DOCSLIB.ORG

1957 the Witness, Vol. 44, No. 1. January 31, 1957

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1957 the Witness, Vol. 44, No. 1. January 31, 1957 The ESS JANUARY 31, 1957 lo, publication. and reuse for required Permission DFMS. / Church Episcopal the of Archives 2020. BISHOP PARDUE HONORED service in conducting Copyright OR outstanding F preaching missions for air force men. Conferring the citation are Charles Carpenter, chief of air force chaplains, and N. F. Twining, chief of staff ARTICLE BY BERTRAND RUSSELL SERVICES I SThe WITNESS SERVICES I In Leading Churches IForChrist and His Church In Leading Churches THE CATHEDRAL CHURCH 1 CHRIST CHURCH OF ST. JOH-N THlE DIVINE - EDITORIAL BOARD CAMB-RIDGE, MASS. * 12th St. and Amsterdam Rev. Gardiner M. Day, Rector Sunday: Holy Communion 7, 8, 9, 10; 1 JOjiN PAIRMAN BROWN, Editor; W. B. SPOP- Rev. Frederic B. Kellogg, Chaplain I Morning Praver, Holy Communion F~ORD, Managing Editor; KENNETH R. FORBES, Sunday Services: 8, 9, 10 and 11 a.m. q and Sermon, 11; Evensong and ser-9 GORnoN C. GRAHAM, ROBERT HIAMPSHIRE, Weekdays: Wednesday, 8 and 11 a.m. I mon, 4. 7:30 a.m. ~eekdas:W Morning l'rayer 8:30; Iloly GEORGE H. MACMURRAY, PAUL MOORE JR., -Thursdays, C ,,nnuni,,ns 7 : 30 (andI 10I Wed.); JOSEPH H. TITUS, Columnists; CLINTON J. KEW, Religion and the Mind; MASSEY H. ST. JOHN'S CATHIEDRAL DENVER, COLORADO SHEPHERD JR., Living Liturgy; JOSEPH P. V ery Rev. Paul Roberts, Dean 1 ETClIFR, Problems of Conscience. THE11 IILAX INIY REST, NEW YORK Ft Rev. Harry Watts, Canon 5th Xi enue at 90th Street Suiidays: 7:30, 8:30, 9:30 and 11. Rlev. John: Ellis Large, D.D. ! 4:30 p.m., recitals. ISundalys. Hly Communion, 7:30 and 9 Weekdays: lloly Communion, Wednes- I ailt.; Xlorninig Service and Sermon, 11. CONRuRIlUTsIt EDITO)RS: Frederick C. Grant, day, 7:15; Thursday, 10:30. 7hu-silassI and Holy Days; Holy Com- L. W. Barton, Dillard Brown Jr., T. P. Ferris, Hloly Days: Holy Conmmunion, 10:30. I muon, 12. W~ednesdays: Healing Sery- J. F. Fletcher, C. K. Gilbert, C. L. Glenn, G. publication. ! ier 12. D~aily: Morning Prayer, 9; 1. H-iller, A. C. Lichitenberger, C. S. Martin, 5:30. 11. C. Miller, E. L. Parson, J. A. Paul, Paul CHRlIST CHURCH limng Pits.. and I Roherts, W. M. Sharp, XW. Bl. Sperry, W. B. INDIANAPOLIS. IND. Spofforid It.. 1. WV. Sitter, S. E. Sweet, WV. N. Monment Circle, Downtown I S I. BARTHIIOLOMEW'S CHURCH Wevlsh. R~ev. John P. Craine, D.D., Rector andI 51st Street Rev. llessrs. F. P. Williams, reuse S Pak A% r~ue anmd 9:311 am). Iholy Conmnunion. E1. L. Conner for I9:30 and II aom. Church School. Suin.: II.C. 8t. 12:15, 11, 1st S. Family Ia.11. Alurning Service and Sermon. Ii TitE WssNtESs is published wecekly from 9:30; MA. P. and Ser., 11. 