ARB Approved Meeting Minutes 6-13-2019
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Artist Archaeologist Gonzalo Fonseca ARTIST ARCHAEOLOGIST GONZALO FONSECA (1922-1997)
PUBLIC ART EXPLORER Artist Archaeologist Gonzalo Fonseca ARTIST ARCHAEOLOGIST GONZALO FONSECA (1922-1997) Sun Boat North Shore Drive Pylon 1965 Underpass 1965 Concrete 1965 Concrete N S D Map #1 Concrete Map #3 Map #2 B Trail N S D B Trail M D Gr Trail W P W M D 3 2 1 Gr Trail N S D S N 2 H C LEARN Who was Gonzalo Fonseca? A Budding Artist He was born and raised in Uruguay in South America. When he was eleven, Fonseca spent six months traveling in Europe with his family. The things he experienced and saw on this trip inspired him to become an artist. When his family returned home he set up an art studio in the basement. A Curious Mind Fonseca was a very curious person. He loved learning about history and languages (he spoke at least six!). Fonseca is often called a polymath*, or someone who knows a lot about many different things. He also traveled to continue his education. On his journeys, Fonseca climbed pyramids in Egypt, helped excavate ancient sites in the Middle East and Africa, and visited ancient Greek and Roman ruins. All of these experiences became a part of his artwork. An Inventive Sculptor Fonseca trained to be a painter but switched to sculpture because he wanted to work in three dimensions. The Lake Anne play sculptures are some of the only public art he ever made. They are molded from the same concrete used in the surrounding buildings. Fonseca was excited to have such big spaces to work with, places like the plaza by the lake and the underpass. -
Reston, a Planned Community in Fairfax County, Virginia Reconnaissance Survey of Selected Individual Historic Resources and Eight Potential Historic Districts
Reston, A Planned Community in Fairfax County, Virginia Reconnaissance Survey of Selected Individual Historic Resources and Eight Potential Historic Districts PREPARED FOR: Virginia Department of Historic Resources AND Fairfax County PREPARED BY: Hanbury Preservation Consulting AND William & Mary Center for Archaeological Research Reston, A Planned Community in Fairfax County, Virginia Reconnaissance Survey of Selected Individual Historic Resources and Eight Potential Historic Districts W&MCAR Project No. 19-16 PREPARED FOR: Virginia Department of Historic Resources 2801 Kensington Avenue Richmond, Virginia 23221 (804) 367-2323 AND Fairfax County Department of Planning and Development 12055 Government Center Parkway Fairfax, VA 22035 (702) 324-1380 PREPARED BY: Hanbury Preservation Consulting P.O. Box 6049 Raleigh, NC 27628 (919) 828-1905 AND William & Mary Center for Archaeological Research P.O. Box 8795 Williamsburg, Virginia 23187-8795 (757) 221-2580 AUTHORS: Mary Ruffin Hanbury David W. Lewes FEBRUARY 8, 2021 CONTENTS Figures .......................................................................................................................................ii Tables ........................................................................................................................................ v Acknowledgments ....................................................................................................................... v 1: Introduction ..............................................................................................................................1 -
Hyperion Volume • V • • • • • Issue • 1 • • • • • May • 2010
Volume • V • • • • • Issue • 1 • • • • • May • 2010 published by the Nietzsche Circle Volume • V • • • • • Issue • 1 • • • • • May • 2010 B o a r d • o f • A d v i s o r s Dr. Christa Davis Acampora Dr. Benjamin Moritz Cem Aydogan Hermann Nitsch Dr. Babette Babich Dr. Kelly Oliver Dr. Nicholas Birns Lance Olsen Dr. Arno Böhler Dr. Graham Parkes Dr. Tony Brinkley Keith Ansell-Pearson Dr. Thomas Brobjer Dr. Philip Pothen Mark Daniel Cohen Dr. Timothy Quigley Dr. Véronique Fóti Prof. Alan Rosenberg Dr. Terri J. Gordon Dr. Ofelia Schutte Dr. Jennifer Anna Gosetti-Ferencei Dr. Gary Shapiro Dr. Susanne Granzer Dr. Walter Sokel Pierre Hadot Dr. Joan Stambaugh Dr. Lawrence Hatab Mark Strand Dr. Horst Hutter Dr. Yunus