Malaysian's Young Consumer Preferences of Hijab
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Islamic Art from the Collection, Oct. 23, 2020 - Dec
It Comes in Many Forms: Islamic Art from the Collection, Oct. 23, 2020 - Dec. 18, 2021 This exhibition presents textiles, decorative arts, and works on paper that show the breadth of Islamic artistic production and the diversity of Muslim cultures. Throughout the world for nearly 1,400 years, Islam’s creative expressions have taken many forms—as artworks, functional objects and tools, decoration, fashion, and critique. From a medieval Persian ewer to contemporary clothing, these objects explore migration, diasporas, and exchange. What makes an object Islamic? Does the artist need to be a practicing Muslim? Is being Muslim a religious expression or a cultural one? Do makers need to be from a predominantly Muslim country? Does the subject matter need to include traditionally Islamic motifs? These objects, a majority of which have never been exhibited before, suggest the difficulty of defining arts from a transnational religious viewpoint. These exhibition labels add honorifics whenever important figures in Islam are mentioned. SWT is an acronym for subhanahu wa-ta'ala (glorious and exalted is he), a respectful phrase used after every mention of Allah (God). SAW is an acronym for salallahu alayhi wa-sallam (may the blessings and the peace of Allah be upon him), used for the Prophet Muhammad, the founder and last messenger of Islam. AS is an acronym for alayhi as-sallam (peace be upon him), and is used for all other prophets before him. Tayana Fincher Nancy Elizabeth Prophet Fellow Costume and Textiles Department RISD Museum CHECKLIST OF THE EXHIBITION Spanish Tile, 1500s Earthenware with glaze 13.5 x 14 x 2.5 cm (5 5/16 x 5 1/2 x 1 inches) Gift of Eleanor Fayerweather 57.268 Heavily chipped on its surface, this tile was made in what is now Spain after the fall of the Nasrid Kingdom of Granada (1238–1492). -
What Isveiling?
Muslim Women—we just can’t seem to catch a break. We’re oppressed, submissive, and forced into arranged marriages by big- bearded men. Oh, and let’s not forget—we’re also all hiding explosives under our clothes. The truth is—like most women—we’re independent and opinionated. And the only things hiding under our clothes are hearts yearning for love. Everyone seems to have an opinion about Muslim women, even those—especially those—who have never met one. —Ayesha Mattu and Nura Maznavi, introduction to Love Inshallah: The Secret Love Lives of American Muslim Women introduCtion What Is Veiling? Islam did not invent veiling, nor is veiling a practice specific to Muslims. Rather, veiling is a tradition that has existed for thousands of years, both in and far beyond the Middle East, and well before Islam came into being in the early seventh century. Throughout history and around the world, veiling has been a custom associated with “women, men, and sacred places, and objects.”1 Few Muslims and non- Muslims realize that Islam took on veiling practices already in place at the dawn of the seventh century around the Mediterranean Basin. Islam inherited them from the major empires and societies of the time along with many other customs and patriarchal traditions related to the status of women. To understand the meaning of veiling in Islam today, one must recognize the important yet neglected history of veiling practices in the pre-Isla mic period and appreciate the continuities and similarities among cultures and religious traditions. Given that veiling -
Women's Issue and Its Historical-Retrospective Discourses in Turkestan in the Late of Xix and Early Xx Centuries
