The French Revolution
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Second Hand Carom Tables
Second Hand Carom Tables Telegrammatic Jerry recommitted, his townies enquiring inconveniencing pervasively. Is Tremaine thinned when Maurise solder beatifically? Lyndon cleansings troppo? Just wanted to post an update on my Jeff Prather custom FS cue he has built for me. These are two common types of wool yarn and both have specific characteristics that make them unique. Sign up for our newsletter and be the first to know about coupons and special promotions. San Fernando Mission Blvd. Or maybe it was already at the billiards. Barcelona, Spain, is known for making some of the worlds finest textiles for the billiards industry as well as the fashion industry. CB would slow down. An exhortatory cry to a ball or balls to slow down or come to a stop, often made when overshooting position with the cue ball. The object of the game is to score either a fixed number of points, or score the most points within a set time frame, determined at the start of the game. We regularly have leftovers from a billiard table. Your choice of any color wood finish. Although he knew he would make first class cues, Woody was not prepared for the testimonials received on the quality of his initial cues. The puck hovering above the field. Here you will find all brands of the caramel cues. Lathe Accessories; Filter by Price Range. MVG items come from the Winmau factory. The association of noble raw materials, oak and slate, confer to this pool table an exceptional design. Arcos II helps deliver a killer combination of durability, roundness and balance that maintains consistency over time. -
Refuge Update May/June 2010 Vol 7, No 3
U.S. Fish & Wildlife Service May/June 2010 | Vol 7, No 3 RefugeUpdate National Wildlife Refuge System www.fws.gov/refuges INSIDE: Palmyra Atoll is part of the marine national monuments of the Pacific, which are like no place else in the National Wildlife Refuge System. See Focus section. (Kydd Pollock/The Nature Conservancy) Tulare Basin Is Latest Addition Looting’s Costly Aftermath he National Wildlife Refuge System grew by one this By Susan Morse T spring with the acquisition court award is only as good as your ability to spend it. That’s what Cypress of conservation easements on 777 Creek National Wildlife Refuge, IL, is learning after a federal court in Illinois acres to create the Tulare Basin Aawarded it $150,000 to mitigate archaeological losses and repair a looted site. Wildlife Management Area in central The looter ripped more than 13,000 ancient artifacts from the ground before he was California. caught in 2007. On March 21, perpetual conservation In January, the court found the man guilty of violating the Archaeological Resources easements were bought on two tracts Protection Act (ARPA), which makes it a felony to disturb, damage or remove historic of wetland habitat to create the new material from public lands. The court ordered him to pay the damages and serve wildlife management area, which 30 days in jail. But he claims no income, and few experts think the southern Illinois will be administered as part of the refuge will ever collect the $150,000. Kern National Wildlife Refuge in the southern San Joaquin Valley. -
Filmkrantindex 0-166
Inhoud/Toelichting 1 INDEX NR 0 T/M 166 T/M 0 INDEX NR Deze index op de nummers 0 tot en met 166 van de Filmkrant is ingedeeld in de hieronder vermelde categorieën. Elke categorie is gealfabetiseerd: op trefwoord, op titel of op naam. De alfabetisering volgt het 'computer-systeem', d.w.z. dat begonnen wordt met leestekens ('Crocodile' Dundee), vervolgens cijfers (06) en daarna letters (A demain). Artikelen .............................................................................. 2 Filmrecensies ................................................................... 20 U vindt hier artikelen en series (b.v. Flashback) die buiten In deze categorie vindt u uitsluitend echte recensies met alle andere categorieën vallen. Géén filmbesprekingen of credits. de inhoud van de rubrieken 'Nieuws' of 'Geruchten- machine'. Films op video ................................................................ 37 Sinds kort de rubriek waar films worden besproken die Boekrecensies ................................................................... 8 wel op video maar niet in de bioscoop worden uitge- Hier vindt u echte boekrecensies, niet de rubrieken van bracht. U vindt hier geen credits, alleen de uitbreng- Jan Hilkemeijer en Anita Snoek. datum en de distributeur. Columns ............................................................................... 10 Interviews .......................................................................... 39 Persoonlijke notities van Jan Beijsterbos, Jan Heijs, Ian U treft hier, naast interviews met filmmakers over hun Kerkhof, -