4 iii.t Evensong. Special Music. j Weekdays: 11. C. daily 8, ex. Wed and September 15th to June 15th inclusive, with IWcekdavtis: Hly~I Communion Tuesday at Fri. 7; II.D. 12:05. Noonday 10l: 30 a.m,.: XWednesdays and Saints the exception of the first week in January and P'ravers 12:05. required ' Davss ati 8 .. m.; IThursdays at 12:10 semi-monthly from June 15th to September 15th Offiice hours daily bs' appointment. - n-i. Ortgan litals, Frida}*s, 12:10.5 by the Episcopal C hutch Publishing Co. on ' Ilu Cihurcht is open daily for prayer. behalf of the W~itness Advisor' Bnard. I RINITY CHIURCH! MItAMr, FLA. IIIII1(1 O tIIE HOLY1 T11IINITYR 316Ifa~st 88th Street9 Rev'. G. Irvine Hiller, STFD., R-Iector Permission -NI ws YORK CITY- I Ie subscriiption price- is $4.00 a year; in Sundavs Services 8, 9:30 and 11 a.m. bundles for sale in parishes the magazine sells keic. inmes 1 FPid, D.., Rector 7 I Sunilis s: hlys Cotmuniton, 8; Church I for 10c a copv, te will bill quarterly at c a TRINITY CHURIICH 1 Scliool, 9: 30; XMorning Service, 11; copy. Entered as Secondl Class Miatter, August Blroad and T1hird Strents DFMS. - Issiting Pr-ayr, 5. 5, 1948, at the Post Office at Tunkhannock, COLUMRUS, OHio / I P.a., uinder the act of March 3, 1879. R1ev. Robert 117. Fay, D.D. R~ev. A. Freeman Traverse, Associate 11X.XSI1N(."IO(N C.XTIIEDRAL I Ret'. Rirhaird C. Wyatt, Assistant Ahe Ir SAINf AtLRANI Sun. 8 HC; 11 MP; 1 st Sun. I-C; Fri. Church Thelt. Rev-. Augur Dun, Bishop 12 N, HC: Evening, Weekday, Len- Ilie 1t'r tier. Frantcis B3. Sayre, Jr., ten Noon-Das', Special services an- SERVICES nounced. 1Suindaiv 8, Dean,H oly Comunion; 11,I I set- (genera.ills wsith M~P, Lit or pro-j In Leading I Churches CHURIICH OF THE INCARNATION Episcopal 1 cssion) !1, S. 1IC); 4, Es-. Week- 3966 McKinley Avenue tldavs: }IC, 7:30; Int., 12; Ev., 4.I DALLAS 4, TEXAS the S'r. STEPHEN'S CHURCH The Rev. Edward E. Tate, Rector of . L' 1Tenth Street, ahove Chestnut ; The Rev. Donald G. Smith, Associate I Ot-~~ aily Viik Park D PHIILADELPHIA, PENNtA. The Rev. 117. WV. Maltan, Assistant 7The Rev. J. M. Washington, Assistanst ' 1li1ev. Alfred W. Price, D.D., Rector ' IlIOCIItsTER, N.Y Sundays: 7:30, 9:15, 11 a.m. & 7:30 I thle Rev-. George L. Cadigan, Rector 1 instrto the Hard of Heat-tng Weekdays: Wednesday & Holy Archives pIm. Thle R5ev. Frederick P. Taft, Assistant ISunday: 9 and 11 a.m., 7:30 p.m. Days 10:10 a. mn. I 'Ihe Rev. E-dward IV. Mills, Assistant Weekdays: Mon., Tues., Wed., Thurs., Sundav:8. 9:20 anid 11. FSric.s12:30-12:55 p.m. 2020. CHUIRC"- OF ST. MICHAEL 9 Ily Dais: 11; Fri. 7. Sevcsof Spiritual Healing, Thurs.,! I 12:30 and 5:30 p.m. AND ST. GEORGE SAIT~ LOUS, MISSOURI The Rev. J. Francis Sant. Rector --- -ST. JAMES' 1 S117 N. Lafayette I CHRIST CHURCH CATHEDRAL The Rev. Alfred Mattes, M inister SouTH liEND, IND. Main S& Church Sts., Hartford, Conn. of Education Copyright I Ilite IPe-. Rlobert F. Rloyster, Rector I Sunday: 8 and 10:10 am., Holy Corn- The Rev. Donald Stau ffer, Asst. and 1 munion; 9-30, College Chaplain ISutndav: 8, 9:15, 11. Toes.: Holy Com- Church School; 11j 8:15. Thursday, ja~m., Morning Prayer; 8 p.m., Eve. Z Sundays: 9, 9:30, 11 a. in., High Imunion, Holy Coin- 1 ning Prayer. School. 