European Journal of Molecular & Clinical Medicine ISSN 2515-8260 Volume 07, Issue 02, 2020 Women's Issue And Its Historical-Retrospective Discourses In Turkestan In The Late Of Xix And Early Xx Centuries Yusupova Dildora Dilshatovna Doctor of Philosophy (PhD) in Philosophy Military Technical Institute of the National Guard of the Republic of Uzbekistan Tashkent city, Republic of Uzbekistan. E-mail - [email protected] Madaeva Shahnoza Omonillaevna Doctor of Philosophy, Professor Head of the Department of Philosophy and Logic, National University of Uzbekistan E-mail - [email protected] Abstract. This article is devoted to the issue of women in Turkestan in the last century, which includes parandja, discourses on parandja, the "Khudjum" movement, the role of women in spiritual and enlightenment life, social status in the family, the religious and political situation in Turkestan, the factors that led to the religious situation , gender characteristics have been analyzed in a historically retrospective, philosophical context. It also seeks to broaden the views of Eastern and Western ideologists on the subject of the parandja, the issue of women in Islamic and Sharia law, their rights, as well as a broad approach to the original goals and objectives of the work done in the discovery of a new modern female image. At the end of the article it is stated in the proposals and comments that it is important to study and analyze the religious and political life of the past in order to find solutions to the problematic situations related to the religious factor in Uzbekistan today. Keywords: Women, “Parandja”*, black “chimmat”*, chachvon, “Khudjum”* movement, throwing parandja, religious and political situation, hijab*, gender, human rights, education. -
Muslim Women's Pilgrimage to Mecca and Beyond
Muslim Women’s Pilgrimage to Mecca and Beyond This book investigates female Muslims pilgrimage practices and how these relate to women’s mobility, social relations, identities, and the power struc- tures that shape women’s lives. Bringing together scholars from different disciplines and regional expertise, it offers in-depth investigation of the gendered dimensions of Muslim pilgrimage and the life-worlds of female pilgrims. With a variety of case studies, the contributors explore the expe- riences of female pilgrims to Mecca and other pilgrimage sites, and how these are embedded in historical and current contexts of globalisation and transnational mobility. This volume will be relevant to a broad audience of researchers across pilgrimage, gender, religious, and Islamic studies. Marjo Buitelaar is an anthropologist and Professor of Contemporary Islam at the University of Groningen, The Netherlands. She is programme-leader of the research project ‘Modern Articulations of Pilgrimage to Mecca’, funded by the Netherlands Organisation for Scientific Research (NWO). Manja Stephan-Emmrich is Professor of Transregional Central Asian Stud- ies, with a special focus on Islam and migration, at the Institute for Asian and African Studies at Humboldt-Universität zu Berlin, Germany, and a socio-cultural anthropologist. She is a Principal Investigator at the Berlin Graduate School Muslim Cultures and Societies (BGSMCS) and co-leader of the research project ‘Women’s Pathways to Professionalization in Mus- lim Asia. Reconfiguring religious knowledge, gender, and connectivity’, which is part of the Shaping Asia network initiative (2020–2023, funded by the German Research Foundation, DFG). Viola Thimm is Professorial Candidate (Habilitandin) at the Institute of Anthropology, University of Heidelberg, Germany. -
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International Journal of Advanced Science and Technology Vol. 29, No. 8, (2020), pp. 4927-4931 Importance of Hijab through Social Media Comment Farzana Afrin Shikha 1 Ashikul Hoque 2 Mohammad Waliul Hasanat 3 Shahanaz Akter4 Prof. Dr. Abu Bakar Abdul Hamid5 Putra Business School, UPM Malaysia , [email protected] 1 [email protected] 2 [email protected] 3 [email protected] [email protected] 5 Abstract There are a considerable amount of controversies regarding ethnic dress like hijab as many raise questions about the importance of the hijab among the Muslim community. The paper sheds light on several social media comments on the hijab in the Muslim community. The significance of hijab like ethnic dresses has been evaluated through social media comments on several media websites. The comments related to ethnic dresses show that awareness among people about cultural diversity has been increasing significantly. The social media comments about the hijab are important evidence that the concern about ethnic attire, social cohesion, and cultural differences are increasing among the people. The paper provides adequate emphasis on the meaning of hijab or veiling. The main objective of the paper is to provide an effective evaluation of the attire of Islamic populations and the social media reactions on this attire. Several previous articles of renowned authors who have worked in this matter are carefully evaluated to get ideas about this matter. Keywords Hijab, Veil, Ethnic Attire, Cultural Diversity, Islamic Attire 1. Introduction There are millions of women with Islamic Faith who wore a hijab and it is a visible expression of these women to express their faith in their religion and culture. -
