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Richard II First Folio
FIRST FOLIO Teacher Curriculum Guide Welcome to the Table of Contents Shakespeare Theatre Company’s production Page Number of About the Play Richard II Synopsis of Richard II…..…….….... …….….2 by William Shakespeare Interview with the Director/About the Play…3 Historical Context: Setting the Stage….....4-5 Dear Teachers, Divine Right of Kings…………………..……..6 Consistent with the STC's central mission to Classroom Connections be the leading force in producing and Tackling the Text……………………………...7 preserving the highest quality classic theatre , Before/After the Performance…………..…...8 the Education Department challenges Resource List………………………………….9 learners of all ages to explore the ideas, Etiquette Guide for Students……………….10 emotions and principles contained in classic texts and to discover the connection between The First Folio Teacher Curriculum Guide for classic theatre and our modern perceptions. Richard II was developed by the We hope that this First Folio Teacher Shakespeare Theatre Company Education Curriculum Guide will prove useful as you Department. prepare to bring your students to the theatre! ON SHAKESPEARE First Folio Guides provide information and For articles and information about activities to help students form a personal Shakespeare’s life and world, connection to the play before attending the please visit our website production. First Folio Guides contain ShakespeareTheatre.org, material about the playwrights, their world to download the file and their works. Also included are On Shakespeare. approaches to explore the plays and productions in the classroom before and after the performance. Next Steps If you would like more information on how First Folio Guides are designed as a you can participate in other Shakespeare resource both for teachers and students. -
Actes Des Congrès De La Société Française Shakespeare
Actes des congrès de la Société française Shakespeare 36 | 2018 Shakespeare et la peur From fear to anxiety in Shakespeare’s Macbeth Christine Sukic Édition électronique URL : https://journals.openedition.org/shakespeare/4141 DOI : 10.4000/shakespeare.4141 ISSN : 2271-6424 Éditeur Société Française Shakespeare Référence électronique Christine Sukic, « From fear to anxiety in Shakespeare’s Macbeth », Actes des congrès de la Société française Shakespeare [En ligne], 36 | 2018, mis en ligne le 07 octobre 2019, consulté le 25 août 2021. URL : http://journals.openedition.org/shakespeare/4141 ; DOI : https://doi.org/10.4000/shakespeare. 4141 Ce document a été généré automatiquement le 25 août 2021. © SFS From fear to anxiety in Shakespeare’s Macbeth 1 From fear to anxiety in Shakespeare’s Macbeth Christine Sukic 1 In the early modern period, fear was either a necessary passion, as when Christians are said to live in the “fear of God”1, or an emotion that had to be suppressed or at least mitigated, when it concerned the “fear of death”. There are numerous books of ars moriendi that claim, in their titles, that they intend to “take away the feare of death”2 or will “comfort” Christians against that fear3. In a Christian context, fear was thus seen as a sort of natural passion, which was acceptable as long as it was “holy fear”, as Emilia calls it in Two Noble Kinsmen (5.1.149), but that had to be alleviated in order for Christians to “die well”, with as little fear as possible. In Measure for Measure, Claudio seems to have learned to “encounter darkness as a bride / And hug it in [his] arms” (3.1.83-4) until Isabella’s visit reminds him that “Death is a fearful thing” (3.1.115). -
Caerfallen, Ruthin LL15 1SN
Caerfallen, Ruthin LL15 1SN Researched and written by Zoë Henderson Edited by Gill. Jones & Ann Morgan 2017 HOUSE HISTORY RESEARCH Written in the language chosen by the volunteers and researchers & including information so far discovered PLEASE NOTE ALL THE HOUSES IN THIS PROJECT ARE PRIVATE AND THERE IS NO ADMISSION TO ANY OF THE PROPERTIES ©Discovering Old Welsh Houses Group [North West Wales Dendrochronolgy Project] Contents page no. 1. The Name 2 2. Dendrochronology 2 3. The Site and Building Description 3 4. Background History 6 5. 16th Century 10 5a. The Building of Caerfallen 11 6. 17th Century 13 7. 18th Century 17 8. 19th Century 18 9. 