DOCSLIB.ORG

Source : Bibliothèque Du CIO / IOC Library

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Source : Bibliothèque Du CIO / IOC Library > |^| • • ^4# • i mm M Tsfly- - I « ' m Source : Bibliothèque du CIO / IOC Library COMPAGNIE MERGE CUNNINGHAM - Peter Brook parle en ces termes de la troupe: "Le travail de Merce Cunningham (en bas a droite) est d une importance considerable. II prospecte de nouvelles directions, il est libre, ouvert aux forces que pressent I'artiste sans pouvoir les controler — tout en restant precis, classique et severe. C'est un amalgame mysterieux domine par une intense actlvite creatrice." La compagnie Merce Cunningham a presente trois pro- grammes auxquels participaient John Cage et Gordon Mumma, le pianiste David Tudor et Jasper Johns, conseiller artistique. Confirmation des idees de I Brook, ces spectacles ont reaffirme la tres haute qualite et I'exceptionnelle importance de la tache du choregraphe, mais avant tout le libre jeu dans lequel la danse devient a la fois cause, effet et reflet exact d'un objectif essentiel: ['exaltation du corps humain dans la contradiction du mouvement. Merce Cunningham nous a explique de vive voix sa position face a la "representation" choregraphique du corps humain et sa collaboration avec Cage, Jasper Johns et Rauschenberg: "La danse devient pour moi reellement interessante quand j'aborde un domaine inconnu." MERCE CUNNINGHAM COMPANY - Peter Brook has written that "the work of Merce Cunningham (lower right) is of the highest quality and greatest importance. It searches in new directions, it is free, open to the play of all the forces the participating artist senses without being able to control-and yet it is presise, classical and severe. This is a mysterious marriage brought about by an intense creativity." The company offered three programs, with the assistance of composers John Cage and Gordon Mumma, pianist David Tudor and scenographer Jasper Johns. Underlining the enthusiastic praise of Brook, the group's performances illustrated the quality and importance of Cunning- ham's work, and above all the free play of which the latter are cause and ; eK«K^f5:# effect, result and intimate reflection of an essential goal: to praise the human 4 m body through the contradiction of movement. Cunningham explains his attitude toward the choreographic "representation" of the human body and toward his collaboration with Cage, Johns and Rauschenberg: The dance becomes truly interesting to me when I am confronted by the unknown, the unfamiliar. Source : Bibliothèque du CIO / IOC Library BALLET-THEATRE DES PAYS-BAS (a gauche) - Depuis sa creation en 1959, le Ballet-Theatre des Pays-Bas s'est essentiellement consacre a la promotion choregraphique, essayant de combler le fosse qui existe depuis toujours entre ballet classique et danse moderne. Le programme de ses activites est ex- tremement charge, puisque chaque annee il presente en onze mois une douzaine d'oeuvres nouveiles dont les meilleures sont definitivement inscrites au reper- toire de la troupe. Administre par Carel Birnie et Aart Verstegen, le Ballet- Theatre compte deux directeurs artistiques, Hans van Manen et Benjamin Harkarvy, un maitre de ballet, Hanny Bouman, un chef d'orchestre, Zoltan Szilassy et vingt-six danseurs. NETHERLANDS DANCE THEATRE (opposite) - Since its inception in 1959, the Netherlands Dance Theatre has been devoted to the expansion and evolution of choreographic art through the conscious breaking down of barriers be- tween classical ballet and modern dance. The company has an extremely full schedule and executes a program of intense creative activity which includes the production of ten to twelve new works each eleven-month season, from which successful ballets are added to the permanent repertoire. Administered by Carel Birnie and Aart Verstegen, the company is composed of two artistic directors, Hans van Manen and Benjamin Harkarvy; a ballet master, Hanny Bouman; an orchestra leader, Zoltan Szilassy; and twenty-six dancers. MARTHA GRAHAM ET SA COMPAGN1E DE BALLET - "Liberatrice de Fart" souvent comparee a Picasso, Martha Graham (en bas a droite) a exerce une influence profonde sur les acteurs, les stylistes de mode et les musiciens des Etats-Unis et du monde entier. Depuis quelques annees, elle semble collec- tionner prix et distinctions, mais aussi les disciples qui voient en elle Tincarna- tion de la vie dansee. Lors de ses presentations a Mexico, cette tres grande artiste a interprete le role d'Hecube, reine