DOCSLIB.ORG

December 18, 1970

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
December 18, 1970 , .. ...--=-----:-=::-~ - _ ___ ·~ I SH ~1 1STOR tCAL r.ssoc • 11 R. I • JEI 209 . A~;GELL ST • PROV . t,. R . 1 • oiqob TH E ONLY ENGLISH-JEWISH WEEKLY IN R. /. AND SOUTHEAST MASS. VOL. LIV. 1'.10. 38 FRIDAY, DECEMBER 18. 1970 15c PER COPY 16 PAGES Lyddo Airport' U.S. Willing To Join Officials Hel·d Mid-East Police Force WASHINGTON - The United Nations forces In the past and has .For Deaths States has advised Israel and contributed heavily to their TEL AVIV - Three officials Jordan that It would be willing to maintenance,. previous of the Lydda Airport control participate In a United Nations­ adm lnl strati on s have been tower have been held directly sponsored peace-keeping force In reluctant to commit American responsible for a fatal accident the Middle East, authoritative troops to them. Most of the on the airport's main runway last sources said this week. Un I te d Nations forces have week and have had legal The willingness to Join s uch a consiste d of soldiers from proceedings Instituted against force was outlined In separate smaller countries with little or them, It was announced by a conversations here last week no interests tn the areas special committee Investigating between officials of the Nixon Involved: the disaster. The Administration and King Hussein The possibility of United officials civilian and of Jordan and the Israeli Defense States participation In a Middle­ military - have been suspended Minister, Moshe Dayan. Eastern force was first raised, trom their duties pending a fUll The sources said the plan had and then apparently dropped. by Inquiry. been put forward Informally as the White House last summer. The Jlccldent involved a TWA " an Idea, not a policy." The The Idea was broached by a cargo plane which collided with American officials reportedly ranking Administration official In an lsraell military transport stressed that to be effective, the a background briefing tor editors plane on the ground while taking force should Involve several and publishers, but President off. The transport plane was natlon97 not Just the United States Nixon dissociated himself from being towed by a tractor across and the Soviet Union, and should the proposal In an Interview a few the main runway although the HANUKAH MENORAH: An exceptionally large Hanukah menorah fTom be sanctioned by the United days later. control tower had cleared the Germany is in the Israel Museum in Jerusalem. The menorah was Nations. Recalling this, the sources TWA Jet for take-off only appar•ntly made for a synagogue in the area of Lvov (·Lemberg) late.in Neither King Hussein nor Mr. said the Administration had not the 17th century or early in the 18th century. The lop of the menorah moments before on the Dayan responded directly to the wanted to Interfere with the has a bird with spread wing• and the candles are placed in shell assumption that the runway was Idea, the sources said, but the negotiations that were Just getting shaped bowl,. It was repaired at a later date. The menorah has not c I ear. Two civilian-military King's reaction was generally under way at the time under Dr-. been lit for at leall I 00 years. It was in the Voenna collection of Dr. employees on the tractor were positive while Mr. Dayan's was Gunnar V. Jarring :, the United Franz Lumpe von Mallewitz. Around Hanuaka 1968 it _n, on sale and killed Instantly. A third employee skeptical of the value of such a Nations Intermediary. was bought by Willy Kaus, owner of the German Metzler tire corpo­ died of his Injuries. Both planes force as a guarantee of peace. The sources added that the ration, who donated it to the Israel MuMum in Jerusalem. At the Mu­ were demolished. The wlltlngness to participate United States had never seriously· ~' Mum it toweK over all the other 578 menorahs, lhe largeot and most Public confidence LI Israel's In a peace-keeping force considered a two-nation, United repr... ntatlve menorah collection in the "!'orld. civilian air trafftc control system represents a departure from States-Soviet force, as reported was turther Jolted by the crash of previous American policy. at the time. "We aways believed an air taxi fatal to four, and the Although the United States has that several nations would be apparent disappearance of a often voted In favor of the Involved tor this sort of thing to Soviet Union Cancels Plans cloud-seeding plane with three · establishment of such United be effective," one said. men aboard. The air taxi of the For Visit Of Bolshoi To U.S. Blaf Co. crashed near Hebron at mid-day killing Its pilot and