New Century Chamber Orchestra Announces Virtual Spring Season
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The Zurich Chamber Orchestra EDMOND DE STOUTZ, Conductor
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN The Zurich Chamber Orchestra EDMOND DE STOUTZ, Conductor FRIDAY EVENING, FEBRUARY 15, 1980, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Symphony No. 3 in C major ........... BOYCE Allegro Vivace Tempo di menuetto Suite about the Present Times for Two String Orchestras (1979) . MORET Pourquoi Ombre vansante du songe Abime Extase Aux quatre vents Brandenburg Concerto No. 3 in G major ........ BACH Allegro, adagio Allegro INTERMISSION Apollon Musagete ............. STRAVINSKY Naissance d'ApoIIon Variation Terpsichore Variation d'Apollon Variation d'Apollon Pas d'action Pas de deux Variation de calliope Coda Variation de polymnie Apotheose Concertino No. 2 in G major .......... PERGOLESI Largo Da cappella Largo affettuoso Allegro Angel, Columbia, and Turnabout Records. 101st Season Forty-eighth Concert Seventeenth Annual Chamber Arts Series PROGRAM NOTES Symphony No. 3 in C major ......... WILLIAM BOYCE (1711-1779) By the time his symphonies were published (1760), Dr. William Boyce had attained a position of eminence and honor among English musicians. He held the post of Composer to the Royal Chapel, and he was also one of the Chapel's organists. Receiving his doctorate in music at Cambridge, he then took office as Master of the King's Music (1755-1759). His reverence for the old masters of English church music, which was encouraged by his teacher Maurice Greene, resulted in his completing Greene's projected collection of English Cathedral Music, the first volume of which was published in 1760. Vocal music was considered by most composers to be of paramount importance "the finest instrumental music" being regarded as "an imitation of the vocal." It is not therefore surprising that some instrumental forms originated as introductions and adornments to vocal works. -
What Is Conductorcise® ?
WHAT IS CONDUCTORCISE® ? Place yourself in the sneakers of an orchestra conductor and raise your baton to a mighty Sousa march, an impetuous Strauss polka, or an elegant Tchaikovsky waltz as you enjoy a great musical workout. CONDUCTORCISE® is a combination aerobic workout, symphonic performance, and music history lesson that swings to the sounds of the masters. A unique program recognized internationally by health and fitness experts, CONDUCTORCISE® fosters upper body fitness that can help strengthen your heart and open your ears and mind in a natural, invigorating workout. This low-impact fitness fusion for all ages stimulates the cardio-vascular system, energizes and engages the senses and creates balance, stretching, blood circulation and brain stimulation throughout the workout. Learn basic conducting techniques, improve cognitive and listening skills, and discover the lives and work of great composers, as you keep your body and mind in tune, relieve stress and secure balance, increase circulation, manage diabetes, and build upper body strength. The brain child of clarinetist/Conductor David Dworkin, it’s an exhilarating and unique alternative to “traditional” exercise programs that has successfully traveled the globe. The only program of its kind in the world, Dworkin has brought it to pre-school children, teenagers, healthy seniors, and those in assisted- living facilities, as well as stroke, wheelchair bound, and Alzheimer’s patients and beyond, allowing participants to keep ones “body and mind in tune.” Who Leads CONDUCTORCISE®: Maestro David Dworkin Maestro David Dworkin has led orchestras across America and abroad, and served as conductor and Artistic Consultant of three PBS Television documentaries in the series Grow Old With Me, including “The Poetry of Aging,” featuring Richard Kiley, Julie Harris, and James Earl Jones. -
