Magic and Spells
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Interview with Warren Spector
Interview with Warren Spector Conducted by Carl Therrien Carl Therrien: In 2007, the Library of Congress made a significant move to integrate video games in their collection. Through a project set forth by Henry Lowood, ten video games were selected to be part of the “game canon.” New games are now added to the collection more systematically; game publishers have to give a copy of the game to the Library of Congress to complete the copyright process. If you had to go through this type of process, what selection criteria would you push forward? Is there a place for underdogs and lesser-known games in such a process? Warren Spector: I’m thrilled that the institution is taking an interest in videogames. In the long run, I think everyone, both in the industry and at the Library itself, will see the importance of this recognition. Having said that, if I were on the committee, the first thing I’d push for is a very clear definition of what the Library hoped to achieve with the growing collection. The list of games you select would vary greatly depending on the definition you select. To get an idea what I’m talking about, play the “desert island” game. You’re stuck on a desert island and can only take ten games with you – what are they? To answer the question, you have to decide what criteria you want to use. _____________________________________________________________ Kinephanos, ISSN 1916-985X History of Games International Conference Proceedings, January 2014, www.kinephanos.ca Interview with Warren Spector ▶ Do you take your ten favourite -
ABSTRACT LOHMEYER, EDWIN LLOYD. Unstable Aesthetics
ABSTRACT LOHMEYER, EDWIN LLOYD. Unstable Aesthetics: The Game Engine and Art Modifications (Under the direction of Dr. Andrew Johnston). This dissertation examines episodes in the history of video game modding between 1995 and 2010, situated around the introduction of the game engine as a software framework for developing three-dimensional gamespaces. These modifications made to existing software and hardware were an aesthetic practice used by programmers and artists to explore the relationship between abstraction, the materiality of game systems, and our phenomenal engagement with digital media. The contemporary artists that I highlight—JODI, Cory Arcangel, Orhan Kipcak, Julian Oliver, and Tom Betts—gravitated toward modding because it allowed them to unveil the technical processes of the engine underneath layers of the game’s familiar interface, in turn, recalibrating conventional play into sensual experiences of difference, uncertainty, and the new. From an engagement with abstract forms, they employed modding techniques to articulate new modes of aesthetic participation through an affective encounter with altered game systems. Furthermore, they used abstraction, the very strangeness of the mod’s formal elements, to reveal our habitual interactions with video games by destabilizing conventional gamespaces through sensory modalities of apperception and proprioception. In considering the imbrication of technics and aesthetics in game engines, this work aims to resituate modding practices within a dynamic and more inclusive understanding -
Autoduel Manual
AUTODUEL MANUAL & New Driver's Guide Game Instructions BOUT THE GAME Autoduel takes you to the freeways of the future - where the right of way Agoes to the biggest guns. You will design your own vehicle - with weap ons , armo r, power plants , tires , and suspension - and take it out on the road . You may come home an "ace ;' or crash and burn . If you survive , your abilities will improve , and you can win cash to improve your car or buy a better one . As an autoduellist you have several ways to win fame and fortune . You can fight in the arena to the cheers of the audience , pitting your car against others . You can be a courier, carrying valuable cargos from city to city along dangerous roads . You can be a vigilante , fighting the road outlaws and cycle gangs. You'll probably want to do all three .. it's up to you . As your fame and skill increase, you'll meet high placed people on both sides of the law. If you make the right choices - and keep your wheels and guns in top shape - you can become one of the real heros of this future world . How? It's up to you to find out. Good luck ... OOTING THE DISK To play Autoduel , you will need a computer and a joystick. To start the Bgame , boot Side A of your Autoduel disk, making sure that your joystick is plugged in first. The introductory graphics will appear, and continue until a key is pressed . When you press a key, the screen will clear and the opening menu will appear. -
P L Ayer's Guide
