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La Rinascita Dell'arte Musiva in Epoca Moderna
La rinascita dell’arte musiva in epoca moderna in Europa. La tradizione del mosaico in Italia, in Spagna e in Inghilterra Ottobrina Voccoli ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
CENTER 16 Record of Activities and Research Reports June I995-May X996
CENTER 1 6 ~~~i•i,:~-¸ ¸¸I!~ J n~ o ! National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS CENTER 16 Record of Activities and Research Reports June i995-May x996 Washington x996 National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Washington, D.C. zo565 Telephone: (zoz) 84z-648o Facsimile: (zoz) 84z-6733 E-maih center @nga.gov World Wide Web: http://www.capcon.net/casva All rights reserved. No part of this book may be reproduced without the written permission of the National Gallery of Art, Washington, D.C. zo565 Copyright © i996 Trustees of the National Gallery of Art, Washington This publication was produced by the Editors Office, National Gallery of Art, Washington Designed by Susan Lehmann Printed by Schneidereith & Sons, Baltimore, Maryland Photographic credits Cover, pages I, 6, i6i: James Pipkin Pages I3, I5O , ISZ , I55 , I57, I59: Dennis Brack/Black Star Frontispiece: John Sloan, The Picture Buyer, I9X i. Delaware Art Museum, Wilmington Contents 7 Preface 9 Report on the Academic Year, June i995-May 1996 io Board of Advisors io Staff ii Report of the Dean I4 Members 18 Meetings 2.8 Lecture Abstracts 33 Incontro Abstracts 4 o Research Projects 4I Publications 43 ResearchReports of Members i49 Description of Programs 151 Fields of Inquiry 15 ~ Fellowship Program 58 Facilities i58 Board of Advisors and Selection Committee i58 Program of Meetings, Research, and Publication i6z Index of Members' Research Reports T Preface The Center for Advanced Study in the Visual Arts, a research in- stitute which fosters study of the production, use, and cultural meaning of art, artifacts, architecture, and urbanism, from prehis- toric times to the present, was founded in x979 as part of the National Gallery of Art. -
PATH:C:\Peter's WP Files\WHITLOCK\GENEAL
PATH:C:\Peter’s WP Files\WHITLOCK\GENEAL\ FILE:PH1TO.END DATE:June 3,2021 Last Web Update:April 23,2018 PHOTOGRAPHS PH0001 Richard Johns (1824-1913) & Eliza (Whitlock) Johns (1823-1904) of Huron Co., ONT c1890's (W01) from Myrtle Madge Johns PH0002 Isaac Whitlock Johns (1855-1908) & Elizabeth Kate (Elford) Johns (1859-1933) of Huron Co., ONT c1890's (W01) from Myrtle Madge Johns PH0003 Isaac Whitlock Johns (1855-1908) & Elizabeth Kate (Elford) Johns (1859-1933) & sons of Huron Co., ONT c1890's (W01) from Myrtle Madge Johns PH0004 Isaac Whitlock Johns (1855-1908) & Elizabeth Kate (Elford) Johns (1859-1933) & sons of Huron Co., ONT c1890s (W01) from Myrtle Madge Johns PH0005 Harriett (Johns) Cudmore (1860-1955) of SAS 1951 (W01) from Myrtle Madge Johns PH0006 Martin Wesley Johns (1913- ) & Margaret Mary (Hilborn) Johns (1916-1979) & family of Hamilton, ONT 1964 (W01) from Myrtle Madge Johns PH0007 Silas Whitlock (1819-1896) of Huron Co., ONT c1890s (W01) from Myrtle Madge Johns PH0008 Isaac Whitlock (1821-1899) of Huron Co., ONT c1890s (W01) from Myrtle Madge Johns PH0009 (young man) c1880's (W01) from Myrtle Madge Johns PH0010 “John Whitlock, North Carolina, United States of America to Sam’l Westaway, Exeter, ONT of Canada” c1880s (W01) from Myrtle Madge Johns PH0011 Ann Brook (Whitlock) Westaway (1846-1890) of Oshawa, ONT c1860s (W01) from Myrtle Madge Johns PH0012 William Whitlock (1812-1890) & Mary (Brook) Whitlock (1819-1880) of Huron Co., ONT c1860s (W01) from Myrtle Madge Johns PH0013 Charles Percival Westaway (1908-1988) & Rena -
Edward Hawke Locker and the Foundation of The