Tuncel Dr. David Kilpatrick Dr. Gianni Vattimo Joseph Kosuth Paul van Tongeren Donald Kuspit Kim White Dr. Laurence Lampert Colin Wilson Vanessa Lemm Patrick Wotling Linda Lewett Dr. Irvin Yalom Paul S. Loeb John Bell Young Dr. James Luchte Gérard Zuchetto Tali Makell 1 Hyperion Volume • V • • • • • Issue • 1 • • • • • May • 2010 Publisher: Nietzsche Circle, Ltd. Editors: Rainer J. Hanshe and Mark Daniel Cohen PDF Design: Mark Daniel Cohen Logo Design: Liliana Orbach Advertising: Andre Okawara Donations: Katie Creasy (Donations can be made at http://nietzschecircle.com) Nietzsche Circle Web Manager: Tim Syth Nietzsche Circle Website Design: Hasan Yildiz (http://designkillsme.com) Nietzsche Circle Event Poster Design: Doerthe Fitschen-Rath Letters to the editors are welcome and should be emailed to [email protected]. Hyperion is published quarterly by Nietzsche Circle, Ltd. P.O. Box 575, New York, NY 10011, U.S.A. -
Cecilia De Torres, Ltd. [[email protected]] En Nombre De Cecilia De Torres, Ltd
De: Cecilia de Torres, Ltd. [[email protected]] en nombre de Cecilia de Torres, Ltd. [[email protected]] Enviado el: jueves, 01 de octubre de 2015 12:49 p.m. Para: Alison Graña Asunto: The South was Their North: Artists of the Torres-García Workshop- Now open through January 2016 Cecilia de Torres, Ltd. invites you to The South was Their North: Artists of the Torres-García Workshop, an exhibition of paintings, sculpture, wood assemblages, furniture and ceramics by Julio Alpuy, Gonzalo Fonseca, José Gurvich, Francisco Matto, Manuel Pailós, Augusto Torres, Horacio Torres and Joaquín Torres-García, on view from September 2015 through January 2016. Related to the upcoming retrospective exhibition, Joaquin Torres-García: The Arcadian Modern at the Museum of Modern Art, Cecilia de Torres, Ltd. presents an aspect of the artist's endeavors that is inextricably associated with his personality and his career: the creation of a school of art that would realize “Constructive Universalism,” his theory of a unified aesthetic based on the visual canon he developed. Torres-García’s ambition was to establish an autonomous artistic tradition based on Constructive Universalism that would eventually expand to all the Americas. This utopian undertaking occupied the last fifteen years of his life as an artist and teacher to new generations, leaving a considerable body of work and an indelible mark on South America’s modern art. The works in this exhibition date from 1936 to the 1980s. Our intent is to present work by this group of exceptional artists that is emblematic of their individuality, works of mature achievement as well as of their constructivist origins. -
The New York Studio School of Drawing, Painting and Sculpture NEW YORK, NEW YORK PROJECT OVERVIEW the School’S Entrance Foyer
The New York Studio School of Drawing, Painting and Sculpture NEW YORK, NEW YORK PROJECT OVERVIEW The school’s entrance foyer A BRIEF HISTORY he New York Studio School occupies a group of four mid-nineteenth-century townhouses at 8, 10, 12, and 14 West 8th Street in New York City’s Greenwich Village, each with a carriage house behind it opening Tonto MacDougal Alley. The properties were acquired and combined from 1907 to 1929 by sculptor and art patron Gertrude Vanderbilt Whitney, the eldest surviving daughter of Cornelius Vanderbilt II (1872–1942), as her salon and an artist studio space for herself and numerous fellow artists. Whitney’s first purchase was the carriage house behind #8 in 1907, a three-story building with a stable below and hayloft above, where she established her personal studio. She bought the townhouse in front of it in 1913, followed by #10 in 1923 and #14 in 1925. In 1929, in order to consolidate the complex into a whole and create the Whitney Museum of American Art, she purchased #12 from sculptor Daniel Chester French. French had first introduced her to 8th Street and maintained his own studio next to hers from 1913 on. The Whitney Museum opened in 1931 and operated at the site until 1954. When Whitney bought the townhouse at #8, she retained architect Grosvenor Atterbury to redesign it and connect it to her carriage-house studio. Atterbury built an enclosed stairway from the third floor of the townhouse to the second floor of the studio in the courtyard between the two buildings, added a copper-clad enclosed balcony to the courtyard wall of the studio, and a large north- facing skylight. -