® ™ ™ P L AYER’S GUIDE S TA R TING THE GAME 1. First, install U L T I M A U n d e r w o r l d I I on your hard disk. If you haven’t already done this, refer to the Install Guide included in this package for instructions. 2. Select the drive on which the game is installed. (For example, if you installed the game on your C-drive, type “C:” and press .) 3. Select your U L T I M A U n d e r w o r l d I I directory. (If you used our default directory, type “CD \UW2” and ). 4. Start the game (by typing “UW2” followed by ). An introductory screen appears, reading, “ORIGIN An Electronic Arts Company Presents,” followed by “A LookingGlass Technologies Game.” As the game finishes loading, this screen is replaced by a title screen (“ULTIMA Underworld II Labyrinth of Worlds”). If you have not played the game before (or have never “saved” your previous adventures), the game proceeds to the Introduction. This provides background information you need to complete your adventure. If you are in a hurry, or you have already seen the Introduction, press to cancel any preliminary screen and bring on the following screen. If you have “saved games” on your hard disk, the game automatically skips the Introduction and goes directly to the main menu. Afterward, you are presented with several choices: Introduction. Repeats the introductory sequence you just saw. Create Character. Allows you to set up a brand-new player-character. -
A Doom Legendája Hogyan Változtatta Meg John Carmack És John Romero a Világot
A Doom legendája Hogyan változtatta meg John Carmack és John Romero a világot David Kushner 2012. szeptember 10. 2 Tartalomjegyzék I. A kezdet 5 1. A Rocksztár 9 2. A Rakétamérnök 19 3. Dangerous Dave minden szerzői jogot megsért 27 4. Pizzapénz 43 5. Jobb, mint a való élet 57 6. Zöld és dühös 65 7. Spear of Destiny 77 8. Démonidézés 89 9. A legkirályabb játék 101 II. Külön utakon 111 10.A doom-generáció 113 11.Rengések 129 12.Az Ítélet Napja 141 13.Deathmatch 159 14.Silicon Alamo 173 15.Egyenesen a pokolból 185 16.Virtuális világok 197 3 4 TARTALOMJEGYZÉK I. rész A kezdet 5 Bevezetés: A Két John Két játék létezett. Az egyiket az életben játszották, a másikat játszva élték. Alapvetően már a két szó sem fér meg egymással, ahogy a két John sem. Egy áprilisi délutánon történt 2000-ben, Dallas belvárosának legmélyén. Az összejö- vetel oka egy százezer dollár összdíjazású bajnokság volt a Quake 3 Aréna nevű számítógépes játékban. A versenyt a számítógépes rendezvények legnagyobb le- bonyolítójává vált Cyberatléták Profi Ligájának szervezésében rendezték meg, és HSG-alapú (Hozd a Saját Géped) összejövetel volt. Több száz számítógé- pet kötöttek össze hetvenkét órányi megállás nélküli játékra a Hyatt dallasi felhőkarcolójának alagsorában. Az érdeklődők hatalmas kivetítőn folyamatosan nyomon követhették az éppen zajló izgalmasabb mécseseket és az ide-oda szálló rakétákat. Szivart rágcsáló tengerészgyalogosok, hatalmas mellbőségű női har- cosok és elmebeteg, vértől mocskos bohócok irtották egymást rakétavetőkkel és plazmafegyverekkel. A cél egyszerű volt: a legtöbbet gyilkoló játékos győz! A versenyen résztvevő hardcore játékosokat a távolság sem riaszthatta el. -
Stephen M. Cabrinety Collection in the History of Microcomputing, Ca
http://oac.cdlib.org/findaid/ark:/13030/kt529018f2 No online items Guide to the Stephen M. Cabrinety Collection in the History of Microcomputing, ca. 1975-1995 Processed by Stephan Potchatek; machine-readable finding aid created by Steven Mandeville-Gamble Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc © 2001 The Board of Trustees of Stanford University. All rights reserved. Special Collections M0997 1 Guide to the Stephen M. Cabrinety Collection in the History of Microcomputing, ca. 1975-1995 Collection number: M0997 Department of Special Collections and University Archives Stanford University Libraries Stanford, California Contact Information Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc Processed by: Stephan Potchatek Date Completed: 2000 Encoded by: Steven Mandeville-Gamble © 2001 The Board of Trustees of Stanford University. All rights reserved. Descriptive Summary Title: Stephen M. Cabrinety Collection in the History of Microcomputing, Date (inclusive): ca. 1975-1995 Collection number: Special Collections M0997 Creator: Cabrinety, Stephen M. Extent: 815.5 linear ft. Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives. Language: English. Access Access restricted; this collection is stored off-site in commercial storage from which material is not routinely paged. Access to the collection will remain restricted until such time as the collection can be moved to Stanford-owned facilities. Any exemption from this rule requires the written permission of the Head of Special Collections. -
System Shock 2®