EDWARD HAWKE LOCKER AND THE FOUNDATION OF THE NATIONAL GALLERY OF NAVAL ART (c. 1795-1845) CICELY ROBINSON TWO VOLUMES VOLUME I - TEXT PhD UNIVERSITY OF YORK HISTORY OF ART DECEMBER 2013 2 ABSTRACT The National Gallery of Naval Art was situated within the Painted Hall at Greenwich Hospital from 1824 until 1936. This collection of British naval paintings, sculptures and nautical curiosities was one of the first ‘national’ collections to be acquired and exhibited for the general public, preceding the foundation of the National Gallery by a matter of months. Installed in the wake of the Revolutionary and Napoleonic Wars, the Naval Gallery, as it was more commonly known, was primarily founded to commemorate ‘the distinguished exploits of the British Navy’.1 This thesis examines how the Gallery presented a unique type of national naval history to the early nineteenth-century public, contributing to the development of contemporary commemorative culture as a result. In addition, the Naval Gallery also functioned as a forum for the exhibition of British art. This study examines how the Gallery was actively involved in the contemporary art world, liaising with the Royal Academy of Arts and the British Institution, providing patronage for contemporary artists and actively contributing toward the development of a national patriotic aesthetic. In 1936 the Naval Gallery was dismantled and the collection was given, on permanent loan, to the newly founded National Maritime Museum. As a result of this closure the Gallery ceased to be the subject of contemporary commentary and knowledge of its existence gradually declined. This thesis conducts a dedicated institutional study of the Naval Gallery in an attempt to re-establish its status as the first ‘national’ naval art collection, as a major site for the public commemoration of Nelson and as an active participant in the early nineteenth-century British art world. -
The Impact of the Civil War and Interregnum on English Music, C.1640 to C.1660
"These Sad, Distracted Tymes" The Impact of the Civil War and Interregnum on English Music, c.1640 to c.1660 by Bronwyn Irene Ellis B.A. (Hons.); P.G. Dip. Ed.; A. Mus. A. Submitted in fulfilment of the requirements of the Doctor of Philosophy degree, University of Tasmania June 2004 Statement of Originality This thesis contains no material that has been accepted for a degree or diploma by this university or any other institution except by way of background information that has been duly acknowledged in the thesis. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgement has been made in the text. 10-06-a0:74. Bronwyn Ellis Date Statement of Authority of Access This thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. egAcd.n.sia_ Bronwyn Ellis Date Abstract The music of mid-seventeenth-century England, and particularly of the Civil War and Interregnum, is a period frequently overlooked or misconstrued by musicology. The powerful image of the 1640s and 1650s as two decades of artistic desolation under the harsh administration of an oppressive religious regime has impacted heavily on the historiographical perception of its music. The Civil War, Commonwealth and Protectorate undoubtedly altered aspects of English musical culture, whether through the disbanding of the royal musical establishment, restriction of the use of music in worship, or prohibition of stage plays. However, these events and influences must be seen in the context of their time rather than isolated as examples of Puritan aggression. -
Records of the Museum of New Zealand Te Papa Tongarewa Tuhinga: Records of the Museum of New Zealand Te Papa Tongarewa