de Troie, et celui de I'abbesse HeloTse, I'auteur des remarquables lettres a Abelard. MARTHA GRAHAM AND HER DANCE COMPANY - A "liberator of art" who has been compared to Picasso, Martha Graham (lower right) has exerted a lasting influence on the actors, fashion designers and musicians of the United States and the entire world. The honors and prizes she has been awarded are innumerable, as are her disciples, who see in her choreographic art the best way of representing life through the dance. In her company's Mexico City program. Miss Graham interpreted the role of Hecuba, Queen of Troy and that of the abbess Heloise, author of the remarkable letters to Abelard. Source : Bibliothèque du CIO / IOC Library BALLET-STUDIO DE PRAGUE — La creation du "Studio" est due a trois amis, les BALLET DU THEATRE DE L'OPERA DE DUSSELDORF - En douze ans d'existence, danseurs Lubos Ogoun et Pavel Smok et le critique Vladimir Vasuta. Les cet Opera est devenu Tun des theatres musicaux les plus importants du monde. membres de la troupe se reunissent le 17 aout 1964 dans la salle du Theatre 11 presente douze premieres par an et possede un repertoire de cinquante musical de Prague, pour leur premiere repetition. C'est ainsi qu'est forme un operas et quinze ballets. La troupe de I'Opera de Diisseldorf entend revaloriser ballet experimental independant, libere des contingences des theatres "a le "theatre de la danse" pour en faire un ensemble ou musique, choregraphie grand spectacle" ou la danse n'est souvent consideree que comme un support et decor sont inseparables. Objectif si parfaitement atteint qu'on a parle, a de I'opera, de I'operette et eventuellement, dg drame. juste raison, d'une conception revolutionnaire du theatre musical. PRAGUE STUDIO BALLET — The idea of creating the Studio was conceived by BALLET OF THE DUSSELDORF OPERA THEATRE - In its twelve years of acti- three friends, choreographers Lubos Ogoun and Pavel Smok and critic Vladimir vity, this opera has become one of the most outstanding musical theatres in Vasuta. On August 7, 1964, the dancers of this company gathered in the the world. Each year the company premieres twelve works, and it has a ballet salon of the Musical Theatre of Prague for their first rehearsal. Thus permanent repertory of fifty operas and fifteen ballets. The Diisseldorf Opera the first independent experimental Czech ballet was formed, free of the Company is attempting to revive the "theatre of the dance" and to closely complicated workings of "monumental" theatre, in which ballet is frequently unite music, choreography and scenography, aims which have been so nearly given only a supporting role in opera, operetta or drama. attained as to cause talk of the achievement of a new ideal in musical theatre. Source : Bibliothèque du CIO / IOC Library S0L1STES DU BALLET BOLCHOI - Cette prestigieuse compagnie, la plus celebre dans son genre, tire sa legende de grandes figures classiques: Pavlova, Massine, Nedezha, Begdanova, Zhukov, Oulanova at beaucoup d'autres. Le public mexicain a eu I'occasion d'admirer ces remarquables artistes lors des diverses visites effectuees dans ce pays par les solistes du Bolchoi ou par le ballet tout entier. Dans le cadre du Programme culturel des Jeux, cinquante artistes selectionnes parmi les meilleurs interpretes de la troupe ont presente "Le spectre de la rose" et le deuxieme acte du "Lac des cygnes". Au program- me figuraient egalement le "Grand pas de deux" du ballet "Don Quichotte", . "Souvenirs" sur une musique de Dvorak et "Gopak" du ballet "Tarass Boulba" (inspire de la nouvelle de Gogol), spectacle qui a amplement confirme I'excel- lence des choregraphes et danseurs de cette troupe, tous grandes figures du ballet classique mondial. Les programmes etaient presentes soit au Theatre des Beaux-Arts, soit ^ TAuditorium national. 305 SOLOISTS OF THE BOLSHOl BALLET - The Bolshoi Ballet, the finest com- pany of its kind in the world, owes its legend to great figures of classical ballet such as Pavlova, Massine, Nedezha, Begdanova, Zhukov, Ulanova and many others. The Mexican public has had the opportunity of admiring its remarkable artists on various occasions when they have visited the country- soloists as well as the entire Bolshoi Ballet. As a part of the Cultural Pro- gram of the Olympic Games, fifty artists selected from among the best mem- bers of the company presented "The Spectre of the Rose" and the second act of "Swan Lake," as well as the Grand Pas de Deux from the ballet "Don Qui- xote," "Memories" with