24 August 2021
24 August 2021 12:01 AM Bruno Bjelinski (1909-1992) Concerto da primavera (1978) Tonko Ninic (violin), Zagreb Soloists HRHRTR 12:11 AM Wolfgang Amadeus Mozart (1756-1791) Piano Sonata in C major K.545 Young-Lan Han (piano) KRKBS 12:21 AM Johannes Brahms (1833-1897) 3 Songs for chorus, Op 42 Danish National Radio Choir, Stefan Parkman (conductor) DKDR 12:32 AM Giovanni Battista Viotti (1755-1824) Serenade for 2 violins in A major, Op 23 no 1 Angel Stankov (violin), Yossif Radionov (violin) BGBNR 12:41 AM Joseph Haydn (1732-1809),Ignace Joseph Pleyel (1757-1831), Harold Perry (arranger) Divertimento 'Feldpartita' in B flat major, Hob.2.46 Academic Wind Quintet BGBNR 12:50 AM Joaquin Nin (1879-1949) Seguida Espanola Henry-David Varema (cello), Heiki Matlik (guitar) EEER 12:59 AM Toivo Kuula (1883-1918) 3 Satukuvaa (Fairy-tale pictures) for piano (Op.19) Juhani Lagerspetz (piano) FIYLE 01:15 AM Edmund Rubbra (1901-1986) Trio in one movement, Op 68 Hertz Trio CACBC 01:35 AM Edvard Grieg (1843-1907) Peer Gynt - Suite No 1 Op 46 Bergen Philharmonic Orchestra, Ole Kristian Ruud (conductor) NONRK 02:01 AM Richard Strauss (1864-1949) Metamorphosen Auckland Philharmonia Orchestra, Giordano Bellincampi (conductor) NZRNZ 02:28 AM Max Bruch (1838-1920) Violin Concerto No. 1 in G minor, op. 26 James Ehnes (violin), Auckland Philharmonia Orchestra, Giordano Bellincampi (conductor) NZRNZ 02:52 AM Eugene Ysaye (1858-1931) Sonata for Solo Violin in D minor, op. 27/3 James Ehnes (violin) NZRNZ 02:59 AM Robert Schumann (1810-1856) Symphony No. -
'Dream Job: Next Exit?'
Understanding Bach, 9, 9–24 © Bach Network UK 2014 ‘Dream Job: Next Exit?’: A Comparative Examination of Selected Career Choices by J. S. Bach and J. F. Fasch BARBARA M. REUL Much has been written about J. S. Bach’s climb up the career ladder from church musician and Kapellmeister in Thuringia to securing the prestigious Thomaskantorat in Leipzig.1 Why was the latter position so attractive to Bach and ‘with him the highest-ranking German Kapellmeister of his generation (Telemann and Graupner)’? After all, had their application been successful ‘these directors of famous court orchestras [would have been required to] end their working relationships with professional musicians [take up employment] at a civic school for boys and [wear] “a dusty Cantor frock”’, as Michael Maul noted recently.2 There was another important German-born contemporary of J. S. Bach, who had made the town’s shortlist in July 1722—Johann Friedrich Fasch (1688–1758). Like Georg Philipp Telemann (1681–1767), civic music director of Hamburg, and Christoph Graupner (1683–1760), Kapellmeister at the court of Hessen-Darmstadt, Fasch eventually withdrew his application, in favour of continuing as the newly- appointed Kapellmeister of Anhalt-Zerbst. In contrast, Bach, who was based in nearby Anhalt-Köthen, had apparently shown no interest in this particular vacancy across the river Elbe. In this article I will assess the two composers’ positions at three points in their professional careers: in 1710, when Fasch left Leipzig and went in search of a career, while Bach settled down in Weimar; in 1722, when the position of Thomaskantor became vacant, and both Fasch and Bach were potential candidates to replace Johann Kuhnau; and in 1730, when they were forced to re-evaluate their respective long-term career choices. -