A REFLECTION on WOMEN ATTIRE in the QUR'an: a STUDY on AYAT AL-HIJĀB Angraini Binti Ramli International Islamic University M
Mazahib,Vol XVI, No. 2 (Desember 2017), Pp. 125 - 134 ISSN 1829-9067; EISSN 2460-6588 DOI: http://dx.doi.org/10.21093/mj.v16i2.818 A REFLECTION ON WOMEN ATTIRE IN THE QUR’AN: A STUDY ON AYAT AL-HIJĀB Angraini binti Ramli International Islamic University Malaysia [email protected] Radwan Jamal Elatrash International Islamic University Malaysia [email protected] Abstract: Hijab, jilbab or khimar known as a piece of garment which usually worn by Muslim women in order to obey their God. It becomes a symbol that shows their identity. Besides, Hijab has a particular meaning according to multiple perspectives which resulted variant styles and types of hijab in one community, with or without syari‟ah compliance. Fashion trends also plays the role in modifying women attire and the issue about this seems more complicated since the guidelines were avoided. This paper will goes through the commentaries of Qur’an to examine the requirements of proper women attire as mentioned specifically on ayat al-hijab. It results that Qur’an already put some guidelines on proper attire for Muslim women such as: the garments used to cover body parts is must be long, wide and thick enough. Not being overdressed also included as a requirement. Keyword: Hijab, Women Attire, Syari‟ah compliance, Islamic Dress Code. Abstrak: Hijab, jilbab atau khimar dikenal sebagai selembar pakaian yang biasanya digunakan wanita muslimah untuk memenuhi perintah Tuhannya, Penggunaan jilbab menjadi symbol yang menunjukkan identitas mereka. Selain itu, jilbab memiliki arti tertentu sesuai dengan berbagai perspektif yang menghasilkan varian gaya dan jenis jilbab di satu komunitas, dengan atau tanpa kepatuhan syari‟ah. -
Hijab) Among Pakistani Women
Chapter I CONDITIONS, CONTEXT, AND OUTCOMES OF PRACTICING VEIL (HIJAB) AMONG PAKISTANI WOMEN By WASEEM FAYYAZ Dr. Muhammad Ajmal NATIONAL INSTITUTE OF PSYCHOLOGY Centre of Excellence Quaid-i-Azam University Islamabad - Pakistan 2015 CONDITIONS, CONTEXT, AND OUTCOMES OF PRACTICING VEIL (HIJAB) AMONG PAKISTANI WOMEN By WASEEM FAYYAZ 1 A dissertation submitted to Dr. Muhammad Ajmal NATIONAL INSTITUTE OF PSYCHOLOGY Centre of Excellence Quaid-i-Azam University, Islamabad. In partial fulfillment of the requirement for the DEGREE OF DOCTOR OF PHILOSOPHY IN PSYCHOLOGY 2014 LIST OF FOREIGN EXAMINERS The Ph.D dissertation titled “Conditions, Context, and Outcomes of Practicing Veil (Hijab) among Pakistani Women” prepared by Mr. Waseem Fayyaz has been evaluated by the following foreign examiners: 1. Prof. Dr. Ralph Hood. Department of Psychology, College of Arts and Sciences, the University of Tennessee at Chattanoonga, USA. 2. Dr. Mark Wiggins. Associate Dean Research, Faculty of Human Sciences, Macquarie University, Sydney, Australia. 3. Prof. Dr. Phil Reed. Chair, Department of Psychology, Swansea University, United Kingdom. 2 CERTIFICATE Certified that Ph.D. dissertation on “Conditions, Context, and Outcomes of Practicing Veil (Hijab) among Pakistani Women” prepared by Mr. Waseem Fayyaz has been approved for submission. (Prof. Dr. Anila Kamal) Supervisor LIST OF CONTENTS 3 Acknowledgments i Abstract iii List of Tables v List of Figures viii List of Appendices ix Chapter I. INTRODUCTION 1 Hijab (Veil) 3 History of Veiling/Hijab 10 Hijab in Present Muslim Societies 15 Hijab Ban/Discrimination 22 Conditions of Hijab 28 Hijab in Pakistan 33 Rationale of Present Study 42 Chapter II. RESEARCH DESIGN 45 Study 1: Exploring the Hijab Phenomenon in Pakistani Context 45 Study 2: Comparison of Five Dress Groups on Study Variables 46 Chapter III. -
