The Fluorescence of Ruby, Sapphire and Emerald
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The Red Emerald
The Red Emerald Black Album Words by Seth William Rozendaal Photos by David Rozendaal This work is for the enjoyment of gemstone aficionados around the world and throughout time, and dedicated to the divine muse who inspires everything. This book celebrates the Red Emerald’s public debut at the 2017 Tucson Gem and Mineral Show. Graphics taken from the Mineralogical Record Volume 47 Number 1: Colombian Emeralds where noted. The two photos of the Heart matrix specimen on the top of the page in Section VI were taken by Wayne Schrimp. Seth Rozendaal is responsible for the landscape photo in Section II, the beveled heart in Section VI and Office Suite Graphics. The Suite Treasure necklace photo in Section XIII was taken at the Brent Isenberger Studio. Cover and all other interior photos in this album were taken by David Rozendaal. Without his tireless dedication, this publication would not have been possible. For additional information, please contact: Seth William Rozendaal (515) 868-7207 [email protected] Index I - Red Beryl IS Red Emerald II - Formation III - Matrix Specimens IV - Wafers V - Prisms VI - Twins VII - Clusters VIII - Bixbyite Combinations IX - Topaz Combinations X - Hourglass Patterning XI - The Scarlet Spectrum XII - Facet-Grade Red Emerald XIII - The Red Emerald Suite Treasure I ~ Red Beryl IS Red Emerald The human infatuation with Emeralds runs so deep, and our desire for them traces so far back… It's one of the only gemstones found in rank-signifying Neolithic headdresses. Yeah, you heard me: Caveman Crowns. Aja Raden - Author, Historian and Scientist Diamonds may be forever, but only Emeralds are eternal; our appreciation of Emeralds stretches from the beginning of human civilization to the very end. -
Intergrown Emerald Specimen from Chivor Tity Was Confirmed by Raman Spectroscopy
Editor Nathan Renfro Contributing Editors Elise A. Skalwold and John I. Koivula Intergrown Emerald Specimen from Chivor tity was confirmed by Raman spectroscopy. The inclusion exhibited a well-formed hexagonal prismatic shape with Colombia’s Chivor emerald mines are located in the east- pyramid-like termination (figure 2). Although intergrowth ern zone of the Eastern Cordillera range of the Andes emerald crystals have been described and documented in Mountains. Chivor translates to “green and rich land” in the literature several times (G. Grundmann and G. Giu- Chibcha, the language of the indigenous people who were liani, “Emeralds of the world,” in G. Giuliani et al., Eds., already mining emerald more than 500 years ago, before Emeralds of the World, extraLapis English, No. 2, 2002, pp. the arrival of the Spanish conquistadors (D. Fortaleché et al., “The Colombian emerald industry: Winds of change,” Fall 2017 G&G, pp. 332–358). Chivor emeralds exhibit a bright green color with a tint of blue; they have relatively Figure 1. An emerald crystal inclusion measuring high clarity and fewer inclusions than emeralds found in ~2.67 × 2.71 × 5.43 mm is found inside this large Colombia’s western belt. emerald specimen (18.35 × 10.69 × 9.79 mm) from Colombia’s Chivor mine. Photo by John Jairo Zamora. The authors recently examined a rough emerald crystal specimen (figure 1), measuring 18.35 × 10.69 × 9.79 mm, reportedly from Chivor. This crystal weighed 3.22 g (16.10 ct) and had a prismatic hexagonal crystal shape. Standard gemological examination confirmed the gemstone to be emerald, and ultraviolet/visible/near-infrared (UV-Vis-NIR) spectroscopy showed a classic Colombian emerald absorp- tion spectrum. -
Garnet, Industrial 2016
2016 Minerals Yearbook GARNET, INDUSTRIAL [ADVANCE RELEASE] U.S. Department of the Interior September 2018 U.S. Geological Survey Garnet, Industrial By Robert M. Callaghan and Kenneth C. Curry Domestic survey data and table were prepared by Chanda C. Williams, statistical assistant. In 2016, U.S. production of crude garnet concentrate for combination with one or two other minerals, have reserves that industrial use was estimated to be 56,400 metric tons (t) valued can be mined at a low cost, and have the ability to react rapidly at about $12.8 million, a slight increase in tonnage and virtually to changes in market demand. The value of industrial garnet is unchanged in value from 55,200 t valued at $12.7 million in 2015. influenced by the size and grade of reserves, the type and quality U.S. production of refined garnet in 2016 was estimated to be of garnet mined, the proximity of deposits to infrastructure and 49,400 t valued at $24.4 million, a slight increase in tonnage and consumers, and the milling costs. The majority of industrial- a slight decrease in value from 48,700 t valued at $24.8 million grade garnet mined in the United States consists of almandine in 2015. U.S. exports of industrial garnet were 13,400 t, a 9% (iron-aluminum silicate) and pyrope (magnesium-aluminum decrease compared with those in 2015. Imports of garnet were silicate), although some andradite (calcium-iron silicate) also is estimated to be 150,000 t in 2016, a 38% decrease compared with mined domestically. -