three Jordanians Bar Arab Notables MOSCOW The Soviet eighties, had by coincidence Just passengers who were on a flight Union canceled planned visits to wound up a two-week business from Jerusalem to Ella!. The the United States by the Bolshoi visit to Moscow when he was bodies were found near the From Making Trip To West Bonk Theater's opera and ballet Informed of the cancellation by wreckage. JERUSALEM, Dec. 10 - The of Commerce and member of the companies next spring, charging Miss Yekaterlna A. Furtsev11,, the The missing Cesna aircraft that the American authorities had Minister of Culture, only a few J ord a n I an authorities have Town Council, Adel el-Shaka, a was reported overdue on a flight started to bar formerly routine merchant not known for _any failed to stop " provocations by hours before he was to catch a over northern Israel. The plane Z lonlst thugs." plane to London. Mr. Beam had visits to the west-bank area by particular political activities. was spraying cloudbanks with Arab notables, men believed to be According to reliable sources, A· not<> read to the United not been able to reach M. Hurok s ilver Iodide in an effort to with the news of the cancellation active In seeking Palestinian Mr. Shaka crossed the Damlya States Ambassador, Jacob D. s timulate rainfall. Searches of self-determination, Arab sources Bridge on a routine business trip, Beam, by the First Deputy before Mr. Hurok saw Miss the z ebU!on Valley north of Haifa Furtseva. reported. was detained by J ordanian troops Foreign Minister, Vasily V. failed to r eveal any trace of the Sever a I dozen west- bank after he had driven about six Kuznetsov, said that despite The Impresari o was aircraft or Its occupants . Palestinians who are officially m Iles on the east bank, and r e peat e d Soviet complaints reportedly upset by the Soviet J ordanian citizens have been order ed to turn back to the agains t Incidents carried out In decision, which came. without turned back at the Jordan River Israeli-held area. the United States by "Z lonlst warning. Mr. Hurok, who has Report Soviet­ frontier In the last few days, the "l don't know why I was extremists ," American officials. been booking Soviet talent In the sources said, after the Jordanian expelled," Mr. Shaka told a ' 'have not taken necessary United States since 1928, said /To Install police found them Included among reporter of the Israeli radio. measures to stop these criminal earlier that he had fU!filled a about 500 names on a new "The Jordanian soldiers told me act I o n s , thereby encouraging "great dream" in getting Soviet blacklist. that they had a general order not them." ·authorities to agree to send both SAM Missiles Other residents of the west- to let certain persons into ' ' The conditions · resulting Bolshoi companies to the United 1.;ONDON - Diplomatic bank area, which has been Jordan." from this attitude of the States at the same time. observers believe that Moscow Is occupied by Israel since June, Mr. Shaka had been one of the American sid e make It prepared to Install SAM-2 and 1967, who were returning to their leading orga:fllzers of the west­ Impossible for the organization of Although the ballet company SAM-3 antiaircraft missiles in homes trom Amman, on the east bank relief convoys that took has visited the United States four the guest tour of the United States Syria to threaten Israel If It bank, said that Jordanian security emergency supplies to east-bank times, this would have been the by the ballet and opera companies refUses to return to occupied officers had visited them in communities after the outbreak of first for the opera company. of the Moscow Bolshoi Theater," Golan Heights, according to Amman. In some cases, the the civil war in September said the summary of the note Mr. Hurok had said he reports trom Beirut today. The Palestinians said, they were between the Jordanian army and released by Tass, the official expected to suffer -a loss on the reports said Syria's new ordered by the Jordanians to Palestinian guerrlltas. press agency. 420- member opera company, strongman, Gen. Hafez Assad, return to their west-bank homes. He denied In the interview that \ even though he had planned to plans to send military personnel Th e s udd e n move Is he had taken part in any political The visit by the Bolshoi to Egypt to train In the operation companies had been booked ·charg e a top price of $25 a seat apparently the answer of King activity against the King or his for Its four-week stand in New of Soviet SAM missiles deployed Hussein's Government to the Government, but he acknowledged earlier this year by Sol Hurok, there. The reports said Gen.