sysshock man -eng 02/05/2000 9:11 Page 1 SYSTEM SHOCK 2¨ WARNING: TO OWNERS OF PROJECTION TELEVISIONS STILL PICTURES OR IMAGES MAY CAUSE PERMANENT PICTURE-TUBE DAMAGE OR MARK THE PHOSPHOR OF THE CRT. AVOID REPEATED OR EXTENDED USE OF VIDEO GAMES ON LARGE- SCREEN PROJECTION TELEVISIONS. EPILEPSY WARNING PLEASE READ BEFORE USING THIS GAME OR ALLOWING YOUR CHILDREN TO USE IT. Some people are susceptible to epileptic seizures or loss of consciousness when exposed to certain flashing lights or light patterns in everyday life. Such people may have a seizure while watching television images or playing certain video games. This may happen even if the person has no medical history of epilepsy or has never had any epileptic seizures. If you or anyone in your family has ever had symptoms related to epilepsy (seizures or loss of consciousness) when exposed to flashing lights, consult your doctor prior to playing. We advise that parents should monitor the use of video games by their children. If you or your child experience any of the following symptoms: dizziness, blurred vision, eye or muscle twitches, loss of consciousness, disorientation, any involuntary movement or convulsion, while playing a video game, IMMEDIATELY discontinue use and consult your doctor. PRECAUTIONS TO TAKE DURING USE • Do not stand too close to the screen. Sit a good distance away from the screen, as far away as the length of the cable allows. • Preferably play the game on a small screen. • Avoid playing if you are tired or have not had much sleep. • Make sure that the room in which you are playing is well lit. -
Game Developer
>> POSTMORTEM TWISTED PIXEL'S THE MAW DECEMBER 2008 THE LEADING GAME INDUSTRY MAGAZINE >> INTERVIEW >> AURAL FIXATION >> GAMESCAPE YUJI NAKA TAPS COMPRESSING SOUND A HISTORY OF BOSTON HIS CREATIVITY FOR THE IPHONE GAME DEVELOPMENT 0812gd_cover_vIjf.indd 1 11/20/08 10:43:45 AM “ReplayDIRECTOR rocks. I doubt we'd have found it otherwise. It turned out to be an occasional array overwrite that would cause random memory corruption…” Meilin Wong, Developer, Crystal Dynamics BUGS. PETRIFIED. RECORD. REPLAY. FIXED. ReplayDIRECTOR™ gives you Deep Recording. This is much more than just video capture. Replay records every line of code that you execute and makes certain that it will Replay with the same path of execution through your code. Every time. Instantly Replay any bug you can find. Seriously. DEEP RECORDING. NO SOURCE MODS. download today at www.replaysolutions.com email us at [email protected] REPLAY SOLUTIONS 1600 Seaport Blvd., Suite 310, Redwood City, CA, 94063 - Tel: 650-472-2208 Fax: 650-240-0403 accelerating you to market ©Replay Solutions, LLC. All rights reserved. Product features, specifications, system requirements and availability are subject to change without notice. ReplayDIRECTOR and the Replay Solutions logo are registered trademarks of Replay Solutions, LLC in the United States and/or other countries. All other trademarks contained herein are the property of their respective owners. []CONTENTS DECEMBER 2008 VOLUME 15, NUMBER 11 FEATURES 7 WHAT WENT WRONG? Over the years, postmortems start to echo each other. The same problems are encountered, and fixed, or dealt with. Here, we've compiled the 10 most common difficulties of the last three years for your reading (and cringing) pleasure. -
Digital Bros, 505 Games Will Publish Underworld Ascendant
505 GAMES TO PUBLISH LONG-AWAITED FANTASY RPG UNDERWORLD ASCENDANT Indie Publisher Partners with the Talented Team Behind Iconic Underworld Franchise to Bring Next Generation of Their Esteemed Series to Fans Worldwide CALABASAS, Calif. – Aug. 17, 2017 – 505 Games, a subsidiary of Digital Bros. S.p.A., announced today a partnership with development studio OtherSide Entertainment to publish fantasy RPG Underworld Ascendant, the next-generation sequel to the landmark Underworld franchise. The deeply experienced team at OtherSide studio – helmed by industry legends Paul Neurath (Ultima Underworld, Thief) and Warren Spector (Deus Ex, Epic Mickey) – has worked on many leading game franchises, which collectively garnered more than 200 awards and earned over $3 billion in revenues. Their current project, Underworld Ascendant, was first revealed on Kickstarter, where fans clamoring for the return of the storied masterpiece raised more than $850,000 for its creation. “It’s another big moment for 505 Games, having the opportunity to partner with this talented team on such an iconic brand,” said Neil Ralley, president of 505 Games. “Ultima Underworld is among the greatest PC RPGs ever made, and we look forward to what Paul, Warren and their team will accomplish with the next generation of the franchise.” In 1992, Ultima Underworld changed the rules of what a fantasy RPG could be, and introduced the concept of 3D immersion, a player-authored experience and an open world to explore. Now, OtherSide is making the next-generation PC follow-up to the series, innovating in bold new ways. Players will return to The Stygian Abyss, a breathtaking fantasy realm, rife with danger and full of intrigue. -
Oral Histories of the Video Game Industry Christopher Michael Williams Worcester Polytechnic Institute