music by Dvorak and "Gopak" from the ballet "Taras Bulba," based on the novel by Gogol. Their several nights of unforget- table performances at the Fine Arts Theatre and the National Auditorium confirmed the reputation of the members of this company-some of the world's best classical dancers-for perfection and technical elegance. Source : Bibliothèque du CIO / IOC Library I BALLET NATIONAL DE CUBA -La premiere compagnie professionnelie de ballet NATIONAL BALLET OF CUBA - The first professional ballet company of Cuba cubaine a ete fondee en 1948 par Alicia et Fernando Alonso, avec la colla- was founded in 1948 by Alicia and Fernando Alonso in collaboration with boration du choregraphe Alberto Alonso. La troupe, reorganisee en 1959 sous choreographer Alberto Alonso. Reorganized in 1959 under the auspices of les auspices du nouveau gouvernement revolutionnaire, a participe au lVe the new revolutionary government, the company participated in the IV In- Festival international de Ballet, ou elle a remporte le Grand Prix de la ville de ternational Ballet Festival, where it won the Grand Prize of the City of Paris.
Load more

Recommended publications
  • Artist Archaeologist Gonzalo Fonseca ARTIST ARCHAEOLOGIST GONZALO FONSECA (1922-1997)
    PUBLIC ART EXPLORER Artist Archaeologist Gonzalo Fonseca ARTIST ARCHAEOLOGIST GONZALO FONSECA (1922-1997) Sun Boat North Shore Drive Pylon 1965 Underpass 1965 Concrete 1965 Concrete N S D Map #1 Concrete Map #3 Map #2 B Trail N S D B Trail M D Gr Trail W P W M D 3 2 1 Gr Trail N S D S N 2 H C LEARN Who was Gonzalo Fonseca? A Budding Artist He was born and raised in Uruguay in South America. When he was eleven, Fonseca spent six months traveling in Europe with his family. The things he experienced and saw on this trip inspired him to become an artist. When his family returned home he set up an art studio in the basement. A Curious Mind Fonseca was a very curious person. He loved learning about history and languages (he spoke at least six!). Fonseca is often called a polymath*, or someone who knows a lot about many different things. He also traveled to continue his education. On his journeys, Fonseca climbed pyramids in Egypt, helped excavate ancient sites in the Middle East and Africa, and visited ancient Greek and Roman ruins. All of these experiences became a part of his artwork. An Inventive Sculptor Fonseca trained to be a painter but switched to sculpture because he wanted to work in three dimensions. The Lake Anne play sculptures are some of the only public art he ever made. They are molded from the same concrete used in the surrounding buildings. Fonseca was excited to have such big spaces to work with, places like the plaza by the lake and the underpass.
    [Show full text]
  • Cecilia De Torres, Ltd. [[email protected]] En Nombre De Cecilia De Torres, Ltd
    De: Cecilia de Torres, Ltd. [[email protected]] en nombre de Cecilia de Torres, Ltd. [[email protected]] Enviado el: jueves, 01 de octubre de 2015 12:49 p.m. Para: Alison Graña Asunto: The South was Their North: Artists of the Torres-García Workshop- Now open through January 2016 Cecilia de Torres, Ltd. invites you to The South was Their North: Artists of the Torres-García Workshop, an exhibition of paintings, sculpture, wood assemblages, furniture and ceramics by Julio Alpuy, Gonzalo Fonseca, José Gurvich, Francisco Matto, Manuel Pailós, Augusto Torres, Horacio Torres and Joaquín Torres-García, on view from September 2015 through January 2016. Related to the upcoming retrospective exhibition, Joaquin Torres-García: The Arcadian Modern at the Museum of Modern Art, Cecilia de Torres, Ltd. presents an aspect of the artist's endeavors that is inextricably associated with his personality and his career: the creation of a school of art that would realize “Constructive Universalism,” his theory of a unified aesthetic based on the visual canon he developed. Torres-García’s ambition was to establish an autonomous artistic tradition based on Constructive Universalism that would eventually expand to all the Americas. This utopian undertaking occupied the last fifteen years of his life as an artist and teacher to new generations, leaving a considerable body of work and an indelible mark on South America’s modern art. The works in this exhibition date from 1936 to the 1980s. Our intent is to present work by this group of exceptional artists that is emblematic of their individuality, works of mature achievement as well as of their constructivist origins.