28 2017 2017 TUHINGA TUHINGA Records of the Museum of New Zealand Te Papa Tongarewa Tuhinga: Records of the Museum of New Zealand Te Papa Tongarewa The journal of scholarship and mātauranga Number 28, 2017 Tuhinga: Records of the Museum of New Zealand Te Papa Tongarewa is a peer-reviewed publication, published annually by Te Papa PO Box 467, Wellington, New Zealand TE PAPA® is the trademark of the Museum of New Zealand Te Papa Tongarewa Tuhinga is available online at www.tepapa.govt.nz/tuhinga It supersedes the following publications: Museum of New Zealand Records (1171-6908); National Museum of New Zealand Records (0110-943X); Dominion Museum Records; Dominion Museum Records in Ethnology. Editorial board: Bronwyn Labrum, Dale Bailey, Dean Peterson, Sarah Farrar, Athol McCredie, Patrick Brownsey, Sean Mallon, Amber Aranui, Martin Lewis, Stephanie Gibson, Catherine Cradwick, Claudia Orange ISSN 1173-4337 All papers © Museum of New Zealand Te Papa Tongarewa 2017 Published September 2017 For permission to reproduce any part of this issue, please contact the editorial co-ordinator, Tuhinga, PO Box 467, Wellington. Cover design by Tim Hansen Internal design by Robyn Sivewright, Afineline Typesetting by Emily Efford Tuhinga: Records of the Museum of New Zealand Te Papa Tongarewa Number 28, 2017 Contents The ‘ahu ‘ula and mahiole of Kalani‘ōpu‘u: a journey of chiefly 4 adornments Sean Mallon,* Rangi Te Kanawa, Rachael Collinge, Nirmala Balram, Grace Hutton, Te Waari Carkeek, Arapata Hakiwai, Emalani Case, Kawikaka‘iulani Aipa and Kamalani Kapeliela Fated feathers, unfurling futures 24 Noelle M.K.Y. Kahanu ‘Look here upon this picture’: Shakespeare in art at Te Papa 31 Mark Stocker An uncertain future: Jewish refugee artefacts in New Zealand and 49 their ‘return’ to Germany Louisa Hormann The enterprising John Baillie, artist, art dealer and entrepreneur 62 Tony Mackle E.H. -
Gp Cit'\1Elm Loss GPEA •Seeks Study Authorized
----------.-- __ 44••""t!'!i .!II!,II!'!!••.~"";L_a!'l_ '!!I!.E!!!'&!I!!¥_!!"!. _!!"!-!!'!'••. -'!'!'"""!"'''''!''!'-;''''.,'''''.l._ lI!l.I!II!L.,...-'''''.~.. ~.. "".,"-,!,,!. ,!I!I",.-.•..• "!. t~r~'.~.--"':""""":O:--~-~~:-----~-'O;=:':"". ,:--::..~--:---~~--~~-~~---- ~--~------------ 111 All the News of All the Pointes Every Thursday Morning rosse ews Complete News Coverage of All the Pointes Home of the News VOL. 26-NO. 38 Entered as Second Class Matter at $5.00 Per Year the Post Ofttce at Detroit, Mlcb. GROSSE POINTE, MICHIGAN, SEPTEMBER 23, 1965 10c Per Copy 24 Pages-Two Sections-Section One ----.--------------------------------------------..,;---------------------------:.---<i~ New Unitarian Church in Maumee Avenue HEADLINES p Cit'\1Elm Loss GPEA •Seeks of the G J Sole Right WEEK !•.: .... : As Compi:ed by the ,- Set at 49; Control To Bargain .-, Grosse Pointe News ~."'. \;" Petition Filed with labor f.:.. ~>:'.:,~ \: Mediation Board to ' Thursday. September 16 ".(" . Study Authorized ~:;.'" Conduct Representative A MER I CAN CARDINALS '*, Balloting Wednesday backed a propiised Solons Approve Ordinance Revision Giving Adminis- Ecumenical Council declaration tration ~ore Authority to Enforce Removal The MEA.NEA-affiliated on man's right to freedom of of Diseased and Dead Trees Grosse Poi n t e teachers. conscience in worship, Archbish. group has petitioned the ops Francis Cardinal Spellman of New York and Richard James The City council expressed concern regarding the Labor Mediation Board to Cardinal Cushing of Boston as. increasing loss of elm trees in Michigan from the Dutch conduct a representative serted that religious liberty is Elm Disease, especially the loss in the Pointe area, and election seeking to name "the truth on which all human ordered a study for a possible revision of its Elm Spray the Grosse Pointe Educa- rights and society are founded." Ordinance. -
Eminent Cheltonians Commemorated at Leckhampton
Eminent Cheltonians Commemorated at Leckhampton ERIC MILLER Introduction LECKHAMPTON WAS AN ISOLATED SPOT until the age of the motor car. However, at its church of St Peter there are memorials to many 19th-century and early 20th-century Cheltonians, some of them of national renown. Though much the same might be said of the churches at Charlton Kings1, Swindon Village and Prestbury, the collection at Leckhampton is unusually rich and is a revealing reflection of the social history of Cheltenham. Some of the names mentioned in this article are well known, but the achievements, misfortunes and tragedies of others, now all but forgotten, deserve to be retold: ‘the world knows nothing of