Volume 24, Issue 1 Spring 2017
Penn History Review Volume 24 Issue 1 Spring 2017 Article 1 May 2017 Volume 24, Issue 1 Spring 2017 Spring 2017 Penn History Review Follow this and additional works at: https://repository.upenn.edu/phr Recommended Citation Penn History Review, Spring 2017 (2017) "Volume 24, Issue 1 Spring 2017," Penn History Review: Vol. 24 : Iss. 1 , Article 1. Available at: https://repository.upenn.edu/phr/vol24/iss1/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/phr/vol24/iss1/1 For more information, please contact [email protected]. Penn History Review Journal of Undergraduate Historians Volume 24, Issue 1 Spring 2017 Julia Fine David Murrell on Public Art Museums, Exhibitions, on French Reaction to the and Cultural Control in Foreign Press during the Victorian Britain Dreyfus Affair Chloé Nurik William Shirey on Gin, Gentlemen, and on Roosevelt vs. Hay on the Generational Conflict Anglo-American Relationship Simon Panitz on President Lyndon Johnson, Jonathan Worth Daniels, and the Re-Southernization of the White House Penn History Review Journal of Undergraduate Historians Volume 24, Issue 1 Spring 2017 Editor-in-Chief Michael J. Torcello 2018, American History Editorial Board Andrés De Los Ríos 2017, European History Gregory Olberding 2017, Economic History Daniel Thompson 2017, General History Helen Berhanu 2018, European History Isabel Gendler 2018, European History Emma Hetrick 2018, American History Cristina Urquidi 2018, Diplomatic History Alex Weissfisch 2018, Diplomatic History Julia Barr 2019, General History Editor-in-Chief Emeritus Aaron C. Mandelbaum 2017, American History ABOUT THE REVIEW Founded in 1991, the Penn History Review is a journal for undergraduate historical research. -
Study Guide, See How Many of These Questions You Can Answer!
CREATIVE TEAM Bob Martin (Book) has been working as an actor and writer for over three decades. He has received many awards in both Canada and the US, including a Tony for The Drowsy Chaperone. Recent TV projects include “Slings & Arrows,” seasons 1, 2, and 3 (TMN, Sundance); “Michael: Tuesdays and Thursdays” (CBC); “Michael: Every Day” (CBC); “Sensitive Skin, seasons 1 and 2” (HBO); and “Elf: Buddy’s Musical Christmas” (NBC). Recent theater projects include Encores! (NYC), The Prom (Atlanta), Gotta Dance (Chicago), Elf (Broadway, Dublin, London), The Drowsy Chaperone (Toronto, Broadway, London), Second City Toronto (performer, director, artistic director). In development: Millions, Half Time, The Princess Bride. Mark Hollmann (Music & Lyrics) won the Tony Award, the National Broadway Theatre Award, and the Obie Award for his music and lyrics to Urinetown: The Musical. His other shows as composer/lyricist include Yeast Nation and Bigfoot and Other Lost Souls. He is a member of the American Society of Composers, Authors, and Publishers (ASCAP), serves on the council of the Dramatists Guild of America, and has served on the Tony Nominating Committee. Greg Kotis (Lyrics) is the author of many plays and musicals including Urinetown (book/lyrics, for which he won an Obie Award and two Tony Awards), Lunchtime, Give the People What They Want, Michael von Siebenburg Melts Through the Floorboards, Yeast Nation (book/lyrics), The Truth About Santa, Pig Farm, Eat the Taste, and Jobey and Katherine. Future projects include ZM, a new musical that follows two teenage fast-food workers as they struggle to survive a foodborne zombie apocalypse. -
View PDF Datastream
From Romantic Teleology to Decadent Animal Activism: Human-Animal Sympathy in the Nineteenth-Century French Novel By Christopher Robison B.A., University of Rochester, 2009 M.A., Brown University, 2015 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of French Studies at Brown University Providence, Rhode Island February 2020 © Copyright 2020 by Christopher Robison This dissertation by Christopher Robison is accepted in its present form by the Department of French Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_________________ __________________________________________ Gretchen Schultz, Advisor Recommended to the Graduate Council Date_________________ __________________________________________ Thangam Ravindranathan, Reader