    [Show full text]
  • Waterfront Arts District
    INFOGUIDE & DISTRICT MAP AWAD is spearheaded by AKI, Old Astoria Neighborhood Association, Queens Council on the Arts, Socrates Sculpture Park, Welling Court Mural Project and Noguchi Museum, all leaders in the local community. INTRODUCTION Astoria Waterfront Arts District is located at Hallet’s Cove along the East River coastline Welcome to the Astoria Waterfront Arts District New York City’s next iconic artistic & cultural phenomenon ABOUT THE DISTRICT furniture designs by Isamu Noguchi and other artists, while the Welling Court Mural Project pools together spectacular crews of legendary and Nestled along the shores of the East River, the Astoria Waterfront Arts groundbreaking artists who transformed the physical nature of the area District (AWAD) derives its roots from the established art institutions into a creative celebration and public art experience. In addition, the Mark located in Old Astoria, ones which ultimately define the community in Di Suvero Studio offers dynamic sculptures largely made from industrial its entirety. The district is bordered by Goodwill Park to the north, 14th steel, each weighing many tons, while Paper Mache Monkey is changing Street to the East, Rainey Park to the south, and the East River to the west. the face of stage design and prop fabrication within the theatre arts. From Socrates Sculpture Park to the Welling Court Mural Project, artistic diversity is on full display for those individuals living within the community, VALUE TO THE COMMUNITY as well as non-residents who come out to witness the mesmerizing pieces. The district houses hundreds of graffiti artists, abstract painters, sculptors, Art serves as the social glue within AWAD, integrating and highlighting the muralists and many more who contribute to the artistic landscape of the multi-culturalism of the community.
    [Show full text]
  • Deutsche Nationalbibliografie 2017 a 08
    Deutsche Nationalbibliografie Reihe A Monografien und Periodika des Verlagsbuchhandels Wöchentliches Verzeichnis Jahrgang: 2017 A 08 Stand: 22. Februar 2017 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2017 ISSN 1869-3946 urn:nbn:de:101-201612063930 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. In Reihe A werden Medienwerke, die im Verlagsbuch- chende Menüfunktion möglich. Die Bände eines mehrbän- handel erscheinen, angezeigt. Auch außerhalb des Ver- digen Werkes werden, sofern sie eine eigene Sachgrup- lagsbuchhandels erschienene Medienwerke werden an- pe haben, innerhalb der eigenen Sachgruppe aufgeführt, gezeigt, wenn sie von gewerbsmäßigen Verlagen vertrie- ansonsten
    [Show full text]
  • Craft Horizons AUGUST 1973
    craft horizons AUGUST 1973 Clay World Meets in Canada Billanti Now Casts Brass Bronze- As well as gold, platinum, and silver. Objects up to 6W high and 4-1/2" in diameter can now be cast with our renown care and precision. Even small sculptures within these dimensions are accepted. As in all our work, we feel that fine jewelery designs represent the artist's creative effort. They deserve great care during the casting stage. Many museums, art institutes and commercial jewelers trust their wax patterns and models to us. They know our precision casting process compliments the artist's craftsmanship with superb accuracy of reproduction-a reproduction that virtually eliminates the risk of a design being harmed or even lost in the casting process. We invite you to send your items for price design quotations. Of course, all designs are held in strict Judith Brown confidence and will be returned or cast as you desire. 64 West 48th Street Billanti Casting Co., Inc. New York, N.Y. 10036 (212) 586-8553 GlassArt is the only magazine in the world devoted entirely to contem- porary blown and stained glass on an international professional level. In photographs and text of the highest quality, GlassArt features the work, technology, materials and ideas of the finest world-class artists working with glass. The magazine itself is an exciting collector's item, printed with the finest in inks on highest quality papers. GlassArt is published bi- monthly and divides its interests among current glass events, schools, studios and exhibitions in the United States and abroad.