Load more

Recommended publications
  • Artist Archaeologist Gonzalo Fonseca ARTIST ARCHAEOLOGIST GONZALO FONSECA (1922-1997)
    PUBLIC ART EXPLORER Artist Archaeologist Gonzalo Fonseca ARTIST ARCHAEOLOGIST GONZALO FONSECA (1922-1997) Sun Boat North Shore Drive Pylon 1965 Underpass 1965 Concrete 1965 Concrete N S D Map #1 Concrete Map #3 Map #2 B Trail N S D B Trail M D Gr Trail W P W M D 3 2 1 Gr Trail N S D S N 2 H C LEARN Who was Gonzalo Fonseca? A Budding Artist He was born and raised in Uruguay in South America. When he was eleven, Fonseca spent six months traveling in Europe with his family. The things he experienced and saw on this trip inspired him to become an artist. When his family returned home he set up an art studio in the basement. A Curious Mind Fonseca was a very curious person. He loved learning about history and languages (he spoke at least six!). Fonseca is often called a polymath*, or someone who knows a lot about many different things. He also traveled to continue his education. On his journeys, Fonseca climbed pyramids in Egypt, helped excavate ancient sites in the Middle East and Africa, and visited ancient Greek and Roman ruins. All of these experiences became a part of his artwork. An Inventive Sculptor Fonseca trained to be a painter but switched to sculpture because he wanted to work in three dimensions. The Lake Anne play sculptures are some of the only public art he ever made. They are molded from the same concrete used in the surrounding buildings. Fonseca was excited to have such big spaces to work with, places like the plaza by the lake and the underpass.
    [Show full text]
  • Cecilia De Torres, Ltd. [[email protected]] En Nombre De Cecilia De Torres, Ltd
    De: Cecilia de Torres, Ltd. [[email protected]] en nombre de Cecilia de Torres, Ltd. [[email protected]] Enviado el: jueves, 01 de octubre de 2015 12:49 p.m. Para: Alison Graña Asunto: The South was Their North: Artists of the Torres-García Workshop- Now open through January 2016 Cecilia de Torres, Ltd. invites you to The South was Their North: Artists of the Torres-García Workshop, an exhibition of paintings, sculpture, wood assemblages, furniture and ceramics by Julio Alpuy, Gonzalo Fonseca, José Gurvich, Francisco Matto, Manuel Pailós, Augusto Torres, Horacio Torres and Joaquín Torres-García, on view from September 2015 through January 2016. Related to the upcoming retrospective exhibition, Joaquin Torres-García: The Arcadian Modern at the Museum of Modern Art, Cecilia de Torres, Ltd. presents an aspect of the artist's endeavors that is inextricably associated with his personality and his career: the creation of a school of art that would realize “Constructive Universalism,” his theory of a unified aesthetic based on the visual canon he developed. Torres-García’s ambition was to establish an autonomous artistic tradition based on Constructive Universalism that would eventually expand to all the Americas. This utopian undertaking occupied the last fifteen years of his life as an artist and teacher to new generations, leaving a considerable body of work and an indelible mark on South America’s modern art. The works in this exhibition date from 1936 to the 1980s. Our intent is to present work by this group of exceptional artists that is emblematic of their individuality, works of mature achievement as well as of their constructivist origins.
    [Show full text]
  • Waterfront Arts District
    INFOGUIDE & DISTRICT MAP AWAD is spearheaded by AKI, Old Astoria Neighborhood Association, Queens Council on the Arts, Socrates Sculpture Park, Welling Court Mural Project and Noguchi Museum, all leaders in the local community. INTRODUCTION Astoria Waterfront Arts District is located at Hallet’s Cove along the East River coastline Welcome to the Astoria Waterfront Arts District New York City’s next iconic artistic & cultural phenomenon ABOUT THE DISTRICT furniture designs by Isamu Noguchi and other artists, while the Welling Court Mural Project pools together spectacular crews of legendary and Nestled along the shores of the East River, the Astoria Waterfront Arts groundbreaking artists who transformed the physical nature of the area District (AWAD) derives its roots from the established art institutions into a creative celebration and public art experience. In addition, the Mark located in Old Astoria, ones which ultimately define the community in Di Suvero Studio offers dynamic sculptures largely made from industrial its entirety. The district is bordered by Goodwill Park to the north, 14th steel, each weighing many tons, while Paper Mache Monkey is changing Street to the East, Rainey Park to the south, and the East River to the west. the face of stage design and prop fabrication within the theatre arts. From Socrates Sculpture Park to the Welling Court Mural Project, artistic diversity is on full display for those individuals living within the community, VALUE TO THE COMMUNITY as well as non-residents who come out to witness the mesmerizing pieces. The district houses hundreds of graffiti artists, abstract painters, sculptors, Art serves as the social glue within AWAD, integrating and highlighting the muralists and many more who contribute to the artistic landscape of the multi-culturalism of the community.