Genealogies of Feminism: Leftist Feminist Subjectivity in the Wake of the Islamic Revival in Contemporary Morocco
Genealogies of Feminism: Leftist Feminist Subjectivity in the Wake of the Islamic Revival in Contemporary Morocco Nadia Guessous Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 ©2011 Nadia Guessous All rights reserved ABSTRACT Genealogies of Feminism: Leftist Feminist Subjectivity in the Wake of the Islamic Revival in Contemporary Morocco Nadia Guessous This dissertation is an ethnographic and genealogical study of leftist feminist subjectivity in the wake of the Islamic Revival in contemporary Morocco. It draws on two years (2004-2006) of field research amongst founding members of the Moroccan feminist movement whose activism emerged out of their immersion in and subsequent disenchantment with leftist and Marxist politics in the early 1980s. Based on ethnographic observations and detailed life histories, it explores how Moroccan feminists of this generation came to be constituted as particular kinds of modern leftist subjects who: 1) discursively construct “tradition” as a problem, even while positively invoking it and drawing on its internal resources; 2) posit themselves as “guardians of modernity” despite struggling with modernity’s constitutive contradictions; and 3) are unable to parochialize their own normative assumptions about progress, modernity, freedom, the body, and religion in their encounter with a new generation of women who wear the hijab. How and why a strong commitment to ideas associated with modernity, with women’s rights and with the left is seen as necessitating a condemnation and disavowal of “traditional” and of non-secular ways of being is one of the main themes animating this project. -
University of Derby Muslim Women and the Hijab in Britain
Muslim women and the hijab in Britain: contexts and choices. Item Type Thesis or dissertation Authors Mackay, Kathryn Publisher University of Derby Download date 26/09/2021 18:47:39 Link to Item http://hdl.handle.net/10545/306736 UNIVERSITY OF DERBY MUSLIM WOMEN AND THE HIJAB IN BRITAIN: CONTEXTS AND CHOICES. Kathryn Mary Mackay Doctor of Philosophy 2013 Contents 1 Glossary 5 Preface 7 Abstract 9 Acknowledgements 11 Chapter One: Religious and political context 13 1.1. Introduction 13 1.2. The Qur’anic basis of the hijab 15 1.3. The World Trade Centre attacks September 11th 2001 (9/11) 18 1.4. The War on Terror 20 1.5. The Iraq War 2003 20 1.6. The hijab in French state schools 22 1.7. The London Bombings 7th July 2005 (7/7) 26 1.8. The Jack Straw Controversy 27 1.9. Summary 31 Chapter Two: Literature review. 33 2.1. Introduction 33 2.2. Interpretation of Qur’anic instructions 34 2.3. Feminist arguments/interpretations against veiling 38 2.4. Restrictions on mixing with the opposite sex 44 2.5. Politics of the veil 46 2.6. Empirical research on the hijab in the West prior to 9/11 49 2.7. Impact of 9/11 54 2.8. Conversion 61 2.9. Dress and identity 62 2.10. Veiling as fashion 67 2.11. Summary 73 1 Chapter Three: Religion and Choice 75 3.1. Introduction 75 3.2. Rational Choice Theory 75 3.3. Rational Choice Theory and Religion 78 3.4. Rational Choice Theory and Social Constraints 82 3.5. -
Unveiling the Veil: Debunking the Stereotypes of Muslim Women Jennifer Sands Rollins College, [email protected]
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Summer 2014 Unveiling the Veil: Debunking the Stereotypes of Muslim Women Jennifer Sands Rollins College, [email protected] Follow this and additional works at: https://scholarship.rollins.edu/mls Part of the Women's Studies Commons Recommended Citation Sands, Jennifer, "Unveiling the Veil: Debunking the Stereotypes of Muslim Women" (2014). Master of Liberal Studies Theses. 60. https://scholarship.rollins.edu/mls/60 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. Unveiling the Veil: Debunking the Stereotypes of Muslim Women A Project Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Liberal Studies by Jennifer C. Sands August, 2014 Mentor: Dr. Rachel Newcomb Reader: Dr. Kathryn Norsworthy Rollins College Hamilton Holt School Masters of Liberal Studies Program Winter Park, Florida 2 Table of Contents Acknowledgements 3 Chapter I: Introduction 5 Chapter II: Origins of the Veil 12 Chapter III: Religious Justifications 24 Chapter IV: Misconceptions of Muslim Women 34 Chapter V: Muslim Women of Central Florida 49 Works Referenced 64 3 Acknowledgements It is difficult to express in words the sincere gratitude I feel for all who have helped guide me on my journey through the Masters of Liberal Studies at Rollins College. I have nothing but the highest regard for all who have contributed to my success. First and foremost, I must say an enormous thank you to my amazing thesis advisors. -