    [Show full text]
  • ARB Approved Meeting Minutes 6-13-2019
    APPROVED MINUTES June 13, 2019 THE FAIRFAX COUNTY ARCHITECTURAL REVIEW BOARD Fairfax County Government Center Conference Rooms 4 & 5, 6:30 PM Members Present: Members Excused: Staff Present: John A. Burns, FAIA, Chairman Christopher Daniel, Vice Chairman Nicole Brannan, Steve Kulinski, AIA Michele Aubry, Treasurer Historic Preservation Elise Murray Planner Kaye Orr, AIA Denice, Dressel Joseph Plumpe, ASLA[Arrived at Historic Preservation 6:48] Planner Jason Sutphin Lorraine Giovinazzo, Jason Zellman, Esq. Recording Secretary Susan Notkins, AIA [Arrived at 6:39] Mr. Burns opened the June 13, 2019 meeting of the Architectural Review Board (ARB) at 6:32 p.m. at the Fairfax County Government Center. Mr. Zellman read the opening statement of purpose. APPROVAL OF THE AGENDA: Mr. Sutphin made a motion to approve the agenda as written. The motion was seconded by Mr. Kulinski, and approved on a vote of 6-0. Ms. Aubry and Mr. Daniel were absent from the meeting. Ms. Notkins and Mr. Plumpe were not present for the vote. INTRODUCTION/RECOGNITION OF GUESTS CONSENT CALENDAR ACTION ITEMS: 1. ARB-19-WDL-01 Proposal for new signage at 8859 Richmond Highway, Alexandria, VA, Tax Map 109-2 ((02)) 0013C, located in the Woodlawn Historic Overlay District. The applicant is proposing to remove the existing signage and replace with building mounted signage. Ms. Daniela Ocampo is representing the application. Mount Vernon District Presentation: • Ms. Daniela Ocampo’s daughter, Katherine, presented the proposal. She showed pictures of Oraydes Café with stores that are nearby. The Café opens early in the morning. The sign will be made out of brush gold polymetal.
    [Show full text]
  • VOM-2008-0082.Pdf
    OUR VOICE nteresting times are coming to U.S. politics. Two candidates, two choices and countless questions in Ibetween, all of which should eventually and loudly collide to produce the forty-fourth president of the United States. At this stage of the presidential race, the electoral scenario is particularly different from the primary campaigns that amazed U.S. society last year. The most striking element being that the once- Democratic-front-runner, Senator Hillary Clinton, is officially out of the running for the Democratic nomination. In addition, a distinctive feature of this competition is the ideological definition of the can- didates’ platforms that from time to time tend to move away from their supporters’ ideology. In any case, the dispute is raising interesting queries on what the right track for the direction of the country should be, what interests must be defended and whose character would allow the U.S. to recover from the last two periods of political obscurantism and, in line with both candidates, embrace its future and reposi- tion itself in the international arena. The latter is of utmost importance if Washington wants to recover its lost legitimacy worldwide. Unity for the Democrat and clarity for the Republican are the challenges for both candidates and their respective parties. Signals of Democratic Party reconciliation and reorganization were sent by Clinton in her memorable speech in New York when Obama secured the number of delegates for the nomination last June 3. Obama won, indeed, but Clinton may be very helpful —through remarkable subtlety and political wisdom— for launching a unified presidential campaign.
    [Show full text]
  • Film Sales 2019 Catalog
    The Film Sales Company 2019 CATALOG 515 E. 118th Street NEW YORK, NY 10035 USA WWW.FILMSALESCORP.COM NARRATIVE FEATURES ABIGAIL FALLS Drama - 2018 - USA - English - 97 minutes From award winning director Erica Dunton (To.Get.Her, The 27 Club) comes a moving coming of age film. Best friends Abigail and Jude have just graduated from Columbia University, eager to approach the next phase of their lives, take a brief trip which leads them to a place they could not have imagined. Although the film was shot ENTIRELY on an iPhone, it does not have the grainy, rough hewn aesthetic one might expect...making the point that while technology evolves, collaboration, vision, skill and hard work remain a necessity to make a beautiful and strong film. ALL THESE SMALL MOMENTS Comedy/Drama – 2018 – USA – English – 94 minutes Howie Sheffield is a high schooler growing up in Brooklyn who’s having a rough go of it. His parents are separating, he just broke his arm, and he's slowly being alienated from all of his friends. But one day he sees an older woman on the bus, and is instantly smitten with her. He becomes obsessed with tracking her down, and in his quest to do so risks losing out on what has been under his nose the whole time. Featuring star-making performances by Brendan Meyer ("The OA") and Harley Quinn Smith (daughter of Kevin Smith), this coming of age crowd-pleaser also stars Molly Ringwald, Brian d'Arcy James, and Jemima Kirke. Official Selection: Tribeca Film Festival 2018 Rights available: World excl.