    [Show full text]
  • ARB Approved Meeting Minutes 6-13-2019
    APPROVED MINUTES June 13, 2019 THE FAIRFAX COUNTY ARCHITECTURAL REVIEW BOARD Fairfax County Government Center Conference Rooms 4 & 5, 6:30 PM Members Present: Members Excused: Staff Present: John A. Burns, FAIA, Chairman Christopher Daniel, Vice Chairman Nicole Brannan, Steve Kulinski, AIA Michele Aubry, Treasurer Historic Preservation Elise Murray Planner Kaye Orr, AIA Denice, Dressel Joseph Plumpe, ASLA[Arrived at Historic Preservation 6:48] Planner Jason Sutphin Lorraine Giovinazzo, Jason Zellman, Esq. Recording Secretary Susan Notkins, AIA [Arrived at 6:39] Mr. Burns opened the June 13, 2019 meeting of the Architectural Review Board (ARB) at 6:32 p.m. at the Fairfax County Government Center. Mr. Zellman read the opening statement of purpose. APPROVAL OF THE AGENDA: Mr. Sutphin made a motion to approve the agenda as written. The motion was seconded by Mr. Kulinski, and approved on a vote of 6-0. Ms. Aubry and Mr. Daniel were absent from the meeting. Ms. Notkins and Mr. Plumpe were not present for the vote. INTRODUCTION/RECOGNITION OF GUESTS CONSENT CALENDAR ACTION ITEMS: 1. ARB-19-WDL-01 Proposal for new signage at 8859 Richmond Highway, Alexandria, VA, Tax Map 109-2 ((02)) 0013C, located in the Woodlawn Historic Overlay District. The applicant is proposing to remove the existing signage and replace with building mounted signage. Ms. Daniela Ocampo is representing the application. Mount Vernon District Presentation: • Ms. Daniela Ocampo’s daughter, Katherine, presented the proposal. She showed pictures of Oraydes Café with stores that are nearby. The Café opens early in the morning. The sign will be made out of brush gold polymetal.
    [Show full text]
  • Film Sales 2019 Catalog
    The Film Sales Company 2019 CATALOG 515 E. 118th Street NEW YORK, NY 10035 USA WWW.FILMSALESCORP.COM NARRATIVE FEATURES ABIGAIL FALLS Drama - 2018 - USA - English - 97 minutes From award winning director Erica Dunton (To.Get.Her, The 27 Club) comes a moving coming of age film. Best friends Abigail and Jude have just graduated from Columbia University, eager to approach the next phase of their lives, take a brief trip which leads them to a place they could not have imagined. Although the film was shot ENTIRELY on an iPhone, it does not have the grainy, rough hewn aesthetic one might expect...making the point that while technology evolves, collaboration, vision, skill and hard work remain a necessity to make a beautiful and strong film. ALL THESE SMALL MOMENTS Comedy/Drama – 2018 – USA – English – 94 minutes Howie Sheffield is a high schooler growing up in Brooklyn who’s having a rough go of it. His parents are separating, he just broke his arm, and he's slowly being alienated from all of his friends. But one day he sees an older woman on the bus, and is instantly smitten with her. He becomes obsessed with tracking her down, and in his quest to do so risks losing out on what has been under his nose the whole time. Featuring star-making performances by Brendan Meyer ("The OA") and Harley Quinn Smith (daughter of Kevin Smith), this coming of age crowd-pleaser also stars Molly Ringwald, Brian d'Arcy James, and Jemima Kirke. Official Selection: Tribeca Film Festival 2018 Rights available: World excl.