4:30 p.m.; Canterbury Club, munio~n, 9:30. Friday, Holy I Corn. SWeekdays: Holy Communion, Mon. 12 7:00 p.m. I noon; Tues., Fri. and Sat., 8; Wed.,I 11 5r., 9; Wed., Noonday Serv- Ii~e ST. PAUL'S CATHEDRAL PRO-CATH~EDRAL OF THE HOLY I TRINITY Shelton Square BUFFALO, NEW YORK I PARIS, FRANCE ST. PAUL'S MEMORIAL Very Rev. Philip F. McNairy, D.D., Dean S23 Avsenue George V I SAN ATrONIO, TExAS Canon Mitchell Haddad; The Rev. - 1 Grayson and Willow Sts. Services: 8:30, 10:30 (S.S.), 10:45 J. D. Furlong IlRoidevard Raspail Re.James Joseph, Rector Sun., 8, 9:30, 11; Mon., Fri., Sat., j Student and Artists Center Su. 7:360 Hly Eu.; 9:00 Par. Corn.; H.C. 12:05; Tues., Thurs., H.C. 8 !The Rt. Rev. Stephen Keeler. Bishop Wed, and Holy Davs, 10 a.m. Holy am., prajets,sermon 12:05; Wed., The Very Rev. Sturgis Lee Riddle, Dean I Eu. Sarurdav - Sacrament of Forgive- H.C. 7 Lbs., 11I am., Healing Service S"A Church for All Americans" 12:05. VOL. 44, NO. 1i The WITNESS JANUARY 31, 1957 FOR CHRIST AND HIS CHURCH Editorial and Paiblication Office, Eaton Road, T nkha ,uoock, Pa. Story of the Week Wilmington, Delaware, and Police Officer Does Big Job not in Philadelphia! Once in a great while, at least speaking personally, one In Philadelphia Slum is so deeply moved and im- By Florence V. Miller problems of this unsavoury pressed by something one neighborhood. hears in a public speech, or on publication. Churchwomar of Wilmington, the air or reads in a book or Delaware He was told that since he and magazine article, that he feels could reach large numbers of absolutely compelled to write * Every evening, on the Philadelphians by way of his reuse in appreciation to the speaker radio, Monday through Friday, broadcasts, he could do a real for or author. Twice before during at 7:05 P.M., a pleasant mascu- service by informing the public the past year and a half I had line voice says: "Good about conditions in the felt that compulsion after one "Jungle", thereby arousing required Evening." It is the voice of of Mr. Shaw's broadcasts and Charles Shaw, news director of their interest and support for had written to him. As one radio station WCAU in Phil- a remedial program. of my friends observed: "I adelphia, beginning his ten- "This won't solve the prob- think Charles Shaw has a Permission minute broadcast "As I See lem," said Commissioner Gib- fan!" How right he was! he discusses It", during which bons, "but it could help); After hearing the "Jungle" various t o p i c s of current broadcasts I was so greatly DFMS. because knowledge is the / interest at home and abroad. beginning of understanding, impressed first, by Mr. Shaw's One evening in December and understanding is the own deep concern, which had Church Mr. Shaw recalled to his beginning of wisdom." not ended in mere emotion, audience the tragic fate of the but had sent him out into owner of a check-cashing Mr.