Waterfront Arts District
INFOGUIDE & DISTRICT MAP AWAD is spearheaded by AKI, Old Astoria Neighborhood Association, Queens Council on the Arts, Socrates Sculpture Park, Welling Court Mural Project and Noguchi Museum, all leaders in the local community. INTRODUCTION Astoria Waterfront Arts District is located at Hallet’s Cove along the East River coastline Welcome to the Astoria Waterfront Arts District New York City’s next iconic artistic & cultural phenomenon ABOUT THE DISTRICT furniture designs by Isamu Noguchi and other artists, while the Welling Court Mural Project pools together spectacular crews of legendary and Nestled along the shores of the East River, the Astoria Waterfront Arts groundbreaking artists who transformed the physical nature of the area District (AWAD) derives its roots from the established art institutions into a creative celebration and public art experience. In addition, the Mark located in Old Astoria, ones which ultimately define the community in Di Suvero Studio offers dynamic sculptures largely made from industrial its entirety. The district is bordered by Goodwill Park to the north, 14th steel, each weighing many tons, while Paper Mache Monkey is changing Street to the East, Rainey Park to the south, and the East River to the west. the face of stage design and prop fabrication within the theatre arts. From Socrates Sculpture Park to the Welling Court Mural Project, artistic diversity is on full display for those individuals living within the community, VALUE TO THE COMMUNITY as well as non-residents who come out to witness the mesmerizing pieces. The district houses hundreds of graffiti artists, abstract painters, sculptors, Art serves as the social glue within AWAD, integrating and highlighting the muralists and many more who contribute to the artistic landscape of the multi-culturalism of the community. -
S- 0 SOUTHERN EDUCATIONAL COMMUNICATIONS ASSOCIA Tlon SECA PRESENTS ® Firing Line" class="text-overflow-clamp2"> A'" .~ (Pe>S- 0 SOUTHERN EDUCATIONAL COMMUNICATIONS ASSOCIA Tlon SECA PRESENTS ® Firing Line
The copyright laws of the United States (Title 17, U.S. Code) governs the making of photocopies or other reproductions of copyrighted material. If a user makes a request for, or later uses a photocopy or reproduction (including handwritten copies) for purposes in excess of fair use, that user may be liable for copyright infringement. Users are advised to obtain permission from the copyright owner before any re-use of this material. Use of this material is for private, non-comercial, and educational purposes; additional reprints and further distribution is prohibited. Copies are not for resale. All other rights reserved. For further information, contact Director, Hoover Institution Library and Archives, Stanford University, Stanford, CA 94305-6010 © Board of Trustees of the Leland Stanford Jr. University. II FIRinG Line "WHY AREN'T GOOD BUILDINGS BEING BUILT?" Guests: Ada Louise Huxtable James Rossant A'" .~ (Pe>s- 0 SOUTHERN EDUCATIONAL COMMUNICATIONS ASSOCIA TlON SECA PRESENTS ® FIRinG Line Host: WILLIAM F. BUCKLEY,JR. Guests: Ada Louise Huxtable James Rossant The FIRING LINE television series is a production of the Southern Educational Subject: "Why Aren't Good Buildings Being Built?" Communications Association, 928 Woodrow St., p. O. Box 5966, Columbia, S.C., 29205, and is transmitted through the facilities of the Public Broadcasting Service. Production of these Student Participants: Jeff Feingold - Pratt Institute programs is made possible through a grant from the Corporation for Public Broadcasting. Leslie Blum - Pratt Institute FI RING LINE can be seen and heard each week through public television and radio stations Roger Ferri - Pratt Institute throughout the country. Check your local newspapers for channel and time in your area. -
New York Chapter I the Am Er I Can Institute of Architects