    [Show full text]
  • 5441 Ca Object Representations
    (1) Robin Winters and Christy Rupp at the (2) Arleen Schloss at the opening reception for (3) Anton van Dalen, Two-Headed Monster (4) Dave Sander and Ethan Swan at the opening reception for “Come Closer: Art Around “Come Closer: Art Around the Bowery, 1969– Destroys Community, 1981. Aerosol paint on opening reception for “Come Closer: Art the Bowery, 1969–1989,” New Museum, 1989,” New Museum, New York, September 19, paper, 29 x 23 in (73.7 x 58.4 cm). Installation Around the Bowery, 1969–1989,” New New York, September 19, 2012. Photo: Jesse 2012. Photo: Jesse Untracht-Oakner view: “Come Closer: Art Around the Bowery, Museum, New York, September 19, 2012. Untracht-Oakner 1969–1989,” New Museum, New York, 2012. Photo: Jesse Untracht-Oakner Courtesy the artist. Photo: Jesse Untracht-Oakner Published by When we announced that the New To date, the Bowery Artist Tribute has We are indebted to Hermine and Museum would construct a freestanding conducted over seventy interviews David B. Heller for funding the research, building on a parking lot at 235 Bowery, with artists, curators, and authors who development, and presentation of this one of our first concerns was finding a helped build the creative community archive, and for providing endowment newmuseum.org way to acknowledge the rich history of of the Bowery for the past seventy funds for its future. We are also grateful creative activity in our new neighbor- years. We’ve encountered artists who to a number of individuals who have Editor: Ethan Swan Designer: Chelsea Amato hood. We thought about 222 Bowery, were grateful for the opportunity to tell been instrumental in the research and Copy Editors: Frances Malcolm and Olivia Casa Printed by: Linco William Burroughs’s “Bunker” that shel- their Bowery stories for the first time, coordination of these efforts over the tered Lynda Benglis, John Giorno, Mark and others who weren’t convinced past nine years: Ethan Swan, Eungie Cover: Sylvia Plimack Mangold on the roof of her Grand Rothko, and a dozen more.
    [Show full text]
  • A U C T I O N
    A U C T I O N LIVE Thursday, May 2nd, 2019 | 7:00 PM Grand Ballroom The Plaza Hotel New York, NY 1230 FIFTH AVENUE, NEW YORK, NY 10029 212.831.7272 El Museo del Barrio is the nation’s premier Latino and Latin American cultural A U C T I O N institution. Our mission is to present and preserve the art and culture of these important and growing communities through our ever-expanding Permanent A U C T I O N Collection, acclaimed exhibitions, innovative programs, and renowned bilingual LIVE education initiatives. Founded 50 years ago by artist and educator Raphael Thursday, May 2nd, 2019 | 7:00 PM Montañez Ortiz and a coalition of Puerto Rican educators, artists, and activists, Grand Ballroom El Museo del Barrio is at the forefront of cultural empowerment for more than 60 LIVE million Latinos. Today, El Museo del Barrio serves more than 100,000 visitors each Thursday,The May Plaza 2nd, Hotel2019 | 8:00 PM New York, NY year, thus becoming a cornerstone of El Barrio and a valuable resource for New York Grand Ballroom City. The Plaza Hotel New York, NY 1230 FIFTH AVENUE, NEW YORK, NY 10029 212.831.7272 El Museo del Barrio’s Gala is celebrating its 26th anniversary. El Museo del Barrio’s Gala is a spectacular event that brings together Latino and non-Latino cultural luminaries and leaders in business, finance, fashion, entertainment, art and philanthropy, to raise crucial funding for the museum. This year, we are delighted to honor three individuals who have distinguished themselves in the fields of design, arts and cultural patronage.