Symphony Arlington Donors 2020-2021
C SYMPHONY ARLINGTON BOARD OF DIRECTORS 2020-2021 Linda Gibson, President Hollis R. Lackey, Vice President Faye Reeder, Secretary Doreen Bruner, Treasurer Lisa Farrimond Marlene Hutchison Barry Johnson Virginia Lackey Valerie Landry Anne Wilson-Stanberry 2 STAFF General Manager Ann Gerrity Executive Director Mark Hughes Office Manager Brenda Hughes Education Director Robert Fishman Community Outreach Danielle Mendelson Finance Manager Brenda Resseguie Music Librarian Sarah Myers Production Manager Chris Finley Stage Crew Basil Drayton Stage Crew Michael Finley Stage Crew Randall Fuller SYMPHONY ARLINGTON DONORS 2020-2021 Presto ($5,000 and up) Anonymous • Arlington Cultural Tourism Council National Endowment for the Arts • Texas Commission on the Arts Allegro ($1,000 to $4,999) Frances Jean Browning • Lawrence Wallace Memorial Fund Moderato ($500 to $999) Joe & Doreen Bruner • Dave & Jennifer Lloyd • Fred & Lynda Weekley Andante ($250 to $499) Ed & Lonette Bebensee • Gary Bledsoe • Suzanne & Bill de Decker Charles W. Duke, Jr. • Marjorie Hammond Memorial Fund Adagio ($100 to $249) Lisa Bedwell • Jim & Jerrie Buehrig • Nigel & Theresa Crouch Priscilla Donkle • Randy Farmer • Candy Halliburton A Donation in Memory of Mary Jo Jameson • Hollis & Virginia Lackey Carolyn Morton • Bill Palmer • James & Faye Reeder Irmgard Schmidt • Darlus L. Schoonover • Ralph & Alice Sobel Jack Thornton • Richard Urso • Donald Trimble • Peggy Uribe ADOPT-A-MUSICIAN Stephen Page, Concertmaster Sponsored by Frances Jean Browning Laura Ospina, Principal Cello Sponsored by Joe & Doreen Bruner Robert Carter Austin A native of Tennessee, Robert Carter Austin is currently in his twenty-first season as Music Director of Symphony Arlington. Maestro Austin has an unusually diverse educational background for a classical musician, including a Bachelor of Science degree from the Massachusetts Institute of Technology, a Diploma (with Distinction) in Computer Science from Cambridge University, and a Master of Musical Arts degree from Stanford University. -
The Four Seasons I
27 Season 2013-2014 Friday, November 29, at 8:00 The Philadelphia Orchestra Saturday, November 30, at 8:00 Sunday, December 1, at 2:00 Richard Egarr Conductor and Harpsichord Giuliano Carmignola Violin Vivaldi The Four Seasons I. Spring, Concerto in E major, RV 269 a. Allegro b. Largo c. Allegro II. Summer, Concerto in G minor, RV 315 a. Allegro non molto b. Adagio alternating with Presto c. Presto III. Autumn, Concerto in F major, RV 293 a. Allegro b. Adagio molto c. Allegro IV. Winter, Concerto in F minor, RV 297 a. Allegro non molto b. Largo c. Allegro Intermission 28 Purcell Suite No. 1 from The Fairy Queen I. Prelude II. Rondeau III. Jig IV. Hornpipe V. Dance for the Fairies Haydn Symphony No. 101 in D major (“The Clock”) I. Adagio—Presto II. Andante III. Menuetto (Allegretto)—Trio—Menuetto da capo IV. Vivace This program runs approximately 1 hour, 40 minutes. The November 29 concert is sponsored by Medcomp. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 3 Story Title 29 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community itself. His concerts to perform in China, in 1973 is one of the preeminent of diverse repertoire attract at the request of President orchestras in the world, sold-out houses, and he has Nixon, today The Philadelphia renowned for its distinctive established a regular forum Orchestra boasts a new sound, desired for its for connecting with concert- partnership with the National keen ability to capture the goers through Post-Concert Centre for the Performing hearts and imaginations of Conversations. -