NEW YORK CHAPTER I THE AM ER ICAN INSTITUTE OF ARCHITECTS OCTOBER, 1971 VOLUME 45, NUMBER 2 SECOND SURVEY OF OFflCE ACTIVITIES MEMBERS TO RECEIVE PLAN CRITIQUE The Office Practice Committee has completed its Advance copies of the New York Chapter's critique second quarterly survey of chapter office activity of the Plan for New York City have been given to levels. Appearing with this issue of OCU LUS are the Donald Elliott, Chairman of the Planning Com results of questionnaires mailed to the entire member mission, and members of his staff, as a gesture of ship. Response to this questionnaire was excellent, courtesy. Approximately twelve copies are being sent with 101 architectural firms responding, including to members of the press. A more finished copy will most of the better known firms in the city. Activity be mailed to all chapter members. levels have been measured by numbers of technical employees (including principals) in each firm. The critique was prepared by the Commission on Urban Design with principal organization done by the The first graph shows all respondents, and the other Urban Design Committee, of which Walter Rutes was charts show responses by size of offices. Although chairman. The Urban Design Committee members minor variations occur depending on size, the general and all those who participated in its development trend of work shows a total drop of 17% since deserve credit for accomplishing a difficult task. January 1, 1971, and indicates a drop of 4.9% between March 31st and June 30, 1971. The background material has been ready since June. -
CURRICULA VITAE Name: Richard Scherr Address: 380 Rector Place
CURRICULA VITAE Name: Richard Scherr Address: 380 Rector Place, #18B New York, N.Y. 10280 Telephone: (212) 786-1632 E-Mail [email protected] EDUCATION Cornell University 9/67 - 5/72 B. Arch. Columbia University 9/72 - 5/73 M.S. Arch. (Spec. in Urban Design) TEACHING AND ADMINISTRATIVE EXPERIENCE June 1999- Director of Facilities Planning and Design, Jan 2014 Pratt Institute May 1999- Adjunct Professor of Architecture and Urban Design, Present Pratt Institute Sept. 1989 - Chairman and Professor, Graduate Programs May 1999* in Architecture and Urban Design, Pratt Institute Sept. 1986 - Professor of Architecture, School of May 1989** Architecture, The University of Texas at Arlington Sept. 1983 - Graduate Advisor, School of May 1986 Architecture, UTA Sept. 1980 - Associate Professor of Architecture May 1986 with Tenure, School of Architecture, UTA Sept 1975 - Assistant Professor, School of May 1980*** Architecture, UTA Sept 1973 - Instructor, Department of Architecture, May 1975 University of Texas at Arlington Sept. 1978 - ***Leave-of-Absence May 1979 Sept. 1987 - ** Leave-of-Absence May 1988 Feb. 1999- *Sabbatical June 1999 AWARDS May 1972 -Eidlitz Travelling Fellowship, Cornell University May 1975 -Organized Research Grant Award, UTA May 1976 -"Teacher of the Year", School of Architecture, UTA May 1976 -AMOCO Teaching Award, UTA (Honorable Mention) May 1977 -Organized Research Grant Award, UTA May 1980 -Organized Research Grant Award, UTA Apr. 1982 -Plaza Hotel Renovation, "Merit Award," Dallas A.I.A. (w/ Woodward & Assoc.) Sept. 1982 -
Film Sales 2019 Catalog
The Film Sales Company 2019 CATALOG 515 E. 118th Street NEW YORK, NY 10035 USA WWW.FILMSALESCORP.COM NARRATIVE FEATURES ABIGAIL FALLS Drama - 2018 - USA - English - 97 minutes From award winning director Erica Dunton (To.Get.Her, The 27 Club) comes a moving coming of age film. Best friends Abigail and Jude have just graduated from Columbia University, eager to approach the next phase of their lives, take a brief trip which leads them to a place they could not have imagined. Although the film was shot ENTIRELY on an iPhone, it does not have the grainy, rough hewn aesthetic one might expect...making the point that while technology evolves, collaboration, vision, skill and hard work remain a necessity to make a beautiful and strong film. ALL THESE SMALL MOMENTS Comedy/Drama – 2018 – USA – English – 94 minutes Howie Sheffield is a high schooler growing up in Brooklyn who’s having a rough go of it. His parents are separating, he just broke his arm, and he's slowly being alienated from all of his friends. But one day he sees an older woman on the bus, and is instantly smitten with her. He becomes obsessed with tracking her down, and in his quest to do so risks losing out on what has been under his nose the whole time. Featuring star-making performances by Brendan Meyer ("The OA") and Harley Quinn Smith (daughter of Kevin Smith), this coming of age crowd-pleaser also stars Molly Ringwald, Brian d'Arcy James, and Jemima Kirke. Official Selection: Tribeca Film Festival 2018 Rights available: World excl. -