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@WPI Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects March 2009 Oral Histories of the Video Game Industry Christopher Michael Williams Worcester Polytechnic Institute Francis X. Williams Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Williams, C. M., & Williams, F. X. (2009). Oral Histories of the Video Game Industry. Retrieved from https://digitalcommons.wpi.edu/ iqp-all/1901 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. IQP DMO 3263 THE ORAL HISTORY PROJECT: A HISTORY OF THE VIDEO GAME INDUSTRY Interactive Qualifying Project Report completed in partial fulfillment of the Bachelor of Science degree at Worcester Polytechnic Institute, Worcester, MA Submitted to: Professor Dean M. O’Donnell (advisor) Christopher M. Williams Francis X. Williams III February 18, 2009 ___________________________ Advisor Signature This report represents the work of one or more WPI undergraduate students submitted to the faculty as evidence of completion of a degree requirement. WPI routinely publishes these reports on its web site without editorial or peer review. Abstract The purpose of this IQP is to add to the ongoing Oral History project. The project consists of videotaped interviews with game developers. First, we learned interviewing and editing techniques from Dean O’Donnell, Jason Scott, and by watching other documentary films. -
The Chronicle of Sir Cabirus
MemoirsMemoirs ofof Cabirus A Note of Explanation: This volume came into our possession only recently, though it was penned decades ago. The chronicler is one Corby, scribe to the Cabirus whose life was devoted to the doomed experiment on the Isle of the Avatar. All contact with the settlers of the Abyss was lost years ago, and we therefore suppose the colony to be extinct. — Joye the Librarian Proclamation ...............................................................i the original call for colonists in the Abyss The Chronicle of Sir Cabirus .......................................1 an account of the history of our isle The Colony of the Abyss ..............................................5 a more detailed description of our society Ye Who Venture Here ................................................13 words of wisdom for any who might join us Magic in the Depths ...................................................16 how magic differs in the Abyss Bestiary ....................................................................19 creatures we have seen in the depths Afterword ..................................................................27 a final statement by Joye, the Librarian Proclamation To All Who Strive Along the Avatar’s Path: I, Cabirus, call upon those of Virtue to join me in a Valorous Quest, one which prom- ises to be rich in Sacrifice and Spirituality. Decades ago, Lord British in his wisdom founded eight settlements, each dedicated to one of the Virtues. We Britannians have lived up to our lord’s expectations, for the towns of Britain, Jhelom, Minoc, Moonglow, Skara Brae, Trinsic and Yew have flourished to the present day. I believe the time has now come to found one further town, where all of the Eight Vir- tues are bound together into a unified whole. In order to people this new community, I call upon the most faithful among our citizenry to come forward in this cause — fighters and mages first, and later craftsmen and even children. -
Downloaded That and Worked with the Files Directly
IQP DMO 4909 THE ORAL HISTORY OF VIDEO GAMES Interactive Qualifying Project Report completed in partial fulfillment of the Bachelor of Science degree at Worcester Polytechnic Institute, Worcester, MA Submitted to: Professor Dean M. O’Donnell (advisor) Andrew Brockert Kristina Davenport Kyle Horn Matthew Ivory May 3rd, 2010 ___________________________ Advisor Signature This report represents the work of one or more WPI undergraduate students submitted to the faculty as evidence of completion of a degree requirement. WPI routinely publishes these reports on its web site without editorial or peer review. Abstract The purpose of the Oral History of Video Games IQP this year was to conduct and add our own interviews to this ongoing project as well as create a website to showcase everyone’s work. We watched various documentaries and learned filming and editing techniques from Jason Scott, a documentarian. We spent the second term conducting the actual interviews for the project. Finally, the last term was dedicated to editing the interviews and integrating the website. 1 Table of Contents Abstract _________________________________________________________________________ 1 Table of Contents __________________________________________________________________ 2 Acknowledgements ________________________________________________________________ 3 1. Introduction ____________________________________________________________________ 4 2. What We Did 2a. Learning the Process ____________________________________________________________ 6 2b. The Interview(s)