View Playbill
MARCH 1–4, 2018 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. WORK LIGHT PRODUCTIONS PRESENTS BOOK BY BERRY GORDY MUSIC AND LYRICS FROM THE LEGENDARY MOTOWN CATALOG BASED UPON THE BOOK TO BE LOVED: MUSIC BY ARRANGEMENT WITH THE MUSIC, THE MAGIC, THE MEMORIES SONY/ATV MUSIC PUBLISHING OF MOTOWN BY BERRY GORDY MOTOWN® IS USED UNDER LICENSE FROM UMG RECORDINGS, INC. STARRING KENNETH MOSLEY TRENYCE JUSTIN REYNOLDS MATT MANUEL NICK ABBOTT TRACY BYRD KAI CALHOUN ARIELLE CROSBY ALEX HAIRSTON DEVIN HOLLOWAY QUIANA HOLMES KAYLA JENERSON MATTHEW KEATON EJ KING BRETT MICHAEL LOCKLEY JASMINE MASLANOVA-BROWN ROB MCCAFFREY TREY MCCOY ALIA MUNSCH ERICK PATRICK ERIC PETERS CHASE PHILLIPS ISAAC SAUNDERS JR. ERAN SCOGGINS AYLA STACKHOUSE NATE SUMMERS CARTREZE TUCKER DRE’ WOODS NAZARRIA WORKMAN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PROJECTION DESIGN DAVID KORINS EMILIO SOSA NATASHA KATZ PETER HYLENSKI DANIEL BRODIE HAIR AND WIG DESIGN COMPANY STAGE SUPERVISION GENERAL MANAGEMENT EXECUTIVE PRODUCER CHARLES G. LAPOINTE SARAH DIANE WORK LIGHT PRODUCTIONS NANSCI NEIMAN-LEGETTE CASTING PRODUCTION MANAGEMENT TOUR BOOKING AGENCY TOUR MARKETING AND PRESS WOJCIK | SEAY CASTING PORT CITY TECHNICAL THE BOOKING GROUP ALLIED TOURING RHYS WILLIAMS MOLLIE MANN ORCHESTRATIONS MUSIC DIRECTOR/CONDUCTOR DANCE MUSIC ARRANGEMENTS ADDITIONAL ARRANGEMENTS ETHAN POPP & BRYAN CROOK MATTHEW CROFT ZANE MARK BRYAN CROOK SCRIPT CONSULTANTS CREATIVE CONSULTANT DAVID GOLDSMITH & DICK SCANLAN CHRISTIE BURTON MUSIC SUPERVISION AND ARRANGEMENTS BY ETHAN POPP CHOREOGRAPHY RE-CREATED BY BRIAN HARLAN BROOKS ORIGINAL CHOREOGRAPHY BY PATRICIA WILCOX & WARREN ADAMS STAGED BY SCHELE WILLIAMS DIRECTED BY CHARLES RANDOLPH-WRIGHT ORIGNALLY PRODUCED BY KEVIN MCCOLLUM DOUG MORRIS AND BERRY GORDY The Temptations in MOTOWN THE MUSICAL. -
Season 2016-2017
25 Season 2016-2017 Thursday, April 6, at 8:00 Friday, April 7, at 2:00 The Philadelphia Orchestra Saturday, April 8, at 8:00 Sunday, April 9, at 2:00 Yannick Nézet-Séguin Conductor Mason Bates Electronica Daniil Trifonov Piano Beethoven Overture and Finale, from The Creatures of Prometheus, Op. 43 Bates Alternative Energy I. Ford’s Farm, 1896— II. Chicago, 2012 III. Xinjiang Province, 2112 IV. Reykjavik, 2222 First Philadelphia Orchestra performances Intermission Mozart Piano Concerto No. 9 in E-flat major, K. 271 (“Jenamy”) I. Allegro II. Andantino III. Rondeau (Presto)—Menuetto (Cantabile)— Liszt Prometheus, Symphonic Poem No. 5 This program runs approximately 2 hours, 5 minutes. LiveNote™, the Orchestra’s interactive concert guide for mobile devices, will be enabled for these performances. The April 6 concert is sponsored by American Airlines. The April 7 concert is sponsored by Sarah Miller Coulson. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit WRTI.org to listen live or for more details. 27 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and impact through Research. is one of the preeminent the Orchestra continues The Orchestra’s award- orchestras in the world, to discover new and winning Collaborative renowned for its distinctive inventive ways to nurture Learning programs engage sound, desired for its its relationship with its over 50,000 students, keen ability to capture the loyal patrons at its home families, and community hearts and imaginations of in the Kimmel Center, members through programs audiences, and admired for and also with those who such as PlayINs, side-by- a legacy of imagination and enjoy the Orchestra’s area sides, PopUP concerts, innovation on and off the performances at the Mann free Neighborhood concert stage. -
