poetic Form in The Communist Mani- festo FILOZOFIA 71, 2016, No. 4, pp. 316-327 Although The Communist Manifesto of 1848 was clearly not intended as a work of poetry, this article considers the merits of reading it according to the aesthetic criteria of epic poetry and of tragedy respectively. Following a brief treatment of the role of poetry in Karl Marx’s evolution as a philosopher and critic, the article then specu- lates that the identification of certain poetic themes in the text can aid our under- standing of the Manifesto’s political meaning, particularly in light of the “dialectical Prometheanism” that played such a defining role in Marx’s intellectual and political universe. Keywords: Dialectics − Epic − Odyssey − Prometheus − Prometheanism − Marx Introduction: Prometheus Bound and Unbound. Karl Marx’s favorite poet was Aeschylus and many personal episodes suggest the former’s incarnation as a modern Prometheus. In March 1843 the Rheinische Zeitung – which at the time was one of the largest subscription newspapers in Germany – was suppressed by the Prussian authorities and Marx resigned as its editor. A political cartoon of the period, now famous, was pub- lished depicting Marx bound to a printing press with a Prussian eagle biting out his liver. The final issue of the Rheinische Zeitung carried the following short poem: Our mast blew down, but we were not affrighted, The angry gods could never make us bend. -
Le Portique, 32 | 2014, « Sciences Sociales Et Marxisme » [En Ligne], Mis En Ligne Le 05 Février 2016, Consulté Le 02 Avril 2021
Le Portique Revue de philosophie et de sciences humaines 32 | 2014 Sciences sociales et marxisme Édition électronique URL : http://journals.openedition.org/leportique/2709 DOI : 10.4000/leportique.2709 ISSN : 1777-5280 Éditeur Association "Les Amis du Portique" Édition imprimée Date de publication : 1 mars 2014 ISSN : 1283-8594 Référence électronique Le Portique, 32 | 2014, « Sciences sociales et marxisme » [En ligne], mis en ligne le 05 février 2016, consulté le 02 avril 2021. URL : http://journals.openedition.org/leportique/2709 ; DOI : https://doi.org/ 10.4000/leportique.2709 Ce document a été généré automatiquement le 2 avril 2021. Tous droits réservés 1 SOMMAIRE Sciences sociales et marxisme Présentation Noël Barbe Le social chez Marx Hervé Touboul La linguistique française à la lumière du marxisme Jean-François Bert Les tumultueuses relations des économistes français avec le marxisme : une mise en perspective historique Thierry Pouch De quelques formes de présence du marxisme en anthropologie Noël Barbe Le marxisme sous le prisme des « avant-gardes » artistiques Éric Brun Marx, un spectre qui ne hante plus les Science and Technology Studies ? Jérôme Lamy et Arnaud Saint-Martin Marxisme et mémoire. De la téléologie à la mélancolie Enzo Traverso Marges et controverses Toutes les frontières sont des conventions qui attendent d’être transcendées Le cinéma Wachowski, le trans-humanisme et la rencontre Denis Viennet Recensions Essai sur le rien de Yann Courtel Jean-Paul Resweber Prêcher dans la vallée de Roland Sublon Jean-Paul Resweber Le Portique, 32 | 2014 2 Sciences sociales et marxisme Le Portique, 32 | 2014 3 Présentation Noël Barbe 1 Ce numéro de la revue Le Portique est l’aboutissement de plusieurs années de séminaires consacrés à la question des usages du marxisme en anthropologie et dans les sciences sociales en France, principalement, mais non exclusivement, après la seconde guerre mondiale. -
Communization and Its Discontents
Minor Compositions Open Access Statement – Please Read This book is open access. This work is not simply an electronic book; it is the open access version of a work that exists in a number of forms, the traditional printed form being one of them. All Minor Compositions publications are placed for free, in their entirety, on the web. This is because the free and autonomous sharing of knowledges and experiences is important, especially at a time when the restructuring and increased centralization of book distribution makes it difficult (and expensive) to distribute radical texts effectively. The free posting of these texts does not mean that the necessary energy and labor to produce them is no longer there. One can think of buying physical copies not as the purchase of commodities, but as a form of support or solidarity for an approach to knowledge production and engaged research (particularly when purchasing directly from the publisher). The open access nature of this publication means that you can: • read and store this document free of charge • distribute it for personal use free of charge • print sections of the work for personal use • read or perform parts of the work in a context where no financial transactions take place However, it is against the purposes of Minor Compositions open access approach to: • gain financially from the work • sell the work or seek monies in relation to the distribution of the work • use the work in any commercial activity of any kind • profit a third party indirectly via use or distribution of the work • distribute in or through a commercial body (with the exception of academic usage within educational institutions) The intent of Minor Compositions as a project is that any surpluses generated from the use of collectively produced literature are intended to return to further the development and production of further publications and writing: that which comes from the commons will be used to keep cultivating those commons. -