20th Century 23 10. 21st Century 25 Appendices 1. The Royal House of Cunedda 29 2. The De Grey family pedigree 30 3. The Turbridge family pedigree 32 4. Will of John Turbridge 1557 33 5. The Myddleton family pedigree 35 6. The Family of Robert Davies 36 7. Will of Evan Davies 1741 37 8. The West family pedigree 38 9. Will of John Garner 1854 39 1 Caerfallen, Ruthin, Denbighshire Grade: II* OS Grid Reference SJ 12755 59618 CADW no. 818 Date listed: 16 May 1978 1. The Name Cae’rfallen was also a township which appears to have had an Isaf and Uchaf area which ran towards Llanrydd from Caerfallen. Possible meanings of the name 'Caerfallen' 1. Caerfallen has a number of references to connections with local mills. The 1324 Cayvelyn could be a corruption of Caevelyn Field of the mill or Mill field. 2. Cae’rafallen could derive from Cae yr Afallen Field of the apple tree. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 I
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced info the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on untii complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk i UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES School of History The Wydeviles 1066-1503 A Re-assessment by Lynda J. Pidgeon Thesis for the degree of Doctor of Philosophy 15 December 2011 ii iii ABSTRACT Who were the Wydeviles? The family arrived with the Conqueror in 1066. As followers in the Conqueror’s army the Wydeviles rose through service with the Mowbray family. If we accept the definition given by Crouch and Turner for a brief period of time the Wydeviles qualified as barons in the twelfth century. This position was not maintained. By the thirteenth century the family had split into two distinct branches. The senior line settled in Yorkshire while the junior branch settled in Northamptonshire. The junior branch of the family gradually rose to prominence in the county through service as escheator, sheriff and knight of the shire. -
Redating Pericles: a Re-Examination of Shakespeare’S
REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY A THESIS IN Theatre Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by Michelle Elaine Stelting University of Missouri Kansas City December 2015 © 2015 MICHELLE ELAINE STELTING ALL RIGHTS RESERVED REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY Michelle Elaine Stelting, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2015 ABSTRACT Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he allow so many corrupt printed versions of his works after 1604 out of indifference? Re-dating Pericles from the Jacobean to the Elizabethan era answers these questions and reveals previously unexamined connections between topical references in Pericles and events and personalities in the court of Elizabeth I: John Dee, Philip Sidney, Edward de Vere, and many others. The tournament impresas, alchemical symbolism of the story, and its lunar and astronomical imagery suggest Pericles was written long before 1608. Finally, Shakespeare’s focus on father-daughter relationships, and the importance of Marina, the daughter, as the heroine of the story, point to Pericles as written for a young girl. This thesis uses topical references, Shakespeare’s anachronisms, Shakespeare’s sources, stylometry and textual analysis, as well as Henslowe’s diary, the Stationers' Register, and other contemporary documentary evidence to determine whether there may have been versions of Pericles circulating before the accepted date of 1608. -
Tearing up the Rules
Jewish RENAISSANCE A FRESH PERSPECTIVE ON JEWISH CULTURE SPONSORED BY DANGOOR EDUCATION JULY 2018 £7.25 TEARING UP THE RULES VIENNA’S CULTURE REVOLUTION IS THERE LIFE AFTER ROTH? AMOS OZ MOROCCO MEETS VENEZUELA The future of Jewish fiction Peace is still possible The restaurant that’s defying the crisis JR Pass on your love of Jewish culture for future generations Make a legacy to Jewish Renaissance ADD A LEGACY TO JR TO YOUR WILL WITH THIS SIMPLE FORM WWW.JEWISHRENAISSANCE.ORG.UK/CODICIL GO TO: WWW.JEWISHRENAISSANCE.ORG.UK/DONATIONS FOR INFORMATION ON ALL WAYS TO SUPPORT JR CHARITY NUMBER 1152871 JULY 2018 CONTENTS WWW.JEWISHRENAISSANCE.ORG.UK JR YOUR SAY… Reader’s rants, raves 4 and views on the April issue of JR. WHAT’S NEW We announce the 6 winner of JR’s new arts award; Mike