Program Notes | Michael Tilson Thomas Conducts
27 Season 2017-2018 Thursday, March 1, at 7:30 Friday, March 2, at 8:00 The Philadelphia Orchestra Saturday, March 3, at 8:00 Michael Tilson Thomas Conductor Measha Brueggergosman Soprano Tilson Thomas Four Preludes on Playthings of the Wind First Philadelphia Orchestra performances Mikaela Bennett, vocalist Kara Dugan, vocalist Intermission Tchaikovsky Symphony No. 6 in B minor, Op. 74 (“Pathétique”) I. Adagio—Allegro non troppo II. Allegro con grazia III. Allegro molto vivace IV. Adagio lamentoso This program runs approximately 1 hour, 50 minutes. The March 1 concert is sponsored by the Hassel Foundation. The March 1 concert is also sponsored by Constance Smukler. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 28 Please join us following the March 2 and 3 concerts for a free Organ Postlude with Peter Richard Conte. Rachmaninoff/ Prelude in C-sharp minor, Op. 3, No. 2 transcr. Lemare Widor from Symphonie gothique, Op. 70: II. Andante sostenuto Karg-Elert Chorale Improvisation on “Nearer My God, to Thee” The Organ Postludes are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. 29 ®™ Getting Started with LiveNote » Please silence your phone ringer. » Download the app from the Apple App Store or Google Play Store by searching for LiveNote. » Join the LiveNote Wi-Fi network from your phone. The wireless network LiveNote should appear in the list available to you. -
Zurich Chamber Orchestra Daniel Hope Solo Violin & Music Director
Paul Crewes Rachel Fine Artistic Director Managing Director The Audacity of PRESENTS Max Richter ZURICH CHAMBER ORCHESTRA DANIEL HOPE SOLO VIOLIN & MUSIC DIRECTOR Program ANTONIO VIVALDI (1678-1741) FABIAN MÜLLER (B. 1964) The Four Seasons, Op. 8, No. 1 - 4 Intermezzo III “Winter” for Violin and Ensemble Spring Op. 8, RV 269 I. Allegro MAX RICHTER (B. 1966) II. Largo e pianissimo sempre III. Danza pastorale. Allegro The Four Seasons Recomposed Spring I Summer Op. 8, RV 315 Spring II I. Allegro non molto Spring III II. Adagio – Presto III. Presto. Tempo impetuoso d’estate Summer I Autumn Op. 8, RV 293 Summer II I. Ballo e canto di Villanelli. Summer III Allegro – Larghetto – Allegro Assai II. Adagio Autumn I III. La caccia. Allegro Autumn II Winter, Op. 8, RV 297 Autumn III I. Allegro non molto II. Largo Winter I III. Allegro – Lento – Allegro Winter II Winter III 15-minute intermission MARCH 22, 2018 AT 7:30PM Bram Goldsmith Theater Running time: 105 minutes, including a 15-minute intermission Tour Management: Opus 3 Artists opus3artists.com About the Artists DANIEL HOPE (Solo Violin and Music to his name. His recordings have won the Deutsche acclaimed CD releases testify to the worldwide Director) has toured the world as a virtuoso Schallplattenpreis, the Diapason d’Or of the Year, renown of the Zurich Chamber Orchestra. In 2017 soloist for 25 years and is celebrated for his the Edison Classical Award, the Prix Caecilia, seven two of the orchestra's CD-releases were honored musical versatility as well as his dedication ECHO Klassik Awards and numerous Grammy with an ECHO Klassik Award in the Classics Without to humanitarian causes. -
04.09.2020 Wild at Heart. Romanticism in Switzerland
