Stefan Zweig in Salzburg
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|||GET||| the World of Yesterday 1St Edition
THE WORLD OF YESTERDAY 1ST EDITION DOWNLOAD FREE Stefan Zweig | 9780803226616 | | | | | [PDF] The World of Yesterday Book by Stefan Zweig Free Download (461 pages) Indriven into exile by the Nazis, he emigrated to England and then, into Brazil by way of New York. Most importantly, each chapter of his The World of Yesterday 1st edition made me appreciate a time and era when books were prominent and intellectual discussion was paramount. As an Autrian-Jewish writer who experienced both World Wars and encountered numerous influencial and interesting people in his life, I expected Zweig would have a facinating story to tell. Everyone collapses with the Sarajevo bombing. Stefan Zweig even claims that the purpose of the school was to discipline and calm the ardor of the youth. Let's try this one more time. There are some very interesting insights in the Hitler chapter, but Zweig soon escaped and lived in relative peace, and so was not the best witness as he admits for the events he subsequently lived through. Our day is gone. Condition: Very Fine. Like his odd friendship with Rathenau, apparently conducted entirely in moving vehicles and the spaces between appointments, watching a powerful mind NOT engaged exclusively with Art but able to understand itnavigate the world. The fact that Zweig and his wife both committed suicide during the war, e I read the first hundred pages or so which painted a vivid picture of life in the waning days of the Hapsburg empire, the patronage of arts, the stability and security felt by everyone, the Jewish community's dynamism, and schooling and university. -
Art and the Politics of Recollection in the Autobiographical Narratives of Stefan Zweig and Klaus Mann
Naharaim 2014, 8(2): 210–226 Uri Ganani and Dani Issler The World of Yesterday versus The Turning Point: Art and the Politics of Recollection in the Autobiographical Narratives of Stefan Zweig and Klaus Mann “A turning point in world history!” I hear people saying. “The right moment, indeed, for an average writer to call our attention to his esteemed literary personality!” I call that healthy irony. On the other hand, however, I wonder if a turning point in world history, upon careful consideration, is not really the moment for everyone to look inward. Thomas Mann, Reflections of a Nonpolitical Man1 Abstract: This article revisits the world-views of Stefan Zweig and Klaus Mann by analyzing the diverse ways in which they shaped their literary careers as autobiographers. Particular focus is given to the crises they experienced while composing their respective autobiographical narratives, both published in 1942. Our re-evaluation of their complex discussions on literature and art reveals two distinctive approaches to the relationship between aesthetics and politics, as well as two alternative concepts of authorial autonomy within society. Simulta- neously, we argue that in spite of their different approaches to political involve- ment, both authors shared a basic understanding of art as an enclave of huma- nistic existence at a time of oppressive political circumstances. However, their attitudes toward the autonomy of the artist under fascism differed greatly. This is demonstrated mainly through their contrasting portrayals of Richard Strauss, who appears in both autobiographies as an emblematic genius composer. DOI 10.1515/naha-2014-0010 1 Thomas Mann, Reflections of a Nonpolitical Man, trans. -
Core Reading List for M.A. in German Period Author Genre Examples
Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774) -
Staging Memory: the Drama Inside the Language of Elfriede Jelinek
Studies in 20th & 21st Century Literature Volume 31 Issue 1 Austrian Literature: Gender, History, and Article 13 Memory 1-1-2007 Staging Memory: The Drama Inside the Language of Elfriede Jelinek Gita Honegger Arizona State University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons, and the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Honegger, Gita (2007) "Staging Memory: The Drama Inside the Language of Elfriede Jelinek," Studies in 20th & 21st Century Literature: Vol. 31: Iss. 1, Article 13. https://doi.org/10.4148/2334-4415.1653 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Staging Memory: The Drama Inside the Language of Elfriede Jelinek Abstract This essay focuses on Jelinek's problematic relationship to her native Austria, as it is reflected in some of her most recent plays: Ein Sportstück (A Piece About Sports), In den Alpen (In the Alps) and Das Werk (The Plant). Taking her acceptance speech for the 2004 Nobel Prize for Literature as a starting point, my essay explores Jelinek's unique approach to her native language, which carries both the burden of historic guilt and the challenge of a distinguished, if tortured literary legacy. Furthermore, I examine the performative force of her language. Jelinek's "Dramas" do not unfold in action and dialogue, rather, they are embedded in the grammar itself. -