Compilation of Reported Sapphire Occurrences in Montana
Report of Investigation 23 Compilation of Reported Sapphire Occurrences in Montana Richard B. Berg 2015 Cover photo by Richard Berg. Sapphires (very pale green and colorless) concentrated by panning. The small red grains are garnets, commonly found with sapphires in western Montana, and the black sand is mainly magnetite. Compilation of Reported Sapphire Occurrences, RI 23 Compilation of Reported Sapphire Occurrences in Montana Richard B. Berg Montana Bureau of Mines and Geology MBMG Report of Investigation 23 2015 i Compilation of Reported Sapphire Occurrences, RI 23 TABLE OF CONTENTS Introduction ............................................................................................................................1 Descriptions of Occurrences ..................................................................................................7 Selected Bibliography of Articles on Montana Sapphires ................................................... 75 General Montana ............................................................................................................75 Yogo ................................................................................................................................ 75 Southwestern Montana Alluvial Deposits........................................................................ 76 Specifi cally Rock Creek sapphire district ........................................................................ 76 Specifi cally Dry Cottonwood Creek deposit and the Butte area .................................... -
Diamonds & Emeralds & Rubies, Oh My: Gem Lore in Baum's Wonderful
Diamonds and Emeralds and Rubies, Oh My: Gem Lore in Baum's The Wonderful World of Oz From the ruby-studded land of the Quadlings to ubiquitous references to glittering emeralds and diamonds, gemstones play a crucial role in Baum’s iconic Wonderful World of Oz. For over a century, critics have focused primarily on biographical and allegorical explanations for the choices of specific gems and metals without thoroughly exploring other possibilities. Instead, a bimetallic discourse on gold and silver introduced in the 1960s has been accepted as fact by academics and readers alike, as have gem choices linked to everything from Baum’s birthstone and Irish roots to Chicago’s Crystal Palace. I propose to take a new, archetypal approach, arguing, by contrast, that the selection of emerald (rather than, for example, topaz) as the featured gemstone links Oz to centuries of mythology. An examination of alchemy and its cultural influences, as well as Baum’s undisputed belief in Theosophy, furnish additional connections. Thus in nearly all ancient and sacred thought, esoteric gem lore has traditionally played integral roles in life and religious beliefs. A connection between emeralds and vision, for example, is associated with the Emperor Nero, Apostle John, Pliny the Elder, and even Napoleon. Moreover, this connection between the emerald and the human eye, which plays such a prominent role as the Emerald City where everyone must wear locked-on green goggles, has its roots in the Hindu Vedas, Sanskrit mantras, the Koran, and Judeo-Christian beliefs. This substantial precedent is echoed in the history of ruby lore and the connection of the red stone to female rulers who possess ruby thrones and a ruby-encircled cap (Glinda) to a ruby palace (Gaylette). -
F I N E C R a F T J E W E L R Y C O L L E C T I O N 2014
F i n e C r a f t J e w e l r y C o l l e c t i o n 2014 www.MarthaSeelyDesign.com y jewelry is always a reflection of the art forms that have inspired me over the years: Fiber, fashion, and the grace of natural forms; The boldness of architectural concepts; The simplicity of cold connections, and the kinetic energy of objects in M motion. It expresses in precious metal and gemstones, the strongest influences in my life as a designer: clothing/costume design, art history (with a special fondness for the Art Nouveau /Art Deco movements) and the uniqueness and strength of individual style. Floral Nouveau was inspired by my love of the Art Nouveau (and Deco) movement of the late Curved lines nineteenth century. It is contemporary and feminine. The woven wire combines my love of fiber with the asymmetrical, sinuous vines used widely within Art Nouveau art and design. and vines, woven Floral Architecture is layered contemporary jewelry with simple construction techniques where together. stones seem to float in their floral frames. The floral shapes are simple, layered and riveted together, sometimes flat and sometimes hammered and sculptural. Hammered and Echo Structures are multi-layers of simple, architectural shapes. Rivets. Textures. Con- sometimes sculptural trasts. Brilliant colored stones. Modern and clean. flowers. Formed and Winged Secrets are edgy, formed, textured and riveted flying insects. Sometimes the wings riveted flying insects. move, sometimes not. They are made in silver and gold with large faceted gemstone heads. Everything is handmade, hand formed and one of a kind. -