Witcombe asks: is there life after Roth? FEATURE Amos Oz on Israel at 10 70, the future of peace, and Trump’s controversial embassy move. FEATURE An art installation in 12 French Alsace is breathing new life into an old synagogue. NATALIA BRAND NATALIA © PASSPORT Vienna: The writers, 14 artists, musicians and thinkers who shaped modernism. Plus: we speak to the contemporary arts activists working in Vienna today. MUSIC Composer Na’ama Zisser tells Danielle Goldstein about her 30 CONTENTS opera, Mamzer Bastard. ART A new show explores the 1938 32 exhibition that brought the art the Nazis had banned to London. FILM Masha Shpolberg meets 14 34 the director of a 1968 film, which followed a group of Polish exiles as they found haven on a boat in Copenhagen. -
British Communism and the Politics of Literature, 1928-1939
_________________________________________________________________________Swansea University E-Theses British Communism and the politics of literature, 1928-1939. Bounds, Philip How to cite: _________________________________________________________________________ Bounds, Philip (2003) British Communism and the politics of literature, 1928-1939.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42543 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ BRITISH COMMUNISM AND THE POLITICS OF LITERATURE, 1928-1939 PHILIP BOUNDS SUBMITTED TO THE UNIVERSITY OF WALES IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF WALES SWANSEA 2003 ProQuest Number: 10805292 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. -
Shakespeare on Masculinity
SHAKESPEARE ON MASCULINITY ROBIN HEADLAM WELLS published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb22ru, uk www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011±4211, usa www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de AlarcoÂn 13, 28014 Madrid, Spain # Robin Headlam Wells 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United Kingdom at the University Press, Cambridge Typeface Baskerville 11/12.5pt System 3b2[ce] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Wells, Robin Headlam. Shakespeare on masculinity / Robin Headlam Wells. p. cm. Includes bibliographical references and index. isbn 0 521 66204 4 1. Shakespeare, William, 1564±1616 ± Characters ± Men. 2. Masculinity in literature. 3. Kings and rulers in literature. 4. Heroes in literature. 5. Men in literature. i Title. pr2992.m28 w45 2000 822.3'3±dc21 00±028952 isbn 0 521 66204 4 hardback Contents Preface page vii Abbreviations ix Introduction 1 1 The chivalric revival: Henry V and Troilus and Cressida 31 2 `Tender and delicate prince': Hamlet 61 3 `O these men, these men': Othello 86 4 `Arms, and the Man': Macbeth 117 5 `Flower of warriors': Coriolanus 144 6 `Rarer action': The Tempest 177 Afterword: historicism and `presentism' 207 Select bibliography 219 Index 243 v chapter 1 The chivalric revival: `Henry V' and `Troilus and Cressida' Nowhelp,oMars,atartofknyZthod lord, And hast of manhod the magni®cence! John Lydgate, Lydgate's Troy Book, Prologue, lines 36±7, vol. -
From Family to Philosophy
From Family to Philosophy Letter-Writers from the Pastons to Elizabeth Barrett Browning Henry Summerfield FROM FAMILY TO PHILOSOPHY FROM FAMILY TO PHILOSOPHY LETTER-WRITERS FROM THE PASTONS TO ELIZABETH BARRETT BROWNING Henry Summerfield 2019 © Henry Summerfield 2019 Published by ePublishing Services, University of Victoria Libraries Victoria, British Columbia V8P 5C2 Canada [email protected] Book design by Yenny Lim, ePublishing Services, University of Victoria Libraries. Cover image: Alfred Walter Bays. 1889. Image from page 638 of “Stories for the house- hold”. Courtesy of Internet Archive on flikr, flic.kr/p/ovpvxp. No known copyright restrictions. This publication, unless otherwise indicated, is released under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License. This means that you may copy, distribute, display, and perform the work, and make derivative works and remixes based on it only for non-commercial purposes. Distribution of derivative works may only be made under an identical license that governs the original work. Properly attribute the book as follows: Summerfield, Henry. From Family to Philosophy: Letter-Writers from the Pastons to Elizabeth Barrett Browning. University of Victoria Libraries, 2019. This work is licensed under a CC BY-NC-SA 4.0 International License, except where otherwise noted. Download this book: https://dspace.library.uvic.ca/handle/1828/3859 References to Internet website URLs were accurate at the time of writing. Neither the authors nor the University of Victoria is responsible for URLs that may have expired or changed since the manuscript was prepared. The publisher and contributor make no representation, express or implied, with regard to the accuracy of the information contained in this book and cannot accept responsibility or liability for any errors or omissions that it may contain. -