    [Show full text]
  • 5441 Ca Object Representations
    (1) Robin Winters and Christy Rupp at the (2) Arleen Schloss at the opening reception for (3) Anton van Dalen, Two-Headed Monster (4) Dave Sander and Ethan Swan at the opening reception for “Come Closer: Art Around “Come Closer: Art Around the Bowery, 1969– Destroys Community, 1981. Aerosol paint on opening reception for “Come Closer: Art the Bowery, 1969–1989,” New Museum, 1989,” New Museum, New York, September 19, paper, 29 x 23 in (73.7 x 58.4 cm). Installation Around the Bowery, 1969–1989,” New New York, September 19, 2012. Photo: Jesse 2012. Photo: Jesse Untracht-Oakner view: “Come Closer: Art Around the Bowery, Museum, New York, September 19, 2012. Untracht-Oakner 1969–1989,” New Museum, New York, 2012. Photo: Jesse Untracht-Oakner Courtesy the artist. Photo: Jesse Untracht-Oakner Published by When we announced that the New To date, the Bowery Artist Tribute has We are indebted to Hermine and Museum would construct a freestanding conducted over seventy interviews David B. Heller for funding the research, building on a parking lot at 235 Bowery, with artists, curators, and authors who development, and presentation of this one of our first concerns was finding a helped build the creative community archive, and for providing endowment newmuseum.org way to acknowledge the rich history of of the Bowery for the past seventy funds for its future. We are also grateful creative activity in our new neighbor- years. We’ve encountered artists who to a number of individuals who have Editor: Ethan Swan Designer: Chelsea Amato hood. We thought about 222 Bowery, were grateful for the opportunity to tell been instrumental in the research and Copy Editors: Frances Malcolm and Olivia Casa Printed by: Linco William Burroughs’s “Bunker” that shel- their Bowery stories for the first time, coordination of these efforts over the tered Lynda Benglis, John Giorno, Mark and others who weren’t convinced past nine years: Ethan Swan, Eungie Cover: Sylvia Plimack Mangold on the roof of her Grand Rothko, and a dozen more.
    [Show full text]
  • Philip Morris Philip Morris and the Arts a 30-Year
    I -30 --+-YEA R REPORT - PHILIP MORRIS AND THE ARTS: A 3O-YEAR CELEBRATION THE ART OF ARTS SUPPORT ur support spans a wide range of involvement in the visual and performing arts-from the exploration of the new and innovative to the support ol American culture and international exchange. It follows the basic principle of sound patronage, which encourages quality and freedom of expression. These pages record our association with the arts in an introductory essay and a complete listing of projects and organizations we have supported. We think they paint an accurate picturd'of what arts support can accomplish in the United States and in other countries around the world. Hamish Maxwell Chairman and Chief Executive Officer, Philip Morris Companies Inc COVER: Energt of the Arfs, 1989, mixed-media by Betye Saar. Specially commissioned by Philip Morris Companies Inc. for this publication. Betye Saar is a mixed media artist based in Los Angeles. She works in collage, assemblage, and site-specific installations This report' reflects the involvement of Philip Morris with the arts through 1988 prior to its. purchase of Kraft-.Because of this, Kraft's excellent programming in the arts is not recorded in this report but will follow in the succeeding one. ----.-----30 YEAR REPORT TABLE OF CONTENTS Ct Page 84 € Page 75 Al & 7 lorsrn Anrs AcrnrrrEs s} d t.'\ 7l Museuu Supponr 8l anr Assocrnnons Page 93 84 currumr CnvrEns 85 EnucnrroNar Anrs Pnocn-qMs 85 Hsrorucar Socrsrns Page 26 86 trsRARrEs : 86 lwnnnsano CoNrERrNcEs 87 tnrnarunrTPusucArroNs 4 THnEs Drcnors