its greatest men’2. Not all of these ‘Cheltonians’ were actually born in Cheltenham. Some had settled in the area on retirement, perhaps having served in the Indian Army or East India Company.3 Others were ‘birds of passage’, again perhaps with empire connections and renting a house in between tours abroad. Many would have known each other, if not already from their past careers then at least as members of Cheltenham’s fashionable society. A few of their names are listed in the Cheltenham Looker-On as attending hunt balls, and certain of the gentlemen belonged to the New Club. Their activities and achievements were sometimes reported in the local press, and occasionally in a national newspaper, and a few remain ‘eminent’ to this day by being listed in the Dictionary of National Biography or similar compendiums. Some of the gentry, professional men and the more prosperous tradespeople lived in the parish itself, in the large detached villas that sprang up beside Leckhampton Road and in The Park area. -
Libraries and Cultural Resources
LIBRARIES AND CULTURAL RESOURCES Archives and Special Collections Suite 520, Taylor Family Digital Library 2500 University Drive NW Calgary, AB, Canada T2N 1N4 www.asc.ucalgary.ca Howard Hetherington collection of 19th century holograph letters and autographs. ACU SPC C0001 https://searcharchives.ucalgary.ca/howard-hetherington-collection-of-19th-century-holograph- letters-and-autographs An additional finding aid in another format may exist for this fonds or collection. Inquire in Archives and Special Collections. Howard Hetherington collection of 19th century holograph letters and autographs MsC 12 Howard Hetherington Collection of 19th Century Holographic Letters and Autographs Accession No. MsC 12 Page 2 Howard Hetherington collection of 19th century holograph letters and autographs MsC 12 FILE TITLE DATE BOX/FILE Marquis of Salisbury (1830 - 1903) [received] August 16, 1 1879 - holograph signature - statesman - [Robert Arthur Talbot Gascoyne-Cecil, 3rd Marquess of Salisbury, KG, GCVO, PC (February 3, 1830 – August 22, 1903), known as Lord Robert Cecil before 1865 and as Viscount Cranborne from 1865 until 1868] Plimsoll, Samuel (1824 - 1898) [received] August 28, 2 1879 - holograph signature - statesman - The sailor’s friend - [Samuel Plimsoll (February 10, 1824 – June 3, 1898)] Fawcett, Henry (1833 – 1884) [received] September 3 15, 1880 - holograph signature - statesman Page 3 Howard Hetherington collection of 19th century holograph letters and autographs MsC 12 FILE TITLE DATE BOX/FILE - [Henry Fawcett (August 26, 1833 – November -
Letters and Papers of British Artists, 1774-1993 (Bulk 1774-1964)
http://oac.cdlib.org/findaid/ark:/13030/kt6q2nf47g Online items available Finding aid for Letters and papers of British artists, 1774-1993 (bulk 1774-1964) Onica Busuioceanu Finding aid for Letters and 860525 1 papers of British artists, 1774-1993 (bulk 1774-1964) ... Descriptive Summary Title: Letters and papers of British artists Date (inclusive): 1774-1993 (bulk 1774-1964) Number: 860525 Creator/Collector: Getty Research Institute. Research Library Physical Description: 1360 items Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: The collection, assembled by the repository, comprises 1360 items, mostly letters signed by 507 British painters, illustrators, printmakers, draughtsmen, and sculptors. The collection includes circa 40 illustrated letters, as well as sketches, press clippings, manuscripts, and reproductions of art works. Most items date from the late 19th century. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical/Historical Note A collection assembled by the repository. Access Open for use by qualified researchers. Publication Rights Contact Library Rights and Reproductions . Preferred Citation Letters and papers of British artists, 1774-1993 (bulk 1774-1964), Research Library, The Getty Research Institute, Accession no. 860525. http://hdl.handle.net/10020/cifa860525 Acquisition Information Received in several acquisitions, circa 1983-1990. Processing History Processed and cataloged by Onica Busuioceanu. Some items formerly part of this collection were separated; see also accession numbers 860525A, 860525B, 860525C, 860525D, and 860525E for letters and papers of other British professionals. -