    [Show full text]
  • Full Formatted Thesis
    Copyright by Leslie Ann Moody 2010 The Thesis committee for Leslie Ann Moody Certifies that this is the approved version of the following thesis: MEANING MAKING AND THE BLANTON MUSEUM OF ART: A CASE STUDY APPROVED BY SUPERVISING COMMITTEE: Supervisor: ________________________________________ Paul E. Bolin ________________________________________ Melinda Mayer MEANING MAKING AND THE BLANTON MUSEUM OF ART: A CASE STUDY by Leslie Ann Moody, BA Thesis Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin August, 2010 MEANING MAKING AND THE BLANTON MUSEUM OF ART: A CASE STUDY by Leslie Ann Moody, MA The University of Texas at Austin, 2010 SUPERVISOR: Paul. E. Bolin This case study explores the collaborative conversation between curators and educators in the Blanton Museum of Art at the University of Texas at Austin, and how these conversations affect didactic texts in the museum galleries. By situating the Blanton Museum in a larger historical framework, the focus of this study maps out the historical perspectives informing the museum during a pivotal integration of collecting areas, including Latin American and American modern and contemporary collections, and explores how the Blanton Museum attempted to facilitate learning and meaning-making for the visitor through didactic wall texts. iv TABLE OF CONTENTS Chapter I: Introduction to the Study..................................................................................1
    [Show full text]
  • Selections from El Taller Torres-García April 24 –June 1, 2019 Reception: Wednesday, April 24Th from 6:00-8:00Pm
    FOR IMMEDIATE RELEASE Another America: Selections from El Taller Torres-García April 24 –June 1, 2019 Reception: Wednesday, April 24th from 6:00-8:00pm Bookstein Projects is pleased to announce a group exhibition of paintings, sculpture, assemblage and drawing by selected members of El Taller Torres-García. Those exhibited include Julio Alpuy, Gonzalo Fonseca, José Gurvich, Francisco Matto, Manuel Pailós, Augusto Torres, Horacio Torres and their teacher Joaquín Torres-García. In 1943, Joaquín Torres-García created "The School of the South" in the form of a workshop - El Taller Torres-García. He preferred that were unspoiled by previous art training. Among the many who were attracted by his powerful message and charismatic personality, a handful were exceptionally talented: Julio Alpuy, Gonzalo Fonseca, José Gurvich, Francisco Matto, Manuel Pailós, and the artist's two sons, Augusto and Horacio Torres. For these young artists, El Taller provided an experimental training ground and a unique space for testing the applicability of modernist principles to the American setting. One of the outstanding aspects of the workshop was its goal of integration of the arts into a total unified environment very much in the tradition of European arts and crafts movements. But Torres-García rejected the industrial, technological orientation of those precedents and instead the members of El Taller Torres-García experimented with simple materials and innovative techniques. i After Torres-García's death in 1949, El Taller Torres-García continued to function for over a decade under the direction of some of the older members. These years represent a period of mature development and experimentation for the seminal group of El Taller artists (Gonzalo Fonseca, José Gurvich, Francisco Matto, Manuel Pailós, Horacio Torres), marked by the flourishing of their individual personalities and styles.
    [Show full text]
  • The South Was Their North: Artists of the Torres-García Workshop September 2015 Through February 2016
    The South was Their North: Artists of the Torres-García Workshop September 2015 through February 2016 Related to the upcoming retrospective exhibition, Joaquin Torres-García: The Arcadian Modern at the Museum of Modern Art, Cecilia de Torres, Ltd. presents an aspect of the artist's endeavors that is inextricably associated with his personality and his career: the creation of a school of art that would realize “Constructive Universalism,” his theory of a unified aesthetic based on the visual canon he developed. Torres-García’s ambition was to establish an autonomous artistic tradition based on Constructive Universalism that would eventually expand to all the Americas, “emulating the art of the highest ancient cultures.”1 This utopian undertaking occupied the last fifteen years of his life as an artist and teacher to new generations, leaving a considerable body of work and an indelible mark on South America’s modern art. Man and his universe are at the center of Torres-García’s formulation of Constructive Universalism, characterized by the representation of ideas by means of graphic symbols. According to the artist, symbols are the only form of figuration compatible with a geometric structure. Following his 1934 return to Uruguay after a 43 year absence, Torres-García first organized the Association of Constructive Art (AAC). He soon realized how culturally dependent his compatriots were on Europe. He challenged this attitude by claiming “Our North is the South” in his 1936 “School of the South” manifesto. Accompanying his declaration he drew the map of South America upside down, a masterpiece of conceptual art avant la lettre.