I Urban Opera: Navigating Modernity Through the Oeuvre of Strauss And
Urban Opera: Navigating Modernity through the Oeuvre of Strauss and Hofmannsthal by Solveig M. Heinz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Germanic Languages and Literatures) in the University of Michigan 2013 Doctoral Committee: Associate Professor Vanessa H. Agnew, Chair Associate Professor Naomi A. André Associate Professor Andreas Gailus Professor Julia C. Hell i For John ii Acknowledgements Writing this dissertation was an intensive journey. Many people have helped along the way. Vanessa Agnew was the most wonderful Doktormutter a graduate student could have. Her kindness, wit, and support were matched only by her knowledge, resourcefulness, and incisive critique. She took my work seriously, carefully reading and weighing everything I wrote. It was because of this that I knew my work and ideas were in good hands. Thank you Vannessa, for taking me on as a doctoral rookie, for our countless conversations, your smile during Skype sessions, coffee in Berlin, dinners in Ann Arbor, and the encouragement to make choices that felt right. Many thanks to my committee members, Naomi André, Andreas Gailus, and Julia Hell, who supported the decision to work with the challenging field of opera and gave me the necessary tools to succeed. Their open doors, email accounts, good mood, and guiding feedback made this process a joy. Mostly, I thank them for their faith that I would continue to work and explore as I wrote remotely. Not on my committee, but just as important was Hartmut. So many students have written countless praises of this man. I can only concur, he is simply the best. -
Nostalgia for Fin De Siècle Vienna
College of Saint Benedict and Saint John's University DigitalCommons@CSB/SJU Experiential Learning & Community Celebrating Scholarship & Creativity Day Engagement 4-24-2014 Much more than longing: Nostalgia for Fin de Siècle Vienna Dana Hicks College of Saint Benedict/Saint John's University Follow this and additional works at: https://digitalcommons.csbsju.edu/elce_cscday Part of the European History Commons, and the Intellectual History Commons Recommended Citation Hicks, Dana, "Much more than longing: Nostalgia for Fin de Siècle Vienna" (2014). Celebrating Scholarship & Creativity Day. 28. https://digitalcommons.csbsju.edu/elce_cscday/28 This Presentation is brought to you for free and open access by DigitalCommons@CSB/SJU. It has been accepted for inclusion in Celebrating Scholarship & Creativity Day by an authorized administrator of DigitalCommons@CSB/SJU. For more information, please contact [email protected]. Much More Than Longing: Nostalgia for Fin de Siècle Vienna Dana R. Hicks HIST 399: Senior Thesis Dr. Schroeder March 19, 2014 Hicks 2 Table of Contents Introduction ................................................................................................................................................ 3 Historiography ........................................................................................................................................... 5 A Modern Understanding of Nostalgia ................................................................................................ 11 Sources of Nostalgia -
Stefan Zweig at the End of the World Pdf, Epub, Ebook
STEFAN ZWEIG AT THE END OF THE WORLD PDF, EPUB, EBOOK George Prochnik | 396 pages | 05 Jun 2014 | Other Press LLC | 9781590516126 | English | New York, United States Stefan Zweig at the End of the World PDF Book Other editions. He feels the need to bear witness to the next generation of what his age has gone through, mostly since it has known almost everything due to the better dissemination of information and the total involvement of the populations in the conflicts: wars First World War, Second World War , famines, epidemics, economic crisis, etc. They'd passed through the same faith-obliterating war, and lived with the lingering socioeconomic devastation of that conflict. Help Learn to edit Community portal Recent changes Upload file. Regarding the author's narrative strategy and design. Now I have the context. And of course, when the Nazis blew his favorite venues and stages to little tiny bits and the cheering of adoring, star-struck audiences stopped, Zweig couldn't cope - precisely because there was nothing to him at all except shell and surface. A turning point took place in their fortnight: school no longer satisfied their passion, which shifted to the art of which Vienna was the heart. Zweig thought it prudent not to be present. The reader, too, can feel a bit at sea, or like a guest at a party shuttling down a hectic receiving line. Retrieved 4 May His life was beautiful and it was tragic. Photos I thought were of Zweig's family turn out upon getting to the the photo list at the very end of the book to be from Prochnik's own family. -