Load more

Recommended publications
  • Filmkrantindex 0-166
    Inhoud/Toelichting 1 INDEX NR 0 T/M 166 T/M 0 INDEX NR Deze index op de nummers 0 tot en met 166 van de Filmkrant is ingedeeld in de hieronder vermelde categorieën. Elke categorie is gealfabetiseerd: op trefwoord, op titel of op naam. De alfabetisering volgt het 'computer-systeem', d.w.z. dat begonnen wordt met leestekens ('Crocodile' Dundee), vervolgens cijfers (06) en daarna letters (A demain). Artikelen .............................................................................. 2 Filmrecensies ................................................................... 20 U vindt hier artikelen en series (b.v. Flashback) die buiten In deze categorie vindt u uitsluitend echte recensies met alle andere categorieën vallen. Géén filmbesprekingen of credits. de inhoud van de rubrieken 'Nieuws' of 'Geruchten- machine'. Films op video ................................................................ 37 Sinds kort de rubriek waar films worden besproken die Boekrecensies ................................................................... 8 wel op video maar niet in de bioscoop worden uitge- Hier vindt u echte boekrecensies, niet de rubrieken van bracht. U vindt hier geen credits, alleen de uitbreng- Jan Hilkemeijer en Anita Snoek. datum en de distributeur. Columns ............................................................................... 10 Interviews .......................................................................... 39 Persoonlijke notities van Jan Beijsterbos, Jan Heijs, Ian U treft hier, naast interviews met filmmakers over hun Kerkhof,
    [Show full text]
  • Volume 24, Issue 1 Spring 2017
    Penn History Review Volume 24 Issue 1 Spring 2017 Article 1 May 2017 Volume 24, Issue 1 Spring 2017 Spring 2017 Penn History Review Follow this and additional works at: https://repository.upenn.edu/phr Recommended Citation Penn History Review, Spring 2017 (2017) "Volume 24, Issue 1 Spring 2017," Penn History Review: Vol. 24 : Iss. 1 , Article 1. Available at: https://repository.upenn.edu/phr/vol24/iss1/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/phr/vol24/iss1/1 For more information, please contact [email protected]. Penn History Review Journal of Undergraduate Historians Volume 24, Issue 1 Spring 2017 Julia Fine David Murrell on Public Art Museums, Exhibitions, on French Reaction to the and Cultural Control in Foreign Press during the Victorian Britain Dreyfus Affair Chloé Nurik William Shirey on Gin, Gentlemen, and on Roosevelt vs. Hay on the Generational Conflict Anglo-American Relationship Simon Panitz on President Lyndon Johnson, Jonathan Worth Daniels, and the Re-Southernization of the White House Penn History Review Journal of Undergraduate Historians Volume 24, Issue 1 Spring 2017 Editor-in-Chief Michael J. Torcello 2018, American History Editorial Board Andrés De Los Ríos 2017, European History Gregory Olberding 2017, Economic History Daniel Thompson 2017, General History Helen Berhanu 2018, European History Isabel Gendler 2018, European History Emma Hetrick 2018, American History Cristina Urquidi 2018, Diplomatic History Alex Weissfisch 2018, Diplomatic History Julia Barr 2019, General History Editor-in-Chief Emeritus Aaron C. Mandelbaum 2017, American History ABOUT THE REVIEW Founded in 1991, the Penn History Review is a journal for undergraduate historical research.
    [Show full text]
  • Study Guide, See How Many of These Questions You Can Answer!
    CREATIVE TEAM Bob Martin (Book) has been working as an actor and writer for over three decades. He has received many awards in both Canada and the US, including a Tony for The Drowsy Chaperone. Recent TV projects include “Slings & Arrows,” seasons 1, 2, and 3 (TMN, Sundance); “Michael: Tuesdays and Thursdays” (CBC); “Michael: Every Day” (CBC); “Sensitive Skin, seasons 1 and 2” (HBO); and “Elf: Buddy’s Musical Christmas” (NBC). Recent theater projects include Encores! (NYC), The Prom (Atlanta), Gotta Dance (Chicago), Elf (Broadway, Dublin, London), The Drowsy Chaperone (Toronto, Broadway, London), Second City Toronto (performer, director, artistic director). In development: Millions, Half Time, The Princess Bride. Mark Hollmann (Music & Lyrics) won the Tony Award, the National Broadway Theatre Award, and the Obie Award for his music and lyrics to Urinetown: The Musical. His other shows as composer/lyricist include Yeast Nation and Bigfoot and Other Lost Souls. He is a member of the American Society of Composers, Authors, and Publishers (ASCAP), serves on the council of the Dramatists Guild of America, and has served on the Tony Nominating Committee. Greg Kotis (Lyrics) is the author of many plays and musicals including Urinetown (book/lyrics, for which he won an Obie Award and two Tony Awards), Lunchtime, Give the People What They Want, Michael von Siebenburg Melts Through the Floorboards, Yeast Nation (book/lyrics), The Truth About Santa, Pig Farm, Eat the Taste, and Jobey and Katherine. Future projects include ZM, a new musical that follows two teenage fast-food workers as they struggle to survive a foodborne zombie apocalypse.