Richard 2 Closes in February, 1400
Reigned 1379–1399; play opens in 1398; richard 2 closes in February, 1400. Written about 1595. Dramatis Personae: King Richard the Second Isabella, Queen to King Richard John of Gaunt, 1st Duke of Lancaster Edmund of Langley, 1st Duke of York Isabella of Castile/Joan Holland, Duchess of York Henry Bolingbroke, Duke of Hereford; later Henry iv Edward of Norwich, Duke of Aumerle Thomas Mowbray, Duke of Norfolk Thomas Holland, Duke of Surrey John Montacute, 3rd Earl of Salisbury Thomas Lord Berkeley, 5th Baron Berkeley Sir John Bushy Sir William (or John) Bagot Sir Henry Green Henry Percy, 1st Earl of Northumberland Henry Percy, called Hotspur, son of Northumberland William Lord Ross, 7th Baron Ross of Hamlake William Lord Willoughby, 5th Baron Willoughby de Ersby Walter Lord Fitzwater, 5th Baron Fitzwater Thomas Marke, Bishop of Carlisle, Benedictine Monk William de Colchester, Abbot of Westminster Lord Marshal Sir Stephen Scroop (or Scrope) Sir Pierce of Exton Welsh Captain Eleanor de Bohun, Duchess of Gloucester Lady attending the Queen Lords, Heralds, Officers, Soldiers Gardeners, Keepers, Messengers Groom and other Attendants Mentioned: Thomas of Woodstock, 1st Duke of Gloucester Robin Williams • www.iReadShakespeare.org • www.InternationalShakespeare.center Reigned 1379–1399; play opens in 1398; closes in February, 1400. richard 2 Written about 1595. Name and title Birth date Death date Age in play Age at death King Richard II 1367 1399 31/33 33 Son of Edward the Black Prince, who was the oldest murdered son of King Edward III. Married second wife Isabella de Valois, daughter of Charles VI of France. Queen Isabella 1390 1409 8/10 19 Second wife of Richard II, Isabella de Valois, daughter of Charles VI of France. -
UC Irvine UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Such Terrible Impression: William Shakespeare's Dramatic Theology of Sin Permalink https://escholarship.org/uc/item/69z3n0k7 Author Aijian, Phillip Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA IRVINE Such Terrible Impression: William Shakespeare’s Dramatic Theology of Sin DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in English by Phillip Aijian Dissertation Committee: Associate Professor, Rebecca Helfer Professor Julia Lupton, Co-Chair Associate Professor Victoria Silver, Co-Chair 2018 © 2018 Phillip S. Aijian DEDICATION For Janelle—my beloved wife and dearest friend. Your constant inspiration, encouragement, and occasional cajoling were essential to not only writing this dissertation but, indeed, for the entire enterprise of the PhD. The success and honor belong more to you than anyone else. I love you so much. For my beautiful children, Malcolm and Evelyn, who patiently bore with my divided attention. I love you. And to my parents, who gave me a life full of books, stories, and art, kindling a life of faith and imagination. Blessed is the man against whom the LORD counts no iniquity, and in whose spirit there is no deceit. For when I kept silent, my bones wasted away Psalm 32:2-3 ii TABLE OF CONTENTS Page ACKNOWLEDGMENTS iv CURRICULUM VITAE v ABSTRACT OF THE DISSERTATION vi PREFACE 1 CHAPTER 1: Bewayle the Intolerable Burden: Sin and Early Modern Religious Experience 10 CHAPTER 2: Such Terrible Impression: 66 Horror, Self-Deception, and Divided Selves in Richard III CHAPTER 3: Our Sceptre’s G(u)ilt: Flattery and Ecologies of Sin in Richard II 119 CHAPTER 4: All the Perfumes of Arabia: Macbeth and the Burden of Knowledge 178 EPILOGUE 248 BIBLIOGRAPHY 251 iii ACKNOWLEDGMENTS I would like to express my greatest appreciation to my committee members, Julia Lupton, Victoria Silver, and Rebecca Helfer.