Colonial and Orientalist Veils
Colonial and Orientalist Veils: Associations of Islamic Female Dress in the French and Moroccan Press and Politics Loubna Bijdiguen Goldmiths College – University of London Thesis Submitted for a PhD in Media and Communications Abstract The veiled Muslimah or Muslim woman has figured as a threat in media during the past few years, especially with the increasing visibility of religious practices in both Muslim-majority and Muslim-minority contexts. Islamic dress has further become a means and technique of constructing ideas about the ‘other’. My study explores how the veil comes to embody this otherness in the contemporary print media and politics. It is an attempt to question constructions of the veil by showing how they repeat older colonial and Orientalist histories. I compare and contrast representations of the dress in Morocco and France. This research is about how Muslimat, and more particularly their Islamic attire, is portrayed in the contemporary print media and politics. My research aims to explore constructions of the dress in the contemporary Moroccan and French press and politics, and how the veil comes to acquire meanings, or veil associations, over time. I consider the veil in Orientalist, postcolonial, Muslim and Islamic feminist contexts, and constructions of the veil in Orientalist and Arab Nahda texts. I also examine Islamic dress in contemporary Moroccan and French print media and politics. While I focus on similarities and continuities, I also highlight differences in constructions of the veil. My study establishes the importance of merging and comparing histories, social contexts and geographies, and offers an opportunity to read the veil from a multivocal, multilingual, cross-historical perspective, in order to reconsider discourses of Islamic dress past and present in comparative perspective. -
Redalyc.El Velo (El Hiyab) De Las Mujeres Musulmanas: Entre La Ideología Colonialista Y El Discurso Islámico: Una Visión Deco
Tabula Rasa ISSN: 1794-2489 [email protected] Universidad Colegio Mayor de Cundinamarca Colombia Lamrabet, Asma El velo (el hiyab) de las mujeres musulmanas: entre la ideología colonialista y el discurso islámico: una visión decolonial Tabula Rasa, núm. 21, julio-diciembre, 2014, pp. 31-46 Universidad Colegio Mayor de Cundinamarca Bogotá, Colombia Disponible en: http://www.redalyc.org/articulo.oa?id=39633821002 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto EL VELO (EL HIYAB) DE LAS MUJERES MUSULMANAS: ENTRE LA IDEOLOGÍA COLONIALISTA Y EL DISCURSO ISLÁMICO: UNA VISIÓN DECOLONIAL1 ASMA LAMRABET Instituto Rabita al muhammadia des Oulémas du Maroc2, Marruecos [email protected] Recibido: 11 de enero de 2014 Aceptado: 22 de mayo de 2014 Resumen: El debate sobre el velo - Hijab - de las mujeres musulmanas, siempre ha sido central dentro del debate feminista contemporáneo y de ahí expresa el corazón del conflicto entre dos visiones antinómicas: la visión del discurso neo-orientalista y neo- occidental hegemónico y la de un cierto discurso islámico tradicionalista mayoritario. Para unos representa la opresión patriarcal mientras que para los otros es el símbolo último de la identidad islámica. El cuerpo de las mujeres musulmanas parece hoy encarnar el lugar de tensión entre las representaciones de la modernidad y las de la anti - modernidad. Este texto intenta una doble crítica y una deconstrucción desde una visión decolonial, tanto de la ideología feminista neo- orientalista dominante, como también de aquella visión en «espejo» del discurso islámico tradicionalista refractario a toda visión reformista.