    [Show full text]
  • View PDF Datastream
    From Romantic Teleology to Decadent Animal Activism: Human-Animal Sympathy in the Nineteenth-Century French Novel By Christopher Robison B.A., University of Rochester, 2009 M.A., Brown University, 2015 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of French Studies at Brown University Providence, Rhode Island February 2020 © Copyright 2020 by Christopher Robison This dissertation by Christopher Robison is accepted in its present form by the Department of French Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_________________ __________________________________________ Gretchen Schultz, Advisor Recommended to the Graduate Council Date_________________ __________________________________________ Thangam Ravindranathan, Reader Date_________________ __________________________________________ Kari Weil, Reader Approved by the Graduate Council Date_________________ __________________________________________ Andrew G. Campbell, Dean of the Graduate School iii Curriculum vitae Christopher Thomas Robison received a B.A. with dual majors in French and Comparative Literature from the University of Rochester in 2009. He received his M.A. in French Studies in 2015 from Brown University, where he would go on to successfully defend his doctoral dissertation in December 2019. During his time at Brown, he taught beginning through advanced-level French courses, served as Teaching Assistant in the Brown English Department, and taught in the English Department at Université Lumière Lyon 2 as a part of Brown French Studies’ exchange program. He was awarded the Simmons-Ahearn Prize for Excellence (departmental award) in 2018 in recognition of his teaching and research. iv ACKNOWLEDGMENTS I would like to begin by thanking Gretchen Schultz for being an absolutely extraordinary advisor.
    [Show full text]
  • The Mass Entrance Hymn – Omitted in Advent When the Great Litany Is Recited Or Sung - the Introit May Be Recited - During a Solemn Eucharist the Altar May Be Censed
    1 The Mass Entrance Hymn – Omitted in Advent when the Great Litany is recited or sung - The Introit may be recited - During a Solemn Eucharist the Altar may be censed Celebrant The Lord be with you People And with thy spirit Celebrant Let us pray Almighty God, unto whom all hearts are open, all desires known, and from whom no secrets are hid; Cleanse the thoughts of our hearts by the inspiration of thy Holy Spirit, that we may perfectly love thee, and worthily magnify thy Holy Name; through Christ our Lord. Amen The Introit may be recited The priest then may say the Decalogue or the Summary of the Law: The Decalogue God spake these words, and said: I am the Lord thy God; thou shalt have none other gods but me. Lord, have mercy upon us and incline our hearts to keep this law. Thou shalt not make to thyself any graven image, nor the likeness of anything that is in heaven above, or in the earth beneath, or in the water under the earth; thou shalt not bow down to them, nor worship them. Lord, have mercy upon us and incline our hearts to keep this law. Thou shalt not take the Name of the Lord thy God in vain. Lord, have mercy upon us and incline our hearts to keep this law. Remember that thou keep holy the Sabbath-day. 2 Lord, have mercy upon us and incline our hearts to keep this law. Honour thy father and thy mother. Lord, have mercy upon us and incline our hearts to keep this law.
    [Show full text]
  • Harry Connick, Jr. • Other Hours, Connick on Piano, Vol
    MARSALIS MUSIC HARRY CONNICK, JR. • OTHER HOURS, CONNICK ON PIANO, VOL. 1 323 Broadway BIOGRAPHY Cambridge, MA 02139 t. 617.354.2736 On the heels of his recent successes in a big band format (Come by Me, Songs I Heard) and as a solo pianist on the f. 617.354.2396 album 30, Harry Connick, Jr. features his piano in the context of a small jazz group on Other Hours, his first album in a www.marsalismusic.com quartet setting. Connick’s longstanding association with the Marsalis family, which began when he studied as a teenager [email protected] with patriarch Ellis Marsalis, now finds the multitalented artist recording for Branford Marsalis’ new Marsalis Music label in what will be an ongoing Connick on Piano series. In a rare move for a major record label, Columbia Records generously allowed Connick to follow his muse and record this series for his friend. Each of the twelve Connick compositions on Other Hours was originally conceived for the musical Thou Shalt Not and reflects the steamy atmosphere of post-World War II New Orleans that was the setting for the play’s variation on Emile Zola’s classic 1868 novel “Therese Raquin”. The shifting, often explosive passions of the characters are reflected in the score, which earned Connick a Tony nomination for his first writing venture for Broadway. Some of the songs were not incorporated into the final production and make their debut on the album. Connick and three mainstays of his big band – tenor saxophonist Charles “Ned” Goold, bassist Neal Caine and drummer Arthur Latin II – turned these melodies into the stuff jazz is made of during a handful of road dates during the summer of 2002 then went into the recording studio.