Supporting Contemporary Makers
Supporting contemporary makers Acquisitions for the Goldsmiths’ Company Collection 2019–2020 Dr Dora Thornton Supporting contemporary makers: acquisitions for the Goldsmiths’ Company Collection 2019–20 The Goldsmiths’ Company has supported excellence, craftsmanship and skills in the goldsmiths’ community ever since the Company received its first Royal charter in 1327. The Company now has one of the finest collections of British silver, including contemporary and historic plate, modern jewellery and art medals. Much of the Collection is still used for its original purpose. Jewellery is worn at occasions in the Hall. Pieces are also displayed in exhibitions and lent elsewhere, as well as being used for teaching the next generations of makers, our apprentices at the Goldsmiths’ Centre, and promoting wider knowledge and patronage of the craft. Our ambitious plans to digitise our collections will eventually make much of our material—objects and archives—freely available online through our website to show who we are and what we do. This booklet describes the Company’s acquisitions, which are overseen by the Contemporary Craft Committee, over one year, from April 2019 to April 2020. Many of the purchases—and one commission—are the work of makers who are new to the Collection. Commissions completed this year include a superb brooch; two very different portrait medals of Prime Wardens of the Company; and three Court Cups, designed to be used by individual members of the Court of Assistants in the Hall. The cups are paid for by the Company and since 2018 have formed part of the Collection; they advertise the work of particular makers and excellence in the trade while also recording much about their individual patrons. -
Professional-Jeweler-June-1999
GEMOLOGY The Case for Red Emerald A rare North American beryl with an identity crisis hich is easier to remember says consumers would accept the name and understand: bixbite or red emerald more readily. W red emerald? But using the name red emerald is This red member of the beryl family fraught with gemological controversy. has been called bixbite almost since Here's a look at both sides of the issue. Maynard Bixby discovered it in 1897. But the awkward name, meager produc Arguments Against Red Emerald tion and small gems have relegated the • Definition. In antiquity, smaragdos, material to a role as a rare gemological the Greek root word for emerald, curiosity. referred to green gems that mayor Now Gemstone Mining Inc., Cedar may not have been emeralds. The City, UT, the owner of the only known modern definition for emerald is sat bixbite deposit - the Ruby Violet claim urated bluish green, green or yel in Utah's Wah-,wah mountain range - lowish green beryl. Emerald is a plans to increase production and make synonym for green. more material available by fall. Settling • Respect for Bixby. Calling red beryl on a salable trade name now is significant for retailers who plan to market the gemstone. The History Red beryl has many mar ketable attributes. It pos sesses the same physical and chemical characteristics as emerald, except it's colored by microscopic traces of manganese (emerald is col ored by chromium and!or vanadium). It's natural, the only known source is in the U.S. and producers say a lot of material lies waiting for mechanized production. -
The Journal of Gemmology Editor: Dr R.R
he Journa TGemmolog Volume 25 No. 8 October 1997 The Gemmological Association and Gem Testing Laboratory of Great Britain Gemmological Association and Gem Testing Laboratory of Great Britain 27 Greville Street, London Eel N SSU Tel: 0171 404 1134 Fax: 0171 404 8843 e-mail: [email protected] Website: www.gagtl.ac.uklgagtl President: Professor R.A. Howie Vice-Presidents: LM. Bruton, Af'. ram, D.C. Kent, R.K. Mitchell Honorary Fellows: R.A. Howie, R.T. Liddicoat Inr, K. Nassau Honorary Life Members: D.). Callaghan, LA. lobbins, H. Tillander Council of Management: C.R. Cavey, T.]. Davidson, N.W. Decks, R.R. Harding, I. Thomson, V.P. Watson Members' Council: Aj. Allnutt, P. Dwyer-Hickey, R. fuller, l. Greatwood. B. jackson, J. Kessler, j. Monnickendam, L. Music, l.B. Nelson, P.G. Read, R. Shepherd, C.H. VVinter Branch Chairmen: Midlands - C.M. Green, North West - I. Knight, Scottish - B. jackson Examiners: A.j. Allnutt, M.Sc., Ph.D., leA, S.M. Anderson, B.Se. (Hons), I-CA, L. Bartlett, 13.Se, .'vI.phil., I-G/\' DCi\, E.M. Bruton, FGA, DC/\, c.~. Cavey, FGA, S. Coelho, B.Se, I-G,\' DGt\, Prof. A.T. Collins, B.Sc, Ph.D, A.G. Good, FGA, f1GA, Cj.E. Halt B.Sc. (Hons), FGr\, G.M. Howe, FG,'\, oo-, G.H. jones, B.Se, PhD., FCA, M. Newton, B.Se, D.PhiL, H.L. Plumb, B.Sc., ICA, DCA, R.D. Ross, B.5e, I-GA, DGA, P..A.. Sadler, 13.5c., IGA, DCA, E. Stern, I'GA, DC/\, Prof. I. -