5441 Ca Object Representations
(1) Robin Winters and Christy Rupp at the (2) Arleen Schloss at the opening reception for (3) Anton van Dalen, Two-Headed Monster (4) Dave Sander and Ethan Swan at the opening reception for “Come Closer: Art Around “Come Closer: Art Around the Bowery, 1969– Destroys Community, 1981. Aerosol paint on opening reception for “Come Closer: Art the Bowery, 1969–1989,” New Museum, 1989,” New Museum, New York, September 19, paper, 29 x 23 in (73.7 x 58.4 cm). Installation Around the Bowery, 1969–1989,” New New York, September 19, 2012. Photo: Jesse 2012. Photo: Jesse Untracht-Oakner view: “Come Closer: Art Around the Bowery, Museum, New York, September 19, 2012. Untracht-Oakner 1969–1989,” New Museum, New York, 2012. Photo: Jesse Untracht-Oakner Courtesy the artist. Photo: Jesse Untracht-Oakner Published by When we announced that the New To date, the Bowery Artist Tribute has We are indebted to Hermine and Museum would construct a freestanding conducted over seventy interviews David B. Heller for funding the research, building on a parking lot at 235 Bowery, with artists, curators, and authors who development, and presentation of this one of our first concerns was finding a helped build the creative community archive, and for providing endowment newmuseum.org way to acknowledge the rich history of of the Bowery for the past seventy funds for its future. We are also grateful creative activity in our new neighbor- years. We’ve encountered artists who to a number of individuals who have Editor: Ethan Swan Designer: Chelsea Amato hood. We thought about 222 Bowery, were grateful for the opportunity to tell been instrumental in the research and Copy Editors: Frances Malcolm and Olivia Casa Printed by: Linco William Burroughs’s “Bunker” that shel- their Bowery stories for the first time, coordination of these efforts over the tered Lynda Benglis, John Giorno, Mark and others who weren’t convinced past nine years: Ethan Swan, Eungie Cover: Sylvia Plimack Mangold on the roof of her Grand Rothko, and a dozen more. -
Dedication to James Rossant
Dedication to James Rossant Hyperion, Volume V, issue 1, May 2010 7 James Rossant, The Bridge, James Rossant, Floating City, watercolor pen and ink on Japanese handmade paper Hyperion James Rossant 1928 – 2009 This issue of Hyperion is dedicated to the memory of James Rossant. Rossant was an architect, city planner, artist, and professor of architecture. A long-time Fellow of the American Institute of Architects, Rossant was a partner of the architectural firm Conklin & Rossant and principal of James Rossant Architects. Among a life-time of architectural accomplishments, Rossant is best recognized for his master plan of Reston, Virginia, the Lower Manhattan Plan, and the UN-sponsored master plan for Dodoma, Tanzania. His paintings and drawings have been exhibited in galleries in various parts of the world, and have entered a variety of collections, including those of George Mason University, Columbia University, and Centre D’Architecture in Paris. In addition, he has illustrated a number of books, among them children’s books and cookbooks written by Colette Rossant, his wife. James Rossant’s name will be new to many reading this journal. However, his reputation has been significant and is widely recognized, well known by those in his own field. Despite his achievements, and one would like to think more because of them, he was not the subject of a general popularity. He did not have to suffer the indignity of a broad assent founded on the shifting and quivering tides of mass sentiment, but rather had the respect of those whose acknowledgement is rooted in the understanding that comes of and is expressed in clear and formulated ideas.