    [Show full text]
  • STEIN on WRITING
    Sol Stein STEIN on WRITING STEIN ON WRITING. Copyright © 1995 by Sol Stein, All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010. Production Editor: David Stanford Burr Design: Pei Loi Koay Library of Congress Cataloging-in-Publication Data Stein, Sol. Stein on writing : a master editor of some of the most successful writers of our century shares his craft techniques and strategies by Sol Stein. p. cm. ISBN 0-312-13608-0 1. Authorship. I. Title. PN151.S84 1995 808’.02—dc20 95-31793 CIP First Edition: December 1995 10 9 8 7 6 5 4 3 2 1 For Liz, who knows better, with love Acknowledgments I am grateful for the experienced advice on this book, as on many of my other books, from Patricia Day and Elizabeth Day Stein. My editors at St. Martin’s Press, Tom McCormack and Marian Lizzi, provided me with both encouragement and thoughtful suggestions, as did Loretta Hudson. For their insights, I am indebted beyond easy measure to the writers famous, infamous, and not-yet-known, as well as the teachers, readers, and students with whom I shared a life of editorial work and joy, and from whom I learned much of what is between these covers. Contents Acknowledgments............................................................................................................... 4 Contents
    [Show full text]
  • Janvier 2019-01-17 Vous Ferez Une Explication Grammaticale Structurée
    LLCER anglais SS - Grammaire - Epreuve salariés - janvier 2019-01-17 Vous ferez une explication grammaticale structurée des segments soulignés du texte ci-dessous (les deux premiers sont à étudier ensemble contrastivement. le troisième compte double) Stave 1: Marley's Ghost The same face: the very same. Marley in his pigtail, usual waistcoat, tights and boots; the tassels on the latter bristling, like his pigtail, and his coat-skirts, and the hair upon his head. The chain he drew was clasped about his middle. lt was long, and wound about him like a tail; and it was made (for Scrooge observed it closely) of cash-boxes, keys, padlocks, ledgers, deeds, and heavy purses wrought in steel. His body was transparent; so that Scrooge, observing him, and looking through his waistcoat, cou Id see the two buttons on his coat behind. Scrooge had often heard it said that Marley had no bowels, but he had never believed it until now. No, nor did he believe it even now. Though he looked the phantom through and through, and saw it standing before him; though he felt the chilling influence of its death-cold eyes; and marked the very texture of the folded kerchief bound about its head and chin, which wrapper he had not observed before; he was still incredulous, and fought against his senses. "How now!" said Scrooge, caustic and cold as ever. "What do you want with me?" "Much!"-Marley's voice, no doubt aboutit. "Who are you?" "Ask me who I was." "Who were you then?" said Scrooge, raising his voice.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. SCREENING ZOLA S WOMEN DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Barbara L.
    [Show full text]
  • The News Magazine of the University of Illinois School of Music
    sonorities2018 The News Magazine of the University of Illinois School of Music campus news Published for the alumni and friends of the School of Music at the University of Illinois at Urbana-Champaign. From the Director The School of Music is a unit of the College of Fine + Applied Arts and has been an accredited ake Music Matter. We feature this institutional member of the National Association of Schools of Music since 1933. simple phrase on our new School of Music website and t-shirts, and Peter Mortensen, Interim Dean of the College of now on the cover of Sonorities. For Fine + Applied Arts M me, the third word makes the difference. Jeffrey Magee, Director of the School of Music Making music has been at the center of Robert Grisbrook, Editor our School mission since its founding in Katherine Buzard, Copy Editor 1895, but the qualifier “matter” extends Aaron Godwin, Copy Editor that notion. It reminds us to bring music Jeffrey Magee, Director of the School of Music Design and layout by Studio 2D back into the world beyond the practice UI School of Music on the Internet: room, the teaching studio, the rehearsal hall, or the competition venue; to make it www.music.illinois.edu connect with diverse gatherings—not just connoisseurs and competition judges—in unusual venues, and in the spirit of social exchange and community-building. In this issue, you’ll find many ways that our faculty, students, and alumni carry out this vital task. A year ago, the School launched a newly renovated curriculum for all students in the Bachelor of Music Education degree, which now includes a Share your good news! Music Technology option.