Im Nonnengarten : an Anthology of German Women's Writing 1850-1907 Michelle Stott Aj Mes
Brigham Young University BYU ScholarsArchive Resources Supplementary Information 1997 Im Nonnengarten : An Anthology of German Women's Writing 1850-1907 Michelle Stott aJ mes Follow this and additional works at: https://scholarsarchive.byu.edu/sophsupp_resources Part of the German Literature Commons BYU ScholarsArchive Citation James, Michelle Stott, "Im Nonnengarten : An Anthology of German Women's Writing 1850-1907" (1997). Resources. 2. https://scholarsarchive.byu.edu/sophsupp_resources/2 This Book is brought to you for free and open access by the Supplementary Information at BYU ScholarsArchive. It has been accepted for inclusion in Resources by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. lm N onnengarten An Anthology of German Women's Writing I850-I907 edited by MICHELLE STOTT and JOSEPH 0. BAKER WAVELAND PRESS, INC. Prospect Heights, Illinois For information about this book, write or call: Waveland Press, Inc. P.O. Box400 Prospect Heights, Illinois 60070 (847) 634-0081 Copyright © 1997 by Waveland Press ISBN 0-88133-963-6 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without permission in writing from the publisher. Printed in the United States of America 765432 Contents Preface, vii Sources for further study, xv MALVIDA VON MEYSENBUG 1 Indisches Marchen MARIE VON EBNER-ESCHENBACH 13 Die Poesie des UnbewuBten ADA CHRISTEN 29 Echte Wiener BERTHA VON -
Stefan Zweig Farewell to Europe
Austria’s Official Entry for the Best Foreign Language Film - 89th Academy Awards® A DOR FILM, X FILME CREATIVE POOL, IDÉALE AUDIENCE, MAHA PRODUCTION STEFAN ZWEIG FAREWELL TO EUROPE A film by: Maria Schrader Starring: Josef Hader, Barbara Sukowa, Aenne Schwarz, Matthias Brandt, Charly Huebner, Stephen SInger Screenplay: Maria Schrader and Jan Schomburg press contact in US: SashaBerman at Shotwell Media 310-450-5571 [email protected] Table of Contents Short synopsis & press note …………………………………………………………………… 3 Cast ……............................................................................................................................ 4 Crew ……………………………………………………………………………………………… 6 Long Synopsis …………………………………………………………………………………… 7 Persons Index…………………………………………………………………………………….. 14 Interview with Maria Schrader ……………………………………………………………….... 17 Backround ………………………………………………………………………………………. 19 In front of the camera Josef Hader (Stefan Zweig)……………………………………...……………………………… 21 Barbara Sukowa (Friderike Zweig) ……………………………………………………………. 22 Aenne Schwarz (Lotte Zweig) …………………………….…………………………………… 23 Behind the camera Maria Schrader………………………………………….…………………………………………… 24 Jan Schomburg…………………………….………...……………………………………………….. 25 Danny Krausz ……………………………………………………………………………………… 26 Stefan Arndt …………..…………………………………………………………………….……… 27 Contacts……………..……………………………..………………………………………………… 28 ! ! ! ! ! ! ! Technical details Austria/Germany/France, 2016 Running time 106 Minutes Aspect ratio 2,39:1 Audio format 5.1 ! 2! “Each one of us, even the smallest and the most insignificant, -
The Zweigesque in Wes Anderson's "The Grand Budapest Hotel"
THE ZWEIGESQUE IN WES ANDERSON’S “THE GRAND BUDAPEST HOTEL” Malorie Spencer A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Edgar Landgraf, Advisor Kristie Foell ii ABSTRACT Edgar Landgraf, Advisor This thesis examines the parallels between narrative structures, including frame narratives and narrative construction of identity, as well as poetic and thematic parallels that exist between the writings of Stefan Zweig and the Wes Anderson film, The Grand Budapest Hotel. These parallels are discussed in order to substantiate Anderson’s claim that The Grand Budapest Hotel is a zweigesque film despite the fact that it is not a direct film adaptation of any one Zweig work. Anderson’s adaptations of zweigesque elements show that Zweig’s writings continue to be relevant today. These adaptations demonstrate the intricate ways in which narrative devices can be used to construct stories and reconstruct history. By drawing on thematic and stylistic elements of Zweig’s writings, Anderson’s The Grand Budapest Hotel raises broader questions about both the necessity of narratives and their shortcomings in the construction of identity; Anderson’s characters both rely on and challenge the ways identity is constructed through narrative. This thesis shows how the zweigesque in Anderson’s film is able to challenge how history is viewed and how people conceptualize and relate to their continually changing notions of identity. iii ACKNOWLEDGMENTS I would like to thank my family for their encouragement throughout the process of writing this thesis. -