    [Show full text]
  • I PAINT MY REALITY Surrealism in Latin America Through Spring 2021
    I PAINT MY REALITY Surrealism in Latin America Through Spring 2021 The avant-garde Surrealist movement emerged in France in the wake of World War I and spread globally as artists and art works traveled, and ideas circulated through art journals and mass media. Dreams, psychoanalysis, automatism (creating without conscious thought), collage, assemblage and chance were among the methods the Surrealists used to tap into the unconscious mind and stimulate the imagination. The European Surrealists embraced their Latin American colleagues, who nevertheless expressed ambivalence about the movement. Mexican artist Frida Kahlo famously refuted being labeled as a Surrealist, stating that she never painted dreams, instead asserting, “I painted my own reality,” while Uruguayan Joaquin Torres-Garcia advocated for a modern art that was not beholden to European modern art. Latin America’s complex history, magical landscapes, indigenous cultures, archeological sites, mythologies, migrations, and European and African religious traditions shaped these artists’ reality. The rise of fascism in Europe in the 1930s as well as the Spanish Civil War and World War II shifted the focus of Surrealism to the United States and Latin America, where many of the European artists sought refuge. These artists’ proximity to each other promoted friendships that were especially fruitful during this period and in the post-war years. While many of the exiled European artists who lived in the United States during the war returned home afterwards, those in Latin America and in Mexico in particular, tended to remain there for the rest of their lives. This exhibition is drawn exclusively from NSU Art Museum’s Latin American collection, including promised gifts from Fort Lauderdale collectors Stanley and Pearl Goodman.
    [Show full text]
  • WASHINGTON, DC WASHINGTON, 104Th ANNUAL CONFERENCE 104Th ANNUAL
    CONFERENCE PROGRAM COLLEGE ART ASSOCIATION 104th ANNUAL CONFERENCE WASHINGTON, DC 2016 WASHINGTON, CONFERENCE 104th ANNUAL ART ASSOCIATION PROGRAM COLLEGE CONFERENCE 104th ANNUAL CONFERENCE WASHINGTON, DC FEBRUARY 3–6, 2016 CONFERENCE PROGRAM 104th Annual Conference in Washington, DC Wednesday, February 3–Saturday, February 6, 2016 CONTENTS 5 Social Media Map 9 CONFERENCE AT A GLANCE 10 SESSIONS AT A GLANCE 22 CAA MEMBERSHIP 22 CHECK-IN AND ONSITE REgisTRATION 23 Badges, Program, Abstracts 2015, Directory of Attendees 24 LOdgiNG AND TRAVEL 24 Conference Hotels 24 Travel and Transportation 25 Services 25 Business Center 25 Child Care 25 Special Accommodations 26 CAREER SERVicES 26 Orientation 26 Candidate Center 26 Interview Hall: Booths and Tables 27 Professional-Development Workshops 29 Mentoring Sessions 29 Professional-Development Roundtables 29 STUDENT AND EmERgiNG PROFEssiONALS LOUNGE 31 BOOK AND TRadE FaiR 31 Exhibitor Sessions 32 CAA BUSINEss 32 Annual Members’ Business Meeting 32 CAA Committee Meetings 34 ARTsPacE 35 ARTexchange 36 MEDIA LOUNGE 39 PROGRAM SESSIONS 52, 63 Poster Sessions 76 SPEciaL EVENTS 81 Museums and Galleries 83 REUNIONS AND RECEPTIONS 85 CAA BOARD AND STAFF 86 PAST CAA PREsidENTS 87 CAA COMMITTEE MEMBERS 90 CONFERENCE FLOOR PLANS 94 INDEX OF EXHIBITORS 96 INDEX OF ADVERTisERS 97 INDEX OF PaRTiciPANTS SAVE THE DATE! NEW YORK, NY 105th ANNUAL CONFERENCE FEBRUARY 15–18, 2017 The Conference Program is published in conjunction A special thanks to our conference sponsors: with the 104th Annual Conference of the College Art Welcome to Washington DC! Association. For the detailed, chronological listing of sessions, meetings, and events, see the conference website at www.conference.collegeart.org.
    [Show full text]