Date_________________ __________________________________________ Kari Weil, Reader Approved by the Graduate Council Date_________________ __________________________________________ Andrew G. Campbell, Dean of the Graduate School iii Curriculum vitae Christopher Thomas Robison received a B.A. with dual majors in French and Comparative Literature from the University of Rochester in 2009. He received his M.A. in French Studies in 2015 from Brown University, where he would go on to successfully defend his doctoral dissertation in December 2019. During his time at Brown, he taught beginning through advanced-level French courses, served as Teaching Assistant in the Brown English Department, and taught in the English Department at Université Lumière Lyon 2 as a part of Brown French Studies’ exchange program. He was awarded the Simmons-Ahearn Prize for Excellence (departmental award) in 2018 in recognition of his teaching and research. iv ACKNOWLEDGMENTS I would like to begin by thanking Gretchen Schultz for being an absolutely extraordinary advisor. -
The Mass Entrance Hymn – Omitted in Advent When the Great Litany Is Recited Or Sung - the Introit May Be Recited - During a Solemn Eucharist the Altar May Be Censed
1 The Mass Entrance Hymn – Omitted in Advent when the Great Litany is recited or sung - The Introit may be recited - During a Solemn Eucharist the Altar may be censed Celebrant The Lord be with you People And with thy spirit Celebrant Let us pray Almighty God, unto whom all hearts are open, all desires known, and from whom no secrets are hid; Cleanse the thoughts of our hearts by the inspiration of thy Holy Spirit, that we may perfectly love thee, and worthily magnify thy Holy Name; through Christ our Lord. Amen The Introit may be recited The priest then may say the Decalogue or the Summary of the Law: The Decalogue God spake these words, and said: I am the Lord thy God; thou shalt have none other gods but me. Lord, have mercy upon us and incline our hearts to keep this law. Thou shalt not make to thyself any graven image, nor the likeness of anything that is in heaven above, or in the earth beneath, or in the water under the earth; thou shalt not bow down to them, nor worship them. Lord, have mercy upon us and incline our hearts to keep this law. Thou shalt not take the Name of the Lord thy God in vain. Lord, have mercy upon us and incline our hearts to keep this law. Remember that thou keep holy the Sabbath-day. 2 Lord, have mercy upon us and incline our hearts to keep this law. Honour thy father and thy mother. Lord, have mercy upon us and incline our hearts to keep this law. -
THE ORIGIN of SNOOKER : the NEVILLE CHAMBERLAIN STORY by Peter Ainsworth
THE ORIGIN OF SNOOKER : THE NEVILLE CHAMBERLAIN STORY by Peter Ainsworth he game of snooker was fellows, it is just the same as shell-out only these Tinvented by Neville other balls are put on the spots up the centre of the Chamberlain in 1875. Everyone table.” knows that. Or to be more precise, this is today’s The gambling element involved in Sheldrick’s game commonly accepted theory. gives a clue to the reason for its rapid rise in popularity. But prior to 1938 there was an Imagine playing a game of four-handed snooker where equally accepted theory that for every point you scored, you were paid £1 by each the game been introduced by of the other players! The variation in the value of the a “Colonel Snooker” of the balls appealed to both the skilful and the lucky in a Royal Artillery. Then came the way which could not be matched by any other Pool Neville Chamberlain game being played on a billiard table at that time. Even in 1883 momentous day when Sir Neville Francis Fitzgerald this strange version has characteristics which clearly Chamberlain at last responded to the umpteenth letter link it to the modern game having a pyramid of reds to speculating on the game’s origins and staked his own which was added Yellow, Brown, Green & Black balls claim, which was published in The Field on 19th March which were “put on the spots up the centre of the table”. 1938. This was apparently provoked by another claim There are additional references which appear to take in the same magazine, that the game had been Captain Sheldrick’s game back to 1884 when it was invented at “The Shop”, a term used to describe the being played elsewhere amongst the British Army in Royal Military Academy at Woolwich. -
Harry Connick, Jr. • Other Hours, Connick on Piano, Vol