Gem Wealth of Tanzania GEMS & GEMOLOGY Summer 1992 Fipe 1
By Dona M.Dirlarn, Elise B. Misiorowski, Rosemaiy Tozer, Karen B. Stark, and Allen M.Bassett The East African nation of Tanzania has he United Republic of Tanzania, the largest of the East great gem wealth. First known by Western- 1African countries, is composed of mainland Tanzania and ers for its diamonds, Tanzania emerged in the island of Zanzibar. 1t is regarded by many as the birthplace the 1960s as a producer of a great variety of of the earliest ancestors of Homo sapiens. To the gem indus- other gems such as tanzanite, ruby, fancy- try, however, Tanzania is one of the most promising fron- colored sapphire, garnet, and tourmaline; to date, more than 50 gem species and vari- tiers, with 50 gem species and varieties identified, to date, eties have been produced. As the 1990s from more than 200 occurrences. begin, De Beers has reinstated diamond "Modem" mining started in the gold fields of Tanzania in exploration in Tanzania, new gem materials the late 1890s (Ngunangwa, 19821, but modem diamond min- such as transparent green zoisite have ing did not start until 1925, and nearly all mining of colored appeared on the market, and there is stones has taken place since 1950. Even so, only a few of the increasing interest in Tanzania's lesser- gem materials identified have been exploited to any significant known gems such as scapolite, spinel, and extent: diamond, ruby, sapphire, purplish blue zoisite (tan- zircon. This overview describes the main zanite; figure l),and green grossular [tsavorite)and other gar- gems and gem resources of Tanzania, and nets. -
The Crown Jewel of Divinity : Examining How a Coronation Crown Transforms the Virgin Into the Queen
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen Sara Sims Wilbanks Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Wilbanks, Sara Sims, "The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen" (2020). MA Theses. 63. https://digitalcommons.sia.edu/stu_theses/63 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By Sara Sims Wilbanks A thesis submitted in conformity with the requirements for the Master’s Degree in Fine and Decorative Art & Design Sotheby’s Institute of Art 2020 12,572 words The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By: Sara Sims Wilbanks Inspired by Italian, religious images from the 15th and 16th centuries of the Coronation of the Virgin, this thesis will attempt to dissect the numerous depictions of crowns amongst the perspectives of formal analysis, iconography, and theology in order to deduce how this piece of jewelry impacts the religious status of the Virgin Mary. -
Gems and Minerals in the Mcferrin Fabergé Collection
GEMS AND MINERALS IN THE MCFERRIN FABERGÉ COLLECTION: A STUDY Presented by Christel McCanless,Annemiek Wintraecken, and Tim Adams Fabergé International Symposium Houston, Texas January 31, 2013 Organic Materials from Trees and the Oceans Gems and Minerals Mined from the Earth Rock Stars Demonstration Team, Houston Museum of Natural Science Tours – Cullen Hall of Gems & Minerals and the Smith Gem Vault, Docents All illustrations are courtesy of the Artie and Dorothy McFerrin Collection, unless otherwise noted. Fabergé Sorting Loose Stones ca. 1915 • 1908 Lapidary workshop at 44 Angliskii Prospekt, St. Petersburg, employing 30 craftsmen by 1912. • Hardstone animals and Russian folkloristic figures are not always marked Fabergé, unless they have added gold or silver decorations. • Study goals: Gem and mineral identification and discovery of historical details. Brown Agate, 18 ct. gold, diamondeyes, Zarnitza Sailor H.W. Henrik Wigström (1862-1923) (Virginia Museum of FineArts) (The Hodges Family Collection) Research Clues: London Sales Ledgers, October 14, 1913 Milky White Agate, Onyx or Chalcedony? I. Organic Materials from Trees and the Oceans Karelian Birch – Hard wood with bulbous growth, caused by a genetic defect of a tree growing in a sub-arctic climate Silver Birch Insights on the Appliques: (Wikipedia) Possibly a present from a woman closely connected to the man on the photo, perhaps a soldier going back to the battlefield after a vacation in July 1915 … Presented by Lyusya Messalineta, possibly a diminutive version of name Messalina,