    [Show full text]
  • The French Revolution
    THE FRENCH REVOLUTION THOMAS CARLYLE∗ CONTENTS. VOLUME I. THE BASTILLE BOOK 1.I. DEATH OF LOUIS XV. Chapter 1.1.I. Louis the Well-Beloved Chapter 1.1.II. Realised Ideals Chapter 1.1.III. Viaticum Chapter 1.1.IV. Louis the Unforgotten BOOK 1.II. THE PAPER AGE ∗PDF created by pdfbooks.co.za 1 Chapter 1.2.I. Astraea Redux Chapter 1.2.II. Petition in Hieroglyphs Chapter 1.2.III. Questionable Chapter 1.2.IV. Maurepas Chapter 1.2.V. Astraea Redux without Cash Chapter 1.2.VI. Windbags Chapter 1.2.VII. Contrat Social Chapter 1.2.VIII. Printed Paper BOOK 1.III. THE PARLEMENT OF PARIS 2 Chapter 1.3.I. Dishonoured Bills Chapter 1.3.II. Controller Calonne Chapter 1.3.III. The Notables Chapter 1.3.IV. Lomenie’s Edicts Chapter 1.3.V. Lomenie’s Thunderbolts Chapter 1.3.VI. Lomenie’s Plots Chapter 1.3.VII. Internecine Chapter 1.3.VIII. Lomenie’s Death-throes Chapter 1.3.IX. Burial with Bonfire BOOK 1.IV. STATES-GENERAL 3 Chapter 1.4.I. The Notables Again Chapter 1.4.II. The Election Chapter 1.4.III. Grown Electric Chapter 1.4.IV. The Procession BOOK 1.V. THE THIRD ESTATE 4 Chapter 1.5.I. Inertia Chapter 1.5.II. Mercury de Breze Chapter 1.5.III. Broglie the War-God Chapter 1.5.IV. To Arms! Chapter 1.5.V. Give us Arms Chapter 1.5.VI. Storm and Victory Chapter 1.5.VII. Not a Revolt Chapter 1.5.VIII.
    [Show full text]
  • Harry Connick, Jr. to Hold Keynote Conversation at Promaxbda’S Station Summit
    Harry Connick, Jr. to hold Keynote Conversation at PromaxBDA’s Station Summit 05.25.2016 Grammy and Emmy-winning musician, actor and performer Harry Connick, Jr. will talk about his creative journey and vision in a Keynote Conversation at PromaxBDA's Station Summit conference from June 21 - 24 in Las Vegas. Connick will speak Wednesday, June 22 at the Mirage Resort during the annual gathering of television station marketing and promotion professionals. From concert halls around the world to Hollywood movie screens, the Broadway stage and primetime television, Connick has done it all. This fall he enters broadcast syndication with a new daytime entertainment show Harry. "We are truly honored to have the multi-talented entertainer Harry Connick, Jr. make the keynote presentation at Station Summit," said Steve Kazanjian, President and CEO, PromaxBDA. "We look forward to welcoming him to the Station Summit stage to hear first-hand about the creative process he applies to all of his ventures and what is in store for his new show Harry, premiering in the fall." Harry will reflect Connick's hosting and entertainment skills, as well as his broad career in music, film, television, and Broadway with a live band, comedic segments, man-on-the-street interviews, live musical performances, parodies, audience participation and more surprises. Justin Stangel, Eric Stangel and Jason Kurtz are executive producers along with Connick and Ann Marie Wilkins. Harry is produced and distributed by NBCUniversal Domestic Television Distribution. Connick was born in New Orleans, and established himself as a musician, singer, composer, live performer best-selling artist, actor and voice artist and through movies including When Harry Met Sally, Little Man Tate, Copycat, Independence Day, Hope Floats, The Iron Giant, My Dog Skip and Dolphin Tale.
    [Show full text]