MARSALIS MUSIC HARRY CONNICK, JR. • OTHER HOURS, CONNICK ON PIANO, VOL. 1 323 Broadway BIOGRAPHY Cambridge, MA 02139 t. 617.354.2736 On the heels of his recent successes in a big band format (Come by Me, Songs I Heard) and as a solo pianist on the f. 617.354.2396 album 30, Harry Connick, Jr. features his piano in the context of a small jazz group on Other Hours, his first album in a www.marsalismusic.com quartet setting. Connick’s longstanding association with the Marsalis family, which began when he studied as a teenager [email protected] with patriarch Ellis Marsalis, now finds the multitalented artist recording for Branford Marsalis’ new Marsalis Music label in what will be an ongoing Connick on Piano series. In a rare move for a major record label, Columbia Records generously allowed Connick to follow his muse and record this series for his friend. Each of the twelve Connick compositions on Other Hours was originally conceived for the musical Thou Shalt Not and reflects the steamy atmosphere of post-World War II New Orleans that was the setting for the play’s variation on Emile Zola’s classic 1868 novel “Therese Raquin”. The shifting, often explosive passions of the characters are reflected in the score, which earned Connick a Tony nomination for his first writing venture for Broadway. Some of the songs were not incorporated into the final production and make their debut on the album. Connick and three mainstays of his big band – tenor saxophonist Charles “Ned” Goold, bassist Neal Caine and drummer Arthur Latin II – turned these melodies into the stuff jazz is made of during a handful of road dates during the summer of 2002 then went into the recording studio. -
STEIN on WRITING
Sol Stein STEIN on WRITING STEIN ON WRITING. Copyright © 1995 by Sol Stein, All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010. Production Editor: David Stanford Burr Design: Pei Loi Koay Library of Congress Cataloging-in-Publication Data Stein, Sol. Stein on writing : a master editor of some of the most successful writers of our century shares his craft techniques and strategies by Sol Stein. p. cm. ISBN 0-312-13608-0 1. Authorship. I. Title. PN151.S84 1995 808’.02—dc20 95-31793 CIP First Edition: December 1995 10 9 8 7 6 5 4 3 2 1 For Liz, who knows better, with love Acknowledgments I am grateful for the experienced advice on this book, as on many of my other books, from Patricia Day and Elizabeth Day Stein. My editors at St. Martin’s Press, Tom McCormack and Marian Lizzi, provided me with both encouragement and thoughtful suggestions, as did Loretta Hudson. For their insights, I am indebted beyond easy measure to the writers famous, infamous, and not-yet-known, as well as the teachers, readers, and students with whom I shared a life of editorial work and joy, and from whom I learned much of what is between these covers. Contents Acknowledgments............................................................................................................... 4 Contents -
Janvier 2019-01-17 Vous Ferez Une Explication Grammaticale Structurée
LLCER anglais SS - Grammaire - Epreuve salariés - janvier 2019-01-17 Vous ferez une explication grammaticale structurée des segments soulignés du texte ci-dessous (les deux premiers sont à étudier ensemble contrastivement. le troisième compte double) Stave 1: Marley's Ghost The same face: the very same. Marley in his pigtail, usual waistcoat, tights and boots; the tassels on the latter bristling, like his pigtail, and his coat-skirts, and the hair upon his head. The chain he drew was clasped about his middle. lt was long, and wound about him like a tail; and it was made (for Scrooge observed it closely) of cash-boxes, keys, padlocks, ledgers, deeds, and heavy purses wrought in steel. His body was transparent; so that Scrooge, observing him, and looking through his waistcoat, cou Id see the two buttons on his coat behind. Scrooge had often heard it said that Marley had no bowels, but he had never believed it until now. No, nor did he believe it even now. Though he looked the phantom through and through, and saw it standing before him; though he felt the chilling influence of its death-cold eyes; and marked the very texture of the folded kerchief bound about its head and chin, which wrapper he had not observed before; he was still incredulous, and fought against his senses. "How now!" said Scrooge, caustic and cold as ever. "What do you want with me?" "Much!"-Marley's voice, no doubt aboutit. "Who are you?" "Ask me who I was." "Who were you then?" said Scrooge, raising his voice. -
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