(917) a Proposito Di Qualche Testo Su Marx E Il Valore.Anselm Jappe, Jaime Semprun
ANNO XVI N°917 23 AGOSTO 2016 RIVISTA APERIODICA RISORSE CONVIVIALI DIRETTA DA E VARIA UMANITÀ ASTEFANO BORSELLI d f ISBSN2279–6924 iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiIl Covile Penetriamo nuovamente in epoche che non aspettano dal filosofo né una spiegazione né una trasformazione del mondo, ma la costruzione di rifugi contro l’inclemenza del tempo. Nicolás Gómez Dávila Marxisti antimoderni. Approfondimenti, incontri, precisazioni. (5) François Bochet A PR O P O SI T O D I QUALCHE T E S T O: ANSELM JAPPE, JAIME SEMPRUN, ROBERT KURZ, JEAN-MARC MANDOSIO. # Fonte: Dis (continuité ) n°23, 2004, nota n°161. Traduzione di Gabriella Rouf. I titoli sono redazionali. er Bordiga, nel socialismo il valore siero di Marx è servito a modernizzare il capita- non esiste piú, cosí come la moneta, il le — il che è innegabile — e che i marxisti tradi- P salariato, l’impresa, il mercato: laddo- zionali si sono posti solo il problema della redi- ve c’è il valore, come in URSS, non può esserci stribuzione del denaro, della merce e del valo- socialismo. Anselm Jappe — già autore di un re, senza metterli in discussione in quanto tali. Guy Debord, apparso nel 2001 — ha scritto un Per Jappe il movimento rivoluzionario avrebbe libro ambizioso ed interessante, Les aventures perciò accettato valore, salario, merci, denaro, de la marchandise. Pour une nouvelle critique de lavoro, feticismo, ecc. — il che è nello stesso la valeur (Le avventure della merce. Per una tempo falso ed esatto — e lui, Jappe, si propone nuova critica del valore), Denoêl, 2003; egli fa di «ricostruire la critica marxiana del valore in una distinzione fra un Marx essoterico parti- modo abbastanza (?) preciso». -
Fifth Estate's Critique of the Megamachine
4 Steve Millett Technology is capital: Fifth Estate’s critique of the megamachine Introduction ‘How do we begin to discuss something as immense as technology?’, writes T. Fulano at the beginning of his essay ‘Against the megamachine’ (1981a: 4). Indeed, the degree to which the technological apparatus penetrates all elements of contemporary society does make such an undertaking a daunting one. Nevertheless, it is an undertaking that the US journal and collective Fifth Estate has attempted. In so doing, it has developed arguably the most sophisticated and challenging anarchist approach to technology currently available.1 Starting from the late 1970s, the Fifth Estate (hereafter FE) began to put forward the argument that the technologies of capitalism cannot be separated from the socioeconomic system itself. Inspired and influenced by a number of writers, including Karl Marx, Jacques Ellul and Jacques Camatte, it began to conceptualise modern technology as constituting a system of domination itself, one which interlinks and interacts with the economic processes of capitalism to create a new social form, a ‘megamachine’ which integrates not only capitalism and technology, but also State, bureaucracy and military. For the FE, technology and capital, although not identical, are more similar than different, and cannot be separated into an ‘evil’ capitalism and an essentially neutral technology. Any critique of capitalism and the State must recognise the importance of contem- porary technology and the crucial role it plays in the development of new forms of domination, oppression and exploitation. Concepts of ‘capital’ and ‘mega- machine’ are also explored later in this chapter. The Fifth Estate The FE began in Detroit in 1965, started by seventeen-year-old high-school student Harvey Ovshinsky. -
Aesthetics of Form Revisited Éric Alliez Art & Language
/3AB63B71A =4 4=@; @3D7A7B32 p@71 /::73H /@B :/<5C/53 /@;3< /D/<3AA7/< :C7A 1/;<7BH3@ A30/AB7/< 353<6=43@ 2=@=B63/ D=< 6/<B3:;/<< 0@7/< 6=:;3A >/;3:/ ; :33 AB3E/@B ;/@B7< 16@7AB=>6 ;3<93 >3B3@ =A0=@<3 8=6< @/816;/< 8C:7/<3 @303<B7A16 :C93 A9@30=EA97 ‘Aurai-je encore besoin des formes?’ This self-reflexive state- ment, made by Matisse in 1942, is only one example, albeit a telling one, of the struggle with the question of form in art and art theory that would intensify over the course of the twentieth century. While the entire time period of modernity can be seen as occupied with the problematics of form, there has nevertheless been a steady critical distanciation from such concerns over the last few decades. Looking at recent developments in thinking about form, we can determine a particular schema: on the one hand central topoi such as dissolution, opening and break demonstrate the residue of a revolutionary formal rhetoric; on the other hand a negatively inflected understanding of form has been projected as a synonym for paralysed social, political and artistic circum- stances. For numerous reasons, we should object to such overly hasty disavowals of form and instead attempt to examine the seemingly old-fashioned concept of ‘form’ once again in view of contemporary aesthetic reflections. A first requirement is to object to the conception of form as ‘paralysed’, a notion which we can clearly see belied in concepts such as Documenta XII’s ‘migration of form’ (wherein the particular formal meaning of individual artworks was deprioritized in favour of new formal configu- rations created at a curatorial level).