Media release Zurich, 4 September 2020 Wild at Heart. Romanticism in Switzerland From 13 November 2020 to 14 February 2021 the Kunsthaus will be turning the spotlight on Romanticism, with an exhibition of over 150 works spanning the arc from Henry Fuseli to Alexandre Calame and the early Arnold Böcklin. It reveals the considerable contribution made by Swiss artists to the development of European landscape painting, follows them to academies abroad, and explores the close ties between them. The overview will also extend to famous Romantics from other countries such as Caspar David Friedrich, Eugène Delacroix and J.M.W. Turner, thus adding an international perspective to the appreciation of Swiss Romanticism. In the late 18th century, Romanticism spread across Europe. Artists began creating works that focused on feelings and the fascination of the unfathomable, in contrast to the sober, rational art of Neoclassicism. The Swiss discovered the visual potential of their own landscapes, committing the majestic Alpine environment and the eternal ice of the glaciers to canvas. Curator Jonas Beyer draws our attention to a key era of Swiss art history that until now has only been explored through myriad individual aspects. A MOOD OF CHANGE THAT CROSSES BOUNDARIES The focus on a typically Swiss variant of Romanticism offers a deeper insight into the interrelationship between specifically local character and international connections. The particular mood of change that characterizes Swiss art of this period finds its most tangible expression in the intensive exchanges with artists in neighbouring countries. Swiss artists flocked to the academies in Paris, Dresden and Vienna, building highly effective networks but also responding with an artistic sensibility to the local characteristics of their study environment. -
Members of the Juilliard Orchestra David Chan, Conductor
Members of the Juilliard Orchestra David Chan, Conductor The Juilliard School presents Members of the Juilliard Orchestra David Chan, Conductor Recorded on December 14, 2020 Judith Harris and Tony Woolfson Orchestral Studio Program A GEORGE WALKER Lyric for Strings (1947) (1922-2018) BENJAMIN BRITTEN Prelude and Fugue, Op. 29 (1943) (1913-76) Prelude: Grave Fugue: Allegro energico–Coda: Grave come prima Program B J.S. BACH Brandenburg Concerto No. 6 in B-flat Major, BWV 1051 (1710) (1685-1750) Allegro Adagio ma non tanto Allegro Brandenburg Concerto No. 3 in G Major, BWV 1048 (1713) [Allegro] Adagio* Allegro * Adagio from Bach’s Trio Sonata in G Major, BWV 1038 (published 1860) Juilliard’s livestream technology is made possible by a gift in honor of President Emeritus Joseph W. Polisi, building on his legacy of broadening Juilliard’s global reach. Juilliard is committed to the diversity of our community and to fostering an environment that is inclusive, supportive, and welcoming to all. For information on our equity, diversity, inclusion, and belonging efforts, and to see Juilliard's land acknowledgment statement, please visit our website at juilliard.edu. 1 Members of the Juilliard Orchestra Program A WALKER Lyric for Strings First Violin Viola Kevin Zhu, Concertmaster Natalie Loughran, Principal Muyun Tang Joshua Kail Jaewon Wee Graham Cohen Adrian Steele Devin Moore Mai Matsumoto Cello Second Violin David Bender, Principal Mitsuru Yonezaki, Principal Sterling Elliott Oliver Neubauer Joshua McClendon Gabrielle Després Coco Mi Double Bass Nina Bernat, Principal Bennett Norris BRITTEN Prelude and Fugue, Op. 29 First Violin Viola Kevin Zhu, Concertmaster Devin Moore, Principal Phoenix Avalon Graham Cohen Jaewon Wee Natalie Loughran Adrian Steele Mai Matsumoto Cello Muyun Tang David Bender, Principal Michael Cantú Second Violin Eliana Razzino Yang Mitsuru Yonezaki, Principal Oliver Neubauer Double Bass Gabrielle Després Bennett Norris, Principal Coco Mi Nina Bernat 2 Program B J.S.