Heinrich Von Kleist
Heinrich von Kleist: Das gescheiterte Genie (Paper VIII, Paper X) Tue 2-3 (wks: 5-8), Taylor Institution Rm 2 This four-week lecture will cover the life and selected writings of Heinrich von Kleist. Besides the prescribed text for paper X, the play ‘Prinz Friedrich von Homburg’, the course will focus on the modernity and openness of Kleist’s work, making him up until the present day one of the most eminent authors in German language. His reputation becomes apparent in the continuous presence of his plays on German stages. While none of his works is autobiographic in a narrow sense, his narrative prose and his plays in many ways reflect the author’s personal struggle with emotions, sexuality and his failure ever to pursue a satisfactory career. To a certain extent, Kleist can be regarded as the contemporary counterpart to Johann Wolfgang von Goethe, the omnipotent embodiment of artistic genius. Finally, the lecture will address Kleist’s unabated relevance, exploring the ambiguities of justice and violence in texts like ‘Michael Kohlhaas’ and ‘die Hermannsschlacht’. This course will be held in German, which makes it particularly suitable for 2nd year students intending to spend their year abroad at a German university and for finalists who would like to improve their German language skills, in particular with relation to literature. To support language learning alongside the lecture’s literary subject matter, specific vocabulary will be addressed and the content will be recapitulated regularly throughout the lecture. Lecture plan: Week 5: Kleist: Leben – Themen – Rezeption Week 6: Widersprüche der Lektüre: Das Erdbeben in Chili Week 7: Die Geburt des Partisanen aus dem Geist der Poesie: Michael Kohlhaas / Die Hermannsschlacht Week 8: Traum und Wirklichkeit: Prinz Friedrich von Homburg Letters in German Literature: From Goethe's ‚’Werther’ to Kafka's 'Brief an den Vater' (Paper VIII, Paper X) Tue 9-10 (wks:1-8), 47 Wellington Square, Grnd Flr Lec Rm 1 This seminar will address the role of the letter in the history of German literature through selected examples. -
Austria and China in Hofmannsthal and Kafka's Orientalist Fictions
Eastern Empires and Middle Kingdoms: Austria and China in Hofmannsthal and Kafka’s Orientalist Fictions Robert Lemon, Harvard University. Apart from the title of “empire”, Habsburg Austria and Manchu China would seem to have little in common. Yet nineteenth-century satirists used China as a metaphor for Austria in order to critique the decadence, authoritarianism and political stagnation of Europe’s “middle kingdom”. While the German poet Ludwig Börne was the first to condemn Austria as “the European China”,1 it was, not surprisingly, a native son, Franz Grillparzer, who produced the first sustained allegory on this theme, disguising various Habsburg Emperors as Oriental despots in order to lampoon their regimes.2 However, the Sino-Austrian connection represented more than the Enlightenment ruse of masking social critique as exotic travelogue. In his book Franz Kafka aus Prag, Jiri Grusa stresses this political analogy, claiming that Kafka’s Chinese metaphors are nothing exotic given “the ‘Confucian’ institutions of the Habsburg Empire,” “its mandarin civil service” and “almost ‘Chinese’ idolatry of the state” (10). I should stress at this stage that I do not intend to examine whether Manchu China really epitomized anachronistic and corrupt despotism, as much of contemporary Europe believed.3 Instead I will contextualize within contemporary political and racial discourses two Orientalist texts from the Habsburg fin-de-siècle, Hugo von Hofmannsthal’s poem “The Emperor of China speaks” (1897) and Franz Kafka’s story “The Great Wall of China” (1917). For these works invoke the Sino-Austrian connection not merely for satirical effect, but rather to critique received notions of national and ethnic identity and thus question the fundamental legitimacy of their own “eastern empire” (the literal meaning of Österreich in German.) Although “The Emperor of China speaks” is a monologue by a monomaniacal speaker, Hofmannsthal deftly subverts the Emperor’s pretensions.