    [Show full text]
  • A U C T I O N
    A U C T I O N LIVE Thursday, May 2nd, 2019 | 7:00 PM Grand Ballroom The Plaza Hotel New York, NY 1230 FIFTH AVENUE, NEW YORK, NY 10029 212.831.7272 El Museo del Barrio is the nation’s premier Latino and Latin American cultural A U C T I O N institution. Our mission is to present and preserve the art and culture of these important and growing communities through our ever-expanding Permanent A U C T I O N Collection, acclaimed exhibitions, innovative programs, and renowned bilingual LIVE education initiatives. Founded 50 years ago by artist and educator Raphael Thursday, May 2nd, 2019 | 7:00 PM Montañez Ortiz and a coalition of Puerto Rican educators, artists, and activists, Grand Ballroom El Museo del Barrio is at the forefront of cultural empowerment for more than 60 LIVE million Latinos. Today, El Museo del Barrio serves more than 100,000 visitors each Thursday,The May Plaza 2nd, Hotel2019 | 8:00 PM New York, NY year, thus becoming a cornerstone of El Barrio and a valuable resource for New York Grand Ballroom City. The Plaza Hotel New York, NY 1230 FIFTH AVENUE, NEW YORK, NY 10029 212.831.7272 El Museo del Barrio’s Gala is celebrating its 26th anniversary. El Museo del Barrio’s Gala is a spectacular event that brings together Latino and non-Latino cultural luminaries and leaders in business, finance, fashion, entertainment, art and philanthropy, to raise crucial funding for the museum. This year, we are delighted to honor three individuals who have distinguished themselves in the fields of design, arts and cultural patronage.
    [Show full text]
  • CORTON a - WOCHE 1995 I Lojahriges Jubilaum!
    Naturwissenschaft und die Ganzheit des Lebens CORTON A - WOCHE 1995 I lOjahriges Jubilaum! 09. -16. September 1995, Cortona, Toscana, Hotel Oasi, Italien 'Die vielen Wege' Fiir Hochschul-Studenten und Dozenten. Um Be- reiche, die in der akade- mischen Ausbildung ver- gessen werden oder zu kurz kommen (Psyche, Kunst, Religion, Philoso- p hie, Korpergefiihle, Musik ... ) wieder ins Be- wusstsein zu rufen. Und ihre Integration in ein ganzheitliches Leben zu aktivieren. In der Cor- tona-Woche soll dariiber nicht nur gesprochen , sondern es soll auch tat- kr af tig experimentiert werden . Gruppen.ubeiten und Di1ku1,1ion1krtiu: Th . Altherr, Zurich. CH: Benlhrtwerden D. L.isatr·Aepll, Zwich,. CH: Atem, K&ptt Bewusstsein M. Matu/K. Graf , Triboltingen. CH : Wie bin kh gestimmt? H. Morgen1trrn , Frankfurt, D: lherapi e und Mwik J. Riedel, Konsllinz , D: Jm;r,ginieren mit Fuben C. Scheidegger/If . St.tuber, Zur ich,. CH: Psychodr.un.a Mit Vortrigtn (und Ditku1,1iontn) von: Th. Chamberlin, Aargau, CH: Dao Dancing H. Atm.-n,pach,r, Mlinchen,. D: Physili:: B. Eluner/R. HDgger, Stetten, CH: Cortona Kommentar I. Dmutin, Uni-ZJETH-Ziirich. CH: Sprache G. Haflelder, Stuttgart, D: GehirnfofKhung und Heihmg T. ~hjdalani , Zurich, CH: Troouneln Y. Elk.ana/H. Noy;otny, Berlin, D/Wier\ A: Philosophie J. Hilifu, Santa FI, USA: Ethnologie J. Woll Brenn.u, , Weggis, CH: Morgensingen J. Maddox, England: Editor of'Na ture' C. Waltenpitl, TU.bingen,. D: Ki-Aroeit A. Mu1ehg. ETH-Zurich. CH: Uteratur M. Quuk, ETH-Zurich,. CH: Physik Attliu: H. Remmhr, Munchen. 0: Psychologie/Musik C. Huse-Honegger, Zurich. CH: Malalelier O. Rotuhr, TUbingen,.
    [Show full text]