Die Trauernden Juden Im Exil“ – Ein Thema Der Europäischen Malerei Im 19
„Die trauernden Juden im Exil“ – Ein Thema der Europäischen Malerei im 19. und 20. Jahrhundert Inaugural–Dissertation in der Philosophischen Fakultät I (Philosophie, Geschichte und Sozialwissenschaften) vorgelegt von Nicole Brandmüller aus Nürnberg D 29 Tag der mündlichen Prüfung: 27. November 2007 Dekan: Universitätsprofessor Dr. Jens Kulenkampff Erstgutachter: Universitätsprofessor Dr. Karl Möseneder Zweitgutachter: Universitätsprofessor Dr. Hans Dickel Mein besonderer Dank gilt vor allem dem DAAD, Deutscher Akademischer Austauschdienst, ohne deren großzügige Förderung durch ein Auslandsstipendium diese Arbeit in der vorliegenden Form nicht hätte entstehen können. INHALTSVERZEICHNIS Inhaltsverzeichnis EINLEITUNG 7 „Die trauernden Juden im Exil“ in Literatur, Musik und bildender Kunst 7 Kritischer Literaturbericht 20 1. TEIL I. BIBLISCHE UND HISTORISCHE GRUNDLAGEN 23 1. Das Ende des Königreiches Juda (722–597 v. Chr.) 25 2. Die Zeit des Exils (597–537 v. Chr.) 27 3. Die Heimkehr und der Wiederaufbau des Tempels (537–520 v. Chr.) 31 II. UMSETZUNGEN DES BILDTHEMAS BIS ZUM ENDE DES 18. JAHRHUNDERTS 32 1. Das „Dittochaeon“ des Prudentius (um 400 n. Chr.) 32 2. Mittelalterliche Psalterillustrationen (9.–13. Jh.) 34 Abendländische Buchmalerei 34 Byzantinische Buchmalerei 39 3. Die „Vorfahren Christi“ in der Cappella Sistina (1508–12) 44 4. Wandmalereien in Synagogen (18. Jh.) 47 III. ENTWICKLUNG DES BILDTHEMAS 51 1. Disparate Anfänge 51 William Blake und Giuseppe Bossi im Gefolge von Jacques Louis Davids Gemälde „Der Schwur der Horatier“ (1784) 51 4 INHALTSVERZEICHNIS Ferdinand Olivier und John Martin: Die landschaftliche Konkretion 58 Adam Eberle als Exponent der Münchner Schule 61 2. Eduard Bendemann und die Typenbildung im Rahmen der Düsseldorfer Schule 64 3. Ausdifferenzierungen im 19. Jahrhundert 82 Orientalisierung 82 Emotionalisierung des Weiblichen 101 Abweichende Umsetzungen 107 4. -
Cromwelliana
Cromwelliana The Cromwell Association 1992 The Cromwell Associatio11 President: Dr JOHN MORAi LL, DPhll, FRHlstS CROMWELLIANA 1992 Vice Presidents: Baron FOOT of Buckland Monachoruin Right Hon MICHAEL FOOT, PC Dr MAU RICE ASHLEY, CBE, DPhll, DLltt edited by Peter Gaunt ProfessorlVAN ROOTS, MA, FSA, FRlilstS ! Professor AUSTIN WOOLRVCH, MA, DLltt, FBA I; Dr GERALD AYLMER, MA, DPhll, FB.i\, FRHlstS Miss HILARY PLATT, BA Mr TREWIN COPPLESTONE, FAGS CONTENTS Chairman: Dr PETER GAUNT, PhD, FRHlstS Hon. Secretary: Miss PAT BARNES CROMWELL-DAY 1991. OLIVER ·CROMWELL AND Cosswell Cottage, Northedge, Tupton, Chesterfield, THE PEOPLE OF GOD. By Austin Woolrych. 2 S42 6AY THE POETS AT WAR: A VERSE-HISTORY OF Hon. Treasurer: Mr JOHN WESTMACOTT THE BATTLE OF ECGEHILL. By John Sutton. 8 1 Sallsbury Close, Wokingham, Berkshire, RG11 4AJ THE CROMWELL ASSOCIATION was founded In 1935 by the late Rt Hon Isaac LESSONS. IN REVOLUTION: THE. IMPACT OF Foot and others to commemorate Oliver Cromwell, the great Puritan stateman, THE LONDON MILITARY COMPANIES. and to encourage the study of the history or his times, his achievements and By Keith Roberts. 35 Influence. It Is neither polltlcal nor sectarian, Its alms being essentially historical. The Association seeks to advance Its alms In a variety of ways which have VICTORIAN ARTISTS AND THE ENGLISH Included: CIVIL WAR. By J L Atkins. 48 a. the erection of commemorative tablets (e.g. at Naseby, Dunbar, Worcester, Preston, etc) (From time to time appeals are made for funds to pay for projects BICAMERALISM IN THE 1650s. of this sort); By Ivan Roots. · 53 b. helping to establlsh the Cromwell Museum In the